It's definitely a recognised voice. But I've heard a lot of his instrumental/soundtrack stuff without even knowing it was him and instantly thought, is this Trent Reznor? He has a very particular approach to atmosphere, melody, drum grooves and synth sounds.
@@dopey473 it's just all of it, really... trent's voice, his attention to detail, the layers... it can be very simple, or chaotic and complex, but everything is absolutely deliberate. you don't even really notice a lot of little sounds, but if they're taken away, then you're like oh... that was really doing something. absolute talent, unique creativity and approach, meets insane attention to detail and work ethic. truly one of the greats.
NIN may seem chaotically dissonant, but there is purpose in it. He tends to use not-quite-major and not-quite-minor scales, like Mixolydian, Aeolian Dominant, and Dorian
Oh for sure. Especially on the Fragile. I feel like the best way I’d describe Trent’s approach with that is that he likes to find the beauty in dissonant/atonal scales and the dissonance in pretty sounding scales
it really is. what i've always loved is how it can go from soft and melodic, to aggressive and abrasive and just work so well. simple and slow, to pure chaos.
Now that's goated tutorial!!! I wish me and my friend had this kind of tutorials 10 years ago xD There were kostly tutorials for "normal" metal and electronic subgenres
@@RichiiWainwright if we're both referencing the pad type sound, then yeah. that whole album was full of great sound design. the K2000 series had hit the market a few years prior and was a staple instrument on that album. not just the synthesizer, but also the sampler. it was crazy powerful for the early 90s, heh.
@@RichiiWainwright sorry, homie, my dumb ass didn't even think to go back and rewatch the video, haha. now i know what sound you're talking about, the lead synth with the percussive front end. yeah, that's a super cool sound. almost like a revamped sample from PHM, yeah?
Doing something in the style of Nine Inch Nails or at least influenced by them is kinda easy when you're referring to certain things. I like industrial music because the electronic sounds are diverse and you'll rarely hear a electronic noise that sounds similar to another electronic noise but sometimes you do which happens sometimes.
This sounds more like the recent work of Gary Numan, who has been heavily influenced by NIN for the last 20 years. But great job capturing the '90s industrial rock feel. The acoustic guitar elements of 'Fragile' always sounded like heavily compressed piezo pickups with funky robot-like strumming.
Cool idea putting different NIN Album techniques in one video. Interesting sound I like it. I also took a couple notes, I really like the Vital plugin never heard of till watching, and it’s really a lot of fun to play with so far. Would also be interested to see a Pitchshifter or Static X production video if possible. Thanks for the great in-depth 👍
Thank you so much for doing this, The Fragile is my favorite album ever. Please do more videos like this, and if you made a NIN Vital Preset pack I would buy it immediately
Going through all your last videos, exactly this one caught my attention. It is that shows how your production level has grown over the last year. Keep it up!
Man I cannot express just how good this video is and how much it helped me to understand what makes the music I love sound the way that it does. You make it seem so easy and obvious, but watching this felt like years of study concentrated into 18 minutes. Definitely going to fun through this again. It's not that I want to copy Trent, but knowing the principles helps me better understand his creative choices which pushes me to explore my own "wrong" ways to EQ things or whatever to get new sounds. Very cool.
Love this mate! i learned so much from this, i would love to see a detailed breakdown though on some of the effects settings your using.. either way! good job man!
@@jayreiter thanks! Feel free to hit my email (in description) and I’ll hit you back when I can. I’m booked up for a while but if you can wait we could def do something!
Honestly, you could have kept the drums as they were prior to the bit-crushing effect and it would've had Fragile/With Teeth era vibes. Sometimes people lean too hard into the "idea" of industrial music and forget that so many NIN songs have a live drum sound, even if it's several different samples put together and looped. That blend of garage-y, punk rock with the industrial synths and guitars. Very well done on the bass part, the acoustic guitar and ring modulation though.
As a massive fan of all of Trent’s work, this was great and very educational! Genuine question, why don’t you release these tracks you make just as an artist yourself? Rather than sell the rights to the track?
