This is exactly what I've been working on the past 2 weeks. I switch hands to help develop balance. Also have been doing triplets with this technique. It's challenging, frustrating but also fun and rewarding if you stick with it. Thanks for posting this!
Thanks for the strait forward expiations as usual. I've attended a few of your master classes and have referred my drumming buddies to buy your New Orleans' drumming videos. You and Johnny are true mentors on the instrument
I deal with push pull technique every gig. Right side of band vs left side. Sometimes push one side or the other sometimes pull. This video is not that but awesome! Great job. Thanks for the demos.
@@stantonmooremusic hey stanton brotha , great vid n content again and advice of tips/tricks , always learning from you , can you send me a link of jo-jo's channel please , thanks n talk soon bro > tom !
Love this thanks! As a traditional player I have been meaning to look this up and magically it appears anyway on my feed 😂 I use Matched RH push pull alot, especially fast Samba but it creeps in everywhere I find. He is matched grip only but the guy who has mastered push pull to the higest level internationally is Ramon Montagner if you haven't checked him out already I highly recommend. Jaw dropping
Ok so I have gotten a start and one thing I note that helped me alot is in Stanton's first two slow demonstrations both index and middle finger were sharing the load but when you slow down his faster version it's 95% index finger dominant. Making this change at a faster tempo makes me confident I will get this clean with time.
Hi Stanton, great vid! My issue is a feeling of “deadness” (lack of bounce) in my left hand, as opposed to my right feeling “alive” (referring to bounce). Does that make any sense and if so, any thoughts on exercises to work on this? I play both traditional and matched, and it’s really a strange kind of sensation where the right hand seems to naturally have a bounce action to it while the left hand feels like I have to lift the stick….I lhope this makes some kinda sense, but in any case I found this video educational and worthy of re-watch and practice! Cheers…..Bill
Would love more info on that 5/4 groove with second-line feel. I've been playing around with a 5/4 thing for a while and was wondering if there are any non-4/4 meters in traditional New Orleans drumming. I looked through all the exercises/info in Take It To The Street and I think it's all 4/4, which I suppose indicates at least non-4/4 isn't common. Any pointers appreciated.
@@ZalmanStern I actually play a tune in 5 (Magnolia Triangle) and a tune in 7 (Paul Barbarin’s Second Line) on this record. open.spotify.com/album/6455P7D1t48YAuEAy0vtMe?si=ck02tZNOTq-cQ25mXsDdVQ Both are inbetween the cracks and the tune in 7 is a second line. Let me know what you think after you check those out. 🙌🏼
@@stantonmooremusic Very cool! Will be hitting the kit later today to shed this, along with a couple of other things that I've been wanting to work on. Thanks again for the always-excellent content!
It looks like you're pushing on the beat here? Have you tried doing double stops using this technique, since IIRC your right hand is pulling on the beat?
@@stixplayer you can always go into the YT settings wheel and slow the speed down to 75 or 50%. Plus I highly recommend checking out JoJo Mayer’s Secret Weapons for the Modern Drummer. He goes into great scientific detail!🙌🏼
@@jspic4907 I respectfully disagree. In this video, I share my story of how I felt that I would never get this, what I worked on to develop it and how I now use it in my playing. I’m hoping this will inspire and encourage others to not give up and to keep at it. They might eventually get what they are working on even if it happens unexpectedly.🙌🏼
Definite work in the index finger which I have been working on, just need the Moeller motion in the arm. Thanks for the tip Stanton!
This is exactly what I've been working on the past 2 weeks. I switch hands to help develop balance. Also have been doing triplets with this technique. It's challenging, frustrating but also fun and rewarding if you stick with it. Thanks for posting this!
So glad to hear you’re digging it. Thanks for tuning in! 🙌🏼
Beautiful touch as always
@@eddiedelaney5765 thank you!🙌🏼
Thanks for the strait forward expiations as usual. I've attended a few of your master classes and have referred my drumming buddies to buy your New Orleans' drumming videos. You and Johnny are true mentors on the instrument
@@jamesgumm2231 thank you for the kind words! 🙏🏼🥁🙌🏼
Thank you for this lesson! Very timely for me. Your journey with traditional left push pull mirrors my own.
@@forza-e-honore I love hearing that! Thanks for tuning in!🙌🏼
I deal with push pull technique every gig. Right side of band vs left side. Sometimes push one side or the other sometimes pull. This video is not that but awesome! Great job. Thanks for the demos.
@@goodtimejohnny8972
🙌🏼😂👊🏼 Thanks for tuning in!
