This performance needs to be preserved forever. It is magnificent and Celibidache's vision is remarkable. The last movement coda is extraordinary - much slower tempo, violins sounding like a hearbeat (creates a slightly menacing mood), the gradual crescendo (very controlled) and erupting into the most glorious resolution. That Celi can conduct this (and other Bruckner) symphonies from memory is nothing short of genius. I also love that when it has finished he applauds the orchestra, shakes some hands and only then does he face the audience. Multumesc Celi.
Bruckner is very sensitive to quality of performance - it's easy for his symphonies to come across as ponderous if played on autopilot. This version is brilliant.
I performed this magnificent symphony years ago with the McGill Symphony Orchestra. As first chair, horn section, i was both thrilled and terrified by the challenges given to the first horn part. I’ve never forgotten the thrill and honour of playing this work. Forever grateful to McGill University for the opportunity. ❤️
Bruckner, for me is a gient , like Bach, Beethoven and Wagner. His symphonies, are the best of bests. Full of sublime moments. Alos, i think, in future, say 300 years from now, he will be praised more than any other composer from romantic era.
Celibidache is not only in a league of his own when it comes to music and musicality, but has immensely touching and powerful human qualities, too. He credits everyone at the conclusion, and only then that does he recede into the orchestra to turn around and acknowledge the audience's applause-although as PART of the totality only-not the totality itself. Such people lead and achieve the most in life by surrounding themselves with the best people and never putting themselves above them. His orchestra would do anything for him.
1.Bewegt, nicht zu schnell: 01:00 2.Andante, quasi allegretto 22:25 3.Scherzo: Bewegt - Trio: Nicht zu schnell: 40:30 4.Finale: Bewegt, doch nicht zu schnell: 51:30
Un Celibidache inspiré : les dernières notes du final le prouvent ! Il a tout compris de Bruckner et ne fait plus qu'un avec l'Orchestre qui le suit...Miracle des sons sublimés ! Et quel 'effacement dans la reconnaissance et l'humilité envers cet orchestre... Un Maître hors pair ! Merci pour cette retransmission qui restera dans les mémoires !
1.Bewegt, nicht zu schnell: 01:00 2.Andante, quasi allegretto 22:25 3.Scherzo: Bewegt - Trio: Nicht zu schnell: 40:30 4.Finale: Bewegt, doch nicht zu schnell: 51:30 - 이미 먼저 달린 댓글이지만 감상하는 동안 참고하려고 복사해둔 겁니다.
The most satisfying of all Bruckner conductors. In my opinion his tempi are perfect and he gets inside the score like no other conductor of Bruckner. You can actually here individual instrumental lines that seem hidden behind the full orchestral sound when listening to other conductors' performances. This is a result of the extended rehearsal times. All his recordings are a sheer pleasure to listen to.
Sorry but I beg to differ. I realise personal taste is a big factor but for me Günter Wand was the most satisfying Bruckner conductor although Bernard Haitink runs him a very close second. Wand's recorded cycle with the Cologne Radio Symphony Orchestra is the one CD set I would try to save if my house caught fire. There is also the problem that Celibidache was an unpleasant, misogynistic individual (google the name Abbie Conant for more details) and at the time this recording was made the Munich Philharmonic was probably still playing Bruckner from scores embossed with the swastika, a legacy of their days at "The Orchestra of the Fascist Movement". Celibidache and the Munich Phil deserved each other.
@@davebarclay4429 You are entitled to your opinion of course but i try and keep politics out of music no matter how ' evil ' a conductor or composer may be. Wagner and Liszt were obnoxious creatures but they composed great music. Furtwangler was an out and out Nazi ( so was Karajan ) but it does not deter people enjoying their performances.
@@davebarclay4429 I'd be happy to know how you have seen such ' engraved' scores in the 80s. I would be very interested in seeing one out of sheer curiosity. Surely they must be of value from an historic perspective......like the early paintings of one Herr Hitler.