@@zb4358 thanks! I am slowly working on my own project which I’ll be releasing sometime next year, but for the most part I just enjoy producing for others way more than doing my own thing. It just suits me and my personality better to be working behind the scenes on a lot of projects rather than just doing my own thing and having to market that all the time
@@RichiiWainwright Since you know and enjoy so many different styles, its interesting to think of what your personal work would sound like. How do you release your own stuff? I imagine we don’t need record labels anymore, is it really as simple as just uploading your album to streaming platforms and that’s it? Are there more legal things involved? I ask because I’m working on some ideas, influenced by Trent, The Soft Moon, Deadmau5 to name a few that I’d like to eventually release as my own
@ yeah I’ve never had a label and never will. I’ve always used distrokid, I’ve heard ‘too lost’ is great too. Super super easy to upload with those platforms. As long as you’re down to learn content marketing you don’t need a label to help promote it. Music marketing isn’t easy, for sure, but with hard work anyone can master it. And yeah I’m really trying to break new ground with my own sound! Sounds like you are too - that’s a cool blend of influences 🤘
I love the track! Although I thought the end result was much more aligned with Mick Gordan and his Doom soundtrack-as Trent Reznor tended to deviate from the Dorian mode. Still, great job.
Dude I’m like so in love with what you make! I really wanna start making my own music as well but I don’t own any instrument nor really any program to start. What would you recommend to total beginner? I dream of making my own music someday and to study it in the future 🖤 could you maybe do a video of how to start and what products are you using? Everything you make is so dope! You’re so inspiring honestly 🖤🖤
Fantastic how-to, Richii, don't get me wrong, but Trent is definitely not "anti-melody". On the contrary, Trent is an absolute genius when it comes to melody and counterpoint, whether it's piano, vocals or anything else. Again tho, your work is just super, but I wanted to clarify the melody thing
I produce industrial techno… So some of these techniques like bit crushing the fuck out of a drum loop layered on the main drums .. something I wouldn’t have thought of Thanks for the influence
Thats Pretty cool NIN used a Oberheim Xpander from 1984 For his main synth Pretty much for Everything but he did use other synth aswell The Oberheim Xpander it is pretty much out of reach for anyone Oberheim Xpander from 1984 cost anywere from $10k to $20k USD But There is good news. There is a plug in Called Matrix 12 by Arturia that is Pretty much the same as the Oberheim Xpander Trent Reznor used a ZOOM 9030 for Pinion And he used a ZOOM 9002 on wish with a ZOOM 9030 blend on wish He does use a ZOOM 9150 for some of hes vocals But I honestly don't know what songs or fx at all Head Like A Hole he used a MXR M-80 with Behringer Model D Juno 60 Arp Odyssey NIN The Hand That Feeds NIN used a Old school bigmuff pedal the name of the pedel was a Vintage russian bigmuff PI-V7 for like $500 USD But there are smaller versions of the same pedal for like $80 to $100 USD But i think it was just a fuzz bass pedel really And a PB bass or a HH Style bass pickups like a musicman With 45 to 100 flatwound strings not roundwound strings He's alsol used Digidesign Turbosynth TR-808 (sampled) Roland R-70 Akai S1100 Kurzweil K2000 Prophet VS Oberheim Xpander PPG Wave 2.3 Waldorf Microwave Nord Lead Yamaha VL-1 E-mu E4 Emax This is just some Of the gear I know NIN has used Hope this helps
May i suggest the following bands, any one of these would make my day! Motionless in white Thirty Seconds To Mars (A beautiful lie era) HIM She Wants Revenge
Fragile is probably my top album too, and I'm getting "The Big Come Down" vibes on this when you started laying down the bass. Edit: Called it, now you pulled out the acoustic. Lolol I love it
Daft question, but can i add vsts to audio files ? For example, can i record a guitar track and put serum on the track ? Like is there a way to mix both? In real time or after its recorded.
