Evilwhiteclownpunk lol! You have won the Internet. I literally have Coca Cola burning my nose now. So glad I finished my hotdog before I read that, would’ve been hard to explain!
Hahahaha, also you have to stand really really still whilst playing with one just in case you pull it around the room with the guitar lead. Either that or nail it to the top of your cab:-)
Fun fact: You can use any DC-operated analog (not digital, not tube) distortion or OD pedal as a basic foot switch. You just plug the footswitch cable into the output, and it makes the switch of that pedal act like an amp switch. Tis a trick one of my old jamming buddies sent my way, and at least with the pedal he was using (an old orange Boss OD/Distortion that I can't remember the name of), it worked just as a channel foot-switch should.
Yes, it's made of metal. As for the rest of your questions, you're gonna have to reiterate. If clean is your dig, then you probably couldn't go wrong with that Boutique model. I'm usually not impressed by "boutique" amps, especially considering how much real boutique amps cost, but I love the sound of that Vox Boutique head. It's slightly compressed, sparkly and jangly, yet warm. These are all the good things that Vox is known for. Most other companies that have tried to do the same thing have failed miserably. Vox has always excelled with clean/slightly driven tones, and that's what you get with the Vox Boutique.
I see these, and can't help but think they're a _massive_ missed opportunity - if they'd put an effects loop in them, they'd make a brilliant low-cost option for modeller amplification, for those of us with Helix/Kemper/etc. As it is, they're pretty crap as a backup for anybody who uses high-gain with time-based effects in the loop, which is a damn shame because the high-gain and rock ones sound great!
@@SpectreSoundStudios Cheers :) Even if they did it with a stereo jack socket and a Y-splitter, that'd be a good result. My only other gripe is companies who make these micro-sized amps, but rate them for 4 ohm loads. Almost nobody has a 1x12" or 2x12" guitar cab rated for 4 ohms, so unless you're packing a tiny amp with a massive 4x12", you ain't gonna get that power. You'll probably have an 8 ohm cab, so you'll be putting out 25W with a solid state amp, so there'll be nowhere near enough headroom for a gig...you probably won't have enough power to hear yourself on stage, even if you're reinforcing it all with a PA.
@@SpectreSoundStudios Please do. The other option that I never tried appears to be the little hotone legacy amps. They come with an FX loop. It would be cool if you could do a review of them.
@@SpectreSoundStudios - OK, I kinda wasn't clear. I meant that most folk who're after this kind of amp are trying to make a portable/lightweight rig (if they're not just carrying it as a backup). I know that's my main goal, 'cos I'm a broken shell of a human being. The requirement to have a 4 ohm cab just to get the bare minimum headroom for a gig out of it is...well, it defeats the point of a small, cheap option if your choices are to replace all the speakers in your cab just to get the right impedance, or replace your small cab with a 4x12". It's a consequence of the "use more windings in your output transformer to get better sound" ethos in the guitar world, which itself is a hangover from the days of only valve amps being able to do the job properly, so most cabs use 16 ohm speakers and are geared towards 8 ohm or 16 ohm operation. While we're in this transition period (before valves get so expensive that nobody can afford them any more), more needs to be done to coax luddite guitarists into the modern age. Worth noting that I say this as the owner of a Powerstage 170, which puts out 85W into my 8 ohm 2x12" and is still louder than god's farts, though.
I played a show one time where the bandleader had me run through his nuTube to keep our stage footprint down, and I was pleasantly surprised at how it sounded. These are good little amps for the money.
SpectreSoundStudios strange... I was under the impression that it was. You should have put some sort of disclaimer in the video at regular intervals to ensure people got that this was NOT recorded by Spectre Sound. Just like some simple white text or something. Oh well, maybe next time if you remember! And of course, Fuck You Glenn ;)
The latest generation of class D chipsets from TI have made amazing products possible that just couldn't exist a couple years ago. There small, insanely efficient (no heatsink needed) & stupid cheap.
This is the first series of mini-heads that I've actually liked. Even the Boutique one sounds great, and I don't typically like stuff like that. It's like Vox saw all those other mini-heads from companies like Joyo and said "Bitch, please... Hold my beer."
Thank you for reviewing these. I've been looking for a place to sing their praises. FYI, the "deep" switch is just a low end boost to compensate for low volumes and not a scoop and the ECO switch turns the amp off after 15 minutes when not in use - ECOfriendly. I've been using a pair of the MV50 "Clean" models in to two of their Vox BC112 4ohm cabs in stereo with a Helix in front of them and... wait for it... this is the best rig I've ever owned. No bullshit! 1. Two of these in to 4ohms is super loud. I mean "BIG stage" loud. 2.They love just about any amp model I put in front of them from Fenders to Friedmans with plenty of head room to run delays and verbs after the model and before the MV50s. 3. Because the NuTube behaves just like a tube you get that warm whoomph you'd expect from tubes. And 4. With the right set up it does everything I want it to and nothing I don't. I've never been able to say that last part about any rig I've ever had. $200. One pound. 50 watts. Fits on your pedal board. Sounds amazing! And you haven't ordered YOURS yet because...
