Candid is the reason I get into street photography. Been doing it for years since high school with my phone, long before I got my own camera. Capturing people in their natural state, mostly without being known being photographed, is the most rewarding satisfaction for me.
Found this a little more emotional than anticipated, both thanks to your editing, with Dawn’s beautiful shots and encouragement about photography helping connect with others. I’m going out with my camera for the first time tomorrow! Thank you both for the inspiration
1:49 minutes into this video, at the start of Dawn's story (I've paused the video to make this comment before continuing) I suddenly recognise: a tree on a lawn, in front of an old building with a long, low wall separating foreground and background. I've sat under that tree. I've walked here countless times. This is my hometown, Exeter! I've not lived there for at least 20 years and haven't been back more than two or three times but some places stay in your memory. I'm in China now and it's lovely to see a place so dear to my heart in one of Sean's videos. A beautiful surprise and a reminder of who I am and where I'm from. I'll continue to watch the video now, and look forward to hopefully seeing some more shots of Exeter. I love your videos Sean, every second of every video has meaning.
This is a superb documentary as allowing Dawn to talk without constant questions gave us a real insight into her story and approach. Her photographs are superb and powerful in their ability to capture a moment that combines beauty, sensitivity but also a tension that keeps the photo memorable. I am a street photographer too, (male). I’m constantly having to think and rethink my approach and the ethics of it. The problem when photographing people through windows is it’s a safety barrier for the photographer, but a consent barrier for the subject. It’s not easy for them in that brief moment to say “please - I’d rather not be photographed right now”. Then, as the photographer walks off with a little smile or a nod of thanks, the subject is still left wondering why the picture was taken and what is going to happen with their image. I’m not saying it’s wrong to do it, just how important it is to always question our approach and make sure we’re putting ourselves in the shoes of our subjects when we are taking candid pictures of people in the streets.
Nice work Dawn. It’s always encouraging to hear of others doing similar things . Its nothing to do with being a guy or a gal but all to do with stepping out of comfort zones and having empathy with the person who has just discovered they are being photographed . As a tall guy - i always make sure that I always do a smiley laugh afterwards as if saying - “ caught me “ and then offer them payment in the form of a copy of the image. Most want to know what you will do with the image. Look like a person first and a photographer second .
This is the reason why I picked up the camera and gotten serious with it - to connect and understand the world, humans in it included. The camera is not a barrier between me and my subject, it’s a conduit.
Three things, she is lovely - so thoughtful and self aware. Secondly you were right about 'story first then images at then end', don't listen otherwise. Her photos are extraordinary, not just one, or even two, but all of them. Master of timing.
She takes some beautiful photos and the historian in me really appreciates how much will be saved by photographers who capture this kind of "honest" portrait in a world obsessed with presenting only what you want people to see.
Some absolutely stunning portraits! I am a street photographer as well and struggle with the idea of candid street portraits. It’s a very interesting idea, but it asks a lot of random people and makes a lot of assumptions. I much prefer taking portraits only after asking people if they’d like one. If they say no I happily move on. The people I’ve met and photographed is very fulfilling. Knowing that they were willing to be part of the photo makes me feel a lot better about the whole thing.
I concur. For me the best part of portraiture is the opportunity to meet really interesting subjects and hopefully get a relevant shot that reflects who they are in some meaningful way.
@@timskinnercanada exactly! Plus everyone gets to leave the interaction knowing what just went on. It makes my day when I show someone their portrait and they laugh with joy ☺️
For me the best portraits happen when the subject wants to be there, not looking at the photographer assessing whether they are a threat. I think the idea that prior knowledge portraits cannot be candid is a fallacy. I'm not a pro photographer, but when I photo my loved ones and friends, and the occasional stranger with consent, I love making them laugh to get a genuine smile!
Tried both approaches. I think prior interaction does lead your subject into “acting up”. An alternative is to take a picture, then chat with them, show them the picture and get their consent in using the image.
