Phil Roberts | Lighting for Production - Techniques for accuracy and flexibility |

Phil Roberts: A creative maestro in the realm of 3D and VFX, crafting stories that pop. He's the friendly Creative Director with a flair for turning bold visions into reality.
Learn how to set up lighting groups and AOVs in #Cinema4D and #Redshift to give you maximum flexibility in compositing, as well as ideas on how to implement these techniques in After Effects.
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[@bharatsharma2446]

What a solid presentation! Loved the references and examples.

[@wincustodi6229]

Thanks for this amazing presentation! :)

[@murphyuriaguereka4360]

Awesome

[@raneemFX]

Very Informative

[@shebbe]

Someone should bring this lad up to speed with ACES. That's a rough, dare I say oldschool workflow he's sporting there :)

[@raidZer0]

Thanks for noticing! yes it's a layer of complexity I wanted to leave out, but your 100% right a little old school :)

[@Ry-ev6gu]

Can you explain what you mean please ?

[@shebbe]

@@Ry-ev6gu using a simple color management with conversion from linear to 2.2 gamma only rather than more sophisticated tone mapping methods to get a good rendering presentation before even adjusting colors. Having no tone mapping and better colormanagement in some form makes color correcting very hard because you will end up having to counteract and correct appearance every time. Especially in bright parts/lights. Sorry, a bit late reply.