I needed to get the tune to the chorus, and this is the version I hit upon. Darned hard to leave. Good Goddess, Rita 's only about 15 here. Great to see her playing with Toni. Dick's solo is fine, too, and those backing saxes are sort of a super group in reverse. Y'all sound a bit better than I will if I get this onto playlist this weekend. OK, fourth time, and then back to what passes for my work. This bunch does not disappoint.
What a wonderful version; Rita has nailed it. Great arrangement and great to see Eva and Magali. Running out of superlatives for JC and the whole gang. So much pleasure, thank you.
Que buenas interpretaciones y que genios los músicos. Pueden compararse con cualquier big band de prestigio. No me olvido de la realizacion en video tambien genial y novedosa. Muy bien por todos !a
What I notice here is that Rita seems to have always favoured a larger mouthpiece and then played above the middle to give her a shorter (higher frequency) embouchure. She seems to be using the same mouthpiece size as Toni who plays more obviously in the middle and so will need a higher lip tension to hit the same notes. When RP graduated onto her K&H Bart Van Lier with its lower loss pathway, this ability to use a large mouthpiece enabled her to simply move from an upper to middle position when needed and achieve really satisfying quieter, lower register sounds. Her trombone comes to match her voice in range and articulation.
@@garyedmondson2998 Because she has perfect (relative) pitch (she never plays or sings a wrong note, but only may split it occasionally) she can set lip length, lip tension and slide position perfectly before she starts blowing. This perfect arrangement (got from endless practice, she likens it to daily yoga) means she is smack in the middle of resonance of the desired note and only gentle breath is needed to get the sound. She can begin to sound softly and with little overtone generation which comes from blowing harder or with a less resonant arrangement of the three mechanical requirements. She can externally aid lip length and tension. Playing two thirds the way up a large mouthpiece means that by pushing down with a finger, lip length goes down and tension goes up yielding a higher resonant system. By nodding her head down lip length gets increased dropping resonant frequency. Joan Codina never had the patience to practice. His mismatch of the three mechanical requirements often resulted in splattery "Fake notes". Though often a desired effect to give that razzing sound, it means you can never play as softly or with as pure a tone (2017 Lover come back to me Abril Sauri. Contrast Joan then Rita. See how Joan's lower lip is pushed out by the pressure he has to use. None of that for Rita.)
Vaya época aquella de la SAJB en el 2014. Mantenía a todas sus grandes figuras, Andrea Motis, Rita Payés, Eva Fernández, Magalí Datzirá, Alba Armengou. Alba Esteban, Élia Bastida, Marçal Perramón, Joan Martí, Carla Motis ... y contaba con invitados excelsos como los maestros Terraza, Traver, Monné, Sambeat, Farrás, Gili, Pi, Belenguer (ay, Toni, cuanto te echamos de menos, espero que sigas siendo feliz tocando tu trombón, allá donde estés 😉) ... más los foráneos habituales: Robinson, Hamilton, Oatts, Grasso, Allred ... Quizá irrepetible. O quizá no, confiemos en el maestro Chamorro. Luego empezaron a volar solas las más veteranas: Andrea, que nunca dejó el Jazz y se convirtió en una figura mundial. Eva, que siguió un par de años fiel a sus orígenes jazzisticos para luego emprender otros caminos musicales muy distintos y perderse en ellos (ahora parece que está volviendo al Jazz, poco a poco). Magalí, algo similar a Eva, también desapareció de primera línea, engullida por su afán de experimentar cosas nuevas. Y Rita, que también trató de encontrar sus propios caminos, con su madre Elisabeth Roma, su pareja Pol Batllé y la familia Fumero, entre otros, aunque sin renegar completamente del Jazz (a veces, de vez en cuando, nos sigue dejando fantásticas delicatessen). A lo que vamos, esta interpretación es maravillosa, como todas la del disco "Joan Chamorro presenta Rita Payés", quizá uno de los mejores de esa extraordinaria colección. Con Rita en su mejor momento a pesar de tener solo 15 añitos, absolutamente angelical y en estado de gracia, acompañada por buena parte de los citados al principio, nos regalan un placer casi prohibido para los oídos y el espíritu. Difícil destacar a alguien además de Rita, todos están geniales. Quizá el solo del añorado Toni Belenguer, por lo que tiene de nostalgia y recuerdos .... Y un mínimo detalle, totalmente subjetivo: quizá el sólo final de Dick Oatts sea demasiado largo (1 minuto entero en un tema que dura 5 raspados ... desequilibrado, me parece) y puede que algo inoportuno: si el disco está dedicado a Rita, tal vez le hubiera correspondido a ella acabar el tema con su trombón. Pero vaya, son cosas mías.