I loved this video, and related strongly on many of Dawn’s points and comments. Most of my street photography is in SE Asia, where locals are used to Westerners with cameras and where English is often not spoken. A smile accompanied by a reassuring nod, a thumbs up or a small bow is usually all it takes for that ‘thank you’ connection. Sometimes, depending on their reaction, I feel it might be appropriate to show them the pic. A lot of my stuff is monochrome, which elicits delight in a world of smart phones and computational photography. Often my subjects will pull out their phone to photograph the pic I took of them as it is shown on the LCD of my camera. It’s very novel, and relaxes a potentially tense moment.
I really appreciate all of her experience and wisdom. That said, I WOULD NEVER attempt the style of photography that she does. I've already gotten random accusation when I'm shooting LANDSCAPES about people not wishing to have their picture taken. It would take just one false accusation of something heinous for me to never want to touch my camera again. Again, she's a master at what she does but I don't think she truly gets the fear that some men like me feel.
In my opinion . . many interesting looking people have usually spent some time creating their interesting “look” . . and the experience of someone wanting to capture their look in an image is not new to them, and a high percentage simply take the process in stride . . and many appreciate your recognition of their uniqueness. I did event photography for years and this was the most common reaction I got from subjects.
As a very tall man, actually very affable but probably intimidating to many people on sight even without a camera in hand, I fear that I'd get a very different reaction to attempting to capture this type of image. I don't want conflict or suspicion but must admit that those types of concern do stop me from trying this kind of photography. As somone who really doesn't enjoy having my own photo taken, I tend to think that most people also have that negative reaction to a camera pointed in their direction. Shame really.
@@petersmitham8273 Absolutely, and that's not a POV I haven't already considered. Maybe I need to work on being more comfortable with being uncomfortable ;-) Thing is, I don't really want to make anyone else uncomfortable in the process! I suppose that, much as I dislike having my own photo taken, I'm struggling to think of any situation where I'd find it sufficiently offensive to pass comment...
Absolutely phenomenal episode. Inspired by Dawn’s work and her love for what she fell into…what a beautiful story. The sensitivity and respect she has for those she photographs is evident. As a man, yes, it could be more difficult in some ways. I just look at us as a challenge. I’ve met some wonderful people with street portrait work.
What a wonderful attitude she has and her portraits are fantastic. Im developing a love for street photography having explored other types of..there’s just something about making an image in all its spontaneity that draws me in. I really enjoyed this .Thanks.
One of the better interviews I have seen in a long time, addressing all the pertinent questions and techniques in this photography field. I love the quality + ambience in her work as well.....
I prefer the format of building a story. I'm new to photography, but the more and more I have been immersed in the community, the more I find that photography is really a case of "eye of the beholder" and its fascinating to see how someone got to a point where they see value in the situation they captured an image of. I loved this.
Love your story Dawn and your images are awesome. Thank you, Sean, for introducing her to us. I have since followed her work on and Instagram, and I have been following YOU on TH-cam for years, love your format..
The Xf35mm 1.4 - I'm not surprised at all, it's my go-to as well. Natural first reactions are defensive, so many of the first moment expressions are hostile in the eyes so when I view back I sense this and can't connect. The secret is the eyes, if eyes connect with warmth then that's the keeper. Agreed, easier as a woman as men are more likely to be open, women too if a male photographer is visually interesting to them. For the rest of us there's the street girls or street cats as both have an optimistic incentive to respond warmly... I enjoy the elderly and discovering the stories behind the creases on a withered face. Lovely stuff Sean as always.
