I still remember the first time I heard that opener hit. I was running around the stadium trying to use a bathroom after our performance and I was stopped in my tracks. What a phenomenal moment.
Something about this show, out of all other Crown's productions, displays the absolute essence of what drum corps is. I believe it contains all facets of our activivity. Including; the preservation of tradition, in that everything from uniforms to militaristic values of excellence, honor, blood, sweat, and tears, getting things done right when it counts. The style is all there, in the precision of the entire ensemble, working together to accomplish a mission. The mission was accomplished. The music is what pulls me in more than anything. "Finis", is an example of superior musical arrangement, as well as visual design and execution. Hands down, my go-to performance. I enjoy the experience every time I watch "Finis", and I seem to always discover something new. My favorite is the Claire de Lune segue into Leonard Bernstein's "Somewhere", then back. As though it was naturally that way.
If the preservation of tradition were to be done to its fullest extent, then there would be rope snare drums, no pit, soprano bugles with no valves or crooks, fifes, colorguard uniforms matching the horn uniforms, and Lee Enfelds being used as rifles.
The opening hit at 1:29 is what you show someone who has never seen drum corps before "oh, cool... they're moving around fast... they're playing... cool....cool...." KABLAM biggest opening hit of all time
@@NotAJollyPotato I just gave a listen to that one since since mentioned, nah still think this one has a bigger impact just because of the intense contrast between the Candide and the big hit explosion 🎊
We knew that moment was going to be "the shot", we rehearsed it so much. I'm the furthest mellophone back (still forward marching) during that set. It was the best moment to perform.
The best part about the closer, all those drill moves were from different corps closer throughout history. Stepping over the guard was Cavies from the 70's. Also the Gafield z pull from 83 maybe. As well as SCV and others I have yet to identify.
@@CeriusDelugeDiamond Cutters in the Barotones/Euphoniums, I forget what you call the circle to cross to box the Contras were doing. I know they told us all the references, but it's been 15 years and my band brain has withered.
Brady Lenz their drum line literally sounded like rocks tumbling around in a dryer on finals night. I was there. 2008 Finals is by far the single worst performance I have ever seen from any edition of the Blue Devils’ battery, including tapes from the 70s. Their battery cost them the night, and rightfully so, because they were absolute garbage that night.
@@leaguemaskthaamumugod7552 I marched spirit in 08. We got 15th so I was sitting in the stands on finals night. BD could have won. They had a bad finals run. Agreeing with the sentiments above about the drumline and the hornline had a dirty run. At least thats what I hard with my own two ears from the sideline. A lot of trumpet inconsistencies. Other than that I love all DCI and think it is the coolest thing on the planet. GE wise BD's show was the one that was underwhelming compared to Regiment's design and execution . IMO
Just an absolutely insane show. Magnificent. From the guard to the perfection of the drill and the musical arrangement and performance from the brass. That’s damn near the most perfect show in DCI history... yet it didn’t win? The irony
I so miss this era of DCI. It was about clean music and clean marching. Now it’s about putting your instrument down and acting like a ballerina for half the show. Don’t get me wrong, I love some of the new and newer shows, but a lot of it has gone outside of the good old traditional DCI shows that gave you chills every minute.
Great opener, great horn line, great drill. But the piece that clinched this show as one of my favorites is the attention to detail at the end when the corps formed an imperial crown using the IU logo as the jewel on top!
Arguably the BEST year of drum corps EVER. I know, it’s biased, but I’ve seen the last 20 years live at finals and this HANDS DOWN was the greatest most memorable and brilliant year! 2008 and the top 4 were MAGNIFICENT AND MAGICAL 🤩💥
I'm with your band members with my trombone singing, in my dreams its' 1974 Buckhannon Upshur Highschool again ,I played to the hilt and sometimes gentle: miss those times. 65 years old, how did I get this old? I want to march. Get down C.S.; what a high point in my life at WAMSB in my hometown 2023.
