I just love this piece SO MUCH... And I'm not even a trombone player.. I'm a trumpet player, and I'm overwhelmed and rendered speechless by the immense talent that performers show when playing this piece!! Crazy. Praise the Lord for music! :)
Eso es porque está enfocando el sonido a la cámara, tiene que girarse a un lado para que no se escuche tanto el sonido de la lengua, además que el auditorio es muy seco (acústicamente hablando).
Yeah I was at his Master Class the next day and he said he could barely play a note because of all the jet lag. Poor guy just arrived from England the day before.
bonebonebone bonebonebone, so does the stripping result in a random pattern that makes the trombone look like it needs to be cleaned? And I can’t see a little lacquer making enough of a difference to be audible to the human ear.
@@ChaplainAcosta it does actually! the petina is what makes it look like that and I've seen some really beautiful ones. and it doesn't make a huge difference in the recording but sitting next to someone the difference is massive, it sounds like a totally different horn.
bonebonebone bonebonebone, I’ve read about these kinds of claims and the fact that you say there is no difference in a recording lends support to the the likelihood that any difference is psychological (that is, subjectively perceived) rather than actual. Have you ever seen any of those vids comparing expensive professional instruments to cheap ones and they switch between the instruments a few times? If you close your eyes, you usually experience no difference between the instruments; but if you open your eyes, somehow they are different. We want to believe our expensive gear must be better than inexpensive gear. But the real difference is the player. I’m not saying poorly made instruments (bad intonation relative to itself, poorly engineered, etc.) don’t play any different than well made instruments. I’m just saying the difference between a so called good student model and a pro model in the hands of a mediocre musician won’t sound appreciably different. The same is true if they were in the hands of a professional musician. In the latter example, the student class instrument will sound amazing if the musician is amazing.
I think the speed takes some of the beauty from the solo. The main nice slow nsolo is not a comedy act. I do not carre how great he is. As a composer I expect my compositions to be respected!! Carole Paul
О его звуке трудно судить по этой записи, она некачественна. Я вообще не его поклонник, но должен признать, что интонационная чистота его двойного стаккато впечатляет. И, конечно, тембр в пассажах НИКОГДА не будет таким же чистым и объёмным, как в медленном движении. Увы!
This was an amazing performance. I was in the second row in a small venue. I can highly recommend the Eastern Trombone Workshop (renamed the American Trombone Workshop) held yearly in March at Fort Myer in Washington,DC. I've attended 3 of them. Free access to all events from Wed-Sat. featuring world class trombone performances - jazz, classical, concert etc... Competetions, master classes, performances and nightly concerts all free and amazing. A must do for any brass fan.
I just love this piece SO MUCH... And I'm not even a trombone player.. I'm a trumpet player, and I'm overwhelmed and rendered speechless by the immense talent that performers show when playing this piece!! Crazy. Praise the Lord for music! :)
This accompanist just experienced his toughest day of the life
Nah, he's been to boot camp...
And the trombonist.
I would have loved to have him as my trombone teacher. His students are very fortunate. 7/10/2022
i would pay money just to see ian bousfield play around with his accompanist.
This is how the piece ought to be played. It’s a show piece. Go as crazy as you can handle or practice for!
So effortlessly
I play Bass Trombone like Ian- I only dream of being that good!!! Bravo Ian!
This is so good it's scary.
I think he sleeps with this solo
ZZZZZZzzzzzzzBluebellsofScotlandzzzzzzzzzz
Got to see that in person. It was amazing...
I was there! Twas EPIC! Even though he said himself that he played badly.... lol!
amazingly good and funny!!!!!! thank you :-)
Yea I think he's been honest, this is definitely not the best he could sound. Probably on one of his bad days.
Eso es porque está enfocando el sonido a la cámara, tiene que girarse a un lado para que no se escuche tanto el sonido de la lengua, además que el auditorio es muy seco (acústicamente hablando).
And it’s still incredibly good
Yeah I was at his Master Class the next day and he said he could barely play a note because of all the jet lag. Poor guy just arrived from England the day before.
Definitely not himself that day, but still a real trouper and made a great show of it!
great stage presence!
Hilarious and amazing! i just can't xD
Mr. Bousfield complained about the extreme dryness on stage at this recital. His sense of humor and stage presence carried the day, however.
i got a masterclass from him!!
Magical
This kind of reminds me of a Victor Borge performance.
