All music examples are taken from Bach's compositions except the last one is by Beethoven. (I omitted the Symphony No. 5 motif.) 01:53 Minuet in G major, BWV Anh. 114 04:12 Sinfonia No. 6 in E major, BWV 792 08:40 English Suite No. 3 in G minor, BWV 808: 1. Prelude 16:26 Prelude in B minor, BWV 869 from Well-Tempered Clavier, Book 1 17:04 "Buß und Reu" from St Matthew Passion, BWV 244 17:34 "Gloria in excelsis" from Mass in B minor, BWV 232 18:28 "Kommt, ihr Töchter, helft mir klagen" from St Matthew Passion, BWV 244 24:37 Variation 5 from Goldberg Variations, BWV 988 27:26 Overture from French Overture, BWV 831 28:12 Allegro from Italian Concerto, BWV 971 31:02 Contrapunctus I from Art of Fugue, BWV 1080 39:19 Presto from Italian Concerto, BWV 971 43:48 Allemande from French Suite No. 5 in G major, BWV 816 48:45 Theme: Vivace from Diabelli Variations, Op. 120
@@jhummelgaard9310 Yes, that's right. BWV Anh. 114 is actually composed by Christian Petzold of the same era and it is included in Notenbuchlein fur Anna Magdalena Bach right now
Absolutely FANTASTIC, the knowledge, the sense of humor, and the humanity of this men, Got me glued to the chair, a lesson in all directions, Bach, music and loving understanding Thank you for sharing beauty
Yes, he truly is god’s gift to us: not just his musical talent or intellectuality but his gentle & self deprecating humour & kindness. He’s always _very_ kind to his students in master classes, too. A real gent.
Thank you so much for this wonderful discussion! I can listen to András Schiff again and again when he speaks about music and ... when he gives masterclasses!
It’s a great privilege to listen to Andreas Schiff talk about his discovery of Bach, the man and his music as they evolved throughout his life. His humility and recognition that he is a mere servant of the composer is very interesting and that it is his job, as a performer to play and for audience to listen and appreciate. Modesty and greatness are rarely found together. He’s the exception.
Schiff is a joke as a pianist; nothing new, nothing profound. He put his audiences to sleep. He has nothing to say. He uses way too much peddle. He has harmed the art of music so much.
9 years ago! Schiff is simply wonderful. I listen to his Beethoven sonata lectures repeatedly and with great joy. He remains one of the great performers as well as teachers. A treasure, really.
Always a pleasure, and more, listening to András Schiff talk or play. Preferably both. All he plays and says is with deep intelligence and knowledge. Each time I hear or see him, my mind says, “Oh, how I do love this man!” Thank you very, very much for sharing this discussion with us.
indications of his common sense and insights: 08:06 life of a note 08:41 creating an illusion of a crescendo 13:50 the reason of creativity 21:44 ghetto vs mainstream (museum) art 26:55 developing inspiration 41:20 care and love creates responsibility 43:00 spiritualism and music
My mother sent me for piano lessons and I thought Bach was boring. Only later, when I heard the Italian Concerto, did I think he was worth some serious consideration. I regularly play Bach now, never tiring of his amazing inventions and Inventions. I'm really glad that Mendelssohn resurrected Bach.
8:17 This passage is so very interesting. I've always been a fan of analysing and appreciating different voices entering in fugues for example, but never thought of them in their power to serve as an illusion of a crescendo, and Schiff explains and plays this as good as any. Thank you, András
I have a voracious appetite for Bach so a concert featuring all Six English Suites of an evening? I wouldn't mind that at all! Mr. Schiff's recordings of JSB's Keyboard Partitas are among the best. Privileged to catch this interview with such a humble and consummate artiste.
When Schiff was in Australia in 2017(?) we not only had a full concert in Melbourne, but also an inside look into the master at work: we had, inter alia, the entire Italian Concerto as an encore. It was like we were in his studio listening to a master making music because he loves it and it's part of him. It was a wonderful and memorable evening which included Mendelssohn and Brahms as well as Bach. I also attended his masterclass a few days later. He is an inspirational, direct, honest and wonderful teacher who was encouraging as well as probing in his questions of the students. Watching this, however, I feel that the interview is a somewhat slow and stilted - it is honest and well-intentioned on the part of the interviewer and he appears to have done his research well - but I can't help feeling the whole thing would have had much more nuance and flow had there been a music broadcaster in the chair - or another musician. But this gentle mannered but firm approach on the part of the artist which we saw at the Melbourne masterclass comes through in spite of that, and in his gentle way does not mince words. A very fulfilling and enjoyable 50 minutes on a subject that is dear to the heart of every musician!