Hey man, I just wanted to ask how do you like your PRS SE Starla? I have a chance to get one for real cheap but the seller is from another city and he plays blues and stuff like that so his demos aren'te very informative for me. How does it handle stuff like nu metal or modern metalcore, do you like its neck for these styles?
@@StanSinitsky I did my usual dumb trick of buying a guitar purely based on its looks. So.. it’s not 100% ideal for modern metal, but the stock pickups are pretty good (but not amazing). They do the job. The neck is my least fav thing about it. It’s kinda fat and not the best for shredding. For normal playing it’s fine though. Overall I really like the guitar but I’m definitely more of a 90s metal guy than a super tight modern chugga chugga guy. If that’s what you’re going for, it’d do the job but not as well as any modern Ibanez or Jackson etc. They do look super nice in person though and for the money it’s a great guitar overall !
@@RichiiWainwright thanks for detailed response! I have a Schecter with a very thin neck for everything metal, so what I'm looking for now is a guitar that is on vintage side but capable of providing heavy tones if I need them in a different tuning. From what you said, Starla might be a good fit, so I'll give it a try!
@@StanSinitsky that’s pretty much what mine is for and I love it. As long as you have a backup for when the starla feels a little too clumsy I’d say it’s worth it!
The windows have just left the building!! This is a good way to get started. 😀 I have just completed a gatefold album that is inspired by Nine Inch Nails. It is 3 hours long and this is also the length of a headline set. I am in the process of adding rock vocals, guitars and drums to the tracks. I am also looking for musicians to join my band. If you are interested, listen to new track, NVN “The Fault in Our Stars,” here: th-cam.com/video/ISNVU2sTDHc/w-d-xo.html
It sounds good but it dosen't really sound like NIN, the beggining with the guitar sounds like The Big Come Down but the rest really sounds like something Mick Gordon would make
Doesn't sound like NIN. Sounds more like what mason's industrial producers would do and also some modern industrial bands like 3Teeth or something like that. Can't remember the name
Really cool, but I feel like advertising it as a breakdown of iconic nails sounds is a little misleading. What you show is your own nails-inspired sounds, which is really cool, but not what I was expecting. One other nitpick: I don’t want to assume your age, but I’m guessing 1999 was a little before your time. There was tons of bass-heavy music from that time and earlier. Vegas by The Crystal Method springs to mind. I was in high school in 1999 and I had friends with giant subs in their cars, and they blasted all kinds of crazy stuff so loud it was hard to breathe.
I mean I said at the start that they’re my own presets. And I meant bassy for rock. Hard to compare to fully electronic music when the approach for NIN is so inherently different to stuff like the crystal method
I really try hard to cram all the most important stuff in there but it's a difficult balance. If I showed the whole process it'd be hours long and boring af haha
Renzor is the type of artist that'll turn you into a sound engineer as you study his work.
I think what makes Nine Inch Nails so special is Trent has a unique voice. No matter what he makes musically, his voice is the glue.
It's definitely a recognised voice. But I've heard a lot of his instrumental/soundtrack stuff without even knowing it was him and instantly thought, is this Trent Reznor? He has a very particular approach to atmosphere, melody, drum grooves and synth sounds.
I think what makes NIN special is the layers
@@dopey473 it's just all of it, really... trent's voice, his attention to detail, the layers... it can be very simple, or chaotic and complex, but everything is absolutely deliberate. you don't even really notice a lot of little sounds, but if they're taken away, then you're like oh... that was really doing something. absolute talent, unique creativity and approach, meets insane attention to detail and work ethic. truly one of the greats.
@@chronic_johnson_a.r.a.b especially like the social network... you hear the opening credits, and just know without even looking at them.
It's that Major 3rd he sings all the time.
