Is not a gift, is a training, a huge sacrifice. The gift doesn't have any kind of sacrifice, just have it. Playing piano as she does suppose hundred of hour during lot´s of years. Just let's appreciate the gained talent made of sacrifice and perseverance. After all, this is her passion, but also her work.
Ok, but she is very good with her work, and her pratice she conquer with all the best she finds and receive! Music is not only in arts, music is in everywhere, and because this detail she can act like the best on the world, because she has the best inside her to perform with all her soul. She does not need think very much to do all she does, and only this is the way to virtuositity. Virtuosity is present with highest result on the smallest thinking, and I just know it! Sometimes, she plays like Gulda, and this is a good way to a better virtuosity...
@@carlosmdp255 there are tons of people with training who play like robots with no soul. some people get it, others don't and you can't teach it. it IS a gift, no matter how you analyze the word
Not sure if you guys gives a shit but if you're bored like me atm then you can stream pretty much all the latest series on InstaFlixxer. I've been watching with my girlfriend lately xD
In classical piano performance, I look for uniqueness, and not just a good playing of a piece. You bring your unique interpretation very effectively here. You have little "hanging pauses", and wonderful pianissimos which are two of the features that render your interpretation unique. Your body language is unique, not because it's never seen before, but because in your body language you make if clear that you are not after self-glorification, which you abundantly deserve, but you are visibly aching to bring Chopin's unspeakable message of love, yearning, and romanticism, with its full meaning, not just romance,to us your audience. Olga, you are a blessing and you are a phenomenal performer.
She made with this sonata a masterclass on November 11th 2017 with Alona Milner in Tel Aviv University and showed to attentive Alona the mysteries of that piece . . .
I don't normally pay attention to the body language of performers as everyone has their own style and responds to the music and the instrument in their own way, but I have to say that watching you play is as much a part of the performance as listening. I have never been so infatuated with a performer's interpretation and style as yours. I appreciate your talent and your love for the music you play. It is not so common to find people so moved by music these days. Thank you.
Took the words right out of my mouth - I agree - she is heaven sent - a very special angel. She brings tears to my eyes like no other - Thank you so so much Olga Scheps.
This combination of beauty - Olgas beauty and Chopins beauty - seems to be a for me overwhelming combination. Olgas skill in playing Chopin is undoubtedly perfect, and so I stay in this playing, enchanted till the end.
In one word it's . . . Fluidity. Olga seems to play with a fluidity few in this world possess and she pours her whole body into her playing. Her expressiveness is so very warm and connected. To have just a thimble-full of her hard-fought talent would be a gift beyond measure. What a treasure she is to our world.
The interpretation of this sonata is very captivating, unique,and full of spiritual depth. More epic but dramatic, too ,full of reflection and intellectual distance, leading to the affirmation of the world in the fourth movement. The work was created in the Village of Nohant (France), where the 44-year-old Chopin, who had health problems, found inspiration and the care of George Sand helped him considerably. Inspired by You. Thank you Olga.
Indudablemente verte tocar a Chopin es el mejor de los placeres, Sos un encanto que aflora lo más visceral del compositor, como si lo estuviérmaos viendo tocar al mismísimo Chopin,... pero más aún con el disfrute de tu belleza, gestual y corporal!!! Imposible no enamorarse...!!!!! BRAVO!
It is a joy listening to Olga Scheps in this, when she is perhaps at the age of 29? Such a mature interpretation, and with so much poetry in it. All that is significant for Chopin she takes well care of, and I can nothing but admire her playing.
Olga, Sie sind einfach fabelhaft! Ihre Interpretation ist sehr schoen. Fuer mich die beste, die ich je gehoert habe. Herzlichen Dank. Gruesse aus Brasilien!!!
Mit welcher Souveränität und emotionaler Wärme gespielt. Das große Vermächtnis romantischer Musik aus dem neunzehnten Jahrhundert wird zum bewegenden Erlebnis der Gegenwart. Chopin wusste damals schon alles.