Thank you for sharing. I can attest to the sentiments about the concert. I went to see his concerts on three occasions. Not once was I disappointed. Inspired and moved by the music, excited by the fantastic atmosphere which he generally created in the hall and awed by his enormous musical talent. In my opinion, An accomplished musician and he would deny it, a solid virtuosic player. I was amazed at how well he spoke. he has a wealth of musical knowledge and insights and he articulates them so well (it boggles the mind that his recent memoir is more of script of an interview with him than his actual writing since he’s so articulate and must write well). Unlike some musicians, he share his ideas and insights quite generously. Some remarks I don’t agree with but he is honest and can only talk straight. On those occasions, he spoke amusingly and fascinatingly that we were wishing he wouldn’t stop. But then of course he went on to play and he played brilliantly and we thought why even bother talking in the first place!
I wish I could be able to visit any of Andras Schiffs concerts, not even Bach, anyway listening to he’s masterpieces at home every day , it’s pure joy to explore Bach . Goldberg Variations would be dreams come true hehehe
Very funny Man. Great sense of Humor. reminds me of a Pianist also from Ungarn, Josef Letmany . my father had Josef in his Bands 60's and 70's . Josef had the very same style being funny . My father and Josef played a lot of classical Pieces.
He knows so much about the music of Bach and music in general that it is scary. He is extremely good as a player but he is an expert on Bach to the point where maybe only Bach could confirm his points or not.
It is so delightful to watch and listen to Andreas Schiff talk and play Bach. It is a shame the interviewer was so poorly informed. He was embarrassing. But Schiffs dedication, musicality and intellectual understanding on top of his playing is a gift.
I wouldn't say he was embarrassing at all, not a professional musician for sure but I don't think that's bad, he was interested, well spoken. And I also think that an inexperienced interviewer enables an inexperienced listener, makes this much more available for an amateur, or even non musician to understand and enjoy.
thanks for uploading these, any more you ever find of him from the past or in the future I would love to see. absolutely love hearing his philosophy on music, assuming you do too!
A very interesting project is to play Brahms Study No. 5 for Left Hand Alone, based on the Bach Chaconne in D minor (violin) that he speaks of. It is a great way to raise the bar for your left hand dexterity.
None of his words are without meaning - you dont wast a second of your time. Think about that next time you listen to listen to someone from television -a politician for an example...!
Can you imagine what Bach would do if he was alive now. Just take a performance keyboard like the Casio Privia PX-560 with it's hex layers, splitting the keyboard into four distinct and separate sounds, 256-note polyphony, the ability to create his own sounds, 16 track recorder, 17 types of temperments, a 5.3-inch color touch screen, etc. It would be amazing to see what he could do with that.
@@gazjaz2010 The PX-560 is a stage keyboard. As powerful as any keyboard in the lower $1,000 range. Just FYI. Or actually other people's information as I'm wasting my time with you. LOL
Liszt's and Busoni's transcriptions are great examples of updates of JSBach works on modern or different instruments, and are no less valuable than the originals. Pedal can be very much welcome too here.
Bach was neglected for a while, but it was not only Mendelssohn who brought him back, By then he was the daily bread of Schumann and Chopin and had a profound influence on them , Brahms when he was asked to play ofter played Peludes and Fugues by Bach
Don't forget virginals, intermediate between clavichords and harpsichords. A friend built a clavichord from a kit: it is a small box that sits on a table.
every score of bach has hidden gems of how to unlock the work! they also teach baroque improvisation! he is my friend and he's been dead for 300 years. lol
I am for using the pedal in Bach - very discreetly - and I am sure he would have used it. I was told once that Mozart had to be played without the pedal and then I read that as soon as the pedal was invented he gave a concert to illustrate its use-. I like the fact that Pianists like Barenboim use the pedal in Bach and sometimes even create a cluster of overlapping notes to createa touch of dissonant harmonies.in the prelude in B falt minor in Bk 1 I feel I have to use tthe pedal to sustain the harmonies.