NIN may seem chaotically dissonant, but there is purpose in it. He tends to use not-quite-major and not-quite-minor scales, like Mixolydian, Aeolian Dominant, and Dorian
Oh for sure. Especially on the Fragile. I feel like the best way I’d describe Trent’s approach with that is that he likes to find the beauty in dissonant/atonal scales and the dissonance in pretty sounding scales
Oh, I just saw your comment, I thought and generally said the same thing. His version was nice too-just more Mick Gordanish
This guy did a good job emulating trents sound (albeit making fun of trent) th-cam.com/video/VIYUEE9Latk/w-d-xo.htmlsi=XgLYpFGlGRp9SULz
The Fragile is a tremendous work. An epic poem for the 20th century.
it really is. what i've always loved is how it can go from soft and melodic, to aggressive and abrasive and just work so well. simple and slow, to pure chaos.
This is awesome! I'd love to see your take on Hellbilly Deluxe era Rob Zombie!
One of my fav albums. Great idea. Gonna make that happen sometime soon🤘
@@RichiiWainwright Could you take a look at The Prodigy 🤘🥂 cheers
@@GroovyPsycho1 yeah also planning to do a Prodigy style track at some point!
@@RichiiWainwright Legend, great videos thanks!
It's the same music. Just have to do 7000 'Yeah!' per song
Now that's goated tutorial!!! I wish me and my friend had this kind of tutorials 10 years ago xD There were kostly tutorials for "normal" metal and electronic subgenres
if memory serves, that synth sound from 'ruiner' was based on a brass preset from the Kurzweil K2000 series of synthesizers that was heavily edited.
Interesting! I’ve never heard another sound like it before
@@RichiiWainwright if we're both referencing the pad type sound, then yeah. that whole album was full of great sound design.
the K2000 series had hit the market a few years prior and was a staple instrument on that album. not just the synthesizer, but also the sampler. it was crazy powerful for the early 90s, heh.
@@legionxeroactual oh I’m talking about the high airy synth. Although I do love that brassy sound too
@@RichiiWainwright oh wow, thanks for clarifying!! haha.
so just to be clear, the high pitched sound from :30-1:00?
@@RichiiWainwright sorry, homie, my dumb ass didn't even think to go back and rewatch the video, haha.
now i know what sound you're talking about, the lead synth with the percussive front end. yeah, that's a super cool sound. almost like a revamped sample from PHM, yeah?
I love the reference material and how you implemented elements from different albums!
Yoooo another the fragile lover! Also amazing video!
Doing something in the style of Nine Inch Nails or at least influenced by them is kinda easy when you're referring to certain things. I like industrial music because the electronic sounds are diverse and you'll rarely hear a electronic noise that sounds similar to another electronic noise but sometimes you do which happens sometimes.
Richii, excellent tutorial and song building breakdown. I really like your approach to songwriting. Thanks for sharing this with all of us.
When Richii Wainwright uploads, it's a good day
NAILED IT
ive been at this whole industrial music thing since 1995 and theres a lot of cool tips in here! well done man!
Magnificent. So many great tips in one video!
This sounds more like the recent work of Gary Numan, who has been heavily influenced by NIN for the last 20 years. But great job capturing the '90s industrial rock feel. The acoustic guitar elements of 'Fragile' always sounded like heavily compressed piezo pickups with funky robot-like strumming.
Nine inch nails took influence from Gary numan first.
Cool idea putting different NIN Album techniques in one video. Interesting sound I like it. I also took a couple notes, I really like the Vital plugin never heard of till watching, and it’s really a lot of fun to play with so far. Would also be interested to see a Pitchshifter or Static X production video if possible. Thanks for the great in-depth 👍
Thank you so much for doing this, The Fragile is my favorite album ever. Please do more videos like this, and if you made a NIN Vital Preset pack I would buy it immediately
Reminds me of The Big Comedown. Nice work! Love NIN!
Going through all your last videos, exactly this one caught my attention. It is that shows how your production level has grown over the last year. Keep it up!
This is great! Would love to see more in-depth sound design videos on how you're creating some of these signature sounds in your tracks. Thanks!
Total NIN bass line nice.
Awesome vid!!! Thanks a bunch!!
