Way back in 7th grade, we begged our music teacher to let us sing this song. He refused because he knew we would screech on the high notes. He finally relented and we screeched like there was no tomorrow.
@@Coneman3 I was just thinking earlier today that this feels like a signoff for the group in the same way that Let It Be played that part for The Beatles. Both have a feeling of acknowledging as ongoing but sometimes distant relationship, with the sense that the love is still there and it's okay to let go for now.
Just amazing how some things fall together. Two childhood friends, one turns about to be one of the greatest songwriters of all time and his buddy has the voice of an angel.
Here are the personnel Art Garfunkel - lead vocals Paul Simon - backing vocals Larry Knechtel - piano Joe Osborn - bass guitar Hal Blaine - drums and percussion Gary Coleman - vibraphone Jimmie Haskell, Ernie Freeman - string arrangements
Art Garfunkel's voice is an absolute treasure. Pure joy. I agree with you - his voice is divine. This is a truly beautiful song with an almost transcendental quality about it. The lines "If you need a friend, I'm sailing right behind" gives me goosebumps every time. And nobody does harmony like these two. Another favourite for me is The Boxer.
Thank you for doing this song. I really needed to hear it just now when I did. I just suffered a very personal loss and this song brought forth tears I needed to cry. There is no more emotionally provocative song that i know of. Calling it a masterpiece is no hyperbole.
Totally agree with this. We had this for my dads funeral last month. Bridge over troubled LP is one of the few surviving LPs on vinyl he had. It’s a special song
When you said here comes Paul...I believe that's still Art. Paul doesn't sing any verses on the song, he only sings background vocals. The studio musicians are the Wrecking Crew - Larry Knetchel on Piano, Hal Blaine drums, Joe Osborn bass. Paul is just credited as backing vocals (as well as composer). I know when they played it live years later, Paul would take the second verse. I've seen Art a couple times and I still get goose bumps when he sings it. The room is pin drop quiet. No one even moves a hair. It's magical.
Larry knechtel who played lead guitar for the group Bread and was a member of the session group "the wrecking crew" played the piano on this and with arts voice made this song all simon could envision
There's a wonderful pureness of thought in many of their arrangements, and such intelligent songwriting; but, it _is_ impossible to take your ears off that extraordinary vocal.
Thank you for loving this as much as I do. I have been saying for nearly two decades that, if Art Garfunkel and Karen Carpenter had had children together, at least one of them would have had the world's greatest ever pop/folk music singing voice.
Fantastic song but I still think a live track from 1969 called "For Emily, Whenever I May Find Her" is the most pure and powerful vocal performance from Garfunkel, full stop! Thanks Doug!
Jon Anderson and Chris Squire have stated when they started Yes they wanted to incorporate vocals stylings like the. Beach. Boys and Simon and Garfunkel. Yes covered America, so they were listening.... The I Get Up, I Get Down middle section of Close to the Edge always harkened me back to Scarborough Fair with its haunting sound and overlaying vocals. I think the boys in Yes also listened to Bridge over troubled waters more than a few times because the ending of close to the edge displays the same power and intensity as the ending to this masterpiece. Hey, if your gonna be influenced, you might as well be influenced by the best, right ya'all?
I think Bill Bruford mentioned the guys in Yes heard that Bridge Over Troubled Water took 3 months to record, so that was their go-ahead to take 3 months and 1 day to make Close To The Edge.
I grew up on Simon & Garfunkel and did not realize until I was an adult that this has the elements of a gospel song. I love how there is always something to learn from music as you get more life experience.
Great shout out for Art Garfunkel's vocals, I think you're spot on about his purity of voice. The only other male singer I think is close is Harry Nilsson.
And by the first chorus, Tom is in a puddle of tears. Every. Single. Time. If Peter Hammill taught me that I am not alone in my crushing depression and visions of suicide, this song keeps me from going through with it.
I love how in each successive verse, the vocals get louder and more reverb is added to them. By the end, they are positively triumphant. An amazing performance combined with sensitive production.
As a kid, my parents often had a couple over for dinner, and they all loved this album, especially, Cecilia. I'd be upstairs at midnight trying to get to sleep while they played that song over and over again. This may be Simon & Garfunkel's last album together, but to me it's their best, one that certainly demands a track-by-track analysis. 5:50 - 7:10 😪😥😢😭
I could have written the exact same thing. My parents loved this album. When Cecilia came on they cranked it up. I knew all the words to each song at 5 or 6 yrs old.
