I think it's kinda sad that most artists now just use digital for everything. Don't get me wrong, it can look awesome, but it seems so unpersonal imo idk
@@MaddysComicart i just started practicing digital flat colors now too. Was thinking of traditional coloring but it seems real tedious. Leaving the pencil and inking for traditional though. I may try it though it does look like it can be fun.
This is incredible! Your pages are gorgeous. I love French comics and it's so nice to see someone, especially on this side of the pond, carry on in this style. Thank you for posting!
This was so cool! For me, an intermediate watercolor painter, your video made the whole process feel SUPER approachable! Thank you for keeping it short but including so much! I also love your technique with very loaded gradient washes! I learned a lot, ty!!
Your work are awesome ,i rely enjoyed! Can you give me a tip,when i draw with ink line work,and start to watercollour my linea start to soak and spred like a tiny spiderwebs ,thanks ,thanks!
Awesome work. I love how ink and watercolors work togethers ! On what paper format do you work ? And do you have a special scanner to bring it on your screen ? I was wondering if it could have an impact on the colors and the rest of your work.
Hi Wren. Your style looks great. Can I ask what kind of paper you use here? And how do you prevent it from warping when you use water colour? Also do you ever have issues with the ink running when you water colour over them?
Thanks for stopping by and subscribing. Yes, I believe an illustrator is only as good as his reference. I actually do lots of reference photo shoots with models and costumes. I will post a video on the use of reference and thanks for the suggestion. Wren
Beautiful art! You’ve really worked your skill and I’m so happy I stumbled on your channel! New sub ^^ One day I will have money to buy all those supplies continuously and learn how to do comics traditionally :’)
If you can't spend for the watercolor paper and paints and brushes, get yourself a few good sketchbooks and draw, draw, draw and draw. That is the most essential skill. If you don't have the budget to get yourself sketchbooks, send me your address and I will send you some. I would love to see the day when you are doing beautiful comics. Thanks for watching. Wren
this amazing. question: how do you do those gradients? in one panel you used a drk brown, then you picked more water to dillute it more? or did you pick another lighter color you had prepared? thank you!
WOW our work is amazing, the paper you use what size is it and is it rough or smooth ? Also what ink do you use /Its mind boggling watching you ink with that pen..
I am glad you enjoy watching the process. The paper is 140 lb watercolor paper. It is pretty rough, but that is good because the in comes out much better on the rough paper. It flows too quickly on smooth paper. I also use Dr. Martins ink. It is a thick consistency and flows just right. I tried Higgins inks but they are too runny.
Your art is amazing! I really like your style, it's quite unique. I have one question about colouring process. What paper do you use? Every time I'm trying to color something in watercolours, the paper (250 g/m2) is rolling quite fast and even after ironing it doesn't look too good. Anyways, amazing job, please keep up your great work!
Thank you. The key to keeping your watercolor paper smooth is not to let it roll. I either buy watercolor paper that is glued together in blocks, so you have to cut the watercolor paper off the block when you are done, or if I am working with a sheet of watercolor paper, I tape the edges down to a stiff piece of wood or a drawing board The paper may wrinkle a bit when you are doing very wet washes, but it dries out flat again. Good luck! Wren
Thanks for watching. I use Adobe Illustrator for boarders, text and bubbles. I can export the illustrator layers back into photoshop an I end up giving my editor the final as a photoshop file with the painting as the main layer, boarders, bubbles and text on their own layer. That way they can easily do the translated versions if my text is on its own layer.