Olga Scheps ist die jüngere Tochter des Pianisten und Hochschullehrers Ilja Scheps und der Klavierlehrerin Tamara Scheps. Die Familie übersiedelte 1992 nach Wuppertal. Mit fünf Jahren erhielt Olga Scheps den ersten Klavierunterricht, 1999 gewann sie den Bundeswettbewerb Jugend musiziert sowie 2001 den Wettbewerb Jugend spielt Klassik.[1] Noch während ihrer Schulzeit begann sie 1999 ihr Klavierstudium zunächst als Jungstudentin in der Klavierklasse von Vassily Lobanov, seit 2006 in der Meisterklasse von Pavel Gililov an der Hochschule für Musik und Tanz Köln. Weitere Studien führten sie zu Arie Vardi und Dmitri Baschkirow. Alfred Brendel entdeckte Scheps als sie 15 Jahre alt war und förderte sie. Sie wurde ab 2001 von der Deutschen Stiftung Musikleben und ab 2006 von der Studienstiftung des deutschen Volkes mit einem Stipendium unterstützt. Im Jahr 2014 schloss sie ihr Studium an der Musikhochschule Köln ab und absolvierte ihr Konzertexamen bei Pavel Gililov. Im Alter von 14 Jahren und noch vor ihrem Studium debütierte sie in der Konzertreihe Junge Elite mit dem 1. Klavierkonzert von Prokofjew in der Düsseldorfer Tonhalle. Seit ihrem Debüt beim Klavier-Festival Ruhr im Jahr 2007 konzertierte sie u. a. beim Rheingau Musik Festival, dem Klavier-Festival Ruhr, beim Schleswig-Holstein Musik Festival, den Festspielen Mecklenburg-Vorpommern, dem Kissinger Sommer, dem Heidelberger Frühling, dem Lucerne Festival, den Sommerlichen Musiktagen Hitzacker, dem Mosel Musikfestival, dem Menuhin-Festival in Gstaad, dem internationalen Musikfest Kreuth, dem Festival Iberico in Spanien, dem Mersin Festival in der Türkei und dem Festival „Zaubersee“ in Luzern.[2] Scheps arbeitet mit namhaften Orchestern und spielt überwiegend in Europa und in Asien. Sie wurde unter anderem von folgenden Dirigenten zu einer Zusammenarbeit eingeladen: Yakov Kreizberg, Thomas Dausgaard, Lorin Maazel, Tugan Sokhiev, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton und Christoph Altstaedt. 2012 gab sie in der Kölner Philharmonie ihr Solo-Debüt.[3] Es folgten Konzerte u. a. mit dem Warsaw Philharmonic Orchestra[4] der Russischen Staatskapelle Moskau,[5] dem Amadeus Chamber Orchestra of polish Radio, dem Orchestra national du Capitole de Toulouse, dem Estonian National Orchestra und dem Israel Philharmonic Orchestra. Neben ihrer solistischen Tätigkeit wirkt Scheps auch kammermusikalisch und arbeitet mit Künstlern wie Andrej Bielow, Daniel Hope, Erik Schumann, Adrian Brendel, Alban Gerhardt, Jan Vogler, Nils Mönkemeyer sowie Ensembles wie dem Kuss Quartett, dem Danel-Quartett und dem Danish String Quartet zusammen. Scheps hat ein vielseitiges Repertoire, besonders widmet sie sich jedoch den Werken russischer Komponisten sowie Kompositionen von Frédéric Chopin.[6][7] Auch selten gespielte Werke wie beispielsweise das Konzert für Klavier und Streichorchester „Malédiction“ von Franz Liszt sowie Werke von Olivier Messiaen und Anatolij Ljadov gehören zu ihrem Programm. Zahlreiche Fernsehsender berichteten über sie und zeigten Mitschnitte ihrer Konzerte; 2017 drehte der WDR unter der Regie von Marion Ammicht einen Dokumentarfilm über sie. Scheps war Gast bei Fernsehsendungen wie „TV Total“, „Helge hat Zeit“ mit Helge Schneider, „Kleine Nachtmusik“ mit Götz Alsmann, dem Kölner Treff, DAS! Rote Sofa, dem ZDF-Morgenmagazin und der Sendung „Klein gegen Groß“. Scheps lebt mit ihrem Partner und ihrem Sohn in Köln. Aufnahmen[Bearbeiten | Quelltext bearbeiten] Nachdem Scheps zuvor bereits auf einem CD-Mitschnitt vom Klavier-Festival Ruhr 2009 zu hören war, brachte sie im Jahr 2010 ihre ersten beiden Solo-CDs bei RCA Red Seal (Sony Music) heraus. 2010 erhielt sie für ihre Debüt-CD „Chopin“, gemeinsam mit Alice Sara Ott den ECHO Klassik 2010 als „beste Nachwuchskünstlerin des Jahres (Klavier)“. Im Herbst desselben Jahres folgte ein weiteres Soloalbum mit Werken russischer Komponisten. Ihre nächste CD „Schubert“ erschien im August 2012 bei RCA Red Seal (Sony Music). Danach brachte sie bei Sony Classical 2014 zusammen mit dem Stuttgarter Kammerorchester ein weiteres Album mit den beiden Klavierkonzerten von Frederic Chopin heraus. Diskografie[Bearbeiten | Quelltex
