I needed to hear the nest building bit. I often feel guilty for not often making music. But I unwind building etc It now feels OK to just fiddle around with it all
I could listen to this man talk for 6 hours and it would never be enough. Such a legend... one of the coolest nerds ever I always feel smarter by osmosis.
I remember Adrian's first day at Gordonstoun - 40 something years ago, well done mate - you did alright! Cocoa Navy style - just like your Dad. God bless - regards Ian
Adrian is such a chill and respectful man in every interview I see him in. What a great ambassador for music. Such an interesting head on those shoulders. I still watch Portishead Live in NYC since 1995.
Loved the Squarepusher discussion at the beginning, I fell down that rabbit hole in 2001 / 2002 after stumbling upon the Red Hot Car vinyl and then massively getting into Do You Know Squarepusher. Also, Burningn'n Tree. Definitely opened my mind to the different rhythms in musssssssss-sic.
So many interesting topics: 808s, Billie Eilish, Apocalypse Now, J.S. Bach, Wendy Carlos, Eurorack, archiving, the Keystep, lots and lots of synths... and knowing where to tap. Brilliant, gents.
The Bach/synthesis works both ways I find: Not only do synthesizers sound great playing Bach but when using a synthesizer, I tend to naturally make music that sounds very much like Bach. But perhaps it’s more about the step sequencer and the extreme linear quality of melodies they are so good at making :)
another great episode, and he's one of your best guests ever I could watch him talk about gear all day the MiniBrute vid you did with him and the Echoplex was a classic on a strange note, your closing statements being at the end of 2019 are wild to hear now (June 2020) in these weird times times of viral pandemic spread, police brutality and racial issue protests all over, and other stuff - if you only knew at the time that what you said was prescient in a way I'm trying to remember what I was pondering on at the time, but no one could have predicted how crazy 2020 would become anyway, keep up the great shows :-)
Add pending thermonuclear Apocalypse to your list above and it's almost like he was goading the effing universe for a rise. Ho hum.. synths for global peace and harmony.
This is great stuff. As a one-man-and-a-tape-machine guy myself, it’s great to listen to the different approaches and philosophies others have to the process.
adrian!... there are only a few records that are made to last.. portishead with all their albums will forever be the number one deeply emotional impact reference in sound for me.
No waaaaayyyy! Thumbs up before it even started 😄👍 I think I'd be very Chris Farley trying to interview him. "Do you remember when you were playing with portishead?" "Yeah..." "That was cool"... "I listened to Dummy a lot. Like every day." "Alright. Soooo, it's been nice" 😆 1:18:00 I think that was deadmau5 and Toronto Okay, one more edit... There isn't a single person watching this for one and a half hours that considers a firmware update boring 😄 This was awesome man! I had it playing while trying to finish setting up the studio space and making sound absorption panels. It was better motivation than coffee ✌️👍
Another great episode! 'Evening in the Palace of Reason' by James R Gaines is a great book about the encounter between J S Bach and Frederick the Great (and is one of my favorite books about Bach full stop).
Nice when the penny drops regarding it difficult to form a regular working relationship when forever changing around a eurorack system. Then again many a good piece has been made during a metamorphosis.
Thank you so much for this ... spent 4hrs & 2 Btls of Red watching this ... Every ref u guys made I wandered round the net searching for it ... so much info. Thank you.
34:26 You guys are probably talking about Béla Bartók's _Music for Strings, Percussion and Celesta_ composed in 1936 and used extensively in The Shining.
Very interesting discussion. Loved Portishead in the 90's...still love listening to them. Sensible approach...use what you have and try focussing on one instrument at a time...I have a very simple budget setup but can still make lots of interesting sounds with it. Liked and shared.
Great episode Alex, Love Adrian and Geoff . Such great musicians and Adrian working with the radiophonic workshop was so inspiring Like a kid a sweatshop .
Speaking of Abbey Road, the Moog on Maxwells Silver Hammer changed my life as a kid. I had never heard anything like it and Ive been in love with synths ever since. Also Apocalypse Now - one of the best films and soundtracks ever.