Hi Glenn...Thank you for reviewing Vox’s new tech. Your favorable review will lend credibility to this line of small but reasonably powerful micro-amps. I’ve already been sold on them for a while. I use a pair of these in my live rig and for some studio sessions. Since I’m a rock guy, I have the Rock versions. I dial in one for crunch (cleans up with my guitar’s volume control) and the other for lead tones. Both are on my pedal board with a half a dozen pedals and a Radial ABY switch. I run them into a pair of 1x12” cabs, each loaded with 12”, 4 ohm, Eminence speakers. The tone is there, load in and out in one trip each way and because Class D power is kinda self scaling, this compact rig can be as loud or as quiet as I need it to be for small to medium venues without sacrificing tone. The other guitar player had a Line Sux (no, not a misspelling) w/the Bogner designed tube power section. He sold it and built himself a new rig similar to mine.
i wanna wait for Ola Englund to do a Will It Chug? episode on the high gain version. i think we don't need that because this thing absolutely chugs \m/ also, I agree with Glenn. I'd rather have one amp that makes one great sound that one that makes 500 shit ones. this might be that one amp for me.
Glenn! Please do more videos with Steve you guys have a great chemistry and I thoroughly enjoyed this episode! Been watching both of you for years! Cheers
The ECO switch doesn't lower the output power, it controls the auto-off function. With the ECO switch on, the amp will turn off if there is no output for 15 minutes.
Those Vox MV amps are great. As for the gigging musician, think of a rehearsal rig with the Harley Benton Vintage 30 cab - or even as a backup amp. There are some "budget amps" that blow the Spider series amps out of the water.
With some of those "oh fuck, I can't speak my mind rn or I'll start arguments" faces...... I think he might just be Glenn Flanders anyway in this vid... (also hence the "I have nothing to do with this horrid shitty sound" overlay)
SpectreSoundStudios Because all you could see directly surrounding the amps on the close up shots are those ghost white gams of yours. Couple that with the hair-flip intro and you’ve almost got yourself an entry for Canadians Next Top Model! Seriously though, I’m just busting your balls dude. I’m a huge fan and you’ve taught us all a lot. You’re half the reason I got into home recording to begin with and I couldn’t have done it without your videos. Thanks! Fuck you from Central Michigan.
Glenn, Awesome as always! I have one serious question that you may have already covered. Because of noise restrictions, I had an idea that my band could practice using something like ax fx and electric drums through a low volume system or headphones. Have you tried this or do you know anyone that has successfully done something similar?
GLEN! GLEEEEN! GLEEEEEEEEEN! Watched most of your videos by now and find both you and what you're talking about to be very representative and inspiring. Matter a fact your intro song t'ill this day still inspires me to make and mix heavy mix and making it even heavier. However, i'm a producer myself and find it troubling when you talk about the engineering stuff in such a easy manner, for example when you explained how the compressor or limiter works, you're correct in fact, but i feel like your oversimplifying it waaayy more than necessary. Since, i'm a producer myself but have a studio with instruments and have played guitar for about 10 years and about the same for digital mixing. Although as a producer, i'm way more interested in the audiotechnical rather than the physical act of playing an instrument. Therefore, i would LOVE for you to talk more about DAWS, pro's & con's, why some work better for professionals / selfthought as i am myself. I also would like for you to talk more about the actual mixing, and the theoretical knowledge that lays behind it rather than talking in a way that makes you a "jack of all trades and a master of none" Greetings from Stockholm and i absolutely LOVE what your doing, your both inspiring, professional and also quite funny! Keep up the good work and also a big FUCK YOU from producer Andreas Ängvreten!
I don't heaps understand how class D poweramps work, but they seem to work really well. I've got a TC Electronic rh450 bass rig which is class D, crazy light, and heaps loud. It has a pretty nice response. I still go with an all tube rig for guitar gigs though.
Not much happened, to be honest. The best stuff to come up during the 90s were technical death metal, some great albums from Sepultura, Megadeth Slayer and Kreator, a couple of grunge bands that didn't suck (Soundgarden, Stone Temple Pilots and Alice in Chains, maybe some Pearl Jam) and that's it. Then you got nu metal and all that crap that sucked badly.
@Virgil Grin ah yeah!! How could I forget about them!? They were one of the best bands from the decade, that's for sure. I also like Type O Negative a lot. They used to tour together with Pantera and play pranks on each other
I haven't looked at one (at all) but I'm suspecting that perhaps there isn't a break between whatever passes as the preamp and the power amp sections. A dedicated loop would probably require an additional preamp stage, perhaps driving the cost or form factor out of profitability. Just a guess, however.
Despite your not running the Hi-gain model through the gain range via the amp's knob, this was actually the best demo video to date that illustrates the differences between those 3 models by Vox and w/o an unwarranted break between the contrasts so, memory is still more viable for a more refined comparison. 🤘😎
The A/B switching would be a decent idea. But, is it worth it to spend $400+ on that plan (2 amps) when you can just get a decent combo amp with a footswitch (or a pedal) for that - or less?