Happy Holidays, Doug. A brilliant song from two brilliant guys. The piano introduction is SO good, it's basically announcing that we're all about to hear one of the most epic songs ever written.
This was my favorite version of this song! This was Art's best voice. I've seen other performances where he holds back but this version he really shines.
I have no idea what it is about Simon & Garfunkel, but their classic songs sounds just as fresh today as they where when they came out. Amazing really. This one, Sound of Silence(prob. my favorite), The Boxer etc. Newer get tired listen to them or good covers of them.
@@squaaaaak3178 passable? Simon himself was in awe of Elvis's version. Elvis added so much body to the gospel phrasings. Art made it angelic, Elvis sang it like a man trying to atone for something, and it feels so real.
Are you aware that the piano was played by Larry Knechtel? He also played bass for the Doors, Guitar (the solo in Guitar Man) as a member of Bread. He was a session player in "The Wrecking Crew". Many hits. My session hero of the era. (I toured with Oingo Boingo '93, guitar, amongst other sessions, tours, gigs).
Doug, just a head's up - Where you say "iv to I" is actually iv dim to I (Ab dim to Eb). It's why Knechtel can put the B in the bass part of the piano underneath the F and G in the melody Art's singing and it still works.
Doug, for another almost perfect vocal, please do Forever Autumn" Justin hayward of the moody blues, was the voice Jeff Wayne wanted for this beautiful song, in fact when he contacted Justin, he asked, 'are you the guy who sang "Nights in White Satin"?? erm, yes!!! 😂😊🎶🎶
The reunion live version of this marvellous.. When Paul just disappears in to the back, to let Art shine alone, smiling at his friend.. And then comes back and lays his arm around Art.. Tears...
The first S&G song that I didn't know all the lyrics (actually I knew them, but never got the verses in correct order). Still know several. "For Emily, Wherever I May Find Her" is still my favorite. " Good God, don;t jump!"
When Paul wrote this for Art to sing he only wrote 2 versus. Someone told him he needed a 3rd verse and that's where Paul comes in. Beautiful song that still give me goose bumps.
I had read that at first, they didn't have the last verse. Garfunkle thought it should have a more dynamic ending with another verse. Finally Simon agreed and as he was not accustomed, he wrote the last verse as they were in the middle of sessions.
I will always remember the first time I heard this song. I had just parked my car and was planning to spend my afternoon shopping. The very beginning with the piano and then Art's beautiful voice caught my attention and I had to stay put to listen. What a journey- I was in tears by the end and I knew if was going to be song of the year. All these years later I still get teary listening to this masterpiece. This version far exceeds any other version, including Elvis Presley's.
The silver girl was Paul’s wife who was prematurely grey ..😊 Happy New Year and please more BIG BIG TRAIN in 2023 …. EAST COAST RACER live for example or THE UNDERFALL YARD sitting there behind you!
Like "Moon River" and few others, this is one of the few "perfect songs." The great Larry Knechtel on piano. He later of Bread, which deserves to be heard as well.
big, big thanks to Larry Knechtel for creating that iconic piano part... Larry Knechtel was the bassist, organist of Bread, and was the one who did the wahwah lead guitar in "The Guitarman"... since "Bridge" made a big hit, Bread included it in their shows, and it was voiced by James Griffin.
I grew up with this song and have had songbooks with this music taunting me ever since it was new. Finally, during the pandemic, I put together the best arrangement that I could with the music and my ear. It's thrilling.
There is an excellent vid on here about the making of that song. Larry Knechtel played the piano and contributed to the "gospel: sound Simon was looking for. Besides Art's voice, the magic was in the mixing on this one.
Doug, I love your skillful remarks, but above that , your human reaction, you could hear them before, the key is wise reaction, You got it , and a big heart ! Thanks . Mike
Can't remember if I told you this story before, but met Garfunkel when I was around 10 years old (loooong time ago). I was taking guitar lessons with a freind Lou Pearlman. His parents invited me over for dinner and told me to bring my guitar. When I arrived, Lou introduced me to his cousin Art. I had NO IDEA who he was. We played some guitar and he signed an autograph for me that I still have. Lou went on to form the Backstreet Boys and NSYNC, only to die in Federal prison for running a $300 million Ponzi scheme.