I would never go up to a person and photograph them at close quarters, too intimidating for me and probably for some subjects. I love shop windows and reflections and loved the images Dawn took with subjects in shops and cafes and having the glass as a form of barrier would certainly give me courage to shoot this way. I spent a lot of time in Exeter shooting street so it was lovely seeing Dawn working in a familiar place. Lovely images very striking, thanks for sharing,
I use a small mirrorless camera with a tiny 28 mm f/2.8 lens and it's on a strap around my neck. When I see somebody interesting, I just walk towards them, look in the different direction while my right hand index finger keeps pushing the shutter. I find that most people don't pay you any attention as long as: 1) you have a small camera 2) the camera has a small lens ('pancake'), and 3) you don't raise the camera to your eye. Locations with lots of tourists are the best, as everyone is taking pictures either with their cell phones or camera.
Such a great video! Dawn's work is amazing. I have always been interested in candid street portraits but it takes a lot out of me. This is really inspiring...
This is really insightful. The documentary/storytelling aspect of this really hits deep. Personally, this pleasantly helps push towards making more photos than finding excuses not to. Thank you 😊
Close to my heart and close to my own body of work here in Philadelphia. Trying to capture and collect candid street portraits has been both incredibly challenging and very rewarding. Thanks for sharing this story Sean.
This was a really great video. I felt so connected to Dawn’s beautiful images and it was so inspiring for my own work. It was also great that it was filmed in Exeter… my home city. 👍👍👍
Well done Dawn, it’s great to hear how you got into this style of photography & I know that many people will take inspiration from this documentary, not just photographers, because you speak from the heart. I’ve always admired how you turn negatives into positives & I’m very proud of you sister. Respect to Sean for great filming & editing as well.
It is this kind of videos of yours that I love and enjoy the most. The way you are able to portray people and introduce the audience to their stories is simply unique and irreplaceable. Please keep making these videos if you can! Thank you!
Very interesting document. Some insightful moments, with an interesting story. Dawn has captured some fantastic images. I will definitely look deeper to see more of her creativity. Thank you.
Lovely post Sean, I really look forward to that slightly more interactive approach to street photography. I agree with you stating images being kept at the end are more impactful.
The photos are beautiful and I love the story of how she got into street portrait photography. I feel conflicted though because of the lack of consent from the subjects, I feel like instead of just a nod and walking away, maybe you should take your photo and then go up to them and ask if it is ok. Maybe offer to provide them a copy. That way you still get your candid shot, but without disrespecting the subject in a way. Not everyone likes or wants to be photographed and you can argue it is a public space but many people just want to go about their day without some rando walking up to them and taking photos. That is my opinion anyway.
Another amazing jewel of a video. You put so much care and craftsmanship into each of these documentaries. Ms. Eagleton’s work is just wonderful - that one unguarded moment she is able to capture is just so moving.
Finally got around to watching this wonderful video. Dawn, your work is so beautiful. Such great tips and philosophy here. (Even for us older women, ahem...) ;-) Thank you for bringing so much great work to our attention through your videos, Sean. Really, really love these. Your talent as a videographer is so appreciated in a time when most videos feature loud noises, images popping one after another...enough to make one's head spin. Your music, intentionality, slowing down, deep dives - balm to the soul. Bravo all around.
Really interesting. Thank you ! I just wonder about the legal aspect of this kind of photography. In Germany it is illegal to take pictures of people without having their consent. And when it comes to publishing portraits of strangers it is best to have the written consent. I would like to know how Dawn feels about publishing her portraits. How do you deal with the fact that some of the people might not like their picture to be seen on the internet? Please don‘t see this as a critique. This is a question I have been asking myself, too. And I am not sure whether I would like to see my portrait appear on social media. I would definitely liked to be asked beforehand whether I agree. Maybe I am influenenced by the culture I live in.
There’s so much more artistry to these portraits than just the facial expressions. The out of focus backgrounds fit the portrait like a bespoke glove. What I would give to be able to do that.
@@CharlieHagedorn In the late 60' /early 70's, there was a theoretical physicist named Hagedorn (not a common name, to me) who publ. a book on ....... any relations?