Most of the nibs I work with get better with time, not sure why. I use some nibs for up to a year without changing them. The ink is also really important. I find that Higgans ink is too runny and flows to quickly from the nib. Dr. Martins ink is my favorite. Thanks for stopping by. Wren
Hello, and thank you for stopping by and commenting. I really don't adjust the scanner settings, and the scanner naturally picks up the texture of the paper. The watercolor paper I use is rough, so I does have a lot of texture. Take care. Wren
Hello, I do scan the final artwork and make a tiff file. I actually do my text and boarders in adobe Illustrator. I find illustrator to be easier for doing the text and bubbles. Wren
@@wrennowan704 cool, thx. I just started to draw comics. I want to do it as you. I love moebius. I saw that you use CAD to create complex areas, I try that out toom thx for your advices. Peace
Hey, thanks for watching the video. Yes I scan the finished pages, bring them into illustrator and do text, boarders and bubbles in Adobe illustrator. Wren
Hello Velmar, Thank you for reaching out and I appreciate you spending time to check out my work. Your suggestion is a good one. All the pretty pictures in the world are for nothing if they don't contribute to a good story. I will get around to discussing how I arrive at my stories. One thing I will say, and this may not be too helpful, is that there is a lot be said about living enough of life to know what makes a story. For people to connect to a work of art, it has to be sincere and speak to them about the human experience. When I was in my early twenties, I always wanted to create some awesome, moving story, but it was really hard because I just hadn't lived enough life yet. Now that I've been married, divorced, raised kids, struggled - all that translates into what I say and how I say it. I know that sounds odd coming from a guy who does comics, which are often disposable stories written for 14 year old boys. If you want your stories to be more than disposable, if you want your comic to be collected and cherished by your readers, then you have to put your whole self into it, everything you know about relationships, tension, fear. What brings you the most joy? What crushes you? I know this is a very long winded response. I believe every person has a unique perspective worth exploring, and a unique voice that should be heard. Even when I was too young to really be able to tell a good story, that didn't stop me from honing my craft, refining my drawing skills, practicing dialogue and listening to what people say and how they say it. Sometimes there are great stories around you, you just need to listen. Anyway, thank you for the suggestion, and I will post something about story structure. Wren
Thank you! You will be my official language consultant. Its obvious I don't speak French and my editors do all my translations. I hope my Italian was ok in my sketchbook tour. Ci vediamo dopo!
![[Full] 4 ต่อ 4 Celebrity EP.920 | 3 พ.ย. 67 | one31](http://i.ytimg.com/vi/KwiW2M_kAg4/mqdefault.jpg)
Very nice! Your work has a style that reminds me of Moebius. I've subscribed to your channel, and I'll definitely pick up your book.
Thanks so much Christian, getting compared to Moebius is one of the highest compliments I can think of. Enjoy the book.
Wren
I think it's kinda sad that most artists now just use digital for everything.
Don't get me wrong, it can look awesome, but it seems so unpersonal imo idk
Agreed. Thanks for stopping by and leaving a comment. Good luck with your art.
Wren
i think it kills the charme
he just used it for the text! C'mon, he did all the line work and color by hand hahaah, thats the heart of his work!
@Sam Fontaine ooff lmaoo
I have to admit since this comment was posted I have completely switched to digital lol
@@MaddysComicart i just started practicing digital flat colors now too. Was thinking of traditional coloring but it seems real tedious. Leaving the pencil and inking for traditional though. I may try it though it does look like it can be fun.
This is wonderful Wren thank you for sharing. Very inspiring. Its nice to see the old school style techniques still being used. Kind regards Joe.
Thank you so much Joe. Keeping the faith.
Take care,
Wren
This is incredible! Your pages are gorgeous. I love French comics and it's so nice to see someone, especially on this side of the pond, carry on in this style. Thank you for posting!
I was totally inspired by Moebius, Manara, and Azpiri. To be compared to those folks is truly an honor.
Wren
Watching this made me love watercolours more. Thank you bro for inspiring me.
This was so cool! For me, an intermediate watercolor painter, your video made the whole process feel SUPER approachable! Thank you for keeping it short but including so much! I also love your technique with very loaded gradient washes! I learned a lot, ty!!
Its nice to see the old school style
I'm trying to be a comic artist using traditional art mediums. This video didn't only teach me but also gave Soo much hope and mental support. 😊
Best of luck to you. Do beautiful work. The world needs it.
Wren
Your work are awesome ,i rely enjoyed!