Wow first time watching this show won’t be the last. Shows like this make me appreciate the amount of work guard does. They where incredible. Brass kicking ass as usual. Percussion not my favorite year :(
Their percussion didn’t start getting good till 2017. In 2019 they added a 6th bass drum to their battery and it added a lot more clarity to the drumline to help support that massive hornline.
Jose Hill crown 2009’s battery was top notch, and 2016 is when they got super good again. Nobody remembers it, but crown’s drumline was beefy and super clean in 2016
Whatever happened to shows like these. The clean lines, formations, Music power, marching? That’s what DCI was. Now it’s all gimmicks props all over the field and even corps dancing. I remember being in band and watching shows like these inspired us to play and March in a higher level. Just an opinion. What do you guys think?
I'm the woodwind instructor for my old high school marching band (I'm 23 years old), and anecdotal evidence from my students suggests that current generation shows inspire them to "play and March in a higher level." Interestingly, when I showed them my DVD copy of 2001 Cavaliers and 2001 Blue Devils, one of them said, "It's amazing to see how much DCI has grown over the years, with the props, uniforms, drill, and synthesizers. Not to say that these old shows aren't technically impressive, but still." Mind you, 2001 isn't 2008. Uniforms somewhat evolved between those years, amplification became a thing, G-bugles became an anti-thing, horn books became more and more demanding, and the performance quality of the 7th-12th place corps improved back to 1988/1991 levels. I guess some people could gush at a 2003 show but cry fowl about a 2008 show. When drum corps was first broadcasted on television in 1974, the high school marching band world was mesmerized. Looking at shows from that era now, it is easy for many to write them off as a curiosity (although the poor audio engineering may have had a negative impact on younger peoples' opinions on them). If you take a closer look, however, there is a lot going on. Rifles were heavier and thus harder to accurately manipulate. You didn't have people jazz-running everywhere, but there was a lot of high-stepping, taking a similar toll on their lungs and legs. Horns from that era were in the key of G and had only a piston valve and a rotary valve. Therefore, the quality of sound from those hornlines is a miracle! Music from that era was also generally more catchy and accessible. In 1976, the Bridgemen rebranded themselves, utilizing a bunch of silly Broadway shenanigans and gloriously garishly 70s banana uniforms. They were highly controversial for those reasons, with older fans crying fowl that drum corps was dead thanks to the Bridgemen. Boy, wouldn't they be in for a shock if they saw 2022 shows!
@@MicahtheDrumCorpsPseudoboomerthey would probably have went to the DCI headquarters and burnt the place down with no remorse and made a new company called "MCA" "Military Corps of America" and would make drum corps turn back time to ONLY play classical marches in their corps shows 😂
There are a small but vocal minority of drum corps pseudoboomers in this comments section (myself included), and I find that....interesting. I first became a drum corps pseudoboomer back in 2014, when I was a high school freshman. I, like so many other high school first yearers in marching band, fell in love with drum corps when I saw the theater broadcast of the 2014 DCI World Championships. A few months later at my last competition in November, I picked up a DVD titled "Inside the Blue Devils: 1996-1999." When I plugged the DVD into my DVD player once I got home, I REALLY fell in love with drum corps--from that era. Those shows made it hard for me to go back to watching 2014 and 2015 drum corps shows, and I even lamented the adoption of front ensemble amplification in marching band. While I'm surprised to see brand new drum corps boomers, I think about it again and realize that I'm even more of a drum corps boomer, so....screw it.
I’d really like to know the specific drill moves at the end and their relation to other closers. Crab-step wedge, Phantom 93. Cadets’ Z-pull. Company front step over, many have done it. Cavies’ gradual spinning diamond, I saw another Cavies drill above the Z pull. Am I missing any?
Damn it Crown!!! Nineteen seconds of the most epic badassery has, yet again, reduced me to a puddle of gelatinous goo that wants to run to a corner in my room, cower there and suck my thumb and cry for mommy, all the while expecting to see God descend from the heavens with lightning bolts being emitted from His eyes and smoke from His nose and fire from His mouth...harkening the eminent destruction of EVERYTHING as we know it. WOW... EDIT: And an ending that brought what was left of the universe as we knew it, together in cosmic harmony...HA!!! My life is complete!