This year that he reached 70, he has already played it several times in a concert. But not by his memory, he says he can't do that because his mind has already reached the top of memorizing. The first one concert was on January 2024, at Pierre Boulez Saal. The second and third one was on March 2024, at Wigmore hall (lecture-concert). The fourth one was on August 2024, at Musikdorf festival Ernen and the sixth one will be in a few days, on 12th September 2024 at the Royal Albert Hall. This will be broadcasted live on BBC Radio.
Schiff is wonderful. He’s articulate, knowledgable and offers far more than is asked for….thank goodness. It’s clear the interviewer is out of his depth. Good interviews are conversations but these questions are just bland, no bouncing of ideas or development of themes.
I haven’t finished watching this but….I take what such people say with a pinch of salt. Schiff contradicts himself in another TH-cam video (a masterclass on the Italian Concerto) where he says something like “people say I frown on pedalling Bach….not so”. I have also heard Barenboim say in a Beethoven masterclass that you can crescendo on a single note on piano (artistic licence but he meant it).
Is there anyone who could tell us what the little samples he plays throughout his talk are? I would like to look some of them up so I can listen to them further. If anyone would do this, thank you.
Some seem to think the interviewer is badly informed. But then Mr Schiff explains to us 9:43 that a clavichord plucks the strings… Most certainly a slip of the tongue, of course he knows the difference between a harpsichord and a clavichord.
Well he has wonderful advice about Bach deconstruction and analysis however I can’t agree with the pedal ideal. You cannot play Bach without pedal that is extremely dry. On older instruments as the harpsichord and clavichord the tunings and the nature of the instrument is what gave characteristic sound but the piano does not have these and has its own ability to enhance his works. You practice without pedal yes that is correct but in some spots you should definitely use pedal as sustain did not exist back then often Alberti bass and he HAS to use pedal for fugues and bach counterpoint otherwise you would most certainly have gaps in some of the voices. Pedal is like a spice you use is sparingly and at different amounts depending on the dish or piece in this case. The correct way is to practice without pedal and using the fingers to sustain as much as possible and appropriately sustain certain notes and color but the pedal further enhanced that. I think he uses pedal but there’s just so many people that do abuse the pedal and use it as a crutch which is incorrect technique but I see it all the time.
15:55 To state it differently, there is maybe no God for the universe, but for sure there is one for Music, his name is Bach, and all do believe and belong to his Church.
This year that he reached 70, he has already played it several times in a concert. But not by his memory, he says he can't do that because his mind has already reached the top of memorizing. The first one concert was on January 2024, at Pierre Boulez Saal. The second and third one was on March 2024, at Wigmore hall (lecture-concert). The fourth one was on August 2024, at Musikdorf festival Ernen and the sixth one will be in a few days, on 12th September 2024 at the Royal Albert Hall. This will be broadcasted live on BBC Radio.
I don't know, an 8 year old Chinese boy playing King Lear would be kinda cool! Anyways, great thoughts by this great pianist. Personally, I'd love to be that 8 year old kid, even though he's seen as a joke :( 47:13
I think you misunderstood a little.Schiff was referring to youth and inexperienced-ness. Doesn’t matter if the kid is Chinese or English. It would be awesome to see an 8 year old doing King Lear to me too but I doubt kids understand anything of it or all of it because of their youth and inexperienced-ness. And some master works do require cumulative experiences and studies to perform them effectively and spiritually which is a fair point, I think.
@@concentusmusicus8714 I understood him actually. I agree with him and yourself. However, to choose the specific adjective "Chinese" is very telling in my opinion. He could have very easily said "8 year old kid" without said adjective. I forgive him: he is not Chinese himself. I do know exactly what he was referring to with regards youth and inexperienced-ness. However, he may not respect the amount of blood sweat and tears that 8 year old Chinese kid put into it, nor, perhaps, does he know much about Chinese culture. I may be mistaken though! And yes, the ethnicity doesn't matter, agreed. Thanks for your reply!
@@milestsue5215 I don't know if he is familiar with Chinese culture. But he's married to a Japanese and quite familiar with Japanese one. It may be that on the look of things, China does produce a substantial amount of child prodigies than any other country (personally, taken into account the size of population and the blooming of western culture I don't see why it should be regarded as an unusual trend at all) and that's why he said a Chinese 8 year old I think. Thanks for the reply too!
@SW II thanks very much! This clarifies my doubts and I appreciate the info! I actually talked to my pianist partner and she further clarified Schiff’s comment, giving deeper context to it. It seems that I had nothing to worry about :)
His special reference to “Chinese” kids is racist in nature. That discounted him as a good musical scholar. Sorry, with all due respect, remark like this only reveals how narrow his mind is.