Great video, Sean. Thank you for introducing us to Dawn. I am now following her, so I can watch for her photos. Being sort of an introvert, I'd love to try my hand at street photography living in a small town might make it a tad more difficult. Oh.. one question.... I see you use Squarespace... Just wondering, have you ever used Smugmug? I am thinking about changing over to Squarespace.
Just fabulous! As ever, you make the most beautiful documentaries about really interesting people. I’ve not come across Dawn’s work before so thanks so much for the introduction.
Hmm..As a parent I would seriously advise against taking photos of someone's kids unless they ask you to. If I'd see a stranger coming out of nowhere, and they start taking pictures of my kid, that would really set off the alarm, and I would most certainly confront them. Male or female.
This interview is so enjoyable, really interesting, and also such beautiful portrait work she takes! I would love to see more conversations with you and Dawn Eagleton. :D
Great Video! Absolutely Love your interviews! I hope you don't mind the comparison but your interviews are Totally on par with my other favorite TH-cam channel.. the "Louisiana Channel". Great Work Sean!!
Very good. I notice that a significant number of the featured photos are through glass or other situations where the subject really has no opportunity for post photo interaction. This is neither right nor wrong and is just an observation
She answered all my questions: re how people react, etc. (I know if someone took my picture I'd like to see the image, even get a copy.) Worth noting that in some countries (e.g. Germany), photographing individuals is illegal unless you get permission beforehand, which of course defeats the purpose here...
Candid is the reason I get into street photography. Been doing it for years since high school with my phone, long before I got my own camera. Capturing people in their natural state, mostly without being known being photographed, is the most rewarding satisfaction for me.
Same, it's taken me awhile to embrace this as my favorite style. But it also is exhilarating photographing on the street
Found this a little more emotional than anticipated, both thanks to your editing, with Dawn’s beautiful shots and encouragement about photography helping connect with others. I’m going out with my camera for the first time tomorrow! Thank you both for the inspiration
Thats amazing. Where in the world r u shooting?
How’d it go?!
been 7 months. how is your photography doing?
That sudden realization that every person has whole life story behind them. Her pictures capture exactly that.
1:49 minutes into this video, at the start of Dawn's story (I've paused the video to make this comment before continuing) I suddenly recognise: a tree on a lawn, in front of an old building with a long, low wall separating foreground and background. I've sat under that tree. I've walked here countless times. This is my hometown, Exeter! I've not lived there for at least 20 years and haven't been back more than two or three times but some places stay in your memory. I'm in China now and it's lovely to see a place so dear to my heart in one of Sean's videos. A beautiful surprise and a reminder of who I am and where I'm from. I'll continue to watch the video now, and look forward to hopefully seeing some more shots of Exeter. I love your videos Sean, every second of every video has meaning.
Glad I could show you a little bit of home:)
This is a superb documentary as allowing Dawn to talk without constant questions gave us a real insight into her story and approach. Her photographs are superb and powerful in their ability to capture a moment that combines beauty, sensitivity but also a tension that keeps the photo memorable.
I am a street photographer too, (male). I’m constantly having to think and rethink my approach and the ethics of it. The problem when photographing people through windows is it’s a safety barrier for the photographer, but a consent barrier for the subject. It’s not easy for them in that brief moment to say “please - I’d rather not be photographed right now”. Then, as the photographer walks off with a little smile or a nod of thanks, the subject is still left wondering why the picture was taken and what is going to happen with their image.
I’m not saying it’s wrong to do it, just how important it is to always question our approach and make sure we’re putting ourselves in the shoes of our subjects when we are taking candid pictures of people in the streets.
Highest compliments Sean for sharing Dawn’s story and images. Lovely, just lovely.
This is brilliant. Dawn is a treasure. I got quite emotional at the end looking at her photos with the soundtrack. They are amazing
Nice work Dawn. It’s always encouraging to hear of others doing similar things . Its nothing to do with being a guy or a gal but all to do with stepping out of comfort zones and having empathy with the person who has just discovered they are being photographed . As a tall guy - i always make sure that I always do a smiley laugh afterwards as if saying - “ caught me “ and then offer them payment in the form of a copy of the image. Most want to know what you will do with the image. Look like a person first and a photographer second .