Can anyone tell me where i can find the source music for the first hit of the show???? I’m an arranger for some local bands and i REALLY want to use that opening hit. (Not talking about the Candide stuff before it though it was 🔥❤️)
As far as I know it’s a rather heavily rearranged arrangement of the end of toccata and fuge in d minor by Bach. It’s the ending chord progression i believe.
Overture to Candide-Leonard Bernstein Toccata and Fugue in D Minor- J.S Bach Overture to Barber of Seville-Gioachino Rossini Ode to Joy- Ludwig van Beethoven Claire de Lune-Claude Debussy One Hand One Heart and Somewhere from West Side Story-Bernstein Hungarian Rhapsody No. 2-Franz Liszt Festive Overture-Dmitri Shostakovich 1812 Overture- Peter Tchaikovsky Appalachian Spring- Aaron Copland Hallelujah from Messiah- George Händel
![เปิดใจ พี่ญา คนรุม หลังทัวร์ลง หนักสุดในชีวิต!! l [Nickynachat]](http://i.ytimg.com/vi/2-OJZRtclro/mqdefault.jpg)
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I still remember the first time I heard that opener hit. I was running around the stadium trying to use a bathroom after our performance and I was stopped in my tracks. What a phenomenal moment.
One of those hits that you feel
in your gut like you've been stabbed. In a good way
It killed me too!
what corps did you march?
All corps are loud but Crown is one of the few that can stop the world with their sound.
That opener gives me chills every time.
Its based on the piece "Overture to candide"
**sudden pause** BWWWAAAAAAAAAAAAHHHHHHH!!!!!!!!!
edit: E
That opener is everything!!!
2008 was my favorite year of DCI in its entire history. The Top 4 corps were all stellar. Can you believe this got 4th place?!
Idk, 2014 was a tough competition year, so was 2002
Twinsies
Same. Loudest crowd I ever heard live. Especially when 2nd place was announced.
1995 Madison scouts was a good show
That's one badassssssss opener
Something about this show, out of all other Crown's productions, displays the absolute essence of what drum corps is.
I believe it contains all facets of our activivity. Including; the preservation of tradition, in that everything from uniforms to militaristic values of excellence, honor, blood, sweat, and tears, getting things done right when it counts. The style is all there, in the precision of the entire ensemble, working together to accomplish a mission. The mission was accomplished.
The music is what pulls me in more than anything. "Finis", is an example of superior musical arrangement, as well as visual design and execution. Hands down, my go-to performance. I enjoy the experience every time I watch "Finis", and I seem to always discover something new. My favorite is the Claire de Lune segue into Leonard Bernstein's "Somewhere", then back. As though it was naturally that way.
If the preservation of tradition were to be done to its fullest extent, then there would be rope snare drums, no pit, soprano bugles with no valves or crooks, fifes, colorguard uniforms matching the horn uniforms, and Lee Enfelds being used as rifles.
The opening hit at 1:29 is what you show someone who has never seen drum corps before
"oh, cool... they're moving around fast... they're playing... cool....cool...."
KABLAM biggest opening hit of all time
crown 2016 opener hit is the biggest
That Contra line added so much POWER...what's even better, the closing hit was even more powerful!!! Brought me to tears!!
The finest opening hit in all of drum corps.
I don't know. I think their 2017 opener could just top it.
I saw this show in Fauquier cty during the season and I remember - for me at least - this was the first time I realized they were a top 6 drumcorps
That hit told everyone else that their hornlines are now irrelevant. However look up their opener for 2011, 2013, and 2016.
Jose Hill and 2012
@@NotAJollyPotato I just gave a listen to that one since since mentioned, nah still think this one has a bigger impact just because of the intense contrast between the Candide and the big hit explosion 🎊
Look down at the center marimba at about 10:30 after the clean marimba run.
That Camera Cut at 1:34 to the beat and then that perfect marching technique playing FFFFFFFFF. Im dead. It just doesn't get much better than that.