Super talent trombon
Grand maestro .
astounding! and fun, too! :-)
I've played on that stage, it's absolutely awful! He's still amazing though (not to mention my favorite player of pryor despite his englishness).
If that is Mr. Bousfield's bad day, oh well, I'll take it as a good day. He is a great musician.
It was just for the crowd...to entertain them...I hope to be like this
Exactly! Still phenomenal. Still better than at least 99% of most trombonists...
I don't know what all the bickering is about on this thread.
Very different. Definitely was made for the stage. Very entertaining, love it.
He used to be my uncle :'''''')
fizzybananalemon, and he isn't anymore?
Divorce probably
Well excuse me while I go and break my trombone because of low self esteem
Please don't do that. Your Trombone has so much to live for.
What's he like??
Sheet music ?
Who let David Wallace's brother pick up a trombone?
He plays YAMAHA?
not anymore he plays a getzen/edwards now
lol he was the principle trombone player of the Vienna Phil.. I like your critique anyway.
man have heared that i will never play that piece again hahahah
4:00 is when it gets crazy
na de lokos
O_O no comments...
I heard this online and the next day performed there and went to his Master class. Twas truly amazing.
I feel like since it wasn't going to well from the start, he juat decided to try to pass is all off as a joke.
Huge mouthpiece. Interesting....shows it's technique and not equipment.
上手いのか、下手なのか、
分かりませんw
無印不良品 最高に上手すぎます
途中の笑い声からして、なんか遊びで吹いてるとかかな？そういうノリで聞こえる。だとしたらうまいやこりゃあ
*is the
Wow
Umm...wow. But he needs to clean his bell. ;-)
the bell is missing lacquer, lots of players strip the lacquer off to get a warmer darker tone, especially with a rose brass bell like that
bonebonebone bonebonebone, so does the stripping result in a random pattern that makes the trombone look like it needs to be cleaned? And I can’t see a little lacquer making enough of a difference to be audible to the human ear.
@@ChaplainAcosta it does actually! the petina is what makes it look like that and I've seen some really beautiful ones. and it doesn't make a huge difference in the recording but sitting next to someone the difference is massive, it sounds like a totally different horn.
bonebonebone bonebonebone, I’ve read about these kinds of claims and the fact that you say there is no difference in a recording lends support to the the likelihood that any difference is psychological (that is, subjectively perceived) rather than actual. Have you ever seen any of those vids comparing expensive professional instruments to cheap ones and they switch between the instruments a few times? If you close your eyes, you usually experience no difference between the instruments; but if you open your eyes, somehow they are different. We want to believe our expensive gear must be better than inexpensive gear. But the real difference is the player. I’m not saying poorly made instruments (bad intonation relative to itself, poorly engineered, etc.) don’t play any different than well made instruments. I’m just saying the difference between a so called good student model and a pro model in the hands of a mediocre musician won’t sound appreciably different. The same is true if they were in the hands of a professional musician. In the latter example, the student class instrument will sound amazing if the musician is amazing.
I would agree, the instrument itself doesn’t really matter, except for comfort to the player.
He was rushing really bad but it was still good.
+Ian Ferguson r u dumb its meant to be a joke. Notice the dramatic changes in tempo
I think the speed takes some of the beauty from the solo. The main nice slow nsolo is not a comedy act. I do not carre how great he is. As a composer I expect my compositions to be respected!! Carole Paul
@@carolepaul8390 do you have any of the history of this or Arthur Pryor? This is a show piece, first and foremost.
Actually this is prototypically accurate, since Arthur Pryor rushed the hell out of his pieces.
Бешенство техники! В ущерб чистому звучанию!
О его звуке трудно судить по этой записи, она некачественна. Я вообще не его поклонник, но должен признать, что интонационная чистота его двойного стаккато впечатляет. И, конечно, тембр в пассажах НИКОГДА не будет таким же чистым и объёмным, как в медленном движении. Увы!
wow
This was an amazing performance. I was in the second row in a small venue. I can highly recommend the Eastern Trombone Workshop (renamed the American Trombone Workshop) held yearly in March at Fort Myer in Washington,DC. I've attended 3 of them. Free access to all events from Wed-Sat. featuring world class trombone performances - jazz, classical, concert etc... Competetions, master classes, performances and nightly concerts all free and amazing. A must do for any brass fan.