I love these interviews - amazing depth of knowledge (Alex and the interviewees) but honestly would love to hear more from the interviewees. I absolutely love your content and have spent a lot of money as a result of your vids but when it comes to these interviews I really want to hear more from the guests. I’m in no position to give advice but you (and many others like Mr N Batt) are in such a great position to give some airtime to the greats of synth history and I want to hear more from them... Fireside chats are fine but I want to know more about the legends. But one of my favorite channels, so feels like I’m biting the feeding hand.
mylarmelodies it was a bit ranty of me - was suggesting more interview less 2 way conversation - but that’s really just a personal style pref. Keep up the fab work...
@@mylarmelodies Just let the guest speak, don't meddle in. It's just plain rude and annoying. I like your podcast but this really gets on my nerves. You get to talk to some really heavyweight people, don't mess that up.
Great discussion. Thank you. Would have liked to know the exact trick for using the voltage processors to get a high-pass out of the 2600. Google is not forthcoming. Anyone know?
Love this! The only reason I realised this was a video podcast, despite previously checking it out briefly, was because I fell asleep watching another video late at night, then this came on automatically afterwards and I woke up during the video interview! I wonder if other would-be watchers don't realise it's video content! I rewound and started from the beginning again and although I do enjoy your articulate passion and the extended intro, perhaps if you could stretch your production to shoot the intro as a piece to camera or pad it out a bit with some B roll you may reach more video visitors who, like me, don't realise this is a video show. At least consider if a partly video intro may make better represent the effective effort you've put in to getting the interview shot in the first place.
I've spent years downsizing my coillection, and it honestly feels better and better each time. I think one day I'll end up with just a PO KO, a DX7 and a PSS270 - to make the best music I've ever made!
midierror I used to have a setup with 13-15 synths and constantly got bogged down by overchoice. Now I have a total of 4 with a sampler and 1 drum machine. 2 mono synths, 1 analog poly and 1 digital poly. Never been more inspired. I will have 6 soon because I finally broke down and decided to broke my “no more than 4” rule for a couple of new synths coming out.
Not sure why they picked the Eurorack format to discuss the downside of not having a uniform long-standing personal instrument due to things being switched around. Isn’t that the essence of modulars in general? Serge, Buchla, 5U, Eurorack... it’s all interchangeable and it’s up to each person to decide whether to keep it the way it is or to change it up. Nothing to do with Eurorack and everything to do with what “modular” synthesizers are. Anyways I enjoyed hearing what Adrian Utley had to say. Awesome guy.
I witness an Adrian Utley chat hit my feed, I click it. That is an unspoken contractual obligation I feel for few other artists. This leisurely ample chat provides 100% of my dietary value of vitamin AU for... the month? My one gripe - minor, mind you - is that the camera was not pivoted to capture the other gear discussed absent from its fixed view.
U guys were talking about the staying alive drum track. It’s actually a 2 bar tape loop taken from ‘night fever’.look it up on wikipi. (Some overdubs also i guess)Anyways, awesome interview thank u.
I'm glad he didn't go all dogma on the timing thing. There's a time for loose timing and a time for a grid. It's all in the concept and personal taste. It's the same with the idea of less is more... less is less and more is more, why not both?
Can I get rid of my unused kit? Nothing is unused. It's just a matter of time though. Maybe I have 4 instruments together for a project. A "project" is a dumb term, a project is the setup for me. I might do 3 or 4 tracks with that setup. And if an instrument/seq is working well in that project, and I'm still into it, feel like I haven't figured it all out, or it is transparent, or whatever, I'll use it in the next project, but then I'll swap out instruments that resisted me, or are broken in a certain way, they're out. And in the middle of a project, if I need something, I fly it in. I like little things for this type of thing. Little Volcas, sp404, tenori, kp3+. They just fly in for a particular job, they contribute what they do, and that pattern or sound is in the project. Sometimes, they perform so well, they take center stage, and the nature of the project changes. You were talking to Adrian about having a purpose, a destination in mind, and it is all about getting there, realizing that. Not my thing at all. I am truly experimental, and not so much that I produce unlistenable noise (at least none of it escapes), I'm heavy into hooks and pop, but I never know how I'm going to achieve that. I start with an ensemble of instruments, and just start working. That can mean I lead off with a melody, a harmonic progression, a beat, and all of that can be played or sampled, and it just goes from there. It usually takes a session to get to something that is interesting, and that thing usually has nothing to do with what I started with, its just a matter of getting it going. A huge advancement for me was letting that initial sketch stuff go, I used to look at it like I'd invested that time, I need return on that investment. But the actually good idea IS the return on investment, and those sketches need to go away or they will turn into a millstone around your neck. Very hard for me to let go of that, but I'm on it now. And in your outro, you said basically this, making this comment essentially redundant. Yeah.
