Collegium 1704 - Fux, Tůma - Openingsconcert Festival Oude Muziek Utrecht 29 augustus 2014, deel I
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- เผยแพร่เมื่อ 3 ก.ค. 2024
- Deel I van het openingsconcert Festival Oude Muziek 2014 op 29 augustus 2014.
00:00 - Johann Joseph Fux - Te Deum K 270
13:07 - František Ignác Antonín Tůma - Stabat Mater dolorosa
Uitvoerenden:
Collegium 1704 & Collegium Vocale 1704 o.l.v. Václav Luks
Solisten:
Hana Blažíková, sopraan
Kamila Mazalová, alt
Václav Čížek, tenor
Tomáš Král, bas (Zelenka)
Marián Krejčik, bas (Fux, Tůma)
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Part I of the Opening Concert of Utrecht Early Music Festival, the 29th of August 2014.
00:00 - Johann Joseph Fux - Te Deum K 270
13:07 - František Ignác Antonín Tůma - Stabat Mater dolorosa
Performers:
Collegium 1704 & Collegium Vocale 1704
Václav Luks, conductor
Solists:
Hana Blažíková, sopraan
Kamila Mazalová, alt
Václav Čížek, tenor
Tomáš Král, bas (Zelenka)
Marián Krejčik, bas (Fux, Tůma)
Kijk voor meer concerten op / for more information:
avrotros.nl/klassiek
/ avrotros.klassiek
/ klassiekonline - เพลง
Oh, I have watched/listened to this over and over again, for more than 4 years now - and it remains one of my favorite videorecordings of all time. Sublime music making. Congratulations and thanks to every single member of this performance - and to the exquisite direction of Vaclav Luks. THANK YOU.
Amazing !! Hana Blažíková, a wonderful voice!!!
Many thanks. This is a pure gem! Great performers and the best director.
Wonderful performance! Vaclav Luks' uninhibited love of the music obviously communicates to the musicians.
Yes, Vaclav's vibe is truly diggable.
Many thanks for this spectacularly fulsome HD broadcast quality upload of a most excellent ensemble that always plays with joy and precise unity. Superb soloists - actually each Vocale singer is individually an accomplished soloist - blend beautifully with each other. Superb instrumentalists - I love how Helena Zemanova gleefully communicates enjoyment of both music and her teamwork with Vaclav Luks. As always a wonderful treat both to see and to hear Collegium 1704. Thanks to Avrotros for giving us good seats through your cameras and microphones.
JOHANN JOSEPH FUX {HIRTENFELD 1660-1741 VIENNE} - TE DEUM - FRANTISEK IGNAC ANTONIN TUMA {KOSTELEC NAD ORLICI 1704-1774 VIENNE} - STABAT MATER DOLOROSA - . COLLEGIUM 1704 -. Que c'est beau, une merveille voix vocales, choeurs, et ensemble musicale grandiose bravo. Deux chef-d'oeuvre de deux grands compositeurs de la musique baroque qui son Eternel. Merci pour ce TE DEUM de FUX, et ce STABAT MATER DOLOROSA de TUMA, et ses voix magnifiques du COLLEGIUM 1704 de VACLAV LUKS ÉNORME.
Quite a brilliant performance with beautiful voices of choir and silky sound of strings.
Merci pour ces beaux moments
Magnifique concert que je viens seulement de découvrir.
C'est vraiment splendide!
Texts, voices and musicians
Václav Luks, conductor
Hana Blazfkova, Barbora Sojkova, Alena Hellerova, Kamila Zborilova, Stanislava Mihalcova, soprano
Kamila Mazalova, Marta Fadljevicova, Daniela Cermakova, Jan Mikusek, alt
Vaclav Cizek, Cenëk Svoboda, Hasan El-Dunia, Tomas Lajtkep, tenor
Tomas Kral, Marian Krejak, Martin Vacula, Ales Prochazka, bass
Collegium 1704
Helena Zemanova (concertmeester),
Markéta Knittlova, Iveta Schw/arz, Jan Hadek, Martin Kalista, violin I
Jana Chytilova, Simona Tydiitatova, Petra Scevkova, Veronika Manova, violin II
Jochen Grüner, Michal Dusek, Frantisek Kuncl, viola
Libor Masek, Hana Flekova, cello
Ludëk Brany, bass
Pablo Kornfeld, organ
Jan Krejca, theorbo
Michaela Kourilova, Lucie Duskova, traverso
Katharina Andres, Petra Ambrosi, oboe
Jane Gower, bassoon
Hans-Martin Rux, Astrid Brachtendorf, Karei Mhuk, Tobias Jung, trumpet
Aurélien Honoré, Thomas Callaux, Rubén Gonzalez del Camino, trombone
Daniël Schabe,percussion
Source: the program booklet of Festival Oude Muziek Utrecht, page 76 (type errors by my scan program)
A sparkling and festive opening to this Habsburg Early Music Festival. From the Viennesè court composer
Fux we shall hear t he dazzling Te Deum, written for the coronation o f the Habsburg emperor Charles VI as
King of Bohemia. Fux is joined here by two of his star pupils. It is not known for what occasion Zeienka's
Missa DiviXaverii, a spectacular setting o f the mass ordinary, was written. Here we see Zelenka experimenting
with the instrumentation of a remarkably large orchestra: the four trumpets add brilliance to the instrumental ensemble, in which traversos, oboes and bassoons regularly enter into a dialogue with the vocal quartet. Frantisek Tüma was another Fux disciple.Tuma's music, including the Stabat Mater, combines a skilful control o f counterpoint and late-
Baroque harmonies with a keen feeling for melody.
