Rachell Ellen Wong is an incredibly gifted artist, playing with subtlety, passion, and great mastery over the instrument... I am sure there are many such fiendishly difficult pieces (perhaps by virtually unknown composers) that still remain to be unearthed and played to the enjoyment of modern audiences... ;-)
Beautiful!! Intonation is flawless, great style, very musical! I know this music and she makes something that is extremely difficult look easy :) Bravo!!!
Amazing performance! When I'm listening to that perfect transition at 10:54 when the Devil finally makes its entrance, I can't help thinking about "The Music of Erich Zahn" by H.P. Lovecraft. :)
I was going to put a like on it, but i already made it, what a shame we can't do it hundred of times. This performance is phenomal, i love the sul ponticello and the slow glissandi here and there (we can here that kind of things in some other recent "period recording" too (i'm thinking of "Chouchane Siranossian Tartini Concertos", i don't know if it's a modern addition to period playing or something existing for a long time now ?), it add so much to the atmosphere. The unissons are perfects, like everything else, from the choices of tempi, perfect technic to the wonderful sound recording, i'm in awe each time i listen to this. Thanks VoM and Rachell Ellen Wong for this, and please take the time to release your edition when the Devil will leave you some time ! :)
True inspiration, thank you 🙏 I can’t wait to learn it and try it out for myself. Just one question, what happened to most of “Tempo Giusto della Scuola Tartinista”? It’s like 4 pages long in the “manuscript/first edition” but you jumped from beginning to end…😮
There is no manuscript for this piece. There is a print from decades after Tartini's death, this performance is Rachell's reconstruction of what Tartini's original might have sounded like without later additions.
@@VoicesofMusic Thanks for the reply. It is a wonderful reconstruction and performance, truly inspiring! I was just wondering as I am working on this piece and wanted to make my own version. Keep up the good work!
8:55 makes me feel mischievous… Like I’m about talk someone into doing something that sounds like a good idea but will have _spectacular_ consequences either way while I kick back with a bag of snacks and enjoy the fireworks. It sounds like a deep, dark fancy taking shape in the back of your head. An idea momentous and terrible all the same.
In the time of Tartini, the violin had a short fingerboard, also the neck was very different, and players were required to learn to play the high notes without a fingerboard.
I think it's the best version I've heard of the devil's trill.
Thank you Giorgio, I will pass that along!
very true!
same here! Rachell is awesome!
no shit
hear, hear! this truly is of a different order of interpretation than the normal renditions...
This performance is a true revelation. Stunning in every respect!
Her rendition of the larghetto took me by surprise in all its intensity and drama
Even more than usual, the quality of this recording is astounding.
Lovely. I particularly like the duel sound of low and high notes played together, as if it is two players.
Rachell Ellen Wong is an incredibly gifted artist, playing with subtlety, passion, and great mastery over the instrument... I am sure there are many such fiendishly difficult pieces (perhaps by virtually unknown composers) that still remain to be unearthed and played to the enjoyment of modern audiences... ;-)
We look forward!
Rachell wong you are a rare gem on this universe, bow to you & surely the world will bow to you, no words to describe how beautiful this rendition.
Dreams really do come true... Thank you
I have never found a period accurate recording of this piece. Very excited!
Me neither. Thank you very much Rachel Wong and Voices of Music!!
Try the solo version by Andrew Manze.
Fabulous! A powerful interpretation by a superb violinist.
Brava!
I actually felt goosebumps. ❤ What a performance
Alot of emotion put into this
Beautiful!! Intonation is flawless, great style, very musical! I know this music and she makes something that is extremely difficult look easy :) Bravo!!!
Thank you very much!
Beautiful to the point tears!
Thank you so much for uploading this epic performance.
Our pleasure!
Her ornamentation is flawless! ❤❤❤❤
Rachell is amazing!
Love her playing!
Marvelous!
Thank you, Voices of Music.
Pure perfection and joy to listen to. Thank you.
Amazing artistry and technique… I am in awe ❤️
Masterful! Simply none better.
This woman... this version...
What an incredible interpretation. I am just flabbergasted. So beautiful.
Rachell rocks.
boeiend en interessant ! ik zal het vaker moeten beluisteren om alles er uit te halen , het is véél.
Rachell en Voices of Music zeer bedankt.
Mesmerising - a breathtakingly beautiful rendition of the Devil's Trill. Brava! Thank you for sharing this.
Thanks for listening!
Amazing performance!