"...heading into the next decade, the twenties! What will it bring? Hopefully not death and destruction!" "I'll take well-wishes that age like fine wine, Alex." Here's to 2021
And that's the downside of the ever-evolving eurocrack franken-system... IMHO The only genuine way to have that nostalgic, intimate, and lifelong connection with eurocrack is to essentially build each system around just one brand, and stick with that brand, - i've been buying doepfer since around '96,- starting with the 404, which still functions btw, unlike my moog GM, - and i wouldn't sell my systems for anything.. I've pimped the modules aesthetically and internally quite a bit though... ~ digital also, imposes too much character within eurocrack AFAIC, - I think the vc-bit-crusher and my kenton converters are the only digital components to my systems ~ great interview, - i remember reading articles in *Home and Studio Recordings*, or was it *Recording Musician*?, with Adrian being interviewed, - long before the *portishead* days, and as i recall, they were just as insightful then as they are now... much appreciated
For anyone wondering what's on the other side of Adrian's studio here's another interview with him where's he's seated next to some rather nice toys... th-cam.com/video/NNZ5ONauK5Y/w-d-xo.html
Surely it's time for that sequal!
I could listen to these two talk synths and music all night.
I needed to hear the nest building bit.
I often feel guilty for not often making music. But I unwind building etc
It now feels OK to just fiddle around with it all
I could listen to this man talk for 6 hours and it would never be enough. Such a legend... one of the coolest nerds ever I always feel smarter by osmosis.
i listen to this, every few months. Just great
I remember Adrian's first day at Gordonstoun - 40 something years ago, well done mate - you did alright! Cocoa Navy style - just like your Dad. God bless - regards Ian
Gawd damn, after the day I’ve had this is exactly what i needed.
Adrian is such a chill and respectful man in every interview I see him in. What a great ambassador for music. Such an interesting head on those shoulders. I still watch Portishead Live in NYC since 1995.
Thanks for that interview. Adrian is a hero
Loved the Squarepusher discussion at the beginning, I fell down that rabbit hole in 2001 / 2002 after stumbling upon the Red Hot Car vinyl and then massively getting into Do You Know Squarepusher. Also, Burningn'n Tree. Definitely opened my mind to the different rhythms in musssssssss-sic.
So many interesting topics: 808s, Billie Eilish, Apocalypse Now, J.S. Bach, Wendy Carlos, Eurorack, archiving, the Keystep, lots and lots of synths... and knowing where to tap. Brilliant, gents.
The Bach/synthesis works both ways I find: Not only do synthesizers sound great playing Bach but when using a synthesizer, I tend to naturally make music that sounds very much like Bach. But perhaps it’s more about the step sequencer and the extreme linear quality of melodies they are so good at making :)
An Adrian Utley drum sample pack of the sounds he uses on his Roland pad would absolutely blow my mind.
So glad I watched this.
another great episode, and he's one of your best guests ever
I could watch him talk about gear all day
the MiniBrute vid you did with him and the Echoplex was a classic
on a strange note, your closing statements being at the end of 2019 are wild to hear now (June 2020) in these weird times times of viral pandemic spread, police brutality and racial issue protests all over, and other stuff - if you only knew at the time that what you said was prescient in a way
I'm trying to remember what I was pondering on at the time, but no one could have predicted how crazy 2020 would become
anyway, keep up the great shows :-)
Add pending thermonuclear Apocalypse to your list above and it's almost like he was goading the effing universe for a rise. Ho hum.. synths for global peace and harmony.
This is great stuff. As a one-man-and-a-tape-machine guy myself, it’s great to listen to the different approaches and philosophies others have to the process.
I picked up some cheap shelving from Lidl recently to kit out my shed. Game changer.
More portishead albums please Adrian.
How am I just now seeing this? Amazing conversation!
thanks for sharing this one! i just love to listen to him...and his music of course 🖤
adrian!... there are only a few records that are made to last.. portishead with all their albums will forever be the number one deeply emotional impact reference in sound for me.
No waaaaayyyy! Thumbs up before it even started 😄👍 I think I'd be very Chris Farley trying to interview him. "Do you remember when you were playing with portishead?"