The Quodlibet by Bach has nothing of Bach’s religious music. Also the Kaffeekantate “ Schweigt stille, plaudert nicht “ has got this character. To enjoy these unique pieces of music fully the knowledge of the German language seems to me necessary. Funny situations told in English can also not be translated adequately into German.
Hmmm interesting. I'm at that point where I love Bach but I'm not such a big fan of Beethoven. Some of his stuff that I've heard sounds great but other stuff isn't very appealing to me. I wonder if when I get older I also will start to appreciate it more... And I'm not surprised most music students want to be told exactly which fingers to use when they play. As in all things they don't want to figure things out for themselves, they want to follow the popular leader. But in many cases the popular leader is a fool who leads them all astray. :/ This man here of course doesn't seem to be one of them though. :)
How can you interview a great Bach pianist like Schiff and not have knowledge about clavichords? This was a missed opportunity to really probe Schiff's erudition of Bach.
which is why I've always long disputed the idea of playing bach strictly without vibrato. It's absolute rubbish. the anti pedaling part is generally correct
Well, no, heart has its reasons and it may or eventually should override reason, and in general is no less valuable than classical logic (and here I'm very careful not to claim that emotions are not decribable by logic). Toccate (BWV91x) are for example a great example of improvisations and we can feel that they are a lot lead by emotions, much more that Die kunst der fuge for instance.
Like the sustain pedal on modern pianos it seems that this constant use of heavy vibrato on bowed instruments is a modern invention. I am a beginner viola player and I have no desire to learn to use it. I would rather concentrate on making the notes sound good just as they are.
All music examples are taken from Bach's compositions except the last one is by Beethoven. (I omitted the Symphony No. 5 motif.)
01:53 Minuet in G major, BWV Anh. 114
04:12 Sinfonia No. 6 in E major, BWV 792
08:40 English Suite No. 3 in G minor, BWV 808: 1. Prelude
16:26 Prelude in B minor, BWV 869 from Well-Tempered Clavier, Book 1
17:04 "Buß und Reu" from St Matthew Passion, BWV 244
17:34 "Gloria in excelsis" from Mass in B minor, BWV 232
18:28 "Kommt, ihr Töchter, helft mir klagen" from St Matthew Passion, BWV 244
24:37 Variation 5 from Goldberg Variations, BWV 988
27:26 Overture from French Overture, BWV 831
28:12 Allegro from Italian Concerto, BWV 971
31:02 Contrapunctus I from Art of Fugue, BWV 1080
39:19 Presto from Italian Concerto, BWV 971
43:48 Allemande from French Suite No. 5 in G major, BWV 816
48:45 Theme: Vivace from Diabelli Variations, Op. 120
No not the first one little Minuet, many piano pieces from the notebook for his wife was not composed by J.S. Bach
@@jhummelgaard9310 Yes, that's right. BWV Anh. 114 is actually composed by Christian Petzold of the same era and it is included in Notenbuchlein fur Anna Magdalena Bach right now
Absolutely FANTASTIC, the knowledge, the sense of humor, and the humanity of this men,
Got me glued to the chair, a lesson in all directions, Bach, music and loving understanding
Thank you for sharing beauty
Yes, he truly is god’s gift to us: not just his musical talent or intellectuality but his gentle & self deprecating humour & kindness. He’s always _very_ kind to his students in master classes, too. A real gent.
❤🎉❤🎉❤🎉
A brilliant and humble human being, an incredible artist. What a joy to listen to this conversation!
Thank you so much for this wonderful discussion! I can listen to András Schiff again and again when he speaks about music and ... when he gives masterclasses!
Absolutely agree!
what a maestro ❤
And again
Unfortunately this doesn't last a million hours.. How fortunate we are to have such videos. Thank you very much
You'd need to be one of only a couple of dozen people in history-that's approximately 114 years.
Yes it is wonderful to listen to Andras Schiff 's explanations!
It’s a great privilege to listen to Andreas Schiff talk about his discovery of Bach, the man and his music as they evolved throughout his life. His humility and recognition that he is a mere servant of the composer is very interesting and that it is his job, as a performer to play and for audience to listen and appreciate. Modesty and greatness are rarely found together. He’s the exception.
One of those rare geniuses who is in a league all his own as a pianist AND as an intellectual.