I know of people who think drum kits in the 1980s were too drenched in tasteless reverb. They need to hear THIS recording from a decade or more earlier. There's so much open space it's almost proto-ambient! Beautiful all around.
As a drummer, I was one of those people who hated the 80s drum sound. I found it obnoxious, too synthetic, and any time a drummer tried to do a fill that went beyond eighth notes, it turned into an electronic mess. The reverb applied to Hal Blaine's snare drum on this song is a whole different kettle of fish. The natural drum sound is still there, just given some extra sonic "make-up", so to speak. Plus, it's Hal f@#%in' Blaine, and that guy could make a single beat sound musical, not to mention that huge final explosion near the end.
"Sail on Silver Girl" makes me think of my dear sweet mother, now in a loftier clime, and whose dreams, through her children, are on their way, to fruition. She was always, always a bridge over troubled water, just like Pappy. Thanks for this. I heard it over on was it Papillon? No, Patreon, and was well worth revisiting. Now I look a mess. Peace and love. db
As has been documented, Paul Simon wrote the first two parts on guitar then asked Larry Knechtel to write the piano part which he did in a couple of days. Garfunkel then pushed for a third verse which Simon initially did not support but in the end wrote it. Larry Knechtel had a background in gospel music. He went on to join the group Bread.
4:17 - "Here comes Paul." Is that Paul Simon on the second verse? I thought it was Art Garkunkel on lead vocal all the way through. (Although, I have seen some live concert performances where Paul would take the second verse.)
Way back in 7th grade, we begged our music teacher to let us sing this song. He refused because he knew we would screech on the high notes. He finally relented and we screeched like there was no tomorrow.
what a good sport
There are few things in this world of ours that are as pure as this song.
It’s the perfect song of its type. As good as anything the Beatles wrote imo
@@Coneman3 I was just thinking earlier today that this feels like a signoff for the group in the same way that Let It Be played that part for The Beatles. Both have a feeling of acknowledging as ongoing but sometimes distant relationship, with the sense that the love is still there and it's okay to let go for now.
@@Coneman3 It beat out the Beatles for Best Song of the Year that year
Quite possibly, the most beautiful song ever recorded.
Indeed, it's an incredible song.
Just amazing how some things fall together. Two childhood friends, one turns about to be one of the greatest songwriters of all time and his buddy has the voice of an angel.
Here are the personnel
Art Garfunkel - lead vocals
Paul Simon - backing vocals
Larry Knechtel - piano
Joe Osborn - bass guitar
Hal Blaine - drums and percussion
Gary Coleman - vibraphone
Jimmie Haskell, Ernie Freeman - string arrangements
Thank You
Another "Wrecking Crew" studio musicians masterpiece!
Gary Coleman was only 2 years old when this was released! Watchoo talkin bout, Willis?
Gary Coleman on vibraphone? "What you talkin' about Willis?"...okay, somebody had to say this....
@@gettingkilt You and me both on that hahahaha
Art Garfunkel's voice is an absolute treasure. Pure joy. I agree with you - his voice is divine. This is a truly beautiful song with an almost transcendental quality about it. The lines "If you need a friend, I'm sailing right behind" gives me goosebumps every time. And nobody does harmony like these two. Another favourite for me is The Boxer.
To me, it's one of the most beautiful songs ever written. Amazing vocals and arrangements. Thanks for sharing.
That's an example of a song that gets everything it needs and nothing that it doesn't. It feels like a 7-minute epic, but it's only 4.48.
Thank you for doing this song. I really needed to hear it just now when I did. I just suffered a very personal loss and this song brought forth tears I needed to cry. There is no more emotionally provocative song that i know of. Calling it a masterpiece is no hyperbole.
I am so sorry for your loss, my friend. Wishing you peace and healing.
Totally agree with this. We had this for my dads funeral last month. Bridge over troubled LP is one of the few surviving LPs on vinyl he had. It’s a special song
🫂🫂🫂
Paul doesn't come in until the "Sail on silver girl........"
When you said here comes Paul...I believe that's still Art. Paul doesn't sing any verses on the song, he only sings background vocals. The studio musicians are the Wrecking Crew - Larry Knetchel on Piano, Hal Blaine drums, Joe Osborn bass. Paul is just credited as backing vocals (as well as composer). I know when they played it live years later, Paul would take the second verse. I've seen Art a couple times and I still get goose bumps when he sings it. The room is pin drop quiet. No one even moves a hair. It's magical.