Just as a note, the ECO switch is a power saver. Never put it in that position. We use one of these regularly and learned the hard way. In ECO it will turn itself off after not receiving an active signal after a certain amount of time. It bit us the first time we used it. Everything went well with soundcheck, but when we walked out on stage it wouldn't pass any signal. Lesson learned. We also experienced a squealing with certain settings and pedal combos. Haven't nailed down what is causing it, but beware.
That. Is. Crazy. Way to go Vox. I use to have a Tonelab which was so so but couldn't do metal to my satisfaction. This really isn't bad at all. Thanks for showing these off Glen!
I've seen those little amps while looking on websites and never gave them much thought until now. Search and found some others who reviewed them and it seems they sound legit. Good video.
@alan wake Delay before distortion generally sounds like shit, unless you turn certain parameters down on your delay. Hence why I need an effects loop if I want to use delay.
Glenn and Steve both kick major ass. No bullshit, you get the real scoop from these guys. The audio and video quality is always superior too. The two best guitar/studio gear channels on YT are by far Spectre Sound Studios and Steve From Boston.
Oh man this may be exactly what the doctor ordered. I recently acquired a new cab, and have a spare cab laying around now and thought about using it as a rehearsal gig cab but need a head to fill the needs but a tiny micro head like this may be just what it needs.
Nice! That High-Gain version is pretty spoopy. It sounds like a head 10x its size. Can't beat the portability for so much crunch. And it's nice to have you back, Glenn. Your evil twin, Zen Fricker (from the other night) scared the fuck outta me. ; )
I personally would still go Katana 50 watt for a budget amp. You get more sounds out of it, you can buy a footswitch to do channel switching, you don’t have to buy a cab, and get the software that comes with so you can figure out what kind of effects you like to use before you go out and buy a bunch of pedals you later realize you don’t like. And if you do use pedals it makes for a great pedal platform.
I use the 250 ML on a shit ton of session recordings. The distortion isn't my cup of tea, but the clean tones are unsurpassed by any other amp I've tried. I've even used it on some of my own stuff to get that shimmering 80's Is This Love tone. I used to hate it, but it's really grown on me over the years.
Wow I need that Hi-Gain Vox amp. It sounds very nice by itself. I really want to hear this amp with a distortion pedal in front of it. Thanks for the video and the great playing form Steve from Boston. Their is nothing like watching Steve play with those meat hammers that he calls hands.
If this thing is using those korg nutubes then better watch out - those things are either microphonic on delivery, or go microphonic real quick, and badly so. Just a heads-up.
www.diystompboxes.com/smfforum/index.php?topic=109894.60 (scroll down about 3/5ths of the way down. quote as follows for the lazy (lol) ... " Interesting that the Nutubes need some degree of shock protection - rubber grommet mounts. How microphonic are they I wonder? Enough that technical documentation keenly suggests somekind of mounting that does not transfer vibrations. At least one document suggests using a separate circuit board for the NuTube circuitry, which is then mounted on rubber grommets. Don't know about the NuTube, but in general VFD's are notorious for being very, very microphonic. Obviously it becomes a much bigger concern when the tube is used for audio amplification than when it's used as a display."
These budget amps sound really good. Probably very usable in an actual mix. I do wish that there are more knobs though, but it sounds so much better than the Spider amps. If anything, using pedals would make it sound even better.
I had the MV50 AC and while the sound at lower volumes was impressive, I found the class D power amp got this harsh high end frequency at higher volumes that couldn’t be dialed out. I had the same issue with the Orange Micro Dark. I really feel they need to either develop a NuTube Power Tube or they need to just add in a Tube Power section. Funny thing, I’m fine with a 500 watt Class D bass amp, but the guitar amps just don’t do it for me.
He should, but he also kind did mention the katana as a good alternative when he reviewed some other gear that was meh. I think the biggest Issue with the Katana 50 is the open back cabinet, takes away allot of bottom end.
I am a bassist , vocalist and I run the bass through a Dark Glass Alpha to a PA and it sounds great with no amp . What do others think of bass amps ???
Cool sounds guys, Cheers! wish i was born earlier, seeing Dio live in the 80's would be incredible. but the 90's gave us Black Metal. not for everyone, but a huge genre for me!
I've tried one of those and they are impressive, however all the effects and everything you get in the spider V amp for practice is better than just that little piece.
The Vox Nutube rocks. I do find however that real tubes have a bit more signal lenght to them... sustain is longer on real tubes. Soundwise, though, the nutube is awesome. When can we preorder that new pedal from you guys?
I thought the first one sounded rather plastic at hi-gain, but I liked the other two. I've looked into Nu-Tubes and they are a completely new device tech; actually based on display technology, they glow--which is kinda cool.
I’m a guitarist looking to start making covers, but I’m a total noob on the drums, and don’t know how to get drum tracks from songs I want to cover, should I download TH-cam clips? Or is there some sort of alternative whereby I could isolate drum tracks from full mixes of songs I want to record my own tracks over?
