0:16 Most difficult Rococo Variation 2:19 Staccato: how to practice 8:52 How to stay motivated: taking advantage of the free time 13:56 Spiccato: how to practice 16:21 what’s behind Santi’s rings 17:57 How to find a good vibrato + exercises 21:13 How to place the fingers on the string 25:15 How to play pizzicato
Quisiera preguntarles, en la variación 1, ¿cómo estudian la combinación dos ligadas y una separada, para que no salga acentuada la nota separada? Gracias, buenísimos videos!
Hi Pablo, in the unlikely chance you’re reading this, I really enjoy your videos. COVID was awful but one thing we’ve benefited from the lockdown was content like this from you. I know life has gone back to normal, but it would be great if you picked up this project again now and then. Of course I’m sure it was easier to get interviews when everyone is locked down though, but I got to know you and other great cellists. And I picked up my cello again and haven’t put it down since. 😊
En increíble, a varias preguntas que tenía sobre cosas que no sabía si estaba haciendo bien, sus comentarios me hacen sentir que hay varias posibilidades y que todo es válido de cierto modo hay ue seguir explorando ❤ Gracias
Thank you so much for this awesome series! I've been struggling like hell figuring out the upbow staccatos in Var 1 - It's such a blessing to be able to hear all these incredible ideas through your series!
Hola! Podrías tratar con algún cellista barroco para comparar las diferencias entre estilo, la cuerda de tripa y metálica, diferente técnica con o sin pica... Me parece un tema muy interesante que acogería a más gente. Un saludo, gran vídeo!
Great video as always! If it's possible would it be possible for you guys to talk about the Elgar concerto in the next one? I think it's one of the most beautiful concertos yet very difficult to 'understand' in a certain way, and I would love to hear your thoughts about how to practice it and everything.
Thank you so much for the video, Pablo! I have a technical question: what is the optimal height of the strings above the fingerboard? and is it a big problem if it changes (for example, from the weather)
I know I should be absorbing all of this amazing cello commentary but like...i'm amazed that none of them have english as a first language! they speak so well oh my god. well done on all levels !
Una posible mejora técnica puede ser ecualizar mejor la ganancia de los audios. En este caso el audio de Santiago es menor que los otros. El resto es un gran trabajo!👌
Thank you so much to your series and the very helpful discussions and tips from you and your guests! I was wondering what you thing about cello position (body position, movements etc.) and especially, whether you experience different techniques because of some bodily constraints. In this regard it would be especially interesting to see you talking to female cellists, so far all guests have been male. I experience several of them hold the cello more horizontal than male players, perhaps also depending on bust size? (As a female cellist it makes a huge difference whether to place the cello below, on top, above or between the breasts. ). Not that I think, it makes a huge difference whether to talk to male or female cellists, but females often are smaller, have smaller hands, have different body-to-leg rations etc. Also females have less muscle strength then males. Do not take it as a critic, I really enjoy your series also with "only" males ;-)
I agree! Love watching these guys but I have very small hands and short arms so I struggle reaching octaves and having enough strength reaching the high notes. Would be great to hear some tips to help with that!
0:16 Most difficult Rococo Variation
2:19 Staccato: how to practice
8:52 How to stay motivated: taking advantage of the free time
13:56 Spiccato: how to practice
16:21 what’s behind Santi’s rings
17:57 How to find a good vibrato + exercises
21:13 How to place the fingers on the string
25:15 How to play pizzicato
Quisiera preguntarles, en la variación 1, ¿cómo estudian la combinación dos ligadas y una separada, para que no salga acentuada la nota separada?
Gracias, buenísimos videos!
This is amazing!
Kian and Pablo when explaining: very technical explanation and super in depth.
Santi: I just sort of do this and it kinda works
Hi Pablo, in the unlikely chance you’re reading this, I really enjoy your videos. COVID was awful but one thing we’ve benefited from the lockdown was content like this from you. I know life has gone back to normal, but it would be great if you picked up this project again now and then. Of course I’m sure it was easier to get interviews when everyone is locked down though, but I got to know you and other great cellists. And I picked up my cello again and haven’t put it down since. 😊
These are the equivalent of the supernova generation in one piece, masters already but legends in the making
Best thing to wake up to in the morning is seeing another one of these episodes
Another fantastic episode of this great "Talking Cello" series... Thanks again!!