Yes, that's Art.
I never noticed how Simon-like Art sounded on that part, but it's true. He really did sound like Simon there.
Larry knechtel who played lead guitar for the group Bread and was a member of the session group "the wrecking crew" played the piano on this and with arts voice made this song all simon could envision
He plays with such delicacy
There's a wonderful pureness of thought in many of their arrangements, and such intelligent songwriting; but, it _is_ impossible to take your ears off that extraordinary vocal.
Thank you for loving this as much as I do.
I have been saying for nearly two decades that, if Art Garfunkel and Karen Carpenter had had children together, at least one of them would have had the world's greatest ever pop/folk music singing voice.
Fantastic song but I still think a live track from 1969 called "For Emily, Whenever I May Find Her" is the most pure and powerful vocal performance from Garfunkel, full stop! Thanks Doug!
One of my favorite songs since childhood.
Fuuuuck, such a beautiful song. Haven't heard it in ages.
My niece was named for that song!
Completely agree 💪
Yeah, That song is perfect too !
Jon Anderson and Chris Squire have stated when they started Yes they wanted to incorporate vocals stylings like the. Beach. Boys and Simon and Garfunkel. Yes covered America, so they were listening.... The I Get Up, I Get Down middle section of Close to the Edge always harkened me back to Scarborough Fair with its haunting sound and overlaying vocals. I think the boys in Yes also listened to Bridge over troubled waters more than a few times because the ending of close to the edge displays the same power and intensity as the ending to this masterpiece. Hey, if your gonna be influenced, you might as well be influenced by the best, right ya'all?
I think Bill Bruford mentioned the guys in Yes heard that Bridge Over Troubled Water took 3 months to record, so that was their go-ahead to take 3 months and 1 day to make Close To The Edge.
And boy did they get it right. The I get up, I get down part always gets me. It really fills your mind and soul
I grew up on Simon & Garfunkel and did not realize until I was an adult that this has the elements of a gospel song. I love how there is always something to learn from music as you get more life experience.
Great shout out for Art Garfunkel's vocals, I think you're spot on about his purity of voice. The only other male singer I think is close is Harry Nilsson.
chills is the only way to describe this 🥶😊🎼🎵🎶🎶
And by the first chorus, Tom is in a puddle of tears. Every. Single. Time. If Peter Hammill taught me that I am not alone in my crushing depression and visions of suicide, this song keeps me from going through with it.
You are not alone, Tom. We are thankful that you are here and part of The Daily Doug community. Wishing you peace, my friend.
@@Doug.Helvering Thanks, Doug . Glad to be here.
Right there with you Tom.
I love how in each successive verse, the vocals get louder and more reverb is added to them. By the end, they are positively triumphant. An amazing performance combined with sensitive production.
As a kid, my parents often had a couple over for dinner, and they all loved this album, especially, Cecilia. I'd be upstairs at midnight trying to get to sleep while they played that song over and over again. This may be Simon & Garfunkel's last album together, but to me it's their best, one that certainly demands a track-by-track analysis. 5:50 - 7:10 😪😥😢😭
I could have written the exact same thing. My parents loved this album. When Cecilia came on they cranked it up. I knew all the words to each song at 5 or 6 yrs old.
Another favorite of mine on this album is "The Only Living Boy in New York". The vocal harmonies on that track are stunning!
A brilliant song
Hear, hear.
Beautiful.❤
That's about as beautiful as a piece of music can get.
An amazing song in so many ways. "Sail on silver girl .." gets me every time.
Happy Holidays, Doug. A brilliant song from two brilliant guys. The piano introduction is SO good, it's basically announcing that we're all about to hear one of the most epic songs ever written.
Wonderful song, kills me every time I listen, slayed. Merry Christmas Doug and all!
Never fails to give me chills and teary eyes. Sublime.
Absolutely the most perfect song ever written!💖💖💖
This was my favorite version of this song! This was Art's best voice. I've seen other performances where he holds back but this version he really shines.
What an amazing job by Larry Knechtel on the piano .
I have no idea what it is about Simon & Garfunkel, but their classic songs sounds just as fresh today as they where when they came out. Amazing really. This one, Sound of Silence(prob. my favorite), The Boxer etc. Newer get tired listen to them or good covers of them.
What a gorgeous song.... I can't imagine hearing anyone other than Art Garfunkel sing it.