Source: the program booklet of Festival Oude Muziek Utrecht, page 77 (type errors by my scan program)
Text and voices Stabat Mater dolorosa - Tuma
13:14 Choir
Stabat Mater dolorosa In smarten stond de moeder
Juxtacrucem lacrimosa, naast het kruis, wenend,
Dum pendebat Filius. waar haar zoon hing.
Cujus animam gementem, En haar zuchtend hart,
Contristatam et dolemtem, bedroefd en treurend,
Pertransivit gladius. werd door een zwaard doorboord.
15:57 Hana Blaziková (soprano)
O quam tristis et afflicta O hoe droevig en treurig
Fuit illa benedicta was die gezegende
Mater unigeniti! moeder van de Enig geborene
Quae moerebat et dolebat, Ach, hoe treurde en leed
Pia Mater, dum videbat die goede moeder, terwijl ze
Nati poenas inclyti. de smarten van haar roemrijke kind zag.
18:42 Choir
Quis est homo qui non fleret, Wie is de mens die niet zou wenen,
Christi Matrem si videret als hij de moeder van Christus zou zien
In tanto supplicio? in zulk een beproeving?
Quis non posset contristari, Wie zou geen medelijden hebben
Piam Matrem contemplari bij het aanschouwen van de moeder van Chris-
Dolentem cum Filio? tus, lijdend met haar zoon?
20:20 Vaclav Cizek (tenor)
Pro peccatis suae gentis Voor de zonden van zijn volk
Vidit Jesum in tormentis, zag zij Jezus in pijnen
Et flagellis subditum. en aan geselingen overgeleverd
Vidit suum dulcem natum Ze zag haar geliefde kind,
Moriendo desolatum, bij zijn sterven geheel verlaten,
Dumemisit spiritum. terwijl hij de geest gaf.
23:54 Kamila Mazalova (alt)
Eja Mater, fons amoris, Gij, moeder, bron van liefde,
Me sentire vim doloris maak dat ik de grootheid van uw smart voel
fac, ut tecum lugeam. zodat ik samen met u treur.
Fac, ut ardeat cor meum Doe mijn hart branden
In amando Christum Deum, van liefde voor Christus,
Ut sibi complaceam. om hem te behagen.
28:42 Choir
Sancta Mater, istud agas. Heilige moeder, doe dit:
Crucifixi fige plagas prent de striemen van de gekruisigde
Cordi meo valide. stevig in mijn hart.
Tui nati vulnerati. Van uw gewonde zoon.
Tam dignati pro me pati. die zo liefdevol voor mij leed.
Poenas mecum divide. wil ik ook in de smarten delen.
29:51 Hana Blaziková (soprano)/Marián Krejcik (bass)
Fac me vere tecum flere. Doe mij waarlijk met u wenen.
Crucifixo condolere. mede lijden met de gekruisigde.
Donec ego vixero. zolang ik leven zal.
Juxta crucem tecum stare. Naast het kruis met u te staan.
Te libentersociare en mij gaarne met u te verbinden
In planctu desidero. in rouwklacht, dat verlang ik.
Virgo virginum praeclara, Stralende maagd der maagden
Mihijam non sis amara. wees mij thans niet bitter.
Fac me tecum plangere. Laat mij met u treuren.
Fac, ut portem Christi mortem. Laat mij Christus' dood dragen.
Passionis fac consortem, maak mij deelgenoot aan zijn lijden.
Et plagas recoiere. doe mij zijn striemen overdenken.
33:30 Choir
Fac me plagis vulnerari. Laat mij verwond worden door zijn striemen,
Cruce hac inebriari, maak mij dronken van het kruis.
Obamorem Filii. wegens de liefde van uw zoon.
Inflammatus et accensus Als ik door vlammen verbrand word laat mij
Per te Virgo, sim defensus dan,door u, maagd, beschermd worden
In diejudicii. op de dag des oordeels.
Fac me, cruce, custodiri Bescherm mij door het kruis.
Morte Christi praemuniri verdedig mij door de dood van Christus,
Confoveri gratia. laat mij mezelf koesteren in zijn genade.