"Yeah..."
"That was cool"... "I listened to Dummy a lot. Like every day."
"Alright. Soooo, it's been nice" 😆
1:18:00 I think that was deadmau5 and Toronto
Okay, one more edit... There isn't a single person watching this for one and a half hours that considers a firmware update boring 😄 This was awesome man! I had it playing while trying to finish setting up the studio space and making sound absorption panels. It was better motivation than coffee ✌️👍
Glad I’m not the only one! Definitely one of the synth legends! Listened to this while cleaning up around the studio and having morning coffee.
Another great episode! 'Evening in the Palace of Reason' by James R Gaines is a great book about the encounter between J S Bach and Frederick the Great (and is one of my favorite books about Bach full stop).
Nice when the penny drops regarding it difficult to form a regular working relationship when forever changing around a eurorack system. Then again many a good piece has been made during a metamorphosis.
awesome guys!
"i dream of wires was about 3 days to short, i can take any amount of synths you can throw at me" love this guy :)
Thank you so much for this ... spent 4hrs & 2 Btls of Red watching this ... Every ref u guys made I wandered round the net searching for it ... so much info. Thank you.
Doin' it right!
If used correctly the Internet is an amazing place!
"Shat on the patchboard" - i had to pause to stop laughing. Great interview!
34:26 You guys are probably talking about Béla Bartók's _Music for Strings, Percussion and Celesta_ composed in 1936 and used extensively in The Shining.
that was a very cool listening. Thanks
Very interesting discussion. Loved Portishead in the 90's...still love listening to them. Sensible approach...use what you have and try focussing on one instrument at a time...I have a very simple budget setup but can still make lots of interesting sounds with it. Liked and shared.
Yep same here. 2 mono synths, 2 poly synths, a drum machine, and a sampler. I’ve always been most inspired when having a smaller/simpler setup.
@@HotStrange What mono synths do you have? I'm not embarrassed to say that the Korg MS10 is a particular favourite of mine, along with the ARP Axxe.
So lovely. Thank you.
Great chat, lovely guy.... Adrians not bad either!
Brilliant interview great with morning coffee! Ahh you have to show Adrian your keystep vid😂😂😂🙌
brilliant episode.
Adrian is a legend
Amazing musician 🙏🏼
Great episode Alex, Love Adrian and Geoff . Such great musicians and Adrian working with the radiophonic workshop was so inspiring
Like a kid a sweatshop .
such a great conversation
Speaking of Abbey Road, the Moog on Maxwells Silver Hammer changed my life as a kid. I had never heard anything like it and Ive been in love with synths ever since.
Also Apocalypse Now - one of the best films and soundtracks ever.
I love these interviews - amazing depth of knowledge (Alex and the interviewees) but honestly would love to hear more from the interviewees. I absolutely love your content and have spent a lot of money as a result of your vids but when it comes to these interviews I really want to hear more from the guests. I’m in no position to give advice but you (and many others like Mr N Batt) are in such a great position to give some airtime to the greats of synth history and I want to hear more from them... Fireside chats are fine but I want to know more about the legends. But one of my favorite channels, so feels like I’m biting the feeding hand.
Thanks - “Want to know more” how? As in make the conversations longer, speak to different people or ask different questions?
mylarmelodies it was a bit ranty of me - was suggesting more interview less 2 way conversation - but that’s really just a personal style pref. Keep up the fab work...
@@mylarmelodies Just let the guest speak, don't meddle in. It's just plain rude and annoying. I like your podcast but this really gets on my nerves. You get to talk to some really heavyweight people, don't mess that up.
Great discussion. Thank you. Would have liked to know the exact trick for using the voltage processors to get a high-pass out of the 2600. Google is not forthcoming. Anyone know?
Really good episode this. Can't believe I've only just got to it!
Thank you for this. So good!
Quote of the day - "I think a dog shat in it" Genius! :D.....Great Podcast!
What a lovely bloke
A Clockwork Orange, I believe was the first film to have a score featuring music composed on a modular synthesizer. A most enjoyable interview!
Love this! The only reason I realised this was a video podcast, despite previously checking it out briefly, was because I fell asleep watching another video late at night, then this came on automatically afterwards and I woke up during the video interview! I wonder if other would-be watchers don't realise it's video content! I rewound and started from the beginning again and although
I do enjoy your articulate passion and the extended intro, perhaps if you could stretch your production to shoot the intro as a piece to camera or pad it out a bit with some B roll you may reach more video visitors who, like me, don't realise this is a video show. At least consider if a partly video intro may make better represent the effective effort you've put in to getting the interview shot in the first place.