Elvis did a passable job, in his own inimitable style.
I really agree, but for a really standout cover check out Roberta Flack with the Newark Boys Choir cover
@@squaaaaak3178 passable? Simon himself was in awe of Elvis's version. Elvis added so much body to the gospel phrasings. Art made it angelic, Elvis sang it like a man trying to atone for something, and it feels so real.
Are you aware that the piano was played by Larry Knechtel? He also played bass for the Doors, Guitar (the solo in Guitar Man) as a member of Bread. He was a session player in "The Wrecking Crew". Many hits. My session hero of the era. (I toured with Oingo Boingo '93, guitar, amongst other sessions, tours, gigs).
Doug, just a head's up - Where you say "iv to I" is actually iv dim to I (Ab dim to Eb). It's why Knechtel can put the B in the bass part of the piano underneath the F and G in the melody Art's singing and it still works.
This awesome song is such a comfort to listen to when you are having a hard time.
Soul stirring are the words to descibe this heartfelt beauty...Ty brother
Doug, for another almost perfect vocal, please do Forever Autumn" Justin hayward of the moody blues, was the voice Jeff Wayne wanted for this beautiful song, in fact when he contacted Justin, he asked, 'are you the guy who sang "Nights in White Satin"?? erm, yes!!! 😂😊🎶🎶
Not only is this one of the most beautiful songs ever recorded, it is one of the most perfect recordings ever.
@michaelschey1084: Roy Hallee, engineer extraordinaire.
Almost a musical sigh so well composed.
Like an Angel from heaven delivering the perfect song emotionally touching all earthling souls!
Great song. Happy christmas Doug, thank you for the great videos. A fan from the Netherlands.
We didn't have many albums in our house when I was young, but this was one of them.
The reunion live version of this marvellous.. When Paul just disappears in to the back, to let Art shine alone, smiling at his friend.. And then comes back and lays his arm around Art.. Tears...
An exquisite arrangement and performance.
This song is just one of those songs, you just sit back, listen and enjoy it’s sounds, the music itself, and how you react to it.
An old friend of mine used to sing this as "Like a bridge over Ethel Waters". It rings a bit differently that way.
Art Garfunkel sings all the lead vocals on this song
Merry Christmas, Doug. Loved listening to your commentaries this year.
Thank you friend, wishing you peace and happiness in the new year.
Paul joins Art for a few lines beginning with "Sail on silver girl..."
The first S&G song that I didn't know all the lyrics (actually I knew them, but never got the verses in correct order). Still know several. "For Emily, Wherever I May Find Her" is still my favorite. " Good God, don;t jump!"
When Paul wrote this for Art to sing he only wrote 2 versus. Someone told him he needed a 3rd verse and that's where Paul comes in. Beautiful song that still give me goose bumps.
I'm so glad to have grown up with this song. I was alive when it was recorded and am in no way surprised that it has endured for a half century.
Art Garfunkels voice is the pure icing to an already "purfect" song
I had read that at first, they didn't have the last verse. Garfunkle thought it should have a more dynamic ending with another verse. Finally Simon agreed and as he was not accustomed, he wrote the last verse as they were in the middle of sessions.
I will always remember the first time I heard this song. I had just parked my car and was planning to spend my afternoon shopping. The very beginning with the piano and then Art's beautiful voice caught my attention and I had to stay put to listen. What a journey- I was in tears by the end and I knew if was going to be song of the year. All these years later I still get teary listening to this masterpiece. This version far exceeds any other version, including Elvis Presley's.
I cry every time I hear this. Every time. Not because of a personal story just because of the words.
The silver girl was Paul’s wife who was prematurely grey ..😊 Happy New Year and please more BIG BIG TRAIN in 2023 …. EAST COAST RACER live for example or THE UNDERFALL YARD sitting there behind you!
Larry Knechtel on piano. Legend.
Thanks a lot for taking up this song. I love it since I was a small boy.
Like "Moon River" and few others, this is one of the few "perfect songs." The great Larry Knechtel on piano. He later of Bread, which deserves to be heard as well.
This beautiful song always makes me cry.
such a legendary song, one of the most divine songs ever created
I love watching you love music :-)
Thank you for reminding me of this song. I haven't heard this one in years.
Still gives goosebumps after all these years!