If you do as I said above and google the name Abbie Conant the information is all there. She was the main victim of Celibidache's misogyny which eventually led to litigation. Her husband, William Osborne, wrote a blog about the case in which he makes reference to the swastikas still being on the scores as late as 1991. He corresponded with a Munich councilwoman called Monika Renner who shared his concern and contacted the culture ministry who in turn requested the orchestra to remove the swastikas. I repeat that this was happening in 1991. I have family in Munich and I am fond of the city but recordings of Celibidache and the Munich Phil playing Bruckner or Richard Strauss in the 1980s make my skin crawl.
Celibidache never does "interpretation"! He plays music the onky way possible with the available musicians at the venue given. (I myself play oboe in this video, the right seated one)
I heard the Boston Symphony play this at Tanglewood in 1983. I listened, half asleep on a blanket on the lawn. The theme repeated at 43:54 stuck in my mind. When I hear it, it takes me back to that moment on a warm summer night long ago.
@@FrankB1001 I attended as a guest of Malcolm Frager, a concert pianist, who lived a 15 minute walk away. His barn/studio's top floor was home to a collection of grand pianos and a modest guest apartment, where I stayed.
This is really such a fine playing and interpretation. Clarity, warmth, beauty and power. The orchestration just feels so pure and natural, like breathing. Thanks for posting this. It is sublime.
Say what you want about the slow tempos and eccentricities, the cool thing about this performance is that there is no autopilot. Every measure, and there are lot of them, is meticulously considered and enjoyed, and the result really does have a mystical quality worthy of the legend. The tempos actually are not that slow--what actually happens is that every so often Celibidache slows things down, sometimes drastically, to widen the musical scope of the work, but the main tempo always resumes eventually. Ultimately it's a very vivid and deep understanding of the work.
@@seanangelobenavente8877 No reason for "hahaha". Te conductor´s name is Celibidache, the text under the video says it. If your name is Bonavente, it is not Bonafunte or Bonadante. A person´s name is very dear to them, please respect it.
1:01:15 to 1:05:10 is a perfectly balance of themes, contrasts, rythmes, colours, dynamics. What a wonderful passage, one of my favourites of all symphonies!
Not to mention the camera work at 1:02:00...with the swell of the music into that tragic G# over F#minor resolving to C#minor, brightening into the luminous A major, we are presented with Celibidache's commanding and stately side profile. What a moment!
Just relistened to this, in order to compare with Rattle's Prom with BRSO last night. Last night's (sudden?) ending came as something of a shock. I love the way Celibidache milks every last ounce of emotion/ power out of this work, especially the final 5 minutes.
Every Bruckner's coda is a magnificent summary and representation of Catholicism. You live, you struggle, you suffer... But there is always room for hope and it all ends in a majestic triumph. It is basically what Mahler summarized in his Symphony No. 2: "Was du geschlagen zu Gott wird es dich tragen". What you suffered for, it will carry you to God.
@@johnvaughan7096You can't judge a whole Church just because some members commit some crimes. There are plenty of evil pastors out there too, as well as people from all Religions. A Religion should be judged by its Doctrines, and not by the actions of some members. And the Catholic Church has undoubtedly the most perfect Doctrine. Just to remind you, the Catholic Church is the oldest institution on Earth at the moment, having existed for Two MIllenium, and it is responsible for the building of Western Civilisation and values.
Sublime. Bravo, Brückner; bravo, maestro Celibidache, and bravo, Münchner Philharmoniker. I had not the bliss of attending a live concert conducted by Celibidache, but I certainly can say that listening to this symphony has been one of those transcendental experiences that Celibidache wanted his listeners to have. Thank you very much, maestro, and thank you too, Andrei Popescu, for sharing this video.
kimweonill, I absolutely agree. It's the same in the first few minutes of the first movement of the 9th, Dvorak's "New World". The sound and tempo of the horns is unequalled. It is also important to note that in both cases, Herr Wolgang Gaag, the horn player, has his merit.
