Wow great timing. I actually have to do a dissertation about City Pop at university next week and one of the videos I watched to learn about musical structure in City Pop was your first tutorial. I felt like I was lacking another common chord progression (the one I already had is II-V-I-VI) so this really was perfect timing.
Woah sir, are you going to publish that dissertation of yours? I humbly ask for a copy, so that I can learn more about the music structure of city pop. I am also trying to find inspiration in making neo city pop music. Thank you!
we are on the natural minor scale or what scale are we on, since in Your example, you put (I = Bm; IV = G; VI = D; V = A) When on the B minor scale (I=Bm; II°=C#; III=D; iv=Em; v=F#m; VI=G; VII=A). and so on with the example of plastic Love, since if it were in the key of F major the progression would be (IV-V-iii-vi) but if it were in the key of D minor (VI-VII-v-i), I don't understand why it would be (II-III-v-i)
Great series! Help a newbie out -- what was your logic behind the II III V I labeling of the Cmaj7 D Bm Em chords at 8:56? It doesn't seem to make sense to say I=Em and II=Cmaj7, unless you're assuming some creative modulation?
II is the subdominant parallel, so it’s parallel to IV, which is Am. The parallel key to that is C major. Add the according 7th, and you get Cmaj7. Does this help you?
![[CITY POP] Felix Prankel - 3 years (Official Music Video)](/img/n.gif)
Wow great timing. I actually have to do a dissertation about City Pop at university next week and one of the videos I watched to learn about musical structure in City Pop was your first tutorial. I felt like I was lacking another common chord progression (the one I already had is II-V-I-VI) so this really was perfect timing.
Woah sir, are you going to publish that dissertation of yours? I humbly ask for a copy, so that I can learn more about the music structure of city pop. I am also trying to find inspiration in making neo city pop music. Thank you!
@@gilvincentyaquit I'm writing it in German, so you probably won't be able to understand it. Sorry.
we are on the natural minor scale or what scale are we on, since in Your example, you put (I = Bm; IV = G; VI = D; V = A) When on the B minor scale (I=Bm; II°=C#; III=D; iv=Em; v=F#m; VI=G; VII=A). and so on with the example of plastic Love, since if it were in the key of F major the progression would be (IV-V-iii-vi) but if it were in the key of D minor (VI-VII-v-i), I don't understand why it would be (II-III-v-i)
Make me a sandwich nerd
Great series! Help a newbie out -- what was your logic behind the II III V I labeling of the Cmaj7 D Bm Em chords at 8:56? It doesn't seem to make sense to say I=Em and II=Cmaj7, unless you're assuming some creative modulation?
II is the subdominant parallel, so it’s parallel to IV, which is Am. The parallel key to that is C major. Add the according 7th, and you get Cmaj7. Does this help you?
Wowww!!!
I missed you
Are you a momoko kikuchi fan?
I might be ;)
Du solltest dir echt eine andere musik richtung aussuchen city pop hast du leider echt nicht drauf...
Kannst du das faktisch belegen und Quellen angeben? Nicht frei gesprochen und keine Bilder benutzt, deine "Expertise" enttäuscht mich.