Avec Olga la musique s'écoute et c'est un bonheur, mais en plus elle se voit et se ressent et c'est un plaisir, une vraie émotion. Chaque phrase musicale est nimbée de beauté. Exceptionnel !
A diamond in the sand you are! At the very end I also had tears in my eyes, from the beauty of your performance and from your emotions. Your interpretation sends a message of love and hope and that everything is posible in God's creation. Your work is monumental and transcendental. The best!
Since I was a boy I like classic, romantic, and baroque music, it depends on education and habits learned from home. I mean what our parents let us to listen to or recommend to listen to. I was born in a hard life world, surrounded by trash music, however I had the opportunity to listen to an enormous variety of styles and now I have the skills to teach music to beginners and intermediate students for pianoforte. And I love it.
Superb. I wonder how she liked this particular piano? I had the impression it made her work harder in the upper registers, though I suppose it might just be my audio... Always inspired by great pianists to believe I must be able play my simple little 4 minute Chopin piece if they can produce half an hour of concentration and magnificence and beauty with such a tough piece and without a single blunder!
After listening more than a couple of times, fascinated by Olgas playing, I also have to say this: What a wonderful sound in this uptaking! This Steinway can bloom the way it wants, probably due to some clever sound engineers. Thank you so much!
It is not too nearly mic-ed, and still not to far away. You can hear the room responding to her playing, as it often is in a listening position, beeing there. Still the details of her playing are taken care of. It sounds very natural, and that is as I see it, the best mark.
Yes we men have that tendency to adore women, with or without make up. How stupid! PS As you are an often seen commentator I take this opportunity to congratulate you for your comments. Respect! And greetings from Sweden.
Una interpretació meravellosa. Sens dubte la millor de les què he pogut escoltar. No vull que les meves lloances difuminin el veritable valor de la teva interpretació. Gràcies per aquest regal musical.
When it comes to the 3rd movement of this piece, I always come back to Ms Scheps. She owns the 3rd. It has to be played by a woman, in particular, she.
Diese Interpretation übt immer wieder eine magische Anziehungskraft auf mich aus. Ich habe die h-Moll-Sonate noch nie so fesselnd gehört wie hier.
Thank you, I feel the same. Without big words I also like her playing very much.
Not a pianist. She is an angel. Absolutely perfect playing with nice feeling and emotions. Gifted from heaven.
Is not a gift, is a training, a huge sacrifice. The gift doesn't have any kind of sacrifice, just have it. Playing piano as she does suppose hundred of hour during lot´s of years. Just let's appreciate the gained talent made of sacrifice and perseverance. After all, this is her passion, but also her work.
Ok, but she is very good with her work, and her pratice she conquer with all the best she finds and receive!
Music is not only in arts, music is in everywhere, and because this detail she can act like the best on the world, because she has the best inside her to perform with all her soul.
She does not need think very much to do all she does, and only this is the way to virtuositity.
