Believe it or not, I made a great sounding, very realistic Jazz Guitar patch using this tutorial. I was following the instructions for using ALG 2 to create saw and square waves. By fiddling with the ENV rate and levels for each operator, I found this lovely tone. Thank you Mr. PowerDX7!
That's killer that you got such a great comments from BT!!! You are definitely awesome. I have been following your tutorials as well and learned so much!! I actually ended up getting the original DX7 recently in addition to DX7 II FD and a couple of TX802's that I have had for quite a while.
You are a legend! Thanks so much for your work! Just got my DX7IID two weeks ago and already programming my own "analog-like" pads thanks to your videos
Yamaha DX / TX users... Watch it ! Hat off & thanks once again for these outstanding visual FM synthesis tutorials ... For sure, you'll end up working for Yamaha someday... which will be fully deserved ... Keep sharing your passion & talents through these professional projects ! ;-))
love your channel, had a TX81Z, but you inspired me to just get a TX7 ! there is something beautiful inside these machines - and you help unlock it. Respect to you and the engineers who made the units.
The thing that keeps bringing me back to FM synthesis are: patches that respond like acoustic instruments. They don't always sound completely realistic, but they sound good and you can often get fresh sounding results from it. How much more can we get out of analog? It's all been done IMO. FM is unique in having that feeling that some amazing sounding patch that nobody has ever heard before is just a few adjustments away!
And I thought that interchangeable algorithms are those algorithms with which there will be exactly the same sound, with 4 groups of algorithms, an almost identical sound is obtained, due to a greater additive synthesis.
Hello my friend. I’m trying to recreate the Bass 1 patch from DX7 on my DX21 or as possible as I can, because I can’t afford a DX7 here in my country. Do you have some tips or could give me a hand on creating a “similar” Bass 1 sound with 4 operators? Thanks ! Very nice work.
Can't be done on the old 4 ops DX synths. All the DX7 sounds can be produced on the MODERN REFACE DX synth. It allows for a bigger fuller sound because it uses feedback on all 4 ops. And and has onboard effects that can be saved within a patch. And this is a major gamechanger. To create patches that rival a 6 op FM synth
Believe it or not, I made a great sounding, very realistic Jazz Guitar patch using this tutorial. I was following the instructions for using ALG 2 to create saw and square waves. By fiddling with the ENV rate and levels for each operator, I found this lovely tone. Thank you Mr. PowerDX7!
I believe it! 🚀
That's killer that you got such a great comments from BT!!! You are definitely awesome. I have been following your tutorials as well and learned so much!! I actually ended up getting the original DX7 recently in addition to DX7 II FD and a couple of TX802's that I have had for quite a while.
You are a legend! Thanks so much for your work!
Just got my DX7IID two weeks ago and already programming my own "analog-like" pads thanks to your videos
Respect with those comments from BT, love your channel finally got a DX7 and gonna learn to program it
Yamaha DX / TX users... Watch it !
Hat off & thanks once again for these outstanding visual FM synthesis tutorials ...
For sure, you'll end up working for Yamaha someday... which will be fully deserved ...
Keep sharing your passion & talents through these professional projects ! ;-))
Long-time fan... I'll say it again and again... This guy rocks!
Don't fear the algorithm ;)
love your channel, had a TX81Z, but you inspired me to just get a TX7 ! there is something beautiful inside these machines - and you help unlock it. Respect to you and the engineers who made the units.
WOOT??? I'm in your vid!!! tytytyty :))
Yes, thanks for your comment. It helped me to package contents better. And you are learning FM synthesis properly! So thank you!
Simply the best explanation. Greetings from Poland.
this is very high quality content. i look forward to watching the rest of your videos.
The thing that keeps bringing me back to FM synthesis are: patches that respond like acoustic instruments.
They don't always sound completely realistic, but they sound good and you can often get fresh sounding results from it. How much more can we get out of analog? It's all been done IMO.
FM is unique in having that feeling that some amazing sounding patch that nobody has ever heard before is just a few adjustments away!
Thank you very much for explaining the Algorithms.Great job teaching.
Wonderful video! Thanks for posting!
another awesome vid, thanks!
Merci beaucoup
I love this so much, please make more!!!
If there are six in the algorithm, remove feedback, then you get a completely identical sound.
thanks a lot! you're the man....
thank you so much. if you dont mind me asking, how did you get the scar on your left wrist? it looks wild and cool lol
And I thought that interchangeable algorithms are those algorithms with which there will be exactly the same sound, with 4 groups of algorithms, an almost identical sound is obtained, due to a greater additive synthesis.
do you think your dx7 has gotten old enough to have built its own character over time? Do you clean the insides out ever? Just curious
This is killer thanks !
Hello my friend. I’m trying to recreate the Bass 1 patch from DX7 on my DX21 or as possible as I can, because I can’t afford a DX7 here in my country. Do you have some tips or could give me a hand on creating a “similar” Bass 1 sound with 4 operators? Thanks ! Very nice work.
Can't be done on the old 4 ops DX synths. All the DX7 sounds can be produced on the MODERN REFACE DX synth. It allows for a bigger fuller sound because it uses feedback on all 4 ops. And and has onboard effects that can be saved within a patch. And this is a major gamechanger. To create patches that rival a 6 op FM synth
@@fender1000100that's not true. Dx21 is perfect for bass.And no, the reface cannot replicate all the dx7sounds. 😂
Please, How i can make a split and add a Second layer ? Thanks
i saw a programmer for the dx7 online. soo many knobs!
Now you know what the Machine is missing.
But, like, how do I make a good trumpet sound?
Holy shit at the long ass preamble.
Your comment triggered the mental midget, alma2777
: )
FM-sississis.