Andras Schiff - a gift to us all.
Schiff is a joke as a pianist; nothing new, nothing profound. He put his audiences to sleep. He has nothing to say. He uses way too much peddle. He has harmed the art of music so much.
@@rrrrrr-kb9sbwhat?????
9 years ago! Schiff is simply wonderful. I listen to his Beethoven sonata lectures repeatedly and with great joy. He remains one of the great performers as well as teachers. A treasure, really.
Love you a lot sir andras when u said we r small servant of great composers …..that’s how humble you are
HAPPINESS is SEEING, LISTENING,
HEARING !!!
THANK GOD
🎉🎉🎉🎉🎉❤
Always a pleasure, and more, listening to András Schiff talk or play. Preferably both. All he plays and says is with deep intelligence and knowledge. Each time I hear or see him, my mind says, “Oh, how I do love this man!” Thank you very, very much for sharing this discussion with us.
Thankyou so much for coming to this country in 2017. The King is finally arrived.
Thank you for this footage, which I have never seen before. Andras Schiff is always value added. A musical titan.
indications of his common sense and insights:
08:06 life of a note
08:41 creating an illusion of a crescendo
13:50 the reason of creativity
21:44 ghetto vs mainstream (museum) art
26:55 developing inspiration
41:20 care and love creates responsibility
43:00 spiritualism and music
...
The Unsung Heroes of time stamps! Thank you. ❤️
Thank you
My mother sent me for piano lessons and I thought Bach was boring.
Only later, when I heard the Italian Concerto, did I think he was worth some serious consideration.
I regularly play Bach now, never tiring of his amazing inventions and Inventions.
I'm really glad that Mendelssohn resurrected Bach.
8:17 This passage is so very interesting. I've always been a fan of analysing and appreciating different voices entering in fugues for example, but never thought of them in their power to serve as an illusion of a crescendo, and Schiff explains and plays this as good as any. Thank you, András
This man is great! thank you for such a wonderfull and iluminating discussion!
Wonderful interview. Interesting questions, drawing enlightening answers. Thank you for the program.
What a pleasure to listen to a great musician talk about the greatest music
Wow! Very informative and very inspiring! Thank you for posting this.
...props to the interviewer who did a wonderful job!
My teacher once said that there will never be such a great composer like Bach anymore. I believe her more every day.
I have a voracious appetite for Bach so a concert featuring all Six English Suites of an evening? I wouldn't mind that at all! Mr. Schiff's recordings of JSB's Keyboard Partitas are among the best. Privileged to catch this interview with such a humble and consummate artiste.
First time I've seen/heard an interview with the great man. Never realised his talents are matched by his charm.
When Schiff was in Australia in 2017(?) we not only had a full concert in Melbourne, but also an inside look into the master at work: we had, inter alia, the entire Italian Concerto as an encore. It was like we were in his studio listening to a master making music because he loves it and it's part of him. It was a wonderful and memorable evening which included Mendelssohn and Brahms as well as Bach.
I also attended his masterclass a few days later. He is an inspirational, direct, honest and wonderful teacher who was encouraging as well as probing in his questions of the students.
Watching this, however, I feel that the interview is a somewhat slow and stilted - it is honest and well-intentioned on the part of the interviewer and he appears to have done his research well - but I can't help feeling the whole thing would have had much more nuance and flow had there been a music broadcaster in the chair - or another musician.
But this gentle mannered but firm approach on the part of the artist which we saw at the Melbourne masterclass comes through in spite of that, and in his gentle way does not mince words.
A very fulfilling and enjoyable 50 minutes on a subject that is dear to the heart of every musician!
Thank you for sharing. I can attest to the sentiments about the concert. I went to see his concerts on three occasions. Not once was I disappointed. Inspired and moved by the music, excited by the fantastic atmosphere which he generally created in the hall and awed by his enormous musical talent. In my opinion, An accomplished musician and he would deny it, a solid virtuosic player.
I was amazed at how well he spoke. he has a wealth of musical knowledge and insights and he articulates them so well (it boggles the mind that his recent memoir is more of script of an interview with him than his actual writing since he’s so articulate and must write well). Unlike some musicians, he share his ideas and insights quite generously. Some remarks I don’t agree with but he is honest and can only talk straight.
On those occasions, he spoke amusingly and fascinatingly that we were wishing he wouldn’t stop. But then of course he went on to play and he played brilliantly and we thought why even bother talking in the first place!