This is the reason why I picked up the camera and gotten serious with it - to connect and understand the world, humans in it included. The camera is not a barrier between me and my subject, it’s a conduit.
Dawn is an amazing story teller. Her photos are very very good and her use of the light is immaculate.
Three things, she is lovely - so thoughtful and self aware. Secondly you were right about 'story first then images at then end', don't listen otherwise. Her photos are extraordinary, not just one, or even two, but all of them. Master of timing.
She takes some beautiful photos and the historian in me really appreciates how much will be saved by photographers who capture this kind of "honest" portrait in a world obsessed with presenting only what you want people to see.
Some absolutely stunning portraits! I am a street photographer as well and struggle with the idea of candid street portraits. It’s a very interesting idea, but it asks a lot of random people and makes a lot of assumptions. I much prefer taking portraits only after asking people if they’d like one. If they say no I happily move on. The people I’ve met and photographed is very fulfilling. Knowing that they were willing to be part of the photo makes me feel a lot better about the whole thing.
I concur. For me the best part of portraiture is the opportunity to meet really interesting subjects and hopefully get a relevant shot that reflects who they are in some meaningful way.
@@timskinnercanada exactly! Plus everyone gets to leave the interaction knowing what just went on. It makes my day when I show someone their portrait and they laugh with joy ☺️
Same!
For me the best portraits happen when the subject wants to be there, not looking at the photographer assessing whether they are a threat. I think the idea that prior knowledge portraits cannot be candid is a fallacy. I'm not a pro photographer, but when I photo my loved ones and friends, and the occasional stranger with consent, I love making them laugh to get a genuine smile!
Tried both approaches. I think prior interaction does lead your subject into “acting up”. An alternative is to take a picture, then chat with them, show them the picture and get their consent in using the image.
I loved this video, and related strongly on many of Dawn’s points and comments.
Most of my street photography is in SE Asia, where locals are used to Westerners with cameras and where English is often not spoken. A smile accompanied by a reassuring nod, a thumbs up or a small bow is usually all it takes for that ‘thank you’ connection. Sometimes, depending on their reaction, I feel it might be appropriate to show them the pic. A lot of my stuff is monochrome, which elicits delight in a world of smart phones and computational photography. Often my subjects will pull out their phone to photograph the pic I took of them as it is shown on the LCD of my camera. It’s very novel, and relaxes a potentially tense moment.
I really appreciate all of her experience and wisdom. That said, I WOULD NEVER attempt the style of photography that she does. I've already gotten random accusation when I'm shooting LANDSCAPES about people not wishing to have their picture taken. It would take just one false accusation of something heinous for me to never want to touch my camera again. Again, she's a master at what she does but I don't think she truly gets the fear that some men like me feel.
In my opinion . . many interesting looking people have usually spent some time creating their interesting “look” . . and the experience of someone wanting to capture their look in an image is not new to them, and a high percentage simply take the process in stride . . and many appreciate your recognition of their uniqueness. I did event photography for years and this was the most common reaction I got from subjects.
As a very tall man, actually very affable but probably intimidating to many people on sight even without a camera in hand, I fear that I'd get a very different reaction to attempting to capture this type of image. I don't want conflict or suspicion but must admit that those types of concern do stop me from trying this kind of photography. As somone who really doesn't enjoy having my own photo taken, I tend to think that most people also have that negative reaction to a camera pointed in their direction. Shame really.
Aye. It’s much harder (but not impossible) to not look like a creep doing this as a dude.
I get you.
100% this.
All that is fair comment, but if you go out with those expectations then that’s all you’ll achieve……don’t give up..❤
@@petersmitham8273 Absolutely, and that's not a POV I haven't already considered.