Can you give me a tip,when i draw with ink line work,and start to watercollour my linea start to soak and spred like a tiny spiderwebs ,thanks ,thanks!
thank you for showing this wonderful display. Is any of your work available in English?
These are amazing!🙂👍🏾
Absolutely li/ovely!
What font are you using, it's great. It's hard to find a really good comic book font.
This looks amazing and beautiful!
Thank you. I am glad you enjoy the work. I hope to be posting again soon.
Wren
Awesome work. I love how ink and watercolors work togethers ! On what paper format do you work ? And do you have a special scanner to bring it on your screen ? I was wondering if it could have an impact on the colors and the rest of your work.
Un très beau travail, j'ai adoré la video
Hi Wren, Is there an English language version of your book? I really like your work! Thanks Jo Fox
Hi Wren. Your style looks great. Can I ask what kind of paper you use here? And how do you prevent it from warping when you use water colour? Also do you ever have issues with the ink running when you water colour over them?
good technic! i also use watercolour for my comic :)
Beautiful!!!!!!❤️
Thank you! And thanks so much for stopping by.
Wren
nice stuff man, keep er up
Thank you from France.
Awesome! Great work. What size of arches paper is that?
Amazing work! Im going to get a copy of your book
Will do. Im currently working on a graphic novel myself. This video really inspired me to have fun and not give up. Thank you
So many comics have very bland art styles nowadays Love that yours is unique
Thank you so much. I appreciate you stopping by.
Wren
thank you i was need it for a while.
Happy to inspire. Take care.
Wren
very cool. i assume you use lots of references, right? at least for the people? thanks
Thanks for stopping by and subscribing. Yes, I believe an illustrator is only as good as his reference. I actually do lots of reference photo shoots with models and costumes. I will post a video on the use of reference and thanks for the suggestion.
Wren
Beautiful art! You’ve really worked your skill and I’m so happy I stumbled on your channel! New sub ^^ One day I will have money to buy all those supplies continuously and learn how to do comics traditionally :’)
If you can't spend for the watercolor paper and paints and brushes, get yourself a few good sketchbooks and draw, draw, draw and draw. That is the most essential skill. If you don't have the budget to get yourself sketchbooks, send me your address and I will send you some. I would love to see the day when you are doing beautiful comics. Thanks for watching.
Wren
@@wrennowan704 I can get sketchbooks, paper! And I will give it my best drawing with what I have
this amazing. question: how do you do those gradients? in one panel you used a drk brown, then you picked more water to dillute it more? or did you pick another lighter color you had prepared? thank you!
+Wren Nowan thank you!
Broooo you are amazing !
Thank you so much.
Wren
WOW our work is amazing, the paper you use what size is it and is it rough or smooth ? Also what ink do you use /Its mind boggling watching you ink with that pen..
I am glad you enjoy watching the process. The paper is 140 lb watercolor paper. It is pretty rough, but that is good because the in comes out much better on the rough paper. It flows too quickly on smooth paper. I also use Dr. Martins ink. It is a thick consistency and flows just right. I tried Higgins inks but they are too runny.
This is amazing
Thank you. I appreciate it very much and am glad you enjoyed the video.
W
this is absolutely incredible, will there be any tutorials??
thanks Andrew, I will be posting a tutorial on how I create perspectives and environment soon. I appreciate your enthusiasm.
W
Your art is amazing! I really like your style, it's quite unique.
I have one question about colouring process. What paper do you use? Every time I'm trying to color something in watercolours, the paper (250 g/m2) is rolling quite fast and even after ironing it doesn't look too good.
Anyways, amazing job, please keep up your great work!
Thank you. The key to keeping your watercolor paper smooth is not to let it roll. I either buy watercolor paper that is glued together in blocks, so you have to cut the watercolor paper off the block when you are done, or if I am working with a sheet of watercolor paper, I tape the edges down to a stiff piece of wood or a drawing board The paper may wrinkle a bit when you are doing very wet washes, but it dries out flat again.
Good luck!
Wren
this is captivating! what software did you use for the captions and callouts?