@@SandWolf_ agree with your sentiments:)
I wish I could be able to visit any of Andras Schiffs concerts, not even Bach, anyway listening to he’s masterpieces at home every day , it’s pure joy to explore Bach . Goldberg Variations would be dreams come true hehehe
Very funny Man. Great sense of Humor. reminds me of a Pianist also from Ungarn, Josef Letmany . my father had Josef in his Bands 60's and 70's . Josef had the very same style being funny . My father and Josef played a lot of classical Pieces.
How many of us were entirely taken into the world of Bach by “the great Chaconne)? 🙌💛
What a blessing!
I Love this video, I think all the pianists should be like Sir Andras Schiff!
Thank goodness J. S. Bach was not totally forgotten after his death. I cannot imagine life without his music.
Really spellbinding. It is fascinating, what he says about Kurtag
As Catharina Dorothea was the eldest child and remained unmarried I’m sure she was an invaluable help to her father and Anna Magdalena.
He knows so much about the music of Bach and music in general that it is scary. He is extremely good as a player but he is an expert on Bach to the point where maybe only Bach could confirm his points or not.
I love the way he says E major then start playing at 4:08. It’s like an transitional theme from now to his childhood.
I love his performances but I didn't know he is so charismatic.
It is so delightful to watch and listen to Andreas Schiff talk and play Bach. It is a shame the interviewer was so poorly informed. He was embarrassing. But Schiffs dedication, musicality and intellectual understanding on top of his playing is a gift.
I wouldn't say he was embarrassing at all, not a professional musician for sure but I don't think that's bad, he was interested, well spoken. And I also think that an inexperienced interviewer enables an inexperienced listener, makes this much more available for an amateur, or even non musician to understand and enjoy.
thanks for uploading these, any more you ever find of him from the past or in the future I would love to see. absolutely love hearing his philosophy on music, assuming you do too!
Sorry Andras gave a three and a half hour recital in San Francisco. From start to finish it was pure gold.
A long time advocate for the performance of baroque music on instruments of the period.
Bach on synthesizer really sounds good!👍🏿
A very interesting project is to play Brahms Study No. 5 for Left Hand Alone, based on the Bach Chaconne in D minor (violin) that he speaks of. It is a great way to raise the bar for your left hand dexterity.
Sir Schiff is, I believe to my bones, the best pedagogue in the world.
This man is a fountain of witness.
_«Even in the secular works you feel the spirit.»_
_Contrapunctus VIII_ from _The Art of Fugue_ certainly is a testament to this.
None of his words are without meaning - you dont wast a second of your time. Think about that next time you listen to listen to someone from television -a politician for an example...!
❤❤❤❤❤🎉
Bach, much like Beethoven, is always modern.
I get your point but Bach certainly is more modern than Beethoven.
@@jaikee9477 absolutely not
@@jaikee9477 Not modern in time.
...maestro Schiff, talentoso y docto
Can you imagine what Bach would do if he was alive now. Just take a performance keyboard like the Casio Privia PX-560 with it's hex layers, splitting the keyboard into four distinct and separate sounds, 256-note polyphony, the ability to create his own sounds, 16 track recorder, 17 types of temperments, a 5.3-inch color touch screen, etc. It would be amazing to see what he could do with that.
indeed. tho, there are keyboards available today far more profound than a Casio. despite your sales copy 😂 hilarious
@@gazjaz2010 The PX-560 is a stage keyboard. As powerful as any keyboard in the lower $1,000 range. Just FYI. Or actually other people's information as I'm wasting my time with you. LOL
42:48 Beautifully said.
great playing and great speaking
Fantastic insights.
Liszt's and Busoni's transcriptions are great examples of updates of JSBach works on modern or different instruments, and are no less valuable than the originals. Pedal can be very much welcome too here.
This was gold
Very Nice. THANK YOU
Bach was neglected for a while, but it was not only Mendelssohn who brought him back, By then he was the daily bread of Schumann and Chopin and had a profound influence on them , Brahms when he was asked to play ofter played Peludes and Fugues by Bach
That's amazing!
Don't forget virginals, intermediate between clavichords and harpsichords. A friend built a clavichord from a kit: it is a small box that sits on a table.
"If art is a fight between reason and heart, in Bach we find the two in perfect balance." I don't remember the name of the musician who said it.