The 660 was my first ever piece of electronic music gear in 91 ish. I still have it.
Wow stepping up with the big boys - nice interview!
Another top draw interview, great stuff!!
love this!
Thanks! Made my day.
One of my favourite musicians. Such a cool guy.
excellent interview!
I've spent years downsizing my coillection, and it honestly feels better and better each time. I think one day I'll end up with just a PO KO, a DX7 and a PSS270 - to make the best music I've ever made!
midierror I used to have a setup with 13-15 synths and constantly got bogged down by overchoice. Now I have a total of 4 with a sampler and 1 drum machine. 2 mono synths, 1 analog poly and 1 digital poly. Never been more inspired. I will have 6 soon because I finally broke down and decided to broke my “no more than 4” rule for a couple of new synths coming out.
I wish he was my dad
you DO talk about Adrian, right?
@@matiasmoulin2126 of course-)
Oh, he is.
I wish i Was My dad 😘
@@Tofu_Pilot Ha hahahha 🤣
Like warm butter toffee for my ears.
Would so love to see the other side of the room! x
Just do a search on here. There are a few really good ones.
Not sure why they picked the Eurorack format to discuss the downside of not having a uniform long-standing personal instrument due to things being switched around. Isn’t that the essence of modulars in general? Serge, Buchla, 5U, Eurorack... it’s all interchangeable and it’s up to each person to decide whether to keep it the way it is or to change it up. Nothing to do with Eurorack and everything to do with what “modular” synthesizers are. Anyways I enjoyed hearing what Adrian Utley had to say. Awesome guy.
In bed recovering from flu - this was just what the doctor ordered - thank you!
I witness an Adrian Utley chat hit my feed, I click it. That is an unspoken contractual obligation I feel for few other artists. This leisurely ample chat provides 100% of my dietary value of vitamin AU for... the month? My one gripe - minor, mind you - is that the camera was not pivoted to capture the other gear discussed absent from its fixed view.
I loved the DX-7, I Had A SY-77 for years.
hated selling it, only because of its size.
U guys were talking about the staying alive drum track. It’s actually a 2 bar tape loop taken from ‘night fever’.look it up on wikipi. (Some overdubs also i guess)Anyways, awesome interview thank u.
Lovely.
amazing interview, thank you! I was wondering who makes your Juno 60 mod mentioned @ 50:00
Thanks - Tubbutec! tubbutec.de/juno-66/
Billie rules dude...just wanted to say. Cool interview as well.
Seriously love these talks about where all this shit really came from ya know..cool stuff man
Fm trombone! Hahaha
synths heads :) lovely
very enjoyable.
AU!!!
Pure gold. 🤓
It's hard to watch this from work. I just want to go home and play with my synths.
6:00 Mylar, could you make a playlist of these interviews with Tom? :) cheers
I remember that arturia video 💪♒️❄️🌙⚡️👾🔮🧙♂️🌳🌲😎✌️
Remember the day!! It was a great hang, Adrian is just the loveliest person
The Penderecki piece is called "Threnody for the Victims of Hiroshima" and the Bach piece is called "A Musical Offering"
Am I the only one noticing how stylish those chairs are...?
Eames chairs - Adrian has fine taste!
I'm glad he didn't go all dogma on the timing thing. There's a time for loose timing and a time for a grid. It's all in the concept and personal taste.
It's the same with the idea of less is more... less is less and more is more, why not both?
