Gorgeously rendered. I especially like the performer's articulation. Clear, musical, and richly exposing Bach's fascinating choices in suspensions and rests. I also like the choices of registration. The registrations here in variations 7 and 11, to take just two examples, are very sensitively chosen, and show characteristics in this music which might be missed in performances on harpsichord or piano.
Eine wirklich zauberhaft schöne Aufnahme, der wir hier beiwohnen können. So schöne Registrierungen und duschhörbare Tempi, wie man sie selten hört. Bravo!
I always wondered if the Goldberg Variations would sound better on organ than on piano. it does. thanks. yes, everyone could find flaws in any performance based on personal preferences (pedals, tempo, whatever) but I pretty much enjoyed this interpretation. very relaxed and positive. if I compare this against the Glenn Gould heritage, both styles have their own merits. I believe this one may be closer to the original, intended concept of Bach with the pieces.
BRAVO! Most people don't appreciate that the organ is a dynamic instrument and that tempo is dependent on the acoustics of the moment. A sparsely filled venue results in more reverb and thus a tempo adjustment must be considered otherwise the reverb will result in an unpleasant mush; a fuller house may allow a faster tempo and louder pedal.
Thank you so much for recording this, it was an inspiration to me. I have watched the video at least ten times now, and I have started studying the piece on the organ. To begin with I will perform the Aria plus ten variations. I don't think I have the stamina or concentration necessary for a full performamce of the variations yet. I will let you know when I perform them.
Hansjörg Albrecht spielte Bach, genauer gesagt jene Goldberg-Variationen auf Klais Orgel in der Philharmonie. Das war ETWAS sehr feines. Klingt es nicht doch ein wenig anders in einem SakralenRaum?!
0:10 Aria
4:36 Variatio 1. a 1 Clav.
6:23 Variatio 2. a 1 Clav.
8:12 Variatio 3. Canone all' Unisono, a 1 Clav.
9:47 Variatio 4. a 1 Clav.
11:01 Variatio 5. a 1 ô vero 2 Clav.
12:05 Variatio 6. Canone alla Seconda. a 1 Clav.
13:02 Variatio 7. a 1 ô vero 2 Clav.
14:56 Variatio 8. a 2 Clav.
17:22 Variatio 9. Canone alla Terza. a 1 Clav.
18:31 Variatio 10. Fugetta a 1 Clav.
19:33 Variatio 11. a 2 Clav.
22:31 Variatio 12. Canone alla Quarta. a 1 Clav.
24:51 Variatio 13. a 2 Clav.
27:50 Variatio 14. a 2 Clav.
29:04 Variatio 15. Canone alla Quinta. a 1 Clav.
31:10 Variatio 16. Ouverture. a 1 Clav.
34:05 Variatio 17. a 2 Clav.
25:48 Variatio 18. Canone alla Sexta. a 1 Clav.
36:30 Variatio 19. a 1 Clav.
37:13 Variatio 20. a 2 Clav.
38:31 Variatio 21. Canone alla Settima. a 1 Clav.
40:16 Variatio 22. a 1 Clav.
41:30 Variatio 23. a 2 Clav.
42:51 Variatio 24. Canone all' Ottava. a 1 Clav.
44:51 Variatio 25. a 2 Clav.
48:13 Variatio 26. a 2 Clav.
49:40 Variatio 27. Canone alla Nona. a 2 Clav.
50:47 Variatio 28. a 2 Clav.
52:09 Variatio 29. a 1 ô vero 2 Clav.
54:51 Variatio 30. Quodlibet. a 1 Clav.
55:58 Aria
Muchas gracias 👌
Variation four is spectacular as it always is
Die unmotiviert wirkende Arhythmik verwehrt mir den Zugang zu dieser sicherlich sehr schönen Interpretation.
Gorgeously rendered. I especially like the performer's articulation. Clear, musical, and richly exposing Bach's fascinating choices in suspensions and rests. I also like the choices of registration. The registrations here in variations 7 and 11, to take just two examples, are very sensitively chosen, and show characteristics in this music which might be missed in performances on harpsichord or piano.
Magnifique interprétation, très maitrisée et poétique ! belle utilisation de l'orgue : Bravo !
Eine wirklich zauberhaft schöne Aufnahme, der wir hier beiwohnen können. So schöne Registrierungen und duschhörbare Tempi, wie man sie selten hört. Bravo!
A masterful performance, with beautifully balanced registrations! For me, this is the best performance of all the organ versions...
I always wondered if the Goldberg Variations would sound better on organ than on piano. it does. thanks. yes, everyone could find flaws in any performance based on personal preferences (pedals, tempo, whatever) but I pretty much enjoyed this interpretation. very relaxed and positive. if I compare this against the Glenn Gould heritage, both styles have their own merits. I believe this one may be closer to the original, intended concept of Bach with the pieces.
Bravo!
Gracias
Thoroughly enjoyed. I have many version of the Goldbergs. At least 7 different recordings on organ. You have done a very good job of this performance.
BRAVO!
Most people don't appreciate that the organ is a dynamic instrument and that tempo is dependent on the acoustics of the moment. A sparsely filled venue results in more reverb and thus a tempo adjustment must be considered otherwise the reverb will result in an unpleasant mush; a fuller house may allow a faster tempo and louder pedal.
Unglaublich schön! Ich bin Ihr Fan 🙂
Sehr schön, dort vor Ort würde ich auch gern mal lauschen.
Thank you so much for recording this, it was an inspiration to me. I have watched the video at least ten times now, and I have started studying the piece on the organ. To begin with I will perform the Aria plus ten variations. I don't think I have the stamina or concentration necessary for a full performamce of the variations yet. I will let you know when I perform them.
Beautiful! Schön!
Fabuleux !
the organ looks like a new organ, but the sound is really good.
very good !!!!! excellent
Super!
sounds great !
Buitengewoon goed, Hartelijk Dank!
Sehr schön
Un seul mot: BRAVO!!!!
👏🏻
meraviglioso
Интересные вариации .
Hansjörg Albrecht spielte Bach, genauer gesagt jene Goldberg-Variationen auf Klais Orgel in der Philharmonie. Das war ETWAS sehr feines. Klingt es nicht doch ein wenig anders in einem SakralenRaum?!
54:42
es gabt viele komponisten, es gabt aber nur einen johann sebastian bach
Harpsichord Bach' s music becomes very different in organ. And vice versa.
Nádhera
I have a hard time hearing the bass notes, it loses clarity on the organ, not my favorite
wwowww
Sorry, but an organ just robs the immediacy from the music.
54:42
👍