Quando corpus morietur. Ais mijn lichaam sterven zal.
Fac, ut animae donetur geef dan dat mijn ziel het geschenk
Paradisi gloria. ontvangt van de glorie van het paradijs.
Amen. Amen.
Source program: booklet of Festibal Oude Muziek Utrecht pages 79/80 (type errors by my scan program)
Sir, you are quite thorough.
Absolutely Divine performance!
Excellent performance!
magnifique concert ; parfaite exécution et voix merveilleuses.
Ao canal Avrotros, podemos atribuir o mérito supremo de colocar em vitrine o que musicalmente melhor se produziu a partir da idade média passando pelo barroco, quando o elegante e cristalino polifonismo alcançou o ápice da elaboração sonora, que a partir de Mozart foi desvanecendo, dando lugar a uma criação mais robusta! Hoje nenhum autor seria capas de reproduzir tão delicada obra, até porque a arte é ressonante de uma ambiência harmônica que definia uma época metamorfosicamente serena, onde poucas urgências permitiam fazer melhor o que já era muito bom, e que compreendia toda a atividade criativa. Hoje, o que se fez no passado é pouco visto e ouvido, razão dos tempos modernos nos quais a perfeição e a qualidade ficou no detalhe, e a preferência se manifesta pelo imediatismo. Avrotros nos mostra o que fomos, e nessa vitrine a diversidade autoral de uma criatividade espantosa na interpretação de conjuntos magníficos que nos colocam no passado com o prêmio de um deleite tão necessário à vida de incertos rumos no caminhar da espiritualidade que o materialismo massacra. A divulgação da magnífica produção artística do passado é tambem estímulo aos conjuntos instrumentais e vocais cujas continuidades dependem do interesse em ouvi-los e até vê-los, e a esperança é que, cada dia mais o passado se faça presente, no necessário resgate da espiritualidade que o mundo atual não entende importante.
Merci !
00:00 - Johann Joseph Fux -
Te Deum K 270
13:07 - František Ignác Antonín Tůma -
Stabat Mater dolorosa
15:58 O quam tristis
18:45 Quis est homo
20:22 Pro peccatis
23:53 Eja mater
26:43 Sancta mater
29:52 Fac me tecum
33:32 Fac me plagis
35:01 Quando corpus
Text Te Deum - Fux
Te Deum laudamus
Te Dominum confitemur.
TeAetemum Patrem,
Omnis terra veneratur
Tibiomnes angeli,
Tibi caeli et universae potestates
Tibi cherubim et seraphim,
Incessabili voce proclamant:
Sanctus, sanctus Dominus Deus Sabbath.
Plenisunt caeli et terra
I^ajestatis gloriae tuae.
Te gloriosus Apostolorum chorus,
Te Prophetarum laudabilis numerus,
Te Martyrum candidatus laudat exercitus.
Te per orbem terrarum sancta confitetur Ecclesia
Patrem immensae majestatis
Venerandum tuum verum et unicum Filium,
Sanctum quoque Paraclitum Spiritum. /
Tu Rex gloriae, Christe.
Tu Patris sempiternus est Filius.
Tu ad liberandum suscepturus hominem
Non horruisti Virginis uterum.
Tu devicto mortis aculeo,
Aperuisti credentibus regna caelorum.
Tu ad dexteram Dei sedes, •
In gloria Patris. •
Judex crederis
Esseventurus.
Te ergo quaesumus, famulis tuis subveni,
Quos pretioso sanguine redemisti.
Aeterna fac cum Sanctis tuis
In gloria numerari.
Salvum fac populunn tuum, Domine,
Et benedic haereditati tuae
Et rege eos,
Et extolle illios usque in aeternum.
Per singulos dies, benedicinnus Te.
Et laudamus nomen tuum in saeculum
Etinsaeculumsaeculi.
Dignare, Domine, die isto
Sine peccato nos custodire.
Miserere nostri, Domine,
Miserere nostri.
Fiat misericordia tua,
Domine super nos
Quemadmodum speravimus in Te.
In Te, Domine, speravi,
Non confundar in aeternum!
Source the program booklet Festival Oude Muziek Utrecht pages 78/79
(type errors by my scan program)
🙏🏻🖤 František Ignác Antonín Tůma - Stabat Mater dolorosa
*15:57* 18.42 ••• O Quam Tristis
*29:42* 33.25 •••
37:55 🙇🏼♀️ 💐
🖤🙏🏻
*07:48* • "Where's Hana?" "Standing amidst crown, of course. Where else would she be?" 🌼😌
To finish project: th-cam.com/video/vQ7Z1lh8Ia0/w-d-xo.html
Unless you spend most of your waking hours buried in an archive, the music of Tuma will be unfamiliar to most discerning enthusiastic music lovers.
Regrettably.
This revival hopes to redress the obscurity of many composers.
Smukt, bare så smukt.....