Solid state components also have anodes and cathodes, that's not really the argument that you're trying to make. The way that a tube distorts and "recovers" vs the harsh, almost square clipping of a transistor or digital op-amp is important here. The game changers in digital amps, specifically in modeling, are designing circuits, software, EQ, and other tools to "soften" the sound. In other words, modeling the sound of distortion and providing only "clean amplification" of that modeled sound in the digital power amp. I'm sure you'll find variations to this approach, and perhaps exceptions to the rule, but you can experiment with this at home with a tube, a transistor, an op-amp, and an oscope. Build a simple circuit for each and monitor the output vs the sound.
Just a little correction: The Eco-Switch turns the amp automatically off after 10 minutes or so. Disable it on your MV50, otherwise there will be a big surprise when your gigging. I know what I am talking about. 😄 Little Story: Soundcheck, everything good and getting off the stage. 10 minutes later getting on the stage, no amp double check, wanting to rock NO SOUND. Freaking Eco-Switch was on 😁
Is all that compression from the recording not the amp? Sounds like camera mic compression. I know you didn't record it Glenn but surely you asked what the audio signal was?
guys... i think this audio might not have been recorded by spectre sound
Very good! How are those bass lessons coming?
SpectreSoundStudios wait, there are bass *lessons*!?
@@SpectreSoundStudios GLENN! I heard that the audio was not recorded by Spectre Sound. Now, do I hold the bass with the strings against me?
@@dbackscott Yeah, they come in Advanced, Basic and Adjusted for Bassplayers. The latter comes with more easy-to-read material.
It isnt?!?
Instead of worrying about setting a glass of beer on your amp, you gotta worry about dropping your amp in a glass of beer...
LMAO hilarious dude !!!!
Evilwhiteclownpunk lol! You have won the Internet. I literally have Coca Cola burning my nose now. So glad I finished my hotdog before I read that, would’ve been hard to explain!
Hahahaha, also you have to stand really really still whilst playing with one just in case you pull it around the room with the guitar lead. Either that or nail it to the top of your cab:-)
It's small enough to fit in a pitcher, handle and all. Also, don't leave it on the couch...
I wonder who didn't record the audio...
I also didn't record the audio!
Glenn: “...talking like we know what we’re talking about.”
Steve: “Well, I sorta do..”
As always, thanks for the free content!
Except he wasn't very accurate on how a tube works lmfao
Glen, PLEASE do great and affordable bass amps. Everyone does guitar amps, but no one touches affordable bass amps
I don't know what you call affordable and what are the quality bass amps but there is this one for 400$; Hartke TX600 Head
Dark Glass pedal to PA with my vocal .
Warwick lwa1000 amp head is pretty affordable around $700ish
I suppose I'm thinking more along the lines of the Joyos. 150-300 range that are decent enough to use.
Ampeg ba110
Fun fact: You can use any DC-operated analog (not digital, not tube) distortion or OD pedal as a basic foot switch. You just plug the footswitch cable into the output, and it makes the switch of that pedal act like an amp switch. Tis a trick one of my old jamming buddies sent my way, and at least with the pedal he was using (an old orange Boss OD/Distortion that I can't remember the name of), it worked just as a channel foot-switch should.
I love when glen plays guitar i realize im better then i give myself credit.
he plays pretty much like shi*
Lmao.. I thought the same thing..
It's made of metal? Do circuits gleam? Is it perpetual and keeps the country clean?
Glenn takes pride in probing all your secret moves!
Yes, it's made of metal. As for the rest of your questions, you're gonna have to reiterate. If clean is your dig, then you probably couldn't go wrong with that Boutique model. I'm usually not impressed by "boutique" amps, especially considering how much real boutique amps cost, but I love the sound of that Vox Boutique head. It's slightly compressed, sparkly and jangly, yet warm. These are all the good things that Vox is known for. Most other companies that have tried to do the same thing have failed miserably. Vox has always excelled with clean/slightly driven tones, and that's what you get with the Vox Boutique.
@@MFKR696 Commie Crusher was just referencing "Electric Eye", a Judas Priest song. He wasn't actually asking questions.
@@Panglo55 Ah ic. I've never been a fan of that band, though I do love some of Halford's solo efforts.
It zooms in to you, but you don't know it's there.
I see these, and can't help but think they're a _massive_ missed opportunity - if they'd put an effects loop in them, they'd make a brilliant low-cost option for modeller amplification, for those of us with Helix/Kemper/etc. As it is, they're pretty crap as a backup for anybody who uses high-gain with time-based effects in the loop, which is a damn shame because the high-gain and rock ones sound great!
Good point! Next time I see the Vox guys, I’ll have to bring that up.
@@SpectreSoundStudios Cheers :) Even if they did it with a stereo jack socket and a Y-splitter, that'd be a good result. My only other gripe is companies who make these micro-sized amps, but rate them for 4 ohm loads. Almost nobody has a 1x12" or 2x12" guitar cab rated for 4 ohms, so unless you're packing a tiny amp with a massive 4x12", you ain't gonna get that power. You'll probably have an 8 ohm cab, so you'll be putting out 25W with a solid state amp, so there'll be nowhere near enough headroom for a gig...you probably won't have enough power to hear yourself on stage, even if you're reinforcing it all with a PA.