Maybe a possible answer to your question: th-cam.com/video/Dh6vavo7BKA/w-d-xo.html He gives a specific value to each interval. First notes of horn create a 5th, the fundamental interval among all the others. And he articulates it differently in the two moments: descending perfect 5th - ascending minor 6th; descending minor 6th - ascending perfect 5th.
From 11:15-13:08 the sheer joy on Celibidache’s face as this shimmering passage comes together. A combination of his love for the music and knowing that his orchestra has utterly nailed it.
He gets Bruckner. It's in another category, another level. It's useless to argue with those who criticize what they call a lack of "structure". If that is so crucial to the definition of symphohonic art, then why not demand of them the very definition of art itself?
@@joachimsaxer4812 -- "Tremoli"? Is that what they're called? In the Finale? Yes, it makes this performance soar above all the others.....BRAVI from Acapulco!
The tension building up in the final lines is so tenacious, but the piece ends abruptly without letting it all out, I wonder why? Do you see any meaning in the piece being like that?
You have absolutely made my day. I was looking for the theme of 7/2 for 5 years. I heard it in a concert and forgot what was the piece of music, just remembered this beautiful melody. Now following your recommendation I finally found it. Thank you very-very much!
The problem in bruckners synphonies is to find the right tempi.Especially Celi was an advocate of the slow tempo, especially with bruckner.He contended that Bruckners melodic build up, given the monstrosity of individual contrapuntal sections, must not be too rapid, as it limits the emotional impact on the listener. I agree with this argument. This recording is a milestone in form of excellent interpretation in every part.Getting involved with Bruckner is extremely difficult.Celi was one of the best Bruckner conductors.And he found the solution.
What an amazing perfomrance!!! Celibidache grasps Bruckner like no one else. Perhaps only Herbert Blomstedt comes close. He does it somewhat differently, but I engjoy them both.
Non so come ha fatto a conservare il respiro narrativo, ispirato e originale, dal primo all'ultimo istante. Credo che sia un miracolo, venerabile Maestro....
Ich kann als Bruckner-Forscher und Celibidache-Verehrer (ich habe ihn sehr oft in den 1990er Jahren in München, auch bei Bruckner, erleben dürfen) nur eines sagen: FABELHAFT, UNERREICHBAR!!
Ich durfte Celi ein einziges Mal 1994 in Wien mit der 8. erleben. Es war die Offenbarung für mich, denn die 8. und 6. haben mir zwar gefallen, habe sie aber nicht "verstanden". Erst an diesem Abend öffnete sich meine Seele dieser wunderbaren Symphonie - dank Celis Interpretation und seinem dem Herzschlag und der Atmung angepassten Tompo. Noch heute bekomme ich feuchte Augen, wenn ich an diesen Abend denke...
I see Abbie Conant still not in the principle trombone chair despite being the clear choice in a blind audition. On finding out she was a woman, Celibidache had her demoted to 2nd trombone. Conant took the orchestra to court an was later reinstated and given back pay as she discovered she was being paid less than the men. This resonates with a recent news story about the music industry still being a “man’s world” riddled with misogyny.
Toda la sinfonía es uno de los más grandes logros de la humanidad. La dirección es indescriptible, pero los los 2 últimos minutos donde se aprecian la exigencia del maestro que los músicos arranquen las notas de sus instrumentos con más energía es abrumador, emocionante, épico. el tempo es uno de los más grandes logros del maestro
Only this version justifies the title 'Romantic' while also redefining it: the triple tremolos of the finale coda harness the oblique pastoral quality of the symphony into wings beating, as majestic as an eagle's, (listen to the 2012 Sony late recording which makes the comparison obvious, although there it sounds more like a roc) descending (or soaring) and amalgamating with Bruckner and us listeners, accounting for a terrible poignancy.
