v2 Ch 12 Chromatic Mediants

[@avenarius8182]

This is stunningly well-presented and fascinating. How refreshing to find a video which gets straight to the point - and stays there! Thank you so much for sharing this.

[@tinychapter.]

Just want to say thanks for these videos! Lovely stuff.

[@LoveRonnelid]

Excellent video, thank you!!

[@Music4Theory]

You are very welcome. Good luck with your studies and music making. Bill

[@LoveRonnelid]

@@Music4Theory Thank you Bill! Everything along these lines is much appreciated. :)

[@elveleite]

Thank you for uploading these videos. Very helpful and interesting!

[@NotLegato]

really cohesive and easily understandable.

[@SamuelPeckman]

Thank you for this very helpful video. There is a lot for me to learn hear.

[@AliAlshammary-rw6xe]

Helo dr. I have a question is it possible to play augmented and diminished with chromatic Mediants

[@Music4Theory]

Of course you can. Music is an art form and you can modify it any way you want. Do what sounds good to you. Enjoy and don’t feel limited by the way others use these techniques (rhythmically as well as harmonically). Keep writing, creating,and exploring. Bill Carmody.

[@Classic336]

Is the Ab major chord in C major really a chromatic mediant? I am a little confused, since we can borrow it from C minor.

[@Music4Theory]

Listen again to 4:02 The Ab chord is both a borrowed harmony and a chromatic mediant. Since it returns to the tonic, it functions in this case as a chromatic mediant. Modal borrowing is often used to "tonicize" a temporary modulation -- to wander away from the key only to return. Voice leadings will help achieve what you are trying to do. Flats go down, etc.

[@khaledshokry5070]

Thank you :)

[@ray66antonio]

thank

[@jeremylum8766]

Hi Dr Bill, do you have an email address so that I can write to you? Thank you.

[@Music4Theory]

Jeremy Lum
[e-mail]

[@twinkleramos7911]

Hi Dr. Bill, I have write you an email. Hoping to hear from you..

[@Music4Theory]

My email is: [e-mail]