Maybe I need to work on being more comfortable with being uncomfortable ;-) Thing is, I don't really want to make anyone else uncomfortable in the process!
I suppose that, much as I dislike having my own photo taken, I'm struggling to think of any situation where I'd find it sufficiently offensive to pass comment...
She is just awesome. What a great teacher.
Absolutely phenomenal episode. Inspired by Dawn’s work and her love for what she fell into…what a beautiful story. The sensitivity and respect she has for those she photographs is evident. As a man, yes, it could be more difficult in some ways. I just look at us as a challenge. I’ve met some wonderful people with street portrait work.
What a wonderful attitude she has and her portraits are fantastic. Im developing a love for street photography having explored other types of..there’s just something about making an image in all its spontaneity that draws me in. I really enjoyed this .Thanks.
One of the better interviews I have seen in a long time, addressing all the pertinent questions and techniques in this photography field.
I love the quality + ambience in her work as well.....
I really like how all of these candid portraits have been framed. Dawn is a talented photographer. Thank you for sharing this story.
I think this is right up there with my favourite subgenre of photography. Dawn is incredible.
Thanks Sean for featuring Dawn and her wonderful work. Very inspiring. Just followed her on IG.
I prefer the format of building a story. I'm new to photography, but the more and more I have been immersed in the community, the more I find that photography is really a case of "eye of the beholder" and its fascinating to see how someone got to a point where they see value in the situation they captured an image of.
I loved this.
Beautiful, intelligent and talented! Thanks for sharing Dawn Eagleton and her work Sean!
Love your story Dawn and your images are awesome. Thank you, Sean, for introducing her to us. I have since followed her work on and Instagram, and I have been following YOU on TH-cam for years, love your format..
Wow such an amazing story, and amazing photos. Thank you Sir for all you do
The Xf35mm 1.4 - I'm not surprised at all, it's my go-to as well. Natural first reactions are defensive, so many of the first moment expressions are hostile in the eyes so when I view back I sense this and can't connect. The secret is the eyes, if eyes connect with warmth then that's the keeper. Agreed, easier as a woman as men are more likely to be open, women too if a male photographer is visually interesting to them. For the rest of us there's the street girls or street cats as both have an optimistic incentive to respond warmly... I enjoy the elderly and discovering the stories behind the creases on a withered face. Lovely stuff Sean as always.
I loved this episode! Really incredible work from Dawn!
I agree, the way these are edited to see the photos at the end is more impactful.
I follow this lady on Instagram. I am glad that you did a piece on her. Been following her for a couple of years
I would never go up to a person and photograph them at close quarters, too intimidating for me and probably for some subjects. I love shop windows and reflections and loved the images Dawn took with subjects in shops and cafes and having the glass as a form of barrier would certainly give me courage to shoot this way. I spent a lot of time in Exeter shooting street so it was lovely seeing Dawn working in a familiar place. Lovely images very striking, thanks for sharing,
I use a small mirrorless camera with a tiny 28 mm f/2.8 lens and it's on a strap around my neck. When I see somebody interesting, I just walk towards them, look in the different direction while my right hand index finger keeps pushing the shutter. I find that most people don't pay you any attention as long as: 1) you have a small camera 2) the camera has a small lens ('pancake'), and 3) you don't raise the camera to your eye. Locations with lots of tourists are the best, as everyone is taking pictures either with their cell phones or camera.
Thank you. Great information and beautiful photographs.
Those are really interesting perspectives... thank you for sharing others' thoughts and work. Much appreciated!
Great story here. I am glad you hold pictures till the end Sean it does help to put the thoughts into context for me.
Beautiful case study. Loved hearing about her process. Wonderful portraits.
So nice, great attitude, approach-it is a gift to take the image and be there to receive it. Thanks Sean. As ever, an inspiration, yourself.🥰
Following in the footsteps of the great Vivian Maier. "Keep going"
Great portraits. Insightful talk. Thank you.
Thanks for the wonderful pictures!