Man I cannot express just how good this video is and how much it helped me to understand what makes the music I love sound the way that it does. You make it seem so easy and obvious, but watching this felt like years of study concentrated into 18 minutes. Definitely going to fun through this again. It's not that I want to copy Trent, but knowing the principles helps me better understand his creative choices which pushes me to explore my own "wrong" ways to EQ things or whatever to get new sounds. Very cool.
This video is a gem
More more more please! Learning a lot from this. Such simple modulations to help harness those tight NIN lines! 👍👍👍
Fantastic video i love nin and industrial music
Amazing video. I love how this is a tutorial shows how much talent you have. Thx
thank you bro, you are the best
That pad/lead from Ruiner is Prophet VS, I am pretty sure. Good work, nice track.
Love this mate! i learned so much from this, i would love to see a detailed breakdown though on some of the effects settings your using.. either way! good job man!
bruh i been trying to recreate this sound for years, thank you!
bro this is GREAT great great
I've been loving these videos! Great description and advice.
I love this. I would dig working with you on some stuff
@@jayreiter thanks! Feel free to hit my email (in description) and I’ll hit you back when I can. I’m booked up for a while but if you can wait we could def do something!
@@RichiiWainwright sweet! I'm not in a super hurry. I'll send you some stuff I've done. Check it out when you can!
Very cool!
This was fuckin great dude!
this shit rocks so hard! killer track!
Reaaaaally nice😍😍😍
So talented.
Awesome videos. Banger after banger.
Bro love your channel
Brilliant stuff. 👍🏻
From what I’ve read from various sources there’s very little acoustic guitar on the fragile. Apparently he used a Parker guitar with a piezo pickup.
Interesting! That would make sense since it’s such a weird acoustic type of sound
Honestly, you could have kept the drums as they were prior to the bit-crushing effect and it would've had Fragile/With Teeth era vibes. Sometimes people lean too hard into the "idea" of industrial music and forget that so many NIN songs have a live drum sound, even if it's several different samples put together and looped. That blend of garage-y, punk rock with the industrial synths and guitars.
Very well done on the bass part, the acoustic guitar and ring modulation though.
Great insights thank you! 🙏
As a massive fan of all of Trent’s work, this was great and very educational!
Genuine question, why don’t you release these tracks you make just as an artist yourself? Rather than sell the rights to the track?
@@zb4358 thanks!
I am slowly working on my own project which I’ll be releasing sometime next year, but for the most part I just enjoy producing for others way more than doing my own thing. It just suits me and my personality better to be working behind the scenes on a lot of projects rather than just doing my own thing and having to market that all the time
@@RichiiWainwright Since you know and enjoy so many different styles, its interesting to think of what your personal work would sound like.
How do you release your own stuff? I imagine we don’t need record labels anymore, is it really as simple as just uploading your album to streaming platforms and that’s it? Are there more legal things involved?
I ask because I’m working on some ideas, influenced by Trent, The Soft Moon, Deadmau5 to name a few that I’d like to eventually release as my own
@ yeah I’ve never had a label and never will. I’ve always used distrokid, I’ve heard ‘too lost’ is great too. Super super easy to upload with those platforms. As long as you’re down to learn content marketing you don’t need a label to help promote it. Music marketing isn’t easy, for sure, but with hard work anyone can master it.
And yeah I’m really trying to break new ground with my own sound! Sounds like you are too - that’s a cool blend of influences 🤘
I love the track! Although I thought the end result was much more aligned with Mick Gordan and his Doom soundtrack-as Trent Reznor tended to deviate from the Dorian mode. Still, great job.
I'm really interested in producing a song like "Even Deeper", which is my favorite song off "The Fragile".
this is dope sir
Dude I’m like so in love with what you make! I really wanna start making my own music as well but I don’t own any instrument nor really any program to start. What would you recommend to total beginner? I dream of making my own music someday and to study it in the future 🖤 could you maybe do a video of how to start and what products are you using? Everything you make is so dope! You’re so inspiring honestly 🖤🖤
great video!
Incredible work dude! Can your project be heard in full?
Kind of reminds of Quake soundtrack album.