I love this song and I'm thankful for all you said about it. This song really touched my heart.
big, big thanks to Larry Knechtel for creating that iconic piano part... Larry Knechtel was the bassist, organist of Bread, and was the one who did the wahwah lead guitar in "The Guitarman"... since "Bridge" made a big hit, Bread included it in their shows, and it was voiced by James Griffin.
Totally agree with your observations on Art' Garfunkel's voice, just stunningly beautiful
I grew up with this song and have had songbooks with this music taunting me ever since it was new. Finally, during the pandemic, I put together the best arrangement that I could with the music and my ear. It's thrilling.
On guitar with dropped D tuning for some of those chilling bass notes.
There is an excellent vid on here about the making of that song. Larry Knechtel played the piano and contributed to the "gospel: sound Simon was looking for. Besides Art's voice, the magic was in the mixing on this one.
Doug, I love your skillful remarks, but above that , your human reaction, you could hear them before, the key is wise reaction, You got it , and a big heart ! Thanks . Mike
Can't remember if I told you this story before, but met Garfunkel when I was around 10 years old (loooong time ago). I was taking guitar lessons with a freind Lou Pearlman. His parents invited me over for dinner and told me to bring my guitar. When I arrived, Lou introduced me to his cousin Art. I had NO IDEA who he was. We played some guitar and he signed an autograph for me that I still have. Lou went on to form the Backstreet Boys and NSYNC, only to die in Federal prison for running a $300 million Ponzi scheme.
I know of people who think drum kits in the 1980s were too drenched in tasteless reverb. They need to hear THIS recording from a decade or more earlier. There's so much open space it's almost proto-ambient! Beautiful all around.
As a drummer, I was one of those people who hated the 80s drum sound. I found it obnoxious, too synthetic, and any time a drummer tried to do a fill that went beyond eighth notes, it turned into an electronic mess. The reverb applied to Hal Blaine's snare drum on this song is a whole different kettle of fish. The natural drum sound is still there, just given some extra sonic "make-up", so to speak. Plus, it's Hal f@#%in' Blaine, and that guy could make a single beat sound musical, not to mention that huge final explosion near the end.
Fantastic song. Timeless.
a beautiful reaction to such an epic tune & as you say, recording.
THE greatest male voice in popular music bar none ... Art Garfunkel ..an angel on earth
"The Boxer" by Simon and Garfunkel is right up your alley Doug. That ending section!
"Sail on Silver Girl" makes me think of my dear sweet mother, now in a loftier clime, and whose dreams, through her children, are on their way, to fruition. She was always, always a bridge over troubled water, just like Pappy. Thanks for this. I heard it over on was it Papillon? No, Patreon, and was well worth revisiting. Now I look a mess. Peace and love. db
This. Absolutely this.
Happy Holidays Doug and Megan. I wish you a happy new music year ✨✨🎶🎶❤❤
This is the song that my parents consider "their song" :')
❤❤
Beautiful song from the best of their amazing albums.
That's still Art singing the second verse. Paul only comes in with the strings.
he is proof artist don't need auto tuners
As has been documented, Paul Simon wrote the first two parts on guitar then asked Larry Knechtel to write the piano part which he did in a couple of days. Garfunkel then pushed for a third verse which Simon initially did not support but in the end wrote it. Larry Knechtel had a background in gospel music. He went on to join the group Bread.
Larry Knechtel played piano on this song. He won a Grammy for his performance. Larry was a member of the storied Wrecking Crew.
Such an amazing song sung by amazing singers
It's an incredible album. I also love the bass playing on it.
Oh yes, it really is! Just bought it for 5 quid (pounds) at a record fair here in Exeter, UK. It's majestic and magnificent.
The first power ballad? :-) Such an amazing performance by Art Garfunkel.
4:17 - "Here comes Paul." Is that Paul Simon on the second verse? I thought it was Art Garkunkel on lead vocal all the way through. (Although, I have seen some live concert performances where Paul would take the second verse.)
It's Art.
What a 💎 gem of a song.
The song is divine.
SIR, WHY ARE YOU NOT CRYING?????!! 😭 I'm in tears.
When you said “here comes Paul”, you’re wrong, it’s still Art. Totally different voice. Paul comes in later with Art and the rest of the instruments.
"I get the high part". too funny. so do I. much to my wife's chagrin.!
Thanks Doug. A masterpiece whatever your perspective.
Art Garfunkel and Bobby Hatfield both divine vocalists
Its wonderful
Paul Simon is a genius.one of the best songwriters of my time.