Such a great video! Dawn's work is amazing. I have always been interested in candid street portraits but it takes a lot out of me. This is really inspiring...
Shooting through a cafe window...wow! So create. So inspire. So much innovate.
This is really insightful. The documentary/storytelling aspect of this really hits deep. Personally, this pleasantly helps push towards making more photos than finding excuses not to. Thank you 😊
Very much enjoyed this video and Dawn's approach to street portraits. Thanks !!!
Great interview. This was so inspiring!
Really enjoyed this video. As always the pace of your videos are wonderful as well as the structure leans one to enjoy the entire program. Thank you.
Close to my heart and close to my own body of work here in Philadelphia. Trying to capture and collect candid street portraits has been both incredibly challenging and very rewarding. Thanks for sharing this story Sean.
This was a really great video. I felt so connected to Dawn’s beautiful images and it was so inspiring for my own work. It was also great that it was filmed in Exeter… my home city. 👍👍👍
What a lovely lady and what terrific photographs!…. ❤
Well done Dawn, it’s great to hear how you got into this style of photography & I know that many people will take inspiration from this documentary, not just photographers, because you speak from the heart. I’ve always admired how you turn negatives into positives & I’m very proud of you sister. Respect to Sean for great filming & editing as well.
I was really touched by Dawn's story and very impressed with the quality of her work. Thank you for this video
It is this kind of videos of yours that I love and enjoy the most. The way you are able to portray people and introduce the audience to their stories is simply unique and irreplaceable. Please keep making these videos if you can! Thank you!
great inspiration. Thank You Sean for this Documentary.
I always enjoy your videos. This one is one of your best. Thanks so much for all you do for our photographic community.🙏
Very interesting document. Some insightful moments, with an interesting story. Dawn has captured some fantastic images. I will definitely look deeper to see more of her creativity.
Thank you.
Lisbon, Portugal. DAWN started nice shots. Go ahead and my congrats.
Lovely post Sean, I really look forward to that slightly more interactive approach to street photography.
I agree with you stating images being kept at the end are more impactful.
Thanks, Sean. Brilliant!
Thank you, Sean. You've positively impacted my artistic journey for many years now. Keep doing what you're doing.
These are my favourite series since day 1. Always incredible to see so many amazing photographers. Much love Sean.
The photos are beautiful and I love the story of how she got into street portrait photography. I feel conflicted though because of the lack of consent from the subjects, I feel like instead of just a nod and walking away, maybe you should take your photo and then go up to them and ask if it is ok. Maybe offer to provide them a copy. That way you still get your candid shot, but without disrespecting the subject in a way. Not everyone likes or wants to be photographed and you can argue it is a public space but many people just want to go about their day without some rando walking up to them and taking photos. That is my opinion anyway.
Just clicked on this and straight away realised my home city, Exeter. Awesome
Great video again! Absolute legend you are
I couldn't be more agree with her philosophy, becausesois mine. It's a great video. Thank you
Another amazing jewel of a video. You put so much care and craftsmanship into each of these documentaries. Ms. Eagleton’s work is just wonderful - that one unguarded moment she is able to capture is just so moving.
Always loved these interviews and this didn't disappoint
Finally got around to watching this wonderful video. Dawn, your work is so beautiful. Such great tips and philosophy here. (Even for us older women, ahem...) ;-) Thank you for bringing so much great work to our attention through your videos, Sean. Really, really love these. Your talent as a videographer is so appreciated in a time when most videos feature loud noises, images popping one after another...enough to make one's head spin. Your music, intentionality, slowing down, deep dives - balm to the soul. Bravo all around.
Beautiful story sharing. Thank you. Dawn has some wonderful images captured - of us as humanity.
I loved this. Thank you both!