Virtuosity is present with highest result on the smallest thinking, and I just know it!
Sometimes, she plays like Gulda, and this is a good way to a better virtuosity...
@@carlosmdp255 there are tons of people with training who play like robots with no soul. some people get it, others don't and you can't teach it. it IS a gift, no matter how you analyze the word
She's really high on the ladder. Great musician.
Not sure if you guys gives a shit but if you're bored like me atm then you can stream pretty much all the latest series on InstaFlixxer. I've been watching with my girlfriend lately xD
Olga's skills are over the top. And I love to know that there are many lovely pianists like her. Thanks Olga Scheps for existing in my life.
In classical piano performance, I look for uniqueness, and not just a good playing of a piece. You bring your unique interpretation very effectively here. You have little "hanging pauses", and wonderful pianissimos which are two of the features that render your interpretation unique. Your body language is unique, not because it's never seen before, but because in your body language you make
if clear that you are not after self-glorification, which you abundantly deserve, but you are visibly aching to bring Chopin's unspeakable message of love, yearning, and romanticism, with its full meaning, not just romance,to us your audience.
Olga, you are a blessing and you are a phenomenal performer.
You have eloquently stated that which I could not. Complete agreement.
Jeśli jesteś precyzyjna /y/ jak snajper, nigdy nie ustrzelisz kanarka. Uczucia nie są strzelnicą.
😊
I can only honestly say: the more I listen to this, the more I like Chopins music, and the more I like Olgas playing.
She is a great Pianist.
My eyes and ears are delighted.
One of the best executions of this sonata... She is one of the best pianists of this era....
She made with this sonata a masterclass on November 11th 2017 with Alona Milner in Tel Aviv University and showed to attentive Alona the mysteries of that piece . . .
Love when she plays Chopin. Pure delight to listen to her feel the music and watch the joy on her face.
I don't normally pay attention to the body language of performers as everyone has their own style and responds to the music and the instrument in their own way, but I have to say that watching you play is as much a part of the performance as listening. I have never been so infatuated with a performer's interpretation and style as yours. I appreciate your talent and your love for the music you play. It is not so common to find people so moved by music these days. Thank you.
Took the words right out of my mouth - I agree - she is heaven sent - a very special angel. She brings tears to my eyes like no other - Thank you so so much Olga Scheps.
This combination of beauty - Olgas beauty and Chopins beauty - seems to be a for me overwhelming combination. Olgas skill in playing Chopin is undoubtedly perfect, and so I stay in this playing, enchanted till the end.
In one word it's . . . Fluidity. Olga seems to play with a fluidity few in this world possess and she pours her whole body into her playing. Her expressiveness is so very warm and connected. To have just a thimble-full of her hard-fought talent would be a gift beyond measure. What a treasure she is to our world.
The interpretation of this sonata is very captivating, unique,and full of spiritual depth. More epic but dramatic, too ,full of reflection and intellectual distance, leading to the affirmation of the world in the fourth movement. The work was created in the Village of Nohant (France), where the 44-year-old Chopin, who had health problems, found inspiration and the care of George Sand helped him considerably. Inspired by You. Thank you Olga.
Indudablemente verte tocar a Chopin es el mejor de los placeres, Sos un encanto que aflora lo más visceral del compositor, como si lo estuviérmaos viendo tocar al mismísimo Chopin,... pero más aún con el disfrute de tu belleza, gestual y corporal!!! Imposible no enamorarse...!!!!! BRAVO!
Olga Scheps!
THE music of Chopin fly..
Your fingers fly..
We fly toguether....
Amazing performance Always, DIVA!
She deserves all the best the earth can offer...
There is no word to describe it!
The one is the best!!
It is a joy listening to Olga Scheps in this, when she is perhaps at the age of 29? Such a mature interpretation, and with so much poetry in it. All that is significant for Chopin she takes well care of, and I can nothing but admire her playing.
Olga, Sie sind einfach fabelhaft! Ihre Interpretation ist sehr schoen. Fuer mich die beste, die ich je gehoert habe. Herzlichen Dank. Gruesse aus Brasilien!!!