We knew that moment was going to be "the shot", we rehearsed it so much. I'm the furthest mellophone back (still forward marching) during that set. It was the best moment to perform.
I love the closer with the company front and stepping over the color guard and the epic brass that Crown is now so famous for.
The best part about the closer, all those drill moves were from different corps closer throughout history. Stepping over the guard was Cavies from the 70's. Also the Gafield z pull from 83 maybe. As well as SCV and others I have yet to identify.
Andreas Grell it’s a reference to Phantom when they did War and Peace.
Finis: The show was all about finding the perfect ending. It's an ode to Cavaliers 1980 closer: th-cam.com/video/0UTX6Nbrehs/w-d-xo.html
@@CeriusDeluge the one crown turning into another crown was a play on Star's "cross to cross" drill
@@CeriusDelugeDiamond Cutters in the Barotones/Euphoniums, I forget what you call the circle to cross to box the Contras were doing.
I know they told us all the references, but it's been 15 years and my band brain has withered.
This show will always be my favorite cause it’s the last time my father who passed away in 2020 went with me to the finals 🥺❤️❤️
I love this
This would have won up against any show that wasn’t Spartacus...damn it Phantom.
I need a nap
I mean they never even beat BD that season
So it wouldn’t have won at all
Well. Spartacus was anything but a flawless show. I enjoyed this show musically WAYYYY more.
@@Ryan-dz7mg yea but BD just get shoved into the top 3 ever year regardless of concept
Brady Lenz their drum line literally sounded like rocks tumbling around in a dryer on finals night. I was there. 2008 Finals is by far the single worst performance I have ever seen from any edition of the Blue Devils’ battery, including tapes from the 70s. Their battery cost them the night, and rightfully so, because they were absolute garbage that night.
@@leaguemaskthaamumugod7552 I marched spirit in 08. We got 15th so I was sitting in the stands on finals night. BD could have won. They had a bad finals run. Agreeing with the sentiments above about the drumline and the hornline had a dirty run. At least thats what I hard with my own two ears from the sideline. A lot of trumpet inconsistencies. Other than that I love all DCI and think it is the coolest thing on the planet. GE wise BD's show was the one that was underwhelming compared to Regiment's design and execution . IMO
14 years later, I still consider this one of my favorite shows regardless of place.
Just an absolutely insane show. Magnificent. From the guard to the perfection of the drill and the musical arrangement and performance from the brass. That’s damn near the most perfect show in DCI history... yet it didn’t win? The irony
Deserved second
hey well, 2009 2010,and 2012 are possibly even greater than this show.... from crown of course :) only their own shows outdo previous shows
@@TheSynergy40 Why no 2011??? That opener gives me goosebumps every time
5:41 trumpet on the left is a looong boi
Look closely his top makes it look like his upper body is out of proportion
Love their orchestral sound...full, powerful, and in tune. Love that hornline and battery, and the guard is always on point.
This is when you knew Crown was officially going to be a top 5 corps. This show. That brass line. They haven’t finished outside the top 5 since.
This is where the Crown we know and love today started. Glad I got to see this show live!
I so miss this era of DCI. It was about clean music and clean marching. Now it’s about putting your instrument down and acting like a ballerina for half the show. Don’t get me wrong, I love some of the new and newer shows, but a lot of it has gone outside of the good old traditional DCI shows that gave you chills every minute.
One of their best shows. Beautiful music and marching. NO props which they overused in the past.
Has Crown made their technique more relaxed since this show?
Yeah, it changed around the time of '11/'12 because of visual staff change.
This show most definitely should have medalled! Placements should have been 1. PR, 2. CC, 3. Cavies. BD show was… nvm I won’t be negative.
Great opener, great horn line, great drill. But the piece that clinched this show as one of my favorites is the attention to detail at the end when the corps formed an imperial crown using the IU logo as the jewel on top!
1:40 - Herbert is color guard royalty. I miss seeing him perform!