Thank you for the great content. Great entertainment and inspiration before sound check.😊@@stantonmooremusic
@@goodtimejohnny8972 🙏🏼🥁🙌🏼
@@stantonmooremusic hey stanton brotha , great vid n content again and advice of tips/tricks , always learning from you , can you send me a link of jo-jo's channel please , thanks n talk soon bro > tom !
Love this thanks! As a traditional player I have been meaning to look this up and magically it appears anyway on my feed 😂 I use Matched RH push pull alot, especially fast Samba but it creeps in everywhere I find. He is matched grip only but the guy who has mastered push pull to the higest level internationally is Ramon Montagner if you haven't checked him out already I highly recommend. Jaw dropping
@@ajdrums8075 Thanks, and I love Ramon! Mind blowing indeed! 🙌🏼🥁👊🏼
Ok so I have gotten a start and one thing I note that helped me alot is in Stanton's first two slow demonstrations both index and middle finger were sharing the load but when you slow down his faster version it's 95% index finger dominant. Making this change at a faster tempo makes me confident I will get this clean with time.
@@ajdrums8075 glad you’re digging it and I hope this helps!🙌🏼🥁👊🏼
@@stantonmooremusic I'm definitely stealing a couple of those grooves when I get it down lol! Love your work as usual
@@ajdrums8075 love hearing that! Please steal away!🙌🏼
Hi Stanton, great vid! My issue is a feeling of “deadness” (lack of bounce) in my left hand, as opposed to my right feeling “alive” (referring to bounce). Does that make any sense and if so, any thoughts on exercises to work on this? I play both traditional and matched, and it’s really a strange kind of sensation where the right hand seems to naturally have a bounce action to it while the left hand feels like I have to lift the stick….I lhope this makes some kinda sense, but in any case I found this video educational and worthy of re-watch and practice! Cheers…..Bill
This technique with match grip is huge in the metal world.
Ok! I’m gonna have to work in this one, and I still owe you a “Vidacovich/Gadd” morphed groove video 😂
🙏🏼🥁🙌🏼
I am triple AAA plus... That said I learned a lot here!! Thanks dude...
@@why67152 🙏🏼🥁🙌🏼
Would love more info on that 5/4 groove with second-line feel. I've been playing around with a 5/4 thing for a while and was wondering if there are any non-4/4 meters in traditional New Orleans drumming. I looked through all the exercises/info in Take It To The Street and I think it's all 4/4, which I suppose indicates at least non-4/4 isn't common. Any pointers appreciated.
@@ZalmanStern I actually play a tune in 5 (Magnolia Triangle) and a tune in 7 (Paul Barbarin’s Second Line) on this record.
open.spotify.com/album/6455P7D1t48YAuEAy0vtMe?si=ck02tZNOTq-cQ25mXsDdVQ
Both are inbetween the cracks and the tune in 7 is a second line.
Let me know what you think after you check those out. 🙌🏼
@@stantonmooremusicI gave it a listen, that was a great tune, I could hear Morello influence.
"Don't do this while watching a movie with your significant other." I love it! Is this part of Academy #42?
@@robygamboa8479 🙌🏼😂👊🏼 yes! Academy Lesson 42 is how I developed it in my right hand. This is how I use it in my left. 🙌🏼
@@stantonmooremusic Very cool! Will be hitting the kit later today to shed this, along with a couple of other things that I've been wanting to work on. Thanks again for the always-excellent content!
It looks like you're pushing on the beat here? Have you tried doing double stops using this technique, since IIRC your right hand is pulling on the beat?
I'm a beginner, looking for a push pull drum roll. R l on snare
Is this the same as the gadd flutter?
@@maness2112 I don’t think so?
I have ON shoes too. They don't help me play like you though 😁
@@handidrummed 🙌🏼😂👊🏼
Can you please breakdown the technique a little more!! THANK YOU!
@@stixplayer you can always go into the YT settings wheel and slow the speed down to 75 or 50%. Plus I highly recommend checking out JoJo Mayer’s Secret Weapons for the Modern Drummer. He goes into great scientific detail!🙌🏼
@@stantonmooremusic I have that disc! I will look closer at it...If I can't get it together I will reach out again!! THANK YOU!
@@stixplayer 🙌🏼🥁👊🏼
“Teaches”? Not really. He just brags about it.
@@jspic4907 I respectfully disagree. In this video, I share my story of how I felt that I would never get this, what I worked on to develop it and how I now use it in my playing.
I’m hoping this will inspire and encourage others to not give up and to keep at it. They might eventually get what they are working on even if it happens unexpectedly.🙌🏼
No He don't brag. He shows how it's done and how to use it. What more do You want ?
@@Renee-69 🙏🏼🥁🙌🏼