Thanks for watching. I use Adobe Illustrator for boarders, text and bubbles. I can export the illustrator layers back into photoshop an I end up giving my editor the final as a photoshop file with the painting as the main layer, boarders, bubbles and text on their own layer. That way they can easily do the translated versions if my text is on its own layer.
Awsome
What program did you use for the caption?
I've always been too concerned about my nib not faring well on cold pressed paper because of the tooth. Do you have to change your nibs often?
Most of the nibs I work with get better with time, not sure why. I use some nibs for up to a year without changing them. The ink is also really important. I find that Higgans ink is too runny and flows to quickly from the nib. Dr. Martins ink is my favorite.
Thanks for stopping by.
Wren
What kind of paper you use?
How to set scan machine to make the paper texture still exsist like real paper in the computer?? Thanks!
Hello, and thank you for stopping by and commenting. I really don't adjust the scanner settings, and the scanner naturally picks up the texture of the paper. The watercolor paper I use is rough, so I does have a lot of texture. Take care.
Wren
Nice nice 😊👌
Whats your series called ?
do you scan the final drawing and add the texts on photoshop?
Hello, I do scan the final artwork and make a tiff file. I actually do my text and boarders in adobe Illustrator. I find illustrator to be easier for doing the text and bubbles.
Wren
@@wrennowan704 cool, thx. I just started to draw comics. I want to do it as you. I love moebius. I saw that you use CAD to create complex areas, I try that out toom thx for your advices. Peace
Traditional is always better. I don’t care what people say it’s lazy and it doesn’t take as much talent to color digitally
Did he scan the pages to add the text digitally or what?
Hey, thanks for watching the video. Yes I scan the finished pages, bring them into illustrator and do text, boarders and bubbles in Adobe illustrator.
Wren
I wish My comic storylines is good. Can you do a tutorial how to make a good storyline.
Hello Velmar,
Thank you for reaching out and I appreciate you spending time to check out my work. Your suggestion is a good one. All the pretty pictures in the world are for nothing if they don't contribute to a good story. I will get around to discussing how I arrive at my stories.
One thing I will say, and this may not be too helpful, is that there is a lot be said about living enough of life to know what makes a story. For people to connect to a work of art, it has to be sincere and speak to them about the human experience. When I was in my early twenties, I always wanted to create some awesome, moving story, but it was really hard because I just hadn't lived enough life yet. Now that I've been married, divorced, raised kids, struggled - all that translates into what I say and how I say it. I know that sounds odd coming from a guy who does comics, which are often disposable stories written for 14 year old boys. If you want your stories to be more than disposable, if you want your comic to be collected and cherished by your readers, then you have to put your whole self into it, everything you know about relationships, tension, fear. What brings you the most joy? What crushes you?
I know this is a very long winded response. I believe every person has a unique perspective worth exploring, and a unique voice that should be heard. Even when I was too young to really be able to tell a good story, that didn't stop me from honing my craft, refining my drawing skills, practicing dialogue and listening to what people say and how they say it. Sometimes there are great stories around you, you just need to listen.
Anyway, thank you for the suggestion, and I will post something about story structure.
Wren
Type in MasterEdit into google. There is a free video series on story telling.
Great words mate, I can tell you from experience that this is so true. (the divorce thing especially) Kind regards joe
cool man
Thanks so much for stopping by. I really appreciate the feedback.
Wren
India ink?
Yes,
I use Windsor and Newton India ink. It seems to be the best consistency for the watercolor paper.
Thanks
thx to you 4 the tip
this looks so greate compared to the digital stuff...
Thanks so much. I really do appreciate the feedback.
Wren
The only s you're supposed to pronounce is the one in les.
Thank you! You will be my official language consultant. Its obvious I don't speak French and my editors do all my translations. I hope my Italian was ok in my sketchbook tour.
Ci vediamo dopo!
Are those watercolor pencils in the tight spots?
Hi Derrick,
I've never used watercolor pencils. I just use fine detail brushes for intricate detail. Thanks for checking in and happy new Year.
Wren