I'm impressed how he is able not to memorize a ton of Bach's keyboard music but also make reductions of great works like the passions and the Bm mass
19:19 Re: musicians and dancing -- I've read that Mozart was a very GOOD dancer.
every score of bach has hidden gems of how to unlock the work! they also teach baroque improvisation! he is my friend and he's been dead for 300 years. lol
Ludicrous questions asked, but the answers are from a wonderful musician making the program worth listening to.
I am for using the pedal in Bach - very discreetly - and I am sure he would have used it. I was told once that Mozart had to be played without the pedal and then I read that as soon as the pedal was invented he gave a concert to illustrate its use-. I like the fact that Pianists like Barenboim use the pedal in Bach and sometimes even create a cluster of overlapping notes to createa touch of dissonant harmonies.in the prelude in B falt minor in Bk 1 I feel I have to use tthe pedal to sustain the harmonies.
31:55 lol what a legend
This year that he reached 70, he has already played it several times in a concert. But not by his memory, he says he can't do that because his mind has already reached the top of memorizing. The first one concert was on January 2024, at Pierre Boulez Saal. The second and third one was on March 2024, at Wigmore hall (lecture-concert). The fourth one was on August 2024, at Musikdorf festival Ernen and the sixth one will be in a few days, on 12th September 2024 at the Royal Albert Hall. This will be broadcasted live on BBC Radio.
Спасибо.
The famous minuet was *not* composed by Bach. The composer is Christian Petzold (1677-1733).
Schiff is wonderful. He’s articulate, knowledgable and offers far more than is asked for….thank goodness. It’s clear the interviewer is out of his depth. Good interviews are conversations but these questions are just bland, no bouncing of ideas or development of themes.
András Schiff is magnificent.
The first piece played isn’t by J S Bach. It’s by Christian Petzold.
Amazing.
I can't believe no one laughed at "Brought Bach bach to life"
I haven’t finished watching this but….I take what such people say with a pinch of salt. Schiff contradicts himself in another TH-cam video (a masterclass on the Italian Concerto) where he says something like “people say I frown on pedalling Bach….not so”. I have also heard Barenboim say in a Beethoven masterclass that you can crescendo on a single note on piano (artistic licence but he meant it).
It was a joke.
Edit: I'm also watching this right now.
what a pianist.
What l like about Bach is his music is always flirting with the limbic system but he never lets it take over; he always has the PFC in control.
Is there anyone who could tell us what the little samples he plays throughout his talk are? I would like to look some of them up so I can listen to them further. If anyone would do this, thank you.
Some seem to think the interviewer is badly informed. But then Mr Schiff explains to us 9:43 that a clavichord plucks the strings…
Most certainly a slip of the tongue, of course he knows the difference between a harpsichord and a clavichord.
Does someone know which piece Andreas play at 24:37 ?
Goldberg Variation BWV988 no.5
@@SandWolf_ Thks a lot . Wonderful
You have excellent taste.
You'll find a beautiful dance to the "variation 5" here.
th-cam.com/video/HIf__OR91HY/w-d-xo.htmlsi=2vC_XesEklArcbXb
And to the "Variation 1"
th-cam.com/video/LK2Vm7WaSDQ/w-d-xo.htmlsi=DLn7txicNQ4Rs8OD
Thank you for sharing this, do you know where and when did it take place?
The little minuet in G in the Anna Magdalana Notebook is not by J S Bach.
この人ほど、デビュー当時と今と演奏が変わらんのは珍しい。
Well he has wonderful advice about Bach deconstruction and analysis however I can’t agree with the pedal ideal. You cannot play Bach without pedal that is extremely dry. On older instruments as the harpsichord and clavichord the tunings and the nature of the instrument is what gave characteristic sound but the piano does not have these and has its own ability to enhance his works. You practice without pedal yes that is correct but in some spots you should definitely use pedal as sustain did not exist back then often Alberti bass and he HAS to use pedal for fugues and bach counterpoint otherwise you would most certainly have gaps in some of the voices. Pedal is like a spice you use is sparingly and at different amounts depending on the dish or piece in this case. The correct way is to practice without pedal and using the fingers to sustain as much as possible and appropriately sustain certain notes and color but the pedal further enhanced that. I think he uses pedal but there’s just so many people that do abuse the pedal and use it as a crutch which is incorrect technique but I see it all the time.
15:55 To state it differently, there is maybe no God for the universe, but for sure there is one for Music, his name is Bach, and all do believe and belong to his Church.
