My Painting Process from Beginning to End

In this video I’m creating a big red painting from beginning to end. I’m often asked how long it takes to create a painting. Well this video will give you an insight into my process. My paintings are created by going on a journey: playing, experimenting with media, and looking for direction in design by what excites me.
👉Take note of how I alternate between using acrylic paint and dry media: pencils, pastels and oil sticks.
👉Look at how I integrate collage at the beginning of the painting to provide surface interest.
👉Watch me use templates to create unique and interesting shapes.
👉Listen as I explain how I know I’m finished at the end of the video.
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Would you like my free Promptsheet? 50+ ideas covering ways of using line, colour, paint application, tools, value/tonal contrasts, how to create beautiful texture using innovative tools, and many more! You'll never be stuck for an idea again!!
Download it by using the link below.
landing.judywoodsart.com/pain...
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My name is Judy Woods and I am an artist and teacher living in New Zealand. Welcome to my TH-cam Channel and I hope you find lots of useful and inspiring content that will help you grow as an artist so you can create Your Best Art!
Learn the BEST WAY to create successful Abstract Art and to find your UNIQUE style. Find out about my courses: www.judywoodsart.work/courses
Get inspired and know about the tips and tricks in painting through my blogs: www.judywoodsart.work/blog
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To know more about my work, visit my website www.judywoodsart.work/availab...
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[@rlf576]

Very generous as ever, Judy. Inspiring speakthru 😎

[@ellenvd5543]

Thanks so much for sharing! A beautiful outcome!

[@judywoodsart]

Thanks for watching!

[@susanstern6303]

Judy. Do you use different glue when collaring fabric? Does the fabric have to be a thin cotton / blend or could you use a heavier texture?

[@judywoodsart]

I use heavy body gel medium. You could use a heavier texture but you have to be careful it doesn't stand out too much - it's more difficult to integrate into the painting.