She is magician, bravo, with love from New Jersey, USA.
No pude dejar mi asiento por 10 o 15 minutos, impactado de haber escuchado y sentido esta maravillosa interpretación. Gracias Olga, Te amo!
Es notable la limpieza de su digitación. Nada fuera de lugar. Expresiva sin exagerar. Una maravilla de pianista!!
Je suis absolument charmé par la grâce, l'émotion, la passion de votre musique. Je vous découvre et vous trouve extraordinaire. 😍😍😍
Thanks Olga Sheps, you present play beautiful. Keep a head your future. Dont look back. Thanks So much.
this just brought me to tears! honestly moving!
Chopin to najpiękniejsza spuścizna dla ludzkości ❤️
Mit welcher Souveränität und emotionaler Wärme gespielt. Das große Vermächtnis romantischer Musik aus dem neunzehnten Jahrhundert wird zum bewegenden Erlebnis der Gegenwart. Chopin wusste damals schon alles.
Amazing Olga🎉
One of the best renditions of this music ever played.
Olga Scheps ist die jüngere Tochter des Pianisten und Hochschullehrers Ilja Scheps und der Klavierlehrerin Tamara Scheps. Die Familie übersiedelte 1992 nach Wuppertal. Mit fünf Jahren erhielt Olga Scheps den ersten Klavierunterricht, 1999 gewann sie den Bundeswettbewerb Jugend musiziert sowie 2001 den Wettbewerb Jugend spielt Klassik.[1]
Noch während ihrer Schulzeit begann sie 1999 ihr Klavierstudium zunächst als Jungstudentin in der Klavierklasse von Vassily Lobanov, seit 2006 in der Meisterklasse von Pavel Gililov an der Hochschule für Musik und Tanz Köln. Weitere Studien führten sie zu Arie Vardi und Dmitri Baschkirow.
Alfred Brendel entdeckte Scheps als sie 15 Jahre alt war und förderte sie. Sie wurde ab 2001 von der Deutschen Stiftung Musikleben und ab 2006 von der Studienstiftung des deutschen Volkes mit einem Stipendium unterstützt. Im Jahr 2014 schloss sie ihr Studium an der Musikhochschule Köln ab und absolvierte ihr Konzertexamen bei Pavel Gililov.
Im Alter von 14 Jahren und noch vor ihrem Studium debütierte sie in der Konzertreihe Junge Elite mit dem 1. Klavierkonzert von Prokofjew in der Düsseldorfer Tonhalle. Seit ihrem Debüt beim Klavier-Festival Ruhr im Jahr 2007 konzertierte sie u. a. beim Rheingau Musik Festival, dem Klavier-Festival Ruhr, beim Schleswig-Holstein Musik Festival, den Festspielen Mecklenburg-Vorpommern, dem Kissinger Sommer, dem Heidelberger Frühling, dem Lucerne Festival, den Sommerlichen Musiktagen Hitzacker, dem Mosel Musikfestival, dem Menuhin-Festival in Gstaad, dem internationalen Musikfest Kreuth, dem Festival Iberico in Spanien, dem Mersin Festival in der Türkei und dem Festival „Zaubersee“ in Luzern.[2]
Scheps arbeitet mit namhaften Orchestern und spielt überwiegend in Europa und in Asien. Sie wurde unter anderem von folgenden Dirigenten zu einer Zusammenarbeit eingeladen: Yakov Kreizberg, Thomas Dausgaard, Lorin Maazel, Tugan Sokhiev, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton und Christoph Altstaedt. 2012 gab sie in der Kölner Philharmonie ihr Solo-Debüt.[3] Es folgten Konzerte u. a. mit dem Warsaw Philharmonic Orchestra[4] der Russischen Staatskapelle Moskau,[5] dem Amadeus Chamber Orchestra of polish Radio, dem Orchestra national du Capitole de Toulouse, dem Estonian National Orchestra und dem Israel Philharmonic Orchestra. Neben ihrer solistischen Tätigkeit wirkt Scheps auch kammermusikalisch und arbeitet mit Künstlern wie Andrej Bielow, Daniel Hope, Erik Schumann, Adrian Brendel, Alban Gerhardt, Jan Vogler, Nils Mönkemeyer sowie Ensembles wie dem Kuss Quartett, dem Danel-Quartett und dem Danish String Quartet zusammen.