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is there any impro heard or song composed by Mr. Schiff? What He would do without Bach, and what Bach would do without Him?
Andras. Play the Art of Fugue. If you play it, the audience will come.
This year that he reached 70, he has already played it several times in a concert. But not by his memory, he says he can't do that because his mind has already reached the top of memorizing. The first one concert was on January 2024, at Pierre Boulez Saal. The second and third one was on March 2024, at Wigmore hall (lecture-concert). The fourth one was on August 2024, at Musikdorf festival Ernen and the sixth one will be in a few days, on 12th September 2024 at the Royal Albert Hall. This will be broadcasted live on BBC Radio.
I don't know, an 8 year old Chinese boy playing King Lear would be kinda cool! Anyways, great thoughts by this great pianist. Personally, I'd love to be that 8 year old kid, even though he's seen as a joke :( 47:13
I think you misunderstood a little.Schiff was referring to youth and inexperienced-ness. Doesn’t matter if the kid is Chinese or English.
It would be awesome to see an 8 year old doing King Lear to me too but I doubt kids understand anything of it or all of it because of their youth and inexperienced-ness. And some master works do require cumulative experiences and studies to perform them effectively and spiritually which is a fair point, I think.
@@concentusmusicus8714 I understood him actually. I agree with him and yourself. However, to choose the specific adjective "Chinese" is very telling in my opinion. He could have very easily said "8 year old kid" without said adjective. I forgive him: he is not Chinese himself. I do know exactly what he was referring to with regards youth and inexperienced-ness. However, he may not respect the amount of blood sweat and tears that 8 year old Chinese kid put into it, nor, perhaps, does he know much about Chinese culture. I may be mistaken though! And yes, the ethnicity doesn't matter, agreed. Thanks for your reply!
@@milestsue5215 I don't know if he is familiar with Chinese culture. But he's married to a Japanese and quite familiar with Japanese one. It may be that on the look of things, China does produce a substantial amount of child prodigies than any other country (personally, taken into account the size of population and the blooming of western culture I don't see why it should be regarded as an unusual trend at all) and that's why he said a Chinese 8 year old I think. Thanks for the reply too!
@SW II thanks very much! This clarifies my doubts and I appreciate the info! I actually talked to my pianist partner and she further clarified Schiff’s comment, giving deeper context to it. It seems that I had nothing to worry about :)
His special reference to “Chinese” kids is racist in nature. That discounted him as a good musical scholar. Sorry, with all due respect, remark like this only reveals how narrow his mind is.
Harpsichord MasterClass.
The Quodlibet by Bach has nothing of Bach’s religious music. Also the Kaffeekantate “ Schweigt stille, plaudert nicht “ has got this character. To enjoy these unique pieces of music fully the knowledge of the German language seems to me necessary. Funny situations told in English can also not be translated adequately into German.
Hmmm interesting. I'm at that point where I love Bach but I'm not such a big fan of Beethoven. Some of his stuff that I've heard sounds great but other stuff isn't very appealing to me. I wonder if when I get older I also will start to appreciate it more...
And I'm not surprised most music students want to be told exactly which fingers to use when they play. As in all things they don't want to figure things out for themselves, they want to follow the popular leader. But in many cases the popular leader is a fool who leads them all astray. :/ This man here of course doesn't seem to be one of them though. :)
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Rachmaninov ripped Partita for unaccompanied violin to piano. Glad he did!
How can you interview a great Bach pianist like Schiff and not have knowledge about clavichords? This was a missed opportunity to really probe Schiff's erudition of Bach.
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which is why I've always long disputed the idea of playing bach strictly without vibrato. It's absolute rubbish. the anti pedaling part is generally correct
Well, no, heart has its reasons and it may or eventually should override reason, and in general is no less valuable than classical logic (and here I'm very careful not to claim that emotions are not decribable by logic). Toccate (BWV91x) are for example a great example of improvisations and we can feel that they are a lot lead by emotions, much more that Die kunst der fuge for instance.
very good, sound quatlity not so much
2:09 rightly so because it wasnt composed by bach
Like the sustain pedal on modern pianos it seems that this constant use of heavy vibrato on bowed instruments is a modern invention. I am a beginner viola player and I have no desire to learn to use it. I would rather concentrate on making the notes sound good just as they are.
я не знаю зачем ты это сделал, но если ты вдруг пересмотришь это видео, прости, что так вышло. не плачь, как я