@@SpectreSoundStudios Please do. The other option that I never tried appears to be the little hotone legacy amps. They come with an FX loop. It would be cool if you could do a review of them.
Actually, my friend Brandon brought his 4X12 with a Joyo Bantamp to a gig & rocked the place....
@@SpectreSoundStudios - OK, I kinda wasn't clear. I meant that most folk who're after this kind of amp are trying to make a portable/lightweight rig (if they're not just carrying it as a backup). I know that's my main goal, 'cos I'm a broken shell of a human being. The requirement to have a 4 ohm cab just to get the bare minimum headroom for a gig out of it is...well, it defeats the point of a small, cheap option if your choices are to replace all the speakers in your cab just to get the right impedance, or replace your small cab with a 4x12".
It's a consequence of the "use more windings in your output transformer to get better sound" ethos in the guitar world, which itself is a hangover from the days of only valve amps being able to do the job properly, so most cabs use 16 ohm speakers and are geared towards 8 ohm or 16 ohm operation. While we're in this transition period (before valves get so expensive that nobody can afford them any more), more needs to be done to coax luddite guitarists into the modern age.
Worth noting that I say this as the owner of a Powerstage 170, which puts out 85W into my 8 ohm 2x12" and is still louder than god's farts, though.
I played a show one time where the bandleader had me run through his nuTube to keep our stage footprint down, and I was pleasantly surprised at how it sounded. These are good little amps for the money.
Was the audio recorded by Spectre Sound?
No Josh, it wasn't. Still going to reading lessons before bass lessons, I see.
NICE
SpectreSoundStudios lol
SpectreSoundStudios strange... I was under the impression that it was. You should have put some sort of disclaimer in the video at regular intervals to ensure people got that this was NOT recorded by Spectre Sound. Just like some simple white text or something. Oh well, maybe next time if you remember! And of course, Fuck You Glenn ;)
@@tommystratpaul 🤣😂
The latest generation of class D chipsets from TI have made amazing products possible that just couldn't exist a couple years ago. There small, insanely efficient (no heatsink needed) & stupid cheap.
Whats with the audio? Definitely not up to your usual standard Fricker. WTF?
This is the first series of mini-heads that I've actually liked. Even the Boutique one sounds great, and I don't typically like stuff like that. It's like Vox saw all those other mini-heads from companies like Joyo and said "Bitch, please... Hold my beer."
I can't believe he recorded this at Spectre sound, it's horrible. 🤘🤣
Thank you for reviewing these. I've been looking for a place to sing their praises. FYI, the "deep" switch is just a low end boost to compensate for low volumes and not a scoop and the ECO switch turns the amp off after 15 minutes when not in use - ECOfriendly. I've been using a pair of the MV50 "Clean" models in to two of their Vox BC112 4ohm cabs in stereo with a Helix in front of them and... wait for it... this is the best rig I've ever owned. No bullshit! 1. Two of these in to 4ohms is super loud. I mean "BIG stage" loud. 2.They love just about any amp model I put in front of them from Fenders to Friedmans with plenty of head room to run delays and verbs after the model and before the MV50s. 3. Because the NuTube behaves just like a tube you get that warm whoomph you'd expect from tubes. And 4. With the right set up it does everything I want it to and nothing I don't. I've never been able to say that last part about any rig I've ever had. $200. One pound. 50 watts. Fits on your pedal board. Sounds amazing! And you haven't ordered YOURS yet because...
Really impressed by the sound of these. Now only if they had effects loops...
Hi Glenn...Thank you for reviewing Vox’s new tech. Your favorable review will lend credibility to this line of small but reasonably powerful micro-amps. I’ve already been sold on them for a while.
I use a pair of these in my live rig and for some studio sessions. Since I’m a rock guy, I have the Rock versions. I dial in one for crunch (cleans up with my guitar’s volume control) and the other for lead tones. Both are on my pedal board with a half a dozen pedals and a Radial ABY switch. I run them into a pair of 1x12” cabs, each loaded with 12”, 4 ohm, Eminence speakers. The tone is there, load in and out in one trip each way and because Class D power is kinda self scaling, this compact rig can be as loud or as quiet as I need it to be for small to medium venues without sacrificing tone. The other guitar player had a Line Sux (no, not a misspelling) w/the Bogner designed tube power section. He sold it and built himself a new rig similar to mine.
i wanna wait for Ola Englund to do a Will It Chug? episode on the high gain version. i think we don't need that because this thing absolutely chugs \m/
also, I agree with Glenn. I'd rather have one amp that makes one great sound that one that makes 500 shit ones. this might be that one amp for me.
Glenn! Please do more videos with Steve you guys have a great chemistry and I thoroughly enjoyed this episode! Been watching both of you for years! Cheers
Kind of feel like unless you're releasing a standalone power amp, you've got no excuse to not include an effects loop these days.
Tried the boutique at the guitar shop. Great sound. I was playing through a Fender cabinet and using a Fender Strat. Great crunch for classic rock.
Pretty shocked by how good these little amps are!
@@SpectreSoundStudios hey Glenn, what are the outputs on the back?