Magnificent performance by the Munich Philharmonic under Celibidache. BUT an absolute misogynist disgrace how Celibidache treated trombonist Annie Conant. Thankfully she finished up getting her revenge and due rights.
Today, on Bruckner's 200th birthday, greetings from Vienna
This performance needs to be preserved forever. It is magnificent and Celibidache's vision is remarkable. The last movement coda is extraordinary - much slower tempo, violins sounding like a hearbeat (creates a slightly menacing mood), the gradual crescendo (very controlled) and erupting into the most glorious resolution. That Celi can conduct this (and other Bruckner) symphonies from memory is nothing short of genius. I also love that when it has finished he applauds the orchestra, shakes some hands and only then does he face the audience. Multumesc Celi.
Condivido confermo anch'io ❤😊❤😊
Bruckner is very sensitive to quality of performance - it's easy for his symphonies to come across as ponderous if played on autopilot. This version is brilliant.
I don't agree at all. The finale 'klebt an der Erde' sollte aber hinauf steigen.... zB Günther Wand, 10x besser
I love how he smiles at the orchestra. Sometimes we forget that playing music should be fun.
Always a joy and a privilege to play music. Especially true with Bruckner 💕
Bravo,Bravisimo Celibidache Munchener Philarmoniker aus Caracas,Venezuela ich bin AfrosudAmericaner
Simply wonderful! Perfect tempo for this particular symphony.
I performed this magnificent symphony years ago with the McGill Symphony Orchestra. As first chair, horn section, i was both thrilled and terrified by the challenges given to the first horn part. I’ve never forgotten the thrill and honour of playing this work. Forever grateful to McGill University for the opportunity. ❤️
In 6
Bruckner, for me is a gient , like Bach, Beethoven and Wagner. His symphonies, are the best of bests. Full of sublime moments. Alos, i think, in future, say 300 years from now, he will be praised more than any other composer from romantic era.
Excellent first movement. My favorite part of the symphony.
La fin de cette symphonie interprétée par Celibidache est des plus majestueuses.
forever the most sublime Celibidache >>> unequalled with his Bruckner interpretations
Quel autre chef pouvait atteindre cette puissance cosmique...Merci à vous.
Celibidache und die Münchner werden ewig mit dem Namen Bruckner verbunden sein.
1:05 1. Bewegt, nicht zu schnell
(19.) 2:02
A. 3:21
B. 4:12
(83.) 4:29
C. 4:57
(107.) 5:18
D. 5:40
(131.) 6:04
E. 6:21
(151.) 6:43
F. 7:07
(169.) 7:17
(179.) 7:36
G. 8:05
(209.) 8:40
H. 8:56
I. 10:06
(269.) 10:37
(279.) 10:55
K. 11:14
(305.) 11:55
L. 13:09
M. 14:40
(381.) 15:29
N. 16:52
O. 17:40
P. 18:23
(469.) 18:48
(475.) 19:00
Q. 19:18
(501.) 19:47
R. 20:17
(525.) 20:33
S. 20:48
=========================
22:30 2. Andante, quasi allegretto\
A. 23:29
B. 24:19
C. 26:06
D. 27:13
E. 29:35
F. 30:05
G. 31:24
H. 32:07
I. 33:12
K. 34:20
L. 35:28
M. 35:55
N. 36:37
O. 37:11
P. 38:00
Q. 38:36
R. 39:21
=========================
40:35 3. Scherzo: Bewegt
A. 40:56
(27.) 41:03
B. 41:10
C. 41:26
D. 41:34
E. 42:03
F. 42:33
G. 43:00
H. 43:37
I. 43:51
K. 44:06
L. 44:23
M. 44:28
N.
O. 44:46
45:08 Trio:notch zu schnell, Keinesfalls schleppend
A.
B.
C.
Scherzo: Bewegt (Repeat)
A.