Nice one dude
This actually kind of reminds me of "Golden Age" era marilyn manson with those choppy drums, those guitars sound sick btw.
Anti-Christ Superstar?
@@sointrusive No no like the actual album "The Golden Age Of Grotesque"
Fantastic how-to, Richii, don't get me wrong, but Trent is definitely not "anti-melody". On the contrary, Trent is an absolute genius when it comes to melody and counterpoint, whether it's piano, vocals or anything else. Again tho, your work is just super, but I wanted to clarify the melody thing
Well done sir
Reminds me of Sonic Mayhem's Quake II OST.
Damn, nailed it! Suddenly I was an awkward '90's teenager again.
Niggy Tardust vibez in the intro part. nice!
I mean it starts very Nine Inch Nails, but then sounds like a middle school squabble between Ministry and Mick Gordon.
Well yeah, Mick Gordon is basically if NIN leaned harder into metal and kept going heavier after Broken in a metal way
which program does he use?
damn that bass line sounded good
What's the bit crusher you mention at the start?
he is good at this so it looks easy. it is not that easy for most of us
I produce industrial techno…
So some of these techniques like bit crushing the fuck out of a drum loop layered on the main drums .. something I wouldn’t have thought of
Thanks for the influence
Thats Pretty cool NIN used a Oberheim Xpander from 1984 For his main synth Pretty much for Everything but he did use other synth aswell The Oberheim Xpander it is pretty much out of reach for anyone Oberheim Xpander from 1984 cost anywere from $10k to $20k USD But There is good news. There is a plug in Called Matrix 12 by Arturia that is Pretty much the same as the Oberheim Xpander
Trent Reznor used a ZOOM 9030 for Pinion And he used a ZOOM 9002 on wish with a ZOOM 9030 blend on wish He does use a ZOOM 9150 for some of hes vocals But I honestly don't know what songs or fx at all Head Like A Hole he used a MXR M-80 with Behringer Model D Juno 60 Arp Odyssey NIN
The Hand That Feeds NIN used a Old school bigmuff pedal the name of the pedel was a Vintage russian bigmuff PI-V7 for like $500 USD But there are smaller versions of the same pedal for like $80 to $100 USD
But i think it was just a fuzz bass pedel really And a PB bass or a HH Style bass pickups like a musicman With 45 to 100 flatwound strings not roundwound strings
He's alsol used
Digidesign Turbosynth
TR-808 (sampled)
Roland R-70
Akai S1100
Kurzweil K2000
Prophet VS
Oberheim Xpander
PPG Wave 2.3
Waldorf Microwave
Nord Lead
Yamaha VL-1
E-mu E4
Emax
This is just some Of the gear I know NIN has used
Hope this helps
Do you record your voice into ypur daw at the same time as you are screen recording
Could you please do more tutorials about Merelyn Manson instrumentals🙏
i couldn’t subscribe fast enough
Greatjob! Now fill it with a lyric about how broke the world and your own soul is.
banger
Inspired
Have you ever used an mpc for industrial rather than cubes?
May i suggest the following bands, any one of these would make my day!
Motionless in white
Thirty Seconds To Mars (A beautiful lie era)
HIM
She Wants Revenge
HIM has to happen someday, one of my fav bands growing up. MiW and 30STM would be fun too. She Wants Revenge I need to get into more
@@RichiiWainwright that sounds really awesome. Im excited!
@@RichiiWainwright also may i suggest Type O Negative!, that would be so cool!
Fragile is probably my top album too, and I'm getting "The Big Come Down" vibes on this when you started laying down the bass.
Edit: Called it, now you pulled out the acoustic. Lolol I love it
Haha you saw it coming. It’s such an underrated NIN track
Is there a possibility of doing this in fl studio's so we can produce the same sound? Its a bit difficult to know what your doing.
I don’t use FL but yeah, everything I’m doing here can be done in FL or any other DAW. They’re all basically the same imo
It's a REECE BASS, alot of peeps use it
There’s a couple of Reeses in this. Not sure which one you mean. But yeah, I know haha
Daft question, but can i add vsts to audio files ? For example, can i record a guitar track and put serum on the track ? Like is there a way to mix both? In real time or after its recorded.