Arguably the BEST year of drum corps EVER. I know, it’s biased, but I’ve seen the last 20 years live at finals and this HANDS DOWN was the greatest most memorable and brilliant year! 2008 and the top 4 were MAGNIFICENT AND MAGICAL 🤩💥
I'm with your band members with my trombone singing, in my dreams its' 1974 Buckhannon Upshur Highschool again ,I played to the hilt and sometimes gentle: miss those times. 65 years old, how did I get this old? I want to march. Get down C.S.; what a high point in my life at WAMSB in my hometown 2023.
That Contra line(sweet 16) was epic...added so much POWER by FAR one of best productions!!
(except they're tubas, not contras)
@@keemezyes they are called Contrabass Tubas.....are you happy now, does that make the show more enjoyable for you now?
. . .
no
that's like saying a sopranino soprano.
give up.
@@keemez or maybe you should educate yourself.....now go be a killjoy somewhere else. Still one the best Contra sections ever.
pretty sure my alumni status of the activity WHEN THERE ACTUALLY WERE CONTRAS IN IT..... is education enough, young one. move along.
The opening hit and final hit is amazing
Wow first time watching this show won’t be the last. Shows like this make me appreciate the amount of work guard does. They where incredible. Brass kicking ass as usual. Percussion not my favorite year :(
Their percussion didn’t start getting good till 2017. In 2019 they added a 6th bass drum to their battery and it added a lot more clarity to the drumline to help support that massive hornline.
Jose Hill crown 2009’s battery was top notch, and 2016 is when they got super good again. Nobody remembers it, but crown’s drumline was beefy and super clean in 2016
Carter Duggins in 2016 they finished in 5th but yeah they were beefy. You are correct about 2009 though. Can’t believe I missed that one.
Man like 2005-2010 is great too.
So glad I was on tour to see this a couple times that summer. I love drum corps
Lmaoooo I’ve watched this at least a hundred times and never noticed that
Classical music medley
Cornelia Riasdita it’s the ending of a bunch of classical hits...hence the show’s name Finis as everything is finished.
Whatever happened to shows like these. The clean lines, formations, Music power, marching? That’s what DCI was. Now it’s all gimmicks props all over the field and even corps dancing. I remember being in band and watching shows like these inspired us to play and March in a higher level. Just an opinion. What do you guys think?
I'm the woodwind instructor for my old high school marching band (I'm 23 years old), and anecdotal evidence from my students suggests that current generation shows inspire them to "play and March in a higher level." Interestingly, when I showed them my DVD copy of 2001 Cavaliers and 2001 Blue Devils, one of them said, "It's amazing to see how much DCI has grown over the years, with the props, uniforms, drill, and synthesizers. Not to say that these old shows aren't technically impressive, but still." Mind you, 2001 isn't 2008. Uniforms somewhat evolved between those years, amplification became a thing, G-bugles became an anti-thing, horn books became more and more demanding, and the performance quality of the 7th-12th place corps improved back to 1988/1991 levels. I guess some people could gush at a 2003 show but cry fowl about a 2008 show.
When drum corps was first broadcasted on television in 1974, the high school marching band world was mesmerized. Looking at shows from that era now, it is easy for many to write them off as a curiosity (although the poor audio engineering may have had a negative impact on younger peoples' opinions on them). If you take a closer look, however, there is a lot going on. Rifles were heavier and thus harder to accurately manipulate. You didn't have people jazz-running everywhere, but there was a lot of high-stepping, taking a similar toll on their lungs and legs. Horns from that era were in the key of G and had only a piston valve and a rotary valve. Therefore, the quality of sound from those hornlines is a miracle! Music from that era was also generally more catchy and accessible.
In 1976, the Bridgemen rebranded themselves, utilizing a bunch of silly Broadway shenanigans and gloriously garishly 70s banana uniforms. They were highly controversial for those reasons, with older fans crying fowl that drum corps was dead thanks to the Bridgemen. Boy, wouldn't they be in for a shock if they saw 2022 shows!