Can I get rid of my unused kit? Nothing is unused. It's just a matter of time though. Maybe I have 4 instruments together for a project. A "project" is a dumb term, a project is the setup for me. I might do 3 or 4 tracks with that setup. And if an instrument/seq is working well in that project, and I'm still into it, feel like I haven't figured it all out, or it is transparent, or whatever, I'll use it in the next project, but then I'll swap out instruments that resisted me, or are broken in a certain way, they're out. And in the middle of a project, if I need something, I fly it in. I like little things for this type of thing. Little Volcas, sp404, tenori, kp3+. They just fly in for a particular job, they contribute what they do, and that pattern or sound is in the project. Sometimes, they perform so well, they take center stage, and the nature of the project changes. You were talking to Adrian about having a purpose, a destination in mind, and it is all about getting there, realizing that. Not my thing at all. I am truly experimental, and not so much that I produce unlistenable noise (at least none of it escapes), I'm heavy into hooks and pop, but I never know how I'm going to achieve that. I start with an ensemble of instruments, and just start working. That can mean I lead off with a melody, a harmonic progression, a beat, and all of that can be played or sampled, and it just goes from there. It usually takes a session to get to something that is interesting, and that thing usually has nothing to do with what I started with, its just a matter of getting it going. A huge advancement for me was letting that initial sketch stuff go, I used to look at it like I'd invested that time, I need return on that investment. But the actually good idea IS the return on investment, and those sketches need to go away or they will turn into a millstone around your neck. Very hard for me to let go of that, but I'm on it now.
And in your outro, you said basically this, making this comment essentially redundant. Yeah.
22:37 808s "They don't swing." Yes, until you sync it to an external clock that is swung. As the E-RM Multiclock does. #justsaying :-)
Isnt that what he explained 5 secs later?
wow, aphex twin got his ps-3300's from coldcut! hell of a piece o' trivia right there
"...heading into the next decade, the twenties! What will it bring? Hopefully not death and destruction!"
"I'll take well-wishes that age like fine wine, Alex."
Here's to 2021
Yeah sorry about that one 😒
Stars at 13:45 😆😂😅
Interview starts about 13.40
1:19:00 Donato Dozzy does this
arp 2600 and a synthi vcs in the background, casually drops that he has a korg ps-3200, im not jealous. im not.
The 2600 is cool but that Synthi and 3200 would be amazing to just play, much less own. 2 of my favorite synths.
I've a Yamaha PSS-680.
I fell asleep with youtube on and this episode came round again, and I wound up having having a dream about cleaning dog shite out of a patchboard. :(
Lol re: Aphex Twin."There's a big long story about that...". Yes and I would love to hear all about it so please tell it.
RDJ talks about that on the Syrobonkers interview if you seek out the waybackmachine/archived versions
And that's the downside of the ever-evolving eurocrack franken-system... IMHO
The only genuine way to have that nostalgic, intimate, and lifelong connection with eurocrack is to essentially build each system around just one brand, and stick with that brand, - i've been buying doepfer since around '96,- starting with the 404, which still functions btw, unlike my moog GM, - and i wouldn't sell my systems for anything.. I've pimped the modules aesthetically and internally quite a bit though...
~ digital also, imposes too much character within eurocrack AFAIC, - I think the vc-bit-crusher and my kenton converters are the only digital components to my systems ~
great interview, - i remember reading articles in *Home and Studio Recordings*, or was it *Recording Musician*?, with Adrian being interviewed, - long before the *portishead* days, and as i recall, they were just as insightful then as they are now...
much appreciated
classic Moog vs Moog pronunciation fight 25:09 KO at 25:48
Beatles - Abbey road - synths got to be: Here Comes the Sun have always lived the synths in this one
For anyone wondering what's on the other side of Adrian's studio here's another interview with him where's he's seated next to some rather nice toys... th-cam.com/video/NNZ5ONauK5Y/w-d-xo.html
Adrian doesn't get enough room to talk. No offense, but I'm watching this because of the legend.
True. There are places where he's struggling to get a word in. I still enjoyed it though so I don't want to be too critical.
I felt the same. Mylar talk to much for the interviewer 🙃
@@deaftone my feelings exactly
agree
100% agree………….interviewer LOVES the sound of his own voice
Be really interested to hear your interview subjects tell ya their… House on fire only grab 1 synth ¬ choice
I think you may have jinxed the entire decade
Sorry bout that
A dog shat on the synth!
I keep thinkg after you have done the advert intro I am going to hear the Pearl and Dean music. Craking podcast.
Think you've "made it"
when are you going to make a "why we bleep" episode with Aphex twin, Alex? c'mon mate...
Excellent, but please give the guest space to finish a sentence. 😬
you know you guys look related right?
What? THIRTEEN MINUTES of intro, then two guys sitting talking with no sound?
Yes Brad, imagine that.
13:47 > thank me later...
thanks for bringing this mr mylar, love adrian utley, could have done with less of your voice and more of his...
Great, thanks for letting me know that. I'll edit myself out of future ones.