Quartal Voicings Jazz Piano Tutorial
ฝัง
- เผยแพร่เมื่อ 12 ม.ค. 2019
- ► Free Jazz Piano Crash Course:
www.pianogroove.com/free-cras...
In this 5 Minute Masterclass, we are going to talk about the concept of ‘Power Chords’.
First, let’s define the concept of power chords. This concept is often known in the rock guitar world because it’s a chord that you can play with a distorted guitar to achieve a very big sound.
Chord Tone Triads
These types of voicings are also known as ‘chord tone triads’. Chord tone triads are voicings that do not contain the 3rd instead we have the notes R-4-5, R-2-5, and we can alternate the order to arrange these notes into a stack of perfect 4th intervals for example 2-5-R.
Every time we have 3 notes with a 4th interval in between them, we have a power chord and furthermore, these are great voicings to use in the left hand on the piano.
The Sound Of McCoy Tyner
If you have ever listened to the jazz musician McCoy Tyner, he made a trademark of the extensive use of 4th-based voicings in his left hand.
This was during the 1970s - an era when jazz musicians were utilizing the suspended 4th chords in their playing.
Multiple Applications Of The Power Chord
We will now explore how the power chord can be used for a whole selection of different chord types and qualities - not just suspended chords.
This type of intervalic stack can be applied to:
• Major chords
• Minor chords
• Dominant chords
Finally, we will improvise over the form of Autumn Leaves using these chords in our left hand to create harmonically-ambiguous and angular-sounding voicings that propel the music forwards.
#QuartalVoicingsJazz #pianogroove - แนวปฏิบัติและการใช้ชีวิต
I love the openness and floaty feel of quartal harmony. Obrigado!!!
Never overstated!! Thank you again.
Wow! I love what you have done. There's still the ambiguity; at the same time you develop the melody
Awesome lesson. Thanks.
long time viewer just wanted to say u are incredible and deserve more of a following. Incredible lessons
Thanks Braeden - glad you enjoyed the lessons. Cheers, PianoGroove
Fantastic
Genial !!
Thanks !!
IMHO "Quartal voicings" is a better term than "power chrods"
Thanks for this, very helpful
nice lesson , , thanks !
Buenísimo !
Excellent lesson
Great
Thank You. Clear and informative. I'm still trying to broaden the harmony on piano at nearly 70 years old. I've been wondering what McCoy Tyner was up to for 50 years with that great sound he had. So What? Best wishes from Scotland
This is an amazing channel!! Any chance you could do a lesson on compared to what by les mccann
Great class! What piano model are you using? Sounds great!
Thanks Chris. We are using the Ravenscroft 275 - www.vilabsaudio.com/Ravenscroft-By-VI-Labs - Cheers, PianoGroove
hi @PianoGroove or other clever pianists.. So, for the left hand, we use 2-5-1 position (in this order) for ==> CM7 and C-7 and C7, we use 5-1-4 position for ==> C-7 and C7 only (i exclude CM7 because of its 4), we use 1-4-m7 position for C-7 and C7 ==> (i exclude CM7 because both of its 4 and m7). is it correct ?
Manda um abraço pro Hermeto!
pleaseeee more songs the real book
Can u pls play slowly?
Sus 4 and sus 2
as a guitar operator i can say that you piano players are almost cheating with how easy it is to grab inversions of 4th chords, which is made more annoying by the fact that stacks of 4ths are basically the easiest things to play on guitar.
Hello, call them SUS chords is better than "power chords" and it is certainly more correct. Among other things, the abbreviation "power chords" in the various real books does not exist. Bye
No it’s not dawg💀