Having trouble taking your next step in flamenco? FREE eBOOK to DOWNLOAD: "Flamenco, from Practice to Art: find your way, enjoy the journey", on flamencomaps.com/
Thank you so much. great video. Can you talk about when is it appropriate to change palmas rhytnms? Is it just according to what you are feeling from the guitarist and/or singer? like an accompanist to a solo?
Thanks a lot for the comment! 2 things here: - You don't really change "rhythm" but palmas patterns. You are always por bulería, with all the possibilities it gives you, and there are many to chose from! - This is, in my opinion, a common misconception: there is not necessarily an "appropriate" or "right" way, it's really about choices. Anything will work as long as you follow the rules of the compás. Polyrhythm is part of the bulería feel. Different patterns or feels will give different lighting or contrasts depending on what the others (guitar, dance...) are doing. But everything is right or appropriate. Try to play different patterns on the same thing, and you'll see what I mean. I'll make a video about that, that's a great topic. Cheers! :-)
@@FlamencoMAPS Thank you!. I am a drummer and I LOVE Paco DeLucia, but I don't know how to Palmas, yet. In jazz drumming, when a new musician begins a solo, I play very simply at first, and then build intensity depending on the soloist. Does the palmas work the same way? Is there a "foundation" palmas rhythm for each song?
@@thaddeuscorea that's very interesting! Yes, you usually want to build up intensity with the palmas, depending on what's happening. You can modulate patterns, sound (claras or sordas), intention and volume. Sometimes you go with palmas "lisas" (just straight beats), and also "jaleos" help a lot (vocal interjections.) More on palmas here if you haven't watched it yet : th-cam.com/video/NDQCxn3Ml7U/w-d-xo.html
Having trouble taking your next step in flamenco? FREE eBOOK to DOWNLOAD: "Flamenco, from Practice to Art: find your way, enjoy the journey", on flamencomaps.com/
Perfect video for me! I can't wait.
Thank you Sian! 🙂😎
As always, great content. Ole 👏
Thank you so much! 🙃
Great exercise, masterfully explained! Gracias por todo este amigo!
Thanks a lot! I’m glad you enjoyed it! 🙏😉
Another great video! Thank you!
Glad you enjoyed it Edward! 🙏🙃
FlamencoMaps makes the journey positive and inspiring. Thank you!
Thank you sooo much Audrey! That’s so generous of you! 🙏🙏🤩🤩
Muy bien explicado. Gracias!! ❤
Gracias! 🙏 🙃🙏
Thank you!
You're very welcome! 🙏😌
Thanks for you
Thank you!!!
Thank yoooou!
😉🙏😉
Oh! I made it through that last exercise! Need to keep practicing....
@@alyssabonilla 💪💪💪😈😈😈
0:03 4:41 5:33 6:24 7:07 8:27 8:55
Thank you so much. great video. Can you talk about when is it appropriate to change palmas rhytnms? Is it just according to what you are feeling from the guitarist and/or singer? like an accompanist to a solo?
Thanks a lot for the comment! 2 things here:
- You don't really change "rhythm" but palmas patterns. You are always por bulería, with all the possibilities it gives you, and there are many to chose from!
- This is, in my opinion, a common misconception: there is not necessarily an "appropriate" or "right" way, it's really about choices. Anything will work as long as you follow the rules of the compás. Polyrhythm is part of the bulería feel. Different patterns or feels will give different lighting or contrasts depending on what the others (guitar, dance...) are doing. But everything is right or appropriate. Try to play different patterns on the same thing, and you'll see what I mean. I'll make a video about that, that's a great topic.
Cheers! :-)
@@FlamencoMAPS Thank you!. I am a drummer and I LOVE Paco DeLucia, but I don't know how to Palmas, yet. In jazz drumming, when a new musician begins a solo, I play very simply at first, and then build intensity depending on the soloist. Does the palmas work the same way? Is there a "foundation" palmas rhythm for each song?
@@thaddeuscorea that's very interesting! Yes, you usually want to build up intensity with the palmas, depending on what's happening. You can modulate patterns, sound (claras or sordas), intention and volume. Sometimes you go with palmas "lisas" (just straight beats), and also "jaleos" help a lot (vocal interjections.) More on palmas here if you haven't watched it yet :
th-cam.com/video/NDQCxn3Ml7U/w-d-xo.html
👏👏
🙃🙏🤘
bieen💥👌
Gracias! 🙏😊
😍🙌🏼😃🙏💥👌
🙏😈🙏😈🙏
That‘s so difficult… jamás iré aprender 🫥
It is not easy but you can for sure! 🙃💪