Scheps hat ein vielseitiges Repertoire, besonders widmet sie sich jedoch den Werken russischer Komponisten sowie Kompositionen von Frédéric Chopin.[6][7] Auch selten gespielte Werke wie beispielsweise das Konzert für Klavier und Streichorchester „Malédiction“ von Franz Liszt sowie Werke von Olivier Messiaen und Anatolij Ljadov gehören zu ihrem Programm.
Zahlreiche Fernsehsender berichteten über sie und zeigten Mitschnitte ihrer Konzerte; 2017 drehte der WDR unter der Regie von Marion Ammicht einen Dokumentarfilm über sie. Scheps war Gast bei Fernsehsendungen wie „TV Total“, „Helge hat Zeit“ mit Helge Schneider, „Kleine Nachtmusik“ mit Götz Alsmann, dem Kölner Treff, DAS! Rote Sofa, dem ZDF-Morgenmagazin und der Sendung „Klein gegen Groß“.
Scheps lebt mit ihrem Partner und ihrem Sohn in Köln.
Aufnahmen[Bearbeiten | Quelltext bearbeiten]
Nachdem Scheps zuvor bereits auf einem CD-Mitschnitt vom Klavier-Festival Ruhr 2009 zu hören war, brachte sie im Jahr 2010 ihre ersten beiden Solo-CDs bei RCA Red Seal (Sony Music) heraus. 2010 erhielt sie für ihre Debüt-CD „Chopin“, gemeinsam mit Alice Sara Ott den ECHO Klassik 2010 als „beste Nachwuchskünstlerin des Jahres (Klavier)“. Im Herbst desselben Jahres folgte ein weiteres Soloalbum mit Werken russischer Komponisten. Ihre nächste CD „Schubert“ erschien im August 2012 bei RCA Red Seal (Sony Music). Danach brachte sie bei Sony Classical 2014 zusammen mit dem Stuttgarter Kammerorchester ein weiteres Album mit den beiden Klavierkonzerten von Frederic Chopin heraus.
Diskografie[Bearbeiten | Quelltex
Vielen Dank!
Die perfekte Frau
Olga suona con il Corpo...!
Excelsa Diva!
Avec Olga la musique s'écoute et c'est un bonheur, mais en plus elle se voit et se ressent et c'est un plaisir, une vraie émotion. Chaque phrase musicale est nimbée de beauté. Exceptionnel !
moving performance as always 😢 thank you, Olga 💞🎹
She's talking with her piano. Superb interpretation, superb Chopin.
Steinway Sons . Yes Great pianist
What a fresh, intelligent interpretation of this dense, innovative music. Easy to become a diehard of this non-showmanship style.
Que hermosa música,y la interpretación angelical,de la gran pianista Olga.
Muchas felicidades
Não precisa procurar mais , você já encontrou a melhor .❤🌹🌹🌹
Fantástica intérprete del Genial Chopin ,,
A diamond in the sand you are!
At the very end I also had tears in my eyes, from the beauty of your performance and from your emotions. Your interpretation sends a message of love and hope and that everything is posible in God's creation. Your work is monumental and transcendental. The best!
Splendida creatura.
Avvolgente la sua gestualità.
Tocco incantato.👏👏👏
I simply enjoyed it ! Gracias Olga … and Chopin 😉
Vous etes une tres grande virtuose en plusvous êtes ravissante un vrai plaisir pour les yeux
Since I was a boy I like classic, romantic, and baroque music, it depends on education and habits learned from home. I mean what our parents let us to listen to or recommend to listen to. I was born in a hard life world, surrounded by trash music, however I had the opportunity to listen to an enormous variety of styles and now I have the skills to teach music to beginners and intermediate students for pianoforte. And I love it.
fantastic dear Olga
She is my favourite pianist
Thank you🙏💜
Fantastic 3rd movement!!