Oh, my...at times she sounds a bit like Billie Holiday. Then she hits you with her horn. And the sax jumps in, followed by the big band sound. Then back down to Rita. And the sax closes the door. Yeah!
Love listening to Rita sing. The young lady on sax Eva Fernandez also has a fabulous voice and can really play the sax.
This young lady could stand in any company. She's brilliant.
Rita is just sublime and a special mention to Josep, Magali and Esteve in the engine room, love your work
its totally incredible all this man's singers can ALL play an instrument well too ! .. my goodness ..!
Wonderful phrasing, and I like the little growl she adds.
Rita you slay it every time! 😍😍😍
"OUTSTANDING, RITA IS A SPARKLING STAR"
Rita does a sweet vocal with this old jazz tune. The instrumental backup really makes this number have smooth flow. Way to go Joan.
I needed to get the tune to the chorus, and this is the version I hit upon. Darned hard to leave. Good Goddess, Rita 's only about 15 here. Great to see her playing with Toni. Dick's solo is fine, too, and those backing saxes are sort of a super group in reverse. Y'all sound a bit better than I will if I get this onto playlist this weekend. OK, fourth time, and then back to what passes for my work. This bunch does not disappoint.
14... just
What a wonderful version; Rita has nailed it. Great arrangement and great to see Eva and Magali. Running out of superlatives for JC and the whole gang. So much pleasure, thank you.
Extraordinario eres un amor Rita saludos desde Mexico
Right on Joan Chamorro!
Rita, si jeune et déjà un talent immense sur des bases musicales solides.... Bravo. Bravo également à Toni, excellent.
Wow 💕 Perfection💃💛💜
Que buenas interpretaciones y que genios los músicos. Pueden compararse con cualquier big band de prestigio. No me olvido de la realizacion en video tambien genial y novedosa. Muy bien por todos !a
She is a very talented student and very pretty.
de oro...
awesomeeeee!!!! so talented
SHE HIT IT OUT OF THE PARK👍👍👍
Espetacular!! Maravilhosos! Sou fã apaixonada!
What I notice here is that Rita seems to have always favoured a larger mouthpiece and then played above the middle to give her a shorter (higher frequency) embouchure. She seems to be using the same mouthpiece size as Toni who plays more obviously in the middle and so will need a higher lip tension to hit the same notes. When RP graduated onto her K&H Bart Van Lier with its lower loss pathway, this ability to use a large mouthpiece enabled her to simply move from an upper to middle position when needed and achieve really satisfying quieter, lower register sounds. Her trombone comes to match her voice in range and articulation.
I've always thought she had an almost recognizable mellow trombone tone. Thanks for explaining how she accomplishes that.
@@garyedmondson2998 Because she has perfect (relative) pitch (she never plays or sings a wrong note, but only may split it occasionally) she can set lip length, lip tension and slide position perfectly before she starts blowing. This perfect arrangement (got from endless practice, she likens it to daily yoga) means she is smack in the middle of resonance of the desired note and only gentle breath is needed to get the sound. She can begin to sound softly and with little overtone generation which comes from blowing harder or with a less resonant arrangement of the three mechanical requirements. She can externally aid lip length and tension. Playing two thirds the way up a large mouthpiece means that by pushing down with a finger, lip length goes down and tension goes up yielding a higher resonant system. By nodding her head down lip length gets increased dropping resonant frequency. Joan Codina never had the patience to practice. His mismatch of the three mechanical requirements often resulted in splattery "Fake notes". Though often a desired effect to give that razzing sound, it means you can never play as softly or with as pure a tone (2017 Lover come back to me Abril Sauri. Contrast Joan then Rita. See how Joan's lower lip is pushed out by the pressure he has to use. None of that for Rita.)
with Love
mucho talento en estos chicos, gracias maestro
she takes me over the rainbow.
