Darius Milhaud: Sonata per oboe, flauto, clarinetto e pianoforte, Op.47 (1918)
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- เผยแพร่เมื่อ 1 ต.ค. 2024
- Darius Milhaud (1892-1974): Sonata per oboe, flauto, clarinetto e pianoforte, Op.47 (1918).
1. Tranquille
2. Joyeux [6:44]
3. Emporté [10:02]
4. Douloureux [11:52]
Ensemble Polytonaal
Cover image: painting by Georges Seurat.
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I posted a comment some 4 years ago, but I come back here from time to time, it is so fresh a score, giving some kind of "pastoral" peace to our soul. On a more technical point, polytonality is indeed here (as often in Milhaud's works, with a tonal underground), but it is by no ways aggressive and sounds "quasi-consonant". Roussel's language, for instance, sounds usually more harsh.
Comme la première lumière du crépuscule, cette architecture sonore ouvre les yeux à de vieilles promesses et à toutes les anomalies bienfaisantes de la nature. Evocatrices de pouvoirs au-delà de l'observation, ces pièces tirent les ficelles du cœur, attisent les nostalgies et réveillent les tourbillons, les vies écorchés et la torpeur des veilleurs tourmentés 🌺🕊
Vous écrivez bien.Mais que sont donc les "anomalies de la nature"? La vue étant un absolu, il n'y a pas de "pouvoir non observable".Enfin,le cœur qui aime peut tout voir ,tout dire,en mots ou en musique,éperdument.
Thank you very much for all that you do to help promote fine music, and for providing this gorgeous work for us to enjoy. It is so important that classical music be listened to and shared in order for more people to get to know and love it, and your posting it on here greatly helps that to happen.
Playing this piece in my chamber group this semester (I am an oboist). Thank you for sharing!
Polytonality is so cool, its a shame that nearly 100 years later we still hardly hear it in any modern day music.
Never say never 😉
@@lorenzopone869 Anyway, the poly-tonality here is all but aggressive, and in spite of many comments including from the composer himself, this poly-tonality is always very close to tonality and can be herd as long appogiaturas or decorative features. We can find similar techniques in a quite different mood and context in Debussy or Stravinsky's scores, and also in Ravel after WW1, or even in some "advances" scores by Prokofiev (symphony 2), and even Albert Roussel or Britten. .
@@gerardbegni2806 J'adore la poli-tonalité, M. Begni. C'est pas moi celui qui a commenté négativement.
@@lorenzopone869 Personne n'a commenté négativement. Je ne répondais à personne, je faisais un commentaire sur la légèreté de ton que Milhaud savait donner à cette technique.
@@gerardbegni2806 Merci pour cet éclaircissement
Milhaud uses an section of woodwinds without bass. The piano bears the harmonic structure of the whole, so Milhaud can play freely with the tunes of the flute, the oboe, the clarinet. The resullt is quite fresh, with some touch of pastoral mood. Like his friend Poulenc, Milhaud loved the acid sonority of the woodwinds instruments. Nevertheless, he was a violonist and gave us masterworks for strings (sonatas, conceertos ....). I must confrssrhet I love this sonata.
this piece is unabashedly free spirited, charming, oozing with musical inventiveness and modern
hello, this quartet is nice, I would like to play it, but where can I find the sheet music?
Thanks.
From the springtime of Milhaud's art.
aguante Milhaud y aguante Seurat!!!
Why aren't the players listed? It's such a nice performance! They should be acknowledged.
Because people post recordings without permission.
@@zebradove1 Thanks for the link. Nice to know who was playing.
@@nonenoneonenonenone Good point....
Georges Seurat, suits it wonderfully.
0:00 - Tranquille
6:44 - Joyeux
10:02 - Emporte
11:52 - Douloureux
Such a hauntingly beautiful and amazingly written piece. I would love to try this in the future!
A really good one! a lovely piece. Very Well Performed, too. ~ Thanks.
sasha king crimson ₪₪₪₪
Thanks for this interesting upload.
Funny how, often composers' and jazz and rock groups' early material is their best. Something about Youth maybe.
3:40 - 4:30 remarkably sounds like the opening of Rite of Sprint.
So I think this is amazing, but why are they playing the triplets as if they were an eighth and two sixteenths? I can't imaging the performers not being able to execute a triplet. Was Darius known for revising his scores, hence maybe there are different versions of the same score? In my score, the opening theme in the obe is a triplet and it repeats itself as another triplet in the fourth measure...just curious if anyone knows. Excellent performance though I would say.
Sorry--of course I meant Milhaud.......
Le choix des instruments pour cette sonate est assez original. Mais cette musique est originale. J'y entends par moment des consonances orientales? Cette œuvre m'enchante littéralement!
you are forgiven, Monsieur Reger. of course, since they were both members of Les Six, it is easy to mistake one name for another when referring to las obras de música por estos compositores. c'est la musique très belle, oui?
One can never hear enough great chamber music like this.
One can hear premonitions of Gershwin and Brubeck here.
Any idea on who the players might be? Terrific performance by the way.
who is the artwork by and name of painting. beautiful music
Georges-Seurat-Bridge-of-Courbevoie
George Surratt. Pointillist, post-impression painter.
Yep.
TheCAPTAINDESTROYER 8
There is always a heading (usually in grey) under all TH-cam clips that says SHOW MORE -- by clicking on that you get more information, in this case who the painting was by.
Why sonata? And not quartet?
Ensemble Polytonal
Who allowed commercial interruptions???
I believe the recording company puts them there.
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Je voudrais faire ici de l'acte d'écriture un art de la reprise, une lutte acharnée, un combat interminable contre toutes les forces négatives de commentaires écrits déposés ici comme des étrons aussi fastidieux et méphitiques qu'inutiles, sur la musique et dont la vocation première serait de consolider des châteaux de rêves verbeux qui ne renvoient pas au néant absolu ! J'aimerais que l'écriture retrouve son pouvoir salvateur et élève les moindres vélléités des créations littéraires et pertinentes (et ne pas se cantonner aux "Amazing!" et encore "I love this" sans parler des "Beautiful" et autres "Thanks") qui me font dresser les cheveux sur la tête !! J'aimerai que l'écriture écrase les dernières incertitudes dans le cendrier de la confiance ranimée des amoureux des mots , mais hélas, rien n'est moins sûr...... :( ........... Le pouvoir d'invocation de cette musique m'inspire cela au plus profond !
Merci Philippe! Entièrement d'accord avec toi...
fabulous! thanks
Excellent
5 *
Love this sonata 🤩🤩🤩
Is this Poulenc's original scoring @TheWelleszCompany--or is it an arrangement of another work?? Cannot believe that I've never heard of this before! Many thanks.