Hey man, I just wanted to ask how do you like your PRS SE Starla? I have a chance to get one for real cheap but the seller is from another city and he plays blues and stuff like that so his demos aren'te very informative for me. How does it handle stuff like nu metal or modern metalcore, do you like its neck for these styles?
@@StanSinitsky I did my usual dumb trick of buying a guitar purely based on its looks. So.. it’s not 100% ideal for modern metal, but the stock pickups are pretty good (but not amazing). They do the job. The neck is my least fav thing about it. It’s kinda fat and not the best for shredding. For normal playing it’s fine though. Overall I really like the guitar but I’m definitely more of a 90s metal guy than a super tight modern chugga chugga guy. If that’s what you’re going for, it’d do the job but not as well as any modern Ibanez or Jackson etc.
They do look super nice in person though and for the money it’s a great guitar overall !
@@RichiiWainwright thanks for detailed response! I have a Schecter with a very thin neck for everything metal, so what I'm looking for now is a guitar that is on vintage side but capable of providing heavy tones if I need them in a different tuning. From what you said, Starla might be a good fit, so I'll give it a try!
@@StanSinitsky that’s pretty much what mine is for and I love it. As long as you have a backup for when the starla feels a little too clumsy I’d say it’s worth it!
The windows have just left the building!! This is a good way to get started. 😀 I have just completed a gatefold album that is inspired by Nine Inch Nails. It is 3 hours long and this is also the length of a headline set. I am in the process of adding rock vocals, guitars and drums to the tracks. I am also looking for musicians to join my band. If you are interested, listen to new track, NVN “The Fault in Our Stars,” here: th-cam.com/video/ISNVU2sTDHc/w-d-xo.html
What about vocals????
hook me up with those samples....
Teach me thank you
I have to have a DAW?
Yep
sounds more like a Marilyn Manson song than it does NIN
Resident evil af
🔥🔥🔥
Wanna start an NIN band? Lmaoo
You missed a golden opportunity for a title... How to NAIL sounding like Nine Inch Nails.
Damn that’s good
How to NAIL Nine Inch Nails’ sound in NINE minutes (x2)
@@RichiiWainwright Thats the one!
Got to finish the video today. Id say you nailed it mate.
I'm at 4:00 and it's already TERRIFIC!
Sounds exactly like NIN
🤘
It sounds good but it dosen't really sound like NIN, the beggining with the guitar sounds like The Big Come Down but the rest really sounds like something Mick Gordon would make
and this is why no one can sound like NIN...
Yup agreed! 😮
2:41 literally the kick in closer
The kick from closer is a 909 layered with the kick drum from “Night Clubbing” by Iggy Pop
Doesn't sound like NIN. Sounds more like what mason's industrial producers would do and also some modern industrial bands like 3Teeth or something like that. Can't remember the name
Trent was Manson's producer lol
Really cool, but I feel like advertising it as a breakdown of iconic nails sounds is a little misleading. What you show is your own nails-inspired sounds, which is really cool, but not what I was expecting. One other nitpick: I don’t want to assume your age, but I’m guessing 1999 was a little before your time. There was tons of bass-heavy music from that time and earlier. Vegas by The Crystal Method springs to mind. I was in high school in 1999 and I had friends with giant subs in their cars, and they blasted all kinds of crazy stuff so loud it was hard to breathe.
I mean I said at the start that they’re my own presets. And I meant bassy for rock. Hard to compare to fully electronic music when the approach for NIN is so inherently different to stuff like the crystal method
Можешь свой голос делать посередине? Не слева или справа... Пожалуйста... Очень тяжело слушать в таком виде
You skip a lot of stuff - editing out important info - trying to make video fast and short. Otherwise good info, just wish it wasn't cut up and short.
I really try hard to cram all the most important stuff in there but it's a difficult balance. If I showed the whole process it'd be hours long and boring af haha