En increíble, a varias preguntas que tenía sobre cosas que no sabía si estaba haciendo bien, sus comentarios me hacen sentir que hay varias posibilidades y que todo es válido de cierto modo hay ue seguir explorando ❤ Gracias
what a beautiful trio!! :)
Yes! We needed this thank you!
Thank you so much for this awesome series! I've been struggling like hell figuring out the upbow staccatos in Var 1 - It's such a blessing to be able to hear all these incredible ideas through your series!
Thank you, Pablo. Your video discussions are superb.
The most useful episodes I"ve ever seen, thank you so much. I wish you could continue uploading more.
Saludos cordiales desde e oaxaca México, gracias por compartir sus experience
It's very interesting and intriguing. I hope you upload video more like this. Thanks!!!!
again very interesting!👏
Moritz God, when will your cello majesty join them?
I don't know! you have to ask them
They make everything sound so easy I’m surprised they still “struggle” with a difficult variation
Me encanta!!! You guys are the best ❤️❤️❤️
Thanks for sharing your experience I have not practice for the last two years DVORAK and Bach suite #4 and Piatti caprice #7 and Klengel studies
Unos genios!!! Gracias Pablo
Thank you so much Pablo
Hola!
Podrías tratar con algún cellista barroco para comparar las diferencias entre estilo, la cuerda de tripa y metálica, diferente técnica con o sin pica... Me parece un tema muy interesante que acogería a más gente. Un saludo, gran vídeo!
Muchas gracias!!! 💔💔💔 Eres maravilloso!!!
Thanks for making this video guys
Pause at 28:25
gracias amigos !! exelente iniciativa en estos tiempos !
Thank you for the episode!
Great video as always! If it's possible would it be possible for you guys to talk about the Elgar concerto in the next one? I think it's one of the most beautiful concertos yet very difficult to 'understand' in a certain way, and I would love to hear your thoughts about how to practice it and everything.
Thank you so much for the video, Pablo!
I have a technical question: what is the optimal height of the strings above the fingerboard? and is it a big problem if it changes (for example, from the weather)
5-5.5mm for A and 8mm for C (end of fingerboard to string)
Thank you so much for this!!
Can we have Jonathan Roozeman in the next episode?
It would be so cool
I know I should be absorbing all of this amazing cello commentary but like...i'm amazed that none of them have english as a first language! they speak so well oh my god. well done on all levels !
Bravo!!!!👏🏻👏🏻👏🏻👏🏻
yay! thank you
Pablo will always argue for that one finger vibrato lmaooooo
This is the first time ive heard santiago speak
Could you do the next one with Zlatomir Fung or Johannes Moser?
He’s already done one with Moser :-) I agree that Fung would be a great guest!
Una posible mejora técnica puede ser ecualizar mejor la ganancia de los audios. En este caso el audio de Santiago es menor que los otros. El resto es un gran trabajo!👌
Thank you so much to your series and the very helpful discussions and tips from you and your guests! I was wondering what you thing about cello position (body position, movements etc.) and especially, whether you experience different techniques because of some bodily constraints. In this regard it would be especially interesting to see you talking to female cellists, so far all guests have been male. I experience several of them hold the cello more horizontal than male players, perhaps also depending on bust size? (As a female cellist it makes a huge difference whether to place the cello below, on top, above or between the breasts. ). Not that I think, it makes a huge difference whether to talk to male or female cellists, but females often are smaller, have smaller hands, have different body-to-leg rations etc. Also females have less muscle strength then males. Do not take it as a critic, I really enjoy your series also with "only" males ;-)
I agree! Love watching these guys but I have very small hands and short arms so I struggle reaching octaves and having enough strength reaching the high notes. Would be great to hear some tips to help with that!
so we just gunna ignore santiagos piatti 12💀
Jonathan Roozeman sería un fantástico invitado para el próximo episodio!
🖐👍🏽👍🏽👍🏽