Really interesting. Thank you ! I just wonder about the legal aspect of this kind of photography. In Germany it is illegal to take pictures of people without having their consent. And when it comes to publishing portraits of strangers it is best to have the written consent. I would like to know how Dawn feels about publishing her portraits. How do you deal with the fact that some of the people might not like their picture to be seen on the internet? Please don‘t see this as a critique. This is a question I have been asking myself, too. And I am not sure whether I would like to see my portrait appear on social media. I would definitely liked to be asked beforehand whether I agree. Maybe I am influenenced by the culture I live in.
Great video Sean and great images from Dawn :)
There’s so much more artistry to these portraits than just the facial expressions. The out of focus backgrounds fit the portrait like a bespoke glove. What I would give to be able to do that.
We're all playing with the same ground-rules. With enough time and practice, similar technique is available to you, too.
@@CharlieHagedorn Thanks Charlie. Nice of you to believe in me.
I believe in you too. Where can i see your work?
@@CharlieHagedorn In the late 60' /early 70's, there was a theoretical physicist named
Hagedorn (not a common name, to me) who publ. a book on ....... any relations?
Loved hearing Dawn’s story. Makes the photos much more beautiful. Has more meaning.
it has definitely inspired me, I am going out to the streets asap! thank you for this interview!
Well now I have a new favourite street photographer!
Beautiful images!
Indeed if you can capture the photo at the first moment a person looks up you usually get the real emotion of the moment. Great episode!
Great video, Sean. Thank you for introducing us to Dawn. I am now following her, so I can watch for her photos. Being sort of an introvert, I'd love to try my hand at street photography living in a small town might make it a tad more difficult. Oh.. one question.... I see you use Squarespace... Just wondering, have you ever used Smugmug? I am thinking about changing over to Squarespace.
Thanks Sean! loved her art and words! Well done Eagleton!
Great video again Sean! Dawn is very inspiring.
Inspiring.. thanks for sharing 🙏🏽
Wow that was an incredible video.. amazing story on how she came into photography and the images she captured are equally amazing and incredible
What a brilliant content, thank you
Fantastic, well done and as a Exeter street photographer I really appreciate this 👏👏
Thank you for making another inspirational video. I enjoy watching them every single time! Looking forward to the next one!!
Very helpful as always Sean. Thank you!
Thanks! This was great!!
Just fabulous! As ever, you make the most beautiful documentaries about really interesting people. I’ve not come across Dawn’s work before so thanks so much for the introduction.
Hmm..As a parent I would seriously advise against taking photos of someone's kids unless they ask you to. If I'd see a stranger coming out of nowhere, and they start taking pictures of my kid, that would really set off the alarm, and I would most certainly confront them. Male or female.
Hi Sean…Great guest….do you or Dawn offer workshops in Street Photography…..would come over from Canada to attend …very good…keep up the great work
Lovingly produced and inspiring . . .
This interview is so enjoyable, really interesting, and also such beautiful portrait work she takes! I would love to see more conversations with you and Dawn Eagleton. :D
Excellent video. Thank you
Sean, I absolutely love this kind of videos. You put a lot of hard work in it to make this beautiful and inspiring. Thank you!
I enjoy watching your videos Sean. They are very informative and thought provoking. Learning from Dawn was a special treat! Thank you!!
Great Video! Absolutely Love your interviews! I hope you don't mind the comparison but your interviews are Totally on par with my other favorite TH-cam channel.. the "Louisiana Channel". Great Work Sean!!
Very good. I notice that a significant number of the featured photos are through glass or other situations where the subject really has no opportunity for post photo interaction. This is neither right nor wrong and is just an observation
Excellent Job Sean! What Dawn says at 11:30 is so true. She is really a beautiful authentic photographer.
She answered all my questions: re how people react, etc. (I know if someone took my picture I'd like to see the image, even get a copy.)
Worth noting that in some countries (e.g. Germany), photographing individuals is illegal unless you get permission beforehand, which of course defeats the purpose here...
Love this video, she's a excellent storyteller. Just 1 question for her, do you show your photo or interact after (other then a knot etc.)? Thanks