I think the eco switches just allows the amp to power off when not in use! ;)
*middle of concert*
Amp in eco mode: "Are you still there?"
Countdown timer: 30 29 28 27 ...
The ECO switch doesn't lower the output power, it controls the auto-off function. With the ECO switch on, the amp will turn off if there is no output for 15 minutes.
My favorite budget is also the Boss Katana. I love that the guitar player is using a PRS which is what I’m trying to get for my birthday.
Those Vox MV amps are great. As for the gigging musician, think of a rehearsal rig with the Harley Benton Vintage 30 cab - or even as a backup amp.
There are some "budget amps" that blow the Spider series amps out of the water.
Yep... super affordable & great sound. Seriously impressed.
Scooping the mids at 9:00 really makes it sound like the over-produced pop-metal sound. I really like the "dirt" in the middle.
If Glenn Flanders / Monsenior Fricker showed up in a suit and tie again I might have hurt myself !!!!
With some of those "oh fuck, I can't speak my mind rn or I'll start arguments" faces...... I think he might just be Glenn Flanders anyway in this vid... (also hence the "I have nothing to do with this horrid shitty sound" overlay)
Look at you still rocking those camo shorts. I love it!
Glenn Fricker: The Modern Adonis. Coming soon to a concrete jungle near you.
WTF does that have to do with the amps?
SpectreSoundStudios
Because all you could see directly surrounding the amps on the close up shots are those ghost white gams of yours. Couple that with the hair-flip intro and you’ve almost got yourself an entry for Canadians Next Top Model!
Seriously though, I’m just busting your balls dude. I’m a huge fan and you’ve taught us all a lot. You’re half the reason I got into home recording to begin with and I couldn’t have done it without your videos. Thanks! Fuck you from Central Michigan.
@@ryanwilson5936 Glenn is the definition of ''can dish it out but can't take it''
@@SpectreSoundStudios They're just teasing you! Harness it, embrace it, let it fuel you!
Paul Blart Mall Cop truer words have never been spoken haha! Content is good though
Wow the KORG NUTUBE 6P1 DUAL TRIODE is one funky looking 'tube'
Plate voltage of 12 volts too.
Did Spectre Sound record the audio for this video?
Man there's so many good options for budget gear nowadays, I would've been so happy with something like that 15years ago.
Glenn's face at 10:02 when he's tuning to Drop D is such a mood.
I only use VOX amps. Never been let down. They're best at 10.
Glenn, Awesome as always!
I have one serious question that you may have already covered.
Because of noise restrictions, I had an idea that my band could practice using something like ax fx and electric drums through a low volume system or headphones. Have you tried this or do you know anyone that has successfully done something similar?
Good Question
GLEN! GLEEEEN! GLEEEEEEEEEN!
Watched most of your videos by now and find both you and what you're talking about to be very representative and inspiring. Matter a fact your intro song t'ill this day still inspires me to make and mix heavy mix and making it even heavier. However, i'm a producer myself and find it troubling when you talk about the engineering stuff in such a easy manner, for example when you explained how the compressor or limiter works, you're correct in fact, but i feel like your oversimplifying it waaayy more than necessary.
Since, i'm a producer myself but have a studio with instruments and have played guitar for about 10 years and about the same for digital mixing. Although as a producer, i'm way more interested in the audiotechnical rather than the physical act of playing an instrument. Therefore, i would LOVE for you to talk more about DAWS, pro's & con's, why some work better for professionals / selfthought as i am myself. I also would like for you to talk more about the actual mixing, and the theoretical knowledge that lays behind it rather than talking in a way that makes you a "jack of all trades and a master of none"
Greetings from Stockholm and i absolutely LOVE what your doing, your both inspiring, professional and also quite funny!
Keep up the good work and also a big FUCK YOU from producer Andreas Ängvreten!
i have the CLEAN one and its an amazing PEDAL platform. loud and clean out of the cab, makes my stomps sound gorgeous.
I don't heaps understand how class D poweramps work, but they seem to work really well.
I've got a TC Electronic rh450 bass rig which is class D, crazy light, and heaps loud. It has a pretty nice response. I still go with an all tube rig for guitar gigs though.
“We have a pro crew here!” *audio not recorded by Spectre Sound
Favorite budget amp: BOSS Katana series.
I was just about to say that.
Wrong it's line 6 spider
No,fender original mustang amps are better than spider and also better than katana 50!
You've gotta love Glenn's glances of "what is this, a joke?" as Steve tries desperately to play metal riffs in Drop D
“Didn’t miss much” in the ‘90s? Anyone who actually thinks the ‘90s sucked for metal doesn’t know much about metal.
Glenn is still butthurt that Nirvana ruined all his hair metal fun. RIP Stryper heyday.
@@RCAvhstape so am I
@@rocowolf918 Me, too.
Not much happened, to be honest. The best stuff to come up during the 90s were technical death metal, some great albums from Sepultura, Megadeth Slayer and Kreator, a couple of grunge bands that didn't suck (Soundgarden, Stone Temple Pilots and Alice in Chains, maybe some Pearl Jam) and that's it. Then you got nu metal and all that crap that sucked badly.
