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- เผยแพร่เมื่อ 29 พ.ค. 2024
- Felix Mendelssohn-Bartholdy: Overture (op. 21, 1826) and incidental music (op. 61, 1842) to Shakespeare's "A Midsummer Night's Dream". Orchestra of the 18th Century (on period instruments) and Gulbenkian Choir, conducted by Frans Brüggen.
1 Ouverture. Allegro di molto - 00:00
2 Scherzo. Allegro vivace - 12:27
3 Allegro vivace - 17:17
4 Song with Chorus: Allegro ma non troppo - 18:29
5 Allegro appassionato - 22:47
6 Con moto tranquillo - 26:25
7 Wedding March: Allegro vivace - 32:19
8 Marcia funebre: Andante comodo - 37:11
9 A Dance of Clowns: Allegro di molto - 38:13
10 Finale: Allegro di molto - 39:53
Buy it here: www.orchestra18c-webshop.com/E... - เพลง
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It was marvelous to record this piece with this magnificent orchestra, with the enormous sensibility of Franz Brüggen. One of the most beautiful tours I've made with the gulbenkian Choir and this Orchestra.
This is my favorite interpretation of one of my favorite pieces-particularly that amazing choral section-and I’ve been looking for around fifty years! The story is happy, goofy, sweet, and a little dark. Hard to capture that, but you all did.
Thank you Ines-Loved it, and I’ll be passing it along!
Your specutacular comments is effulgent
The Horns and Bassoons in the 6th movement are utterly breathtaking
Full of variety in the intruments' tone. The most beautiful rendition of the Menderlssohn's work I have ever listened. A totally new experience of the work. Thank you Muzikay and Mr Bruggen and his orchestra!!
6:04 is the most beautiful chord I have ever heard
Thank god for period instruments. In most recordings I've heard, the strings dominate in the overture! Here the balance is wonderful. I really appreciate this recording.
Wood and brass are also very eloquent.
That was very interesting. I used to play a flute, and sometimes you can barely hear them in the scherzo. It has some amazing flute music, but it’s easy to overwhelm. On this recording, I hear every note-and there are many!
This is probably how Mendelssohn intended it to be played. I wouldn’t be surprised, because it also happens to be my favorite interpretation after many decades of enjoyable searching and listening. It’s nice to know some of what makes this such a great interpretation. Thanks.
the clarity is admirable
the moderate tempo is perfect too. period ensembles are generally.
@@daniel3231995 It's not. The overture is way off Mendelssohn's metronome marking, which is MM=84 in the four-hands arrangement. Granted, Mendelssohn's markings are warp speed fast (in his chamber music too), and almost nobody adheres to them, but I expect an "authentic performance" to take it seriously. He was very picky about it too, saying that any musician with half a brain could determine the tempo of a given piece accurately.
@@Kris9kris cause thats for 4 hands duh? all works that old likely don't keep faith entirely to composer intentions due to interpretive choices and no recordings.
@@Kris9kris the four-hands arrangement published by Breitkopf is in Allegro vivace Common time, whereas the original is Allegro molto in Cut time imslp.org/wiki/A_Midsummer_Night%27s_Dream,_Op.61_(Mendelssohn,_Felix)
@@CaradhrasAiguo49 It's exactly the same music though, just written out in semiquavers, quavers and crochets. Maybe it is for practical reasons so pianists wouldn't have to turn pages every 20 measures.
The best performance ever.
Have you heard the Philadelphia Orchestra's version under Eugene Ormandy?
abbado's is also a notable mention
LOVE you Midsummer Night
This masterpiece invigorates the human spirit ,
Immeasurable mystery
Unfathomable attraction Great performance
Incomparable conductor
Exquisite melody
Fabulous performers with splendid skill and wonderful technology
This is my favorite work .
From Tokyo of the Land of the Rising Sun 🇯🇵
In 1995, with this same Orchestra, we, Gulbenkian Choir, made a tour on Japan, 15 concerts, singing the Symphony No. 9, Beethoven.
I had never heard the bass layers of the music until then. The musical transparency of Bruggen's interpretation always leads us to discover more and more in music. Whatever she is. ❤️
@@inesmartins3050
Thank-you so much to your wonderful and impressive comments
Take care of yourself
Good luck ！
Thank-you
素晴らしいお便りありがとう❗
Grazie! Un bravissimo direttore. Musica splendida.
This composer is a brilliant reflection of an era. It’s a phantom asteroid who returns to set his sights on sound art. A stupendous wave laden with paradoxes from which obscurantism and the irrational escape, hypnotic factors defying vulnerable souls in search of the infinity. His musical architecture is a translucid and short tunnel that leads to light
Mendelssohn is a great Alchemist of the dream
Without this masterpiece ,
Mendelssohn's world would have been very lonely ,
the enjoyment and pleasures of Mendelssohn's mussorgsky world would have been less ,
I would feel that Mendelssohn's music world is like the taste of stale beer
From
Tokyo of the Land of the Rising Sun 🇯🇵
Great performance and also like the art work. Thanks for posting !
This is screwed up with ALL the commercial interruptions .....
anybody else keep expecting Scheherazade to start at those opening woodwind chords?
Tysm again muzikay listened whole thing this dawn. Could conjure some images of the tomfoolery in this story but can't help thinking how similar it sounds to mozart overtures
I just realised -- they're singing in English!
Couldn't understand
It's fairly common. And the original Shakespeare is preferable to a translation, no matter how you look at it.
@@jimp4170 What do you mean original? The piece was written in German
@@syxalite I'm sure my meaning is fairly clear. Mendelssohn used a German translation of Shakespeare. The meter is the same, but the translation can't be as good as Shakespeare's original. That's why a good number of performances revert to the original English.
@@jimp4170 Ah I see, I didn't know that. That makes sense then
Bruggen's recordings of Mendelssohn's symphonies are worth hearing, especially Symphony No. 3 (actually the last one written).
th-cam.com/play/PLJmef0gHN9dhAS5yYigxD2oBJvwa6L_-n.html
I don't know if the trumpets at 14:24 are using hand-stopping or lipping but it sounds very particularly badass
is this by felix mendelssohn?
It's actually his greatly underrated half brother Carl Philipp!
@@adamfarley2860 😂
you must be a fool before you are a king, saith Jordan Peterson. Consider Lucius in The Golden Ass. It is the reason generations cannot ever progress: the fear of ridicule and scorn overwhelms individual growth. The Almighty Ass, not totally impenetrable if we but cherish our ignorance yet proceed..
Bottom: STOP HUGGING ME, IT'S BEEN LIKE HUNDREDS OF YEARS SINCE YOU HUGGED ME!!! 😠
Titania: I don't care, I still like you. 😊
*Bottom rages like crazy*
Wat