Informative! This is my first real synth, I’m still learning. You can’t do much on a volca so I stepped my game up. It’s a different world with a Moog.
What I do is tune Oscillator 1 to the root note, Oscillator 2 to the minor third, and the Noise Oscillator to the fifth. That makes a minor chord, but you can hit "sync" on Oscillator 2 which changes the minor third to an octave of the root note. Technically a major chord, but there isn't a major third in there. However, it works really well do switch back and forth when you want the chord to be minor or major just by pushing that sync button.
I love mine but its frustrating. It would help if there was a book of just patches. They give you a handful in the book provided but at least 100 or more would be so useful to me :)
lisa bella dona put out a lil pdf of patches for the grandmother api.moogmusic.com/sites/default/files/2019-11/Grandmother_Patchbook_LBD_1_0.pdf getting a GM this weekend beyond excited!
I've wondered if it's possible to hack Grandmother to play (presumably two-voice) paraphonically. I know basically nothing at all about electronics, but couldn't you just somehow allow each oscillator to be tracked by different notes?
no. here's a read to learn how complex the issue of duophony can be: www.soundonsound.com/techniques/duophony . everything discussed here implies underlying circuitry (being able to register multiple keyboard presses, deciding which press goes to which oscillator etc.). so the rework needed to "hack" something like this would be completely unreasonable. if it were easy to implement there'd be no reason not to include it as an option on every analog synth.
You can do it with an arduino, but it wouldn’t be easy. The easiest solution would be a eurorack duophonic midi module. Midi from keyboard, out from module as cv, into oscillators. You could then maybe modify the module to accept the voltage from the grandmother and build it into the case. So it would require some drilling/modifications
Grandmother does have a cool reverb and the simplicity and immediacy does allow for faster patching. And it's enough to make the most useful practical patches while being less than half the price, so I would go for the Grandmother I think. The Round Robin mode, aftertouch, better (not ridiculously limited) arp, cv controllable attenuators and the fact that it has a delay would be big selling points for me to get the matriarch. It does have a lot more features. Just not features I would use every day.
Informative! This is my first real synth, I’m still learning. You can’t do much on a volca so I stepped my game up. It’s a different world with a Moog.
Excellent tutorial, like how you colour matched your instructions with the G.mother colours : )
Nice demo... thanks for the titles as you adjusted the synth.
Nice work! Moogs don't always have to sound vintage. I especially like it when you get a bit more abstract towards the end.
The. Sounds. Are. So. Phat.... man I love me some Moog hardware! Some day soon! Thx man!
Excellent demo, awesome tones !
Beautiful playing!
beautiful
I love it! Sick sounds! Wish it wasn't like $2k here in NZ :(
Be European then its like €800
Love Grandmother tones. How about that Matriarch, eh? FOUR oscillators and a hunch of funky tools, wowzers.
Great vid. Cheers for this.
is there a way you can route to the attenuator so you can use it to change between minor/major thirds?
Just tune to 5 chords. Then you don’t have to decide if it’s major or minor.
@@ElCapitanGames That would be a great solution if I didn't want to play major or minor chords!
What I do is tune Oscillator 1 to the root note, Oscillator 2 to the minor third, and the Noise Oscillator to the fifth. That makes a minor chord, but you can hit "sync" on Oscillator 2 which changes the minor third to an octave of the root note. Technically a major chord, but there isn't a major third in there. However, it works really well do switch back and forth when you want the chord to be minor or major just by pushing that sync button.
Nice!
You could probably get a 4th note/voice with keyboard tracking the filter and tuning the resonance!
Fucking cool!
I love mine but its frustrating. It would help if there was a book of just patches. They give you a handful in the book provided but at least 100 or more would be so useful to me :)
I agree. It's fun to experiment but trying to get musical tones from it is difficult for me. Another hundred patches would be great, even 50!
lisa bella dona put out a lil pdf of patches for the grandmother api.moogmusic.com/sites/default/files/2019-11/Grandmother_Patchbook_LBD_1_0.pdf
getting a GM this weekend beyond excited!
@@djsandy303 oh thank you! I am about to order my GM and this looks great. Man she is so good
Don't miss this, which just came out: th-cam.com/video/TwXEnbRrDYs/w-d-xo.html&ab_channel=AntonAnru
very helpful video :)
Yeah right we got instructed...
I've wondered if it's possible to hack Grandmother to play (presumably two-voice) paraphonically. I know basically nothing at all about electronics, but couldn't you just somehow allow each oscillator to be tracked by different notes?
no. here's a read to learn how complex the issue of duophony can be: www.soundonsound.com/techniques/duophony .
everything discussed here implies underlying circuitry (being able to register multiple keyboard presses, deciding which press goes to which oscillator etc.). so the rework needed to "hack" something like this would be completely unreasonable.
if it were easy to implement there'd be no reason not to include it as an option on every analog synth.
You can do it with an arduino, but it wouldn’t be easy. The easiest solution would be a eurorack duophonic midi module. Midi from keyboard, out from module as cv, into oscillators. You could then maybe modify the module to accept the voltage from the grandmother and build it into the case. So it would require some drilling/modifications
No, it wasn't easy, but doable!
So lush.
Is it possible to use 4 oscillators? Filter, LFO and the 2 oscillators....
Yes, but I use it only for short experiments, because you lose those two sources for modulation...
Better include external additional oscillators.
I think I came
Grandmother or matriarch? I’d rather have the grandmother just my preference
Well it is cheaper, but the Matriarch can do everything the Grandmother can and more
Grandmother does have a cool reverb and the simplicity and immediacy does allow for faster patching. And it's enough to make the most useful practical patches while being less than half the price, so I would go for the Grandmother I think. The Round Robin mode, aftertouch, better (not ridiculously limited) arp, cv controllable attenuators and the fact that it has a delay would be big selling points for me to get the matriarch. It does have a lot more features. Just not features I would use every day.
Playing a chord on a mono synth???
and ?