@Virgil Grin ah yeah!! How could I forget about them!? They were one of the best bands from the decade, that's for sure. I also like Type O Negative a lot. They used to tour together with Pantera and play pranks on each other
LOL! The disclaimer that Audio was not recorded by Spectre sound. LMAO!
Pedal builder here: The nu tube is like the display in old vcrs and radios. It works just like a regular tube, electrically. It is a tube not a chip.
It would sell alot better if it had an effects loop or at least some reverb..
I haven't looked at one (at all) but I'm suspecting that perhaps there isn't a break between whatever passes as the preamp and the power amp sections. A dedicated loop would probably require an additional preamp stage, perhaps driving the cost or form factor out of profitability. Just a guess, however.
That’s why I bought a boss Katana.
ive had one for about a year now and i still love it! Yes its kinda funny im running gibsons into a little affordable vox but THEY SOUND SO GOOD!
Despite your not running the Hi-gain model through the gain range via the amp's knob, this was actually the best demo video to date that illustrates the differences between those 3 models by Vox and w/o an unwarranted break between the contrasts so, memory is still more viable for a more refined comparison. 🤘😎
Im curious on your thoughts about the Peavy Vyper 30
I’ve got the High Gain model. Plug it into a 1X12 4-ohm Celestion cream back closed back cabinet and it sounds great!
The A/B switching would be a decent idea. But, is it worth it to spend $400+ on that plan (2 amps) when you can just get a decent combo amp with a footswitch (or a pedal) for that - or less?
The Katana
Just as a note, the ECO switch is a power saver. Never put it in that position. We use one of these regularly and learned the hard way. In ECO it will turn itself off after not receiving an active signal after a certain amount of time. It bit us the first time we used it. Everything went well with soundcheck, but when we walked out on stage it wouldn't pass any signal. Lesson learned. We also experienced a squealing with certain settings and pedal combos. Haven't nailed down what is causing it, but beware.
Eco mode is not a wattage control, it turns off the amp if there's no signal for a certain amount of time to save electricity.
That. Is. Crazy. Way to go Vox. I use to have a Tonelab which was so so but couldn't do metal to my satisfaction. This really isn't bad at all. Thanks for showing these off Glen!
I've seen those little amps while looking on websites and never gave them much thought until now. Search and found some others who reviewed them and it seems they sound legit. Good video.
I'll have to go with the Joyo Bantamp instead, because the Vox Nutube is missing an effects loop; not ideal when you want to use a delay effect.
@alan wake Delay before distortion generally sounds like shit, unless you turn certain parameters down on your delay. Hence why I need an effects loop if I want to use delay.
We had one of these in the workshop and it was surprisingly good and amazing value for money. Great video!
Hey glenn quick question, was the audio recorded by spectre sound studios?
No. Apparently people never tire from asking dumb questions.
Can they please add a loop? I'd have already gotten one if it had.
Glenn and Steve both kick major ass. No bullshit, you get the real scoop from these guys. The audio and video quality is always superior too. The two best guitar/studio gear channels on YT are by far Spectre Sound Studios and Steve From Boston.
The high gain apparently has an issue that it simply hates reverb so if you like that, get the rock instead.
12:30 Well, since it only has the ONE channel... Gee, i wonder why it's not channel-switchable :P
... Because logic...
Oh man this may be exactly what the doctor ordered. I recently acquired a new cab, and have a spare cab laying around now and thought about using it as a rehearsal gig cab but need a head to fill the needs but a tiny micro head like this may be just what it needs.
Eagle has landed riffs 🤘
That’s a really nice blue color on that SE PRS. Idk if that’s the camera / post color or if it actually looks like that.
Nice! That High-Gain version is pretty spoopy. It sounds like a head 10x its size. Can't beat the portability for so much crunch. And it's nice to have you back, Glenn. Your evil twin, Zen Fricker (from the other night) scared the fuck outta me. ; )
I personally would still go Katana 50 watt for a budget amp. You get more sounds out of it, you can buy a footswitch to do channel switching, you don’t have to buy a cab, and get the software that comes with so you can figure out what kind of effects you like to use before you go out and buy a bunch of pedals you later realize you don’t like. And if you do use pedals it makes for a great pedal platform.
The expression of "This is it!" on 6:00 is priceless :D
I use the 250 ML on a shit ton of session recordings. The distortion isn't my cup of tea, but the clean tones are unsurpassed by any other amp I've tried. I've even used it on some of my own stuff to get that shimmering 80's Is This Love tone. I used to hate it, but it's really grown on me over the years.
Wow I need that Hi-Gain Vox amp. It sounds very nice by itself. I really want to hear this amp with a distortion pedal in front of it. Thanks for the video and the great playing form Steve from Boston. Their is nothing like watching Steve play with those meat hammers that he calls hands.
so did Spectre Sound Studios record the audio???
If this thing is using those korg nutubes then better watch out - those things are either microphonic on delivery, or go microphonic real quick, and badly so. Just a heads-up.
Got a link to any of that?