@@MicahtheDrumCorpsPseudoboomerthey would probably have went to the DCI headquarters and burnt the place down with no remorse and made a new company called "MCA" "Military Corps of America" and would make drum corps turn back time to ONLY play classical marches in their corps shows 😂
this show is so overhated, i think the music flows well into each other and there's no dead parts like other shows.
There are a small but vocal minority of drum corps pseudoboomers in this comments section (myself included), and I find that....interesting. I first became a drum corps pseudoboomer back in 2014, when I was a high school freshman. I, like so many other high school first yearers in marching band, fell in love with drum corps when I saw the theater broadcast of the 2014 DCI World Championships. A few months later at my last competition in November, I picked up a DVD titled "Inside the Blue Devils: 1996-1999." When I plugged the DVD into my DVD player once I got home, I REALLY fell in love with drum corps--from that era. Those shows made it hard for me to go back to watching 2014 and 2015 drum corps shows, and I even lamented the adoption of front ensemble amplification in marching band.
While I'm surprised to see brand new drum corps boomers, I think about it again and realize that I'm even more of a drum corps boomer, so....screw it.
At all times you could those contras! Love that balance.
8:07 wow. Unbelievable transition
From there through the next thirty seconds...
This is just beautiful…..
Holy good god that opener
Classical pops - awesome show
Just realized where my school director got the inspiration for my freshman show opener... wow
Free replay button: 1:29
Nobody does openers like Crown!
This show is fucking awesome
I’d really like to know the specific drill moves at the end and their relation to other closers. Crab-step wedge, Phantom 93. Cadets’ Z-pull. Company front step over, many have done it. Cavies’ gradual spinning diamond, I saw another Cavies drill above the Z pull. Am I missing any?
Damn it Crown!!! Nineteen seconds of the most epic badassery has, yet again, reduced me to a puddle of gelatinous goo that wants to run to a corner in my room, cower there and suck my thumb and cry for mommy, all the while expecting to see God descend from the heavens with lightning bolts being emitted from His eyes and smoke from His nose and fire from His mouth...harkening the eminent destruction of EVERYTHING as we know it. WOW...
EDIT: And an ending that brought what was left of the universe as we knew it, together in cosmic harmony...HA!!! My life is complete!
I'll have whatever you were smokin'
BRAVO!!!!! 👏🏻
Incroyable
Just wow
1:18 top drum beats that slap that have absolutely no right to
1:28 was when CrownBrass finally pulled the trigger and became the best hornline in DCI history.
Can anyone tell me where i can find the source music for the first hit of the show???? I’m an arranger for some local bands and i REALLY want to use that opening hit. (Not talking about the Candide stuff before it though it was 🔥❤️)
As far as I know it’s a rather heavily rearranged arrangement of the end of toccata and fuge in d minor by Bach. It’s the ending chord progression i believe.
nothing is as cool as stepping in one large line over your color guard
1:28
Anyone know who the percussion arrangers were?
Lee Beddis and Andrew Markworth
No amplification of the winds or drums. No singing. The way drum corps / marching band is supposed to be.
Could anyone list the name of the musics for this show?
Overture to Candide-Leonard Bernstein
Toccata and Fugue in D Minor- J.S Bach
Overture to Barber of Seville-Gioachino Rossini
Ode to Joy- Ludwig van Beethoven
Claire de Lune-Claude Debussy
One Hand One Heart and Somewhere from West Side Story-Bernstein
Hungarian Rhapsody No. 2-Franz Liszt
Festive Overture-Dmitri Shostakovich
1812 Overture- Peter Tchaikovsky
Appalachian Spring- Aaron Copland
Hallelujah from Messiah- George Händel
TheAngryBavarian thanks a lot!
Carolina Crown will always be amazing... 6:07.
That shot at 10:40
Crown came for scv in 08
0:34 “BLOW MY FACE OFF!”
The hero that predicted the greatest future ever known to DCI in the south lol
Lmao I always thought he was saying "Go Fantasia" or something like that
Fortune hunter
Notice.. the whole field was used with no props
You can have BD… crown is my favorite!!
1:18