I think if she has taken part in Chopin Competition, no doubt she would have been one of the top contestants. This is soooo good!
Superb. I wonder how she liked this particular piano? I had the impression it made her work harder in the upper registers, though I suppose it might just be my audio...
Always inspired by great pianists to believe I must be able play my simple little 4 minute Chopin piece if they can produce half an hour of concentration and magnificence and beauty with such a tough piece and without a single blunder!
I wish I could be there ✨
That was so beautiful, honey. Thank you. Wow.
After listening more than a couple of times, fascinated by Olgas playing, I also have to say this: What a wonderful sound in this uptaking! This Steinway can bloom the way it wants, probably due to some clever sound engineers. Thank you so much!
It is not too nearly mic-ed, and still not to far away. You can hear the room responding to her playing, as it often is in a listening position, beeing there. Still the details of her playing are taken care of. It sounds very natural, and that is as I see it, the best mark.
Olga, você é uma pianista fantástica. Gostaria de poder aplaudi-la aqui em SãoPaulo, Brasil.!
Eu também!!!!!!!!
You have a good soul and it comes out in your playing. Thank you for your dedication.
Iguana
1. Allegro maestoso 0:00
2. Scherzo: molto vivace 14:40
3. Largo 18:00
4. Finale. Presto ma non tanto 28:48
Thank you for the hope my friend...
outstanding!!
Quelle ravissante personne
I wish you would be here in İstanbul♥️
The best. Stunning
Esta pianista tem um talento imensurável! Aplausos do Brasil.
I like that Olga has almost no make up in this. Her inner beauty comes up clearer playing this womderful Chopin.
Lovely bit of stuff she can teach me 😂
Yes we men have that tendency to adore women, with or without make up. How stupid! PS As you are an often seen commentator I take this opportunity to congratulate you for your comments. Respect! And greetings from Sweden.
Olga,e demais
A minha pianista favorita interpretando meu pianista favoritol.
Somos almas gemelas.
exquisite! phenomenal! how not to love you!
I agree with Mr Dalibor! It's an angel playing the piano!
Love her attitude.
Magnificent.
It could be curious to see many young guys sit at this beautiful place, enjoying her performance.
Maravillosa, como siempre
fantastic
Absolutamente maravilhosa!
As I remember Olga at 6 could play Schubert and Chopin, she is so talented just like Amira.
Belissimo grande!
Una interpretació meravellosa. Sens dubte la millor de les què he pogut escoltar. No vull que les meves lloances difuminin el veritable valor de la teva interpretació.
Gràcies per aquest regal musical.
Awesome music ❤
Wonderful!
Bravo, Bravo, Bravo .
flawless. what the heck
Each melody comes from the heart, reach to the fingers..
When it comes to the 3rd movement of this piece, I always come back to Ms Scheps. She owns the 3rd. It has to be played by a woman, in particular, she.
Komentovat Olgu?? ?... 💝💝💝🌿👣👣👣🦋🦋🦋🌷🌿🌹🍁 Olga, Chopin,...
To jsou S N Y z vesmíru
Stan. Slan. ...
Brava
Tanta y tanta pacion desbordada.exquisito.merci.
Hoffentlich finden Sie Zeit, um uns zu besuchen!!!
Yes
我一生中未曾见过如此美丽的女子，她仿佛是天仙降临凡间。
我从未遇见过如此绝世容颜的女子，她宛如天上的仙女般令人倾心。
Eu , tolo , pensando que so eu a adorava assim .❤🌹🌹🌹
Olga is the only one who brings out the magnificence of the LH in the brilliant 33:24 run!!
Passion.
Fantástica intérprete de Chopin
¡Estúpido TH-cam! ¡No interrumpas los videos a la mitad de la interpretación!
That's my girl!
that was so powerful starts of 4th movement 28:45
Qué belleza...
Ela também é música de carne ossos e muita beleza .❤🌹🌹🌹
Ich liebe dich Olga
Могу успокоить тебя тем, что ты не одинок в своих страданиях. Большая часть мужской половины человечества страдает тем же.
you are good
演奏が艶っぽい
💚
🌷