Just rolling a joint (it's my birthday !!!), then I'll see what else I can dig up
diyah.boards.net/thread/1572/pete-milletts-nuhybrid-nutube-triode?page=1
(scroll to last post on page)
@@mordokch Happy Birthday dude! Have one for me - I'm all out :(
www.diystompboxes.com/smfforum/index.php?topic=109894.60
(scroll down about 3/5ths of the way down. quote as follows for the lazy (lol) ...
" Interesting that the Nutubes need some degree of shock protection - rubber grommet mounts. How microphonic are they I wonder?
Enough that technical documentation keenly suggests somekind of mounting that does not transfer vibrations. At least one document suggests using a separate circuit board for the NuTube circuitry, which is then mounted on rubber grommets.
Don't know about the NuTube, but in general VFD's are notorious for being very, very microphonic. Obviously it becomes a much bigger concern when the tube is used for audio amplification than when it's used as a display."
These budget amps sound really good. Probably very usable in an actual mix. I do wish that there are more knobs though, but it sounds so much better than the Spider amps. If anything, using pedals would make it sound even better.
I had the MV50 AC and while the sound at lower volumes was impressive, I found the class D power amp got this harsh high end frequency at higher volumes that couldn’t be dialed out. I had the same issue with the Orange Micro Dark. I really feel they need to either develop a NuTube Power Tube or they need to just add in a Tube Power section. Funny thing, I’m fine with a 500 watt Class D bass amp, but the guitar amps just don’t do it for me.
Could you do a boss katana 50 honest amp review?
He should, but he also kind did mention the katana as a good alternative when he reviewed some other gear that was meh.
I think the biggest Issue with the Katana 50 is the open back cabinet, takes away allot of bottom end.
S G what I did was get a old piece of plywood stained it black and wood glue it on
@@Jdb_ solid mod. Definitely helps
I am a bassist , vocalist and I run the bass through a Dark Glass Alpha to a PA and it sounds great with no amp . What do others think of bass amps ???
Is this recorded by spectre sound studios?
Planning on pairing one of these with the Harley Benton 2x12 vertical and selling my Vox VT120+.
is a six string bass technically a guitar?
Cool sounds guys, Cheers! wish i was born earlier, seeing Dio live in the 80's would be incredible. but the 90's gave us Black Metal. not for everyone, but a huge genre for me!
BlackDeath60 8 when night falls
I've tried one of those and they are impressive, however all the effects and everything you get in the spider V amp for practice is better than just that little piece.
I wonder how all three would sound together through three cabs?
That thing is pumping out some gorgeous sounds
The 1st generation pod is back!
Two of my favorite TH-camrs! Awesome.
Steve is a great guy!
The Vox Nutube rocks. I do find however that real tubes have a bit more signal lenght to them... sustain is longer on real tubes. Soundwise, though, the nutube is awesome. When can we preorder that new pedal from you guys?
I laugh so hard every time you let us know that the audio was NOT recorded by Spectre
I wonder how this would go as a super portable backup amp if an amp at a show fails. It could end up being better to use virtual amps though.
So who recorded the audio then?
Pen the magician is also a metal heads?
I got a Peavey Windsor for only $250! I recommend finding one if you want to sound like Mastodon or something similar
I thought the first one sounded rather plastic at hi-gain, but I liked the other two. I've looked into Nu-Tubes and they are a completely new device tech; actually based on display technology, they glow--which is kinda cool.
I’m a guitarist looking to start making covers, but I’m a total noob on the drums, and don’t know how to get drum tracks from songs I want to cover, should I download TH-cam clips? Or is there some sort of alternative whereby I could isolate drum tracks from full mixes of songs I want to record my own tracks over?
How about with a few effects? How does it sound?
my god these little boxes sound amazing
Solid state components also have anodes and cathodes, that's not really the argument that you're trying to make. The way that a tube distorts and "recovers" vs the harsh, almost square clipping of a transistor or digital op-amp is important here. The game changers in digital amps, specifically in modeling, are designing circuits, software, EQ, and other tools to "soften" the sound. In other words, modeling the sound of distortion and providing only "clean amplification" of that modeled sound in the digital power amp. I'm sure you'll find variations to this approach, and perhaps exceptions to the rule, but you can experiment with this at home with a tube, a transistor, an op-amp, and an oscope. Build a simple circuit for each and monitor the output vs the sound.
Just a little correction:
The Eco-Switch turns the amp automatically off after 10 minutes or so. Disable it on your MV50, otherwise there will be a big surprise when your gigging. I know what I am talking about. 😄
Little Story: Soundcheck, everything good and getting off the stage. 10 minutes later getting on the stage, no amp double check, wanting to rock NO SOUND. Freaking Eco-Switch was on 😁
try Harley Benton Mighty-5TH !
Hey Glen, would you be up for getting a hold a of a Boss SY-1 Synth Pedal for guitar? its polyphonic and could be a lot of fun :)
Is all that compression from the recording not the amp? Sounds like camera mic compression. I know you didn't record it Glenn but surely you asked what the audio signal was?
Glenn, thanks for sharing this. You and Steve are great together, BIG fans of you two!🎧🙏🏻