When I'm listening to that perfect transition at 10:54 when the Devil finally makes its entrance, I can't help thinking about "The Music of Erich Zahn" by H.P. Lovecraft. :)
This is such a wonderful reference, it fits that story perfectly
@@eanhill5375 😃I'm very glad some know of this incredibly compelling text!
amazing interpretation!!! she's awesome!
Amazing performance
wow, senza basso, fantastic, Bravissimo
Wow!
Congratulations, Rachell!
Stunning performance. I love it 🔥
Simplesmente Bravíssimo!!!!
beautiful
Sublime!
Just amazing!
Mushroom Fog -- Sensational! Breathtaking!!! BRAVA !!
Beautiful. Just beautiful.
Thank you very much!
I was going to put a like on it, but i already made it, what a shame we can't do it hundred of times. This performance is phenomal, i love the sul ponticello and the slow glissandi here and there (we can here that kind of things in some other recent "period recording" too (i'm thinking of "Chouchane Siranossian Tartini Concertos", i don't know if it's a modern addition to period playing or something existing for a long time now ?), it add so much to the atmosphere.
The unissons are perfects, like everything else, from the choices of tempi, perfect technic to the wonderful sound recording, i'm in awe each time i listen to this. Thanks VoM and Rachell Ellen Wong for this, and please take the time to release your edition when the Devil will leave you some time ! :)
Simply wonderful. Thank You so much
Most welcome 😊
So beautiful! Well done!😁👍👏👏👏👏👏😍
OMG, perfect. Brava!
Thank you! Rachell is amazing.
Wow 100x100 cool !!! Top mood. Thank you.
Enjoy!
Looking forward to it 😍
Hope you like it!
@@VoicesofMusic I have no doubts that I will love it!
Bravo!
👏👏 SPLENDID
Parabéns Rachell .
Bravooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
Big applause for that violinist
34 segundos que valem como uma sonata completa!!
A sonata completa vai entrar no ar em poucas horas para a estreia, depois disso, você pode assisti-la a qualquer momento.
@@VoicesofMusic obrigado Voices of Music por tanta qualidade dos seus materiais!! Revolucionado o ambiente musical! Um abraço do Brasil.
Wonderfoul music 🎶🎻
BRAVO ！！！
Viva l'italia
👏👏 Fantatic
very impressive
Man, even Ray Chen’s vid doesn’t compare to this one 👌
Amazing!
Hermoso ♥ ♥ ♥
❤❤❤❤❤❤❤❤❤
She is phenomenal!!
Apparently, interpretation is based on the last trends in Baroque performance Practice
Love u all ❤
Really great performance. Exciting. Bravo! (And I'm a pro violinist)
Thank you! Much appreciated.
True inspiration, thank you 🙏 I can’t wait to learn it and try it out for myself. Just one question, what happened to most of “Tempo Giusto della Scuola Tartinista”? It’s like 4 pages long in the “manuscript/first edition” but you jumped from beginning to end…😮
There is no manuscript for this piece. There is a print from decades after Tartini's death, this performance is Rachell's reconstruction of what Tartini's original might have sounded like without later additions.
@@VoicesofMusic Thanks for the reply. It is a wonderful reconstruction and performance, truly inspiring! I was just wondering as I am working on this piece and wanted to make my own version. Keep up the good work!
Well, that jaw is made to hold a violin! Awesome piece, by the way!👌
1 problem: baroque violins are not meant to be held by the chin
8:55 makes me feel mischievous…
Like I’m about talk someone into doing something that sounds like a good idea but will have _spectacular_ consequences either way while I kick back with a bag of snacks and enjoy the fireworks.
It sounds like a deep, dark fancy taking shape in the back of your head. An idea momentous and terrible all the same.
Is that a baroque bow or a transitional bow that she's using? Either way, I loved the performance!
It may be a classical period bow, or a bow in between the baroque and modern bow
@@catalinaburgos6649 Thanks, but that's what I meant by "transitional bow."
She's using a Monteverdi Bow, it's a baroque bow but the tip is a bit lower like the modern bow.
@@owenmccarthy0625 oh! At first I read it like traditional bow, my bad!
@@catalinaburgos6649 No problem, mix-ups happen!
Is there a name for what she does at 8:53 ?
sul ponticello
Where is the cembalo?
06:18 OMG!
Agree!
if this isn't what tartini heard in his dream, then i really don't know what he did
Interesting interpretation, even though not ordinary, still good to hear
Has she published her edition?
I don't think so....
What's with the short fingerboard?
In the time of Tartini, the violin had a short fingerboard, also the neck was very different, and players were required to learn to play the high notes without a fingerboard.
@@VoicesofMusic Oh wow, that's pretty interesting. Thanks for replying. :D
An unfortunate name to an enjoyable piece.