Bravo Rita, eres estupenda y todo el grupo también y que bien que en este video no te pusieron al lado a la Motis
Best,Best...
Mary Christmas...
Marvelous, Tanks Maestro Chamorro!!
It's very well...
I am in love ! !
Vaya época aquella de la SAJB en el 2014. Mantenía a todas sus grandes figuras, Andrea Motis, Rita Payés, Eva Fernández, Magalí Datzirá, Alba Armengou. Alba Esteban, Élia Bastida, Marçal Perramón, Joan Martí, Carla Motis ... y contaba con invitados excelsos como los maestros Terraza, Traver, Monné, Sambeat, Farrás, Gili, Pi, Belenguer (ay, Toni, cuanto te echamos de menos, espero que sigas siendo feliz tocando tu trombón, allá donde estés 😉) ... más los foráneos habituales: Robinson, Hamilton, Oatts, Grasso, Allred ... Quizá irrepetible. O quizá no, confiemos en el maestro Chamorro.
Luego empezaron a volar solas las más veteranas: Andrea, que nunca dejó el Jazz y se convirtió en una figura mundial. Eva, que siguió un par de años fiel a sus orígenes jazzisticos para luego emprender otros caminos musicales muy distintos y perderse en ellos (ahora parece que está volviendo al Jazz, poco a poco). Magalí, algo similar a Eva, también desapareció de primera línea, engullida por su afán de experimentar cosas nuevas. Y Rita, que también trató de encontrar sus propios caminos, con su madre Elisabeth Roma, su pareja Pol Batllé y la familia Fumero, entre otros, aunque sin renegar completamente del Jazz (a veces, de vez en cuando, nos sigue dejando fantásticas delicatessen).
A lo que vamos, esta interpretación es maravillosa, como todas la del disco "Joan Chamorro presenta Rita Payés", quizá uno de los mejores de esa extraordinaria colección. Con Rita en su mejor momento a pesar de tener solo 15 añitos, absolutamente angelical y en estado de gracia, acompañada por buena parte de los citados al principio, nos regalan un placer casi prohibido para los oídos y el espíritu. Difícil destacar a alguien además de Rita, todos están geniales. Quizá el solo del añorado Toni Belenguer, por lo que tiene de nostalgia y recuerdos .... Y un mínimo detalle, totalmente subjetivo: quizá el sólo final de Dick Oatts sea demasiado largo (1 minuto entero en un tema que dura 5 raspados ... desequilibrado, me parece) y puede que algo inoportuno: si el disco está dedicado a Rita, tal vez le hubiera correspondido a ella acabar el tema con su trombón. Pero vaya, son cosas mías.
felicidades exelente interpretación
Extraordinario !!!!!!¡!!!!!!!!!!!!!!!
It brings teArs to my edyes ,all these old classice give new lfe by extraordiart ypug artists.
grande RITA PAYES MUY BUENA CANTANTE Y LA BANDA EXCELENTE!!!!!!
Parabéns a todos bravo, recebam os aplausos e o carinho do Brasil.
Oh, my...at times she sounds a bit like Billie Holiday. Then she hits you with her horn. And the sax jumps in, followed by the big band sound. Then back down to Rita. And the sax closes the door. Yeah!
VALEU, RITA.
Perfect !
I knew and played with Dick Oatts years ago.
Maestro Joan Chamorro und Maestro Lionel Messi... Sie spielen zusammen fùr die Stadt Barselona.
🥇🥇🥇🥇🥇🎵🎵🎵🎵🥇🥇🥇🥇🥇🥇
nice
I'm really Dave Maslow, bass player from Minneapolis
Ritaaaaa
👍👍👍👍👍👍👍👍👍👍
🤩🤩🤩👍👍👍😊😊😊
Dick, sounding like Benny Carter......cool