B.
C.
D.
E.
F.
G.
H.
I.
K.
L.
M.
N.
O.
=========================
51:35 4. Finale: Bewegt, Foch night zu schnell
F. 59:39
G. 1:01:13
H. 1:02:26
I. 1:03:06
K. 1:04:03
M. 1:05:38
N. 1:06:45
P. 1:10:04
Q. 1:11:22
R. 1:12:11
S. 1:12:33
T. 1:13:23
U. 1:14:23
V. 1:15:11
W. 1:17:02
X. 1:17:44
Y. 1:18:12
Z. 1:18:39
=========================
P.S. Fassung von 1878/80, Eulenburg
Some of the notes is a little bit different yet overall the structure is the same between ver.1880 and ver.1881
A-B-C-D are sections base on the mark which was written in the script; those numbers (83.) are phrases which I believe it is meaningful.
课代表！
Thank you for this.
This is so helpful, thank you!
Celibidache is not only in a league of his own when it comes to music and musicality, but has immensely touching and powerful human qualities, too. He credits everyone at the conclusion, and only then that does he recede into the orchestra to turn around and acknowledge the audience's applause-although as PART of the totality only-not the totality itself. Such people lead and achieve the most in life by surrounding themselves with the best people and never putting themselves above them. His orchestra would do anything for him.
Ich bin jaauchn Teilaa
thanks for the reupload, this exact version must never disappear from humanity's awareness.
This video changed my musical life
1Celibidache == Actually TRUE! Greetings from San Agustinillo, Oaxaca.....
lol i swear as i heared the end of celis (or more precise bruckners) end, i couldnt stop listening
1.Bewegt, nicht zu schnell: 01:00
2.Andante, quasi allegretto 22:25
3.Scherzo: Bewegt - Trio: Nicht zu schnell: 40:30
4.Finale: Bewegt, doch nicht zu schnell: 51:30
Danke 👌
Aber auch nicht zu langsam Herr Celibidache
Un Celibidache inspiré : les dernières notes du final le prouvent ! Il a tout compris de Bruckner et ne fait plus qu'un avec l'Orchestre qui le suit...Miracle des sons sublimés ! Et quel 'effacement dans la reconnaissance et l'humilité envers cet orchestre... Un Maître hors pair ! Merci pour cette retransmission qui restera dans les mémoires !
Legendäre Aufführung der "Romantischen"! Solo-Horn: Wolfgang Gaag
Danke!
Ohh thanks for this, have always been a big fan of Wolfgang but somehow only now learned his name 🙃
1.Bewegt, nicht zu schnell: 01:00
2.Andante, quasi allegretto 22:25
3.Scherzo: Bewegt - Trio: Nicht zu schnell: 40:30
4.Finale: Bewegt, doch nicht zu schnell: 51:30
- 이미 먼저 달린 댓글이지만 감상하는 동안 참고하려고 복사해둔 겁니다.
No question, MPH was one of the best orchestras in the world, wenn Celi conducted them! This is the best example! Magnificent!
Masterpiece. Bruckner is eternal
The most satisfying of all Bruckner conductors. In my opinion his tempi are perfect and he gets inside the score like no other conductor of Bruckner. You can actually here individual instrumental lines that seem hidden behind the full orchestral sound when listening to other conductors' performances. This is a result of the extended rehearsal times. All his recordings are a sheer pleasure to listen to.
Sorry but I beg to differ. I realise personal taste is a big factor but for me Günter Wand was the most satisfying Bruckner conductor although Bernard Haitink runs him a very close second. Wand's recorded cycle with the Cologne Radio Symphony Orchestra is the one CD set I would try to save if my house caught fire. There is also the problem that Celibidache was an unpleasant, misogynistic individual (google the name Abbie Conant for more details) and at the time this recording was made the Munich Philharmonic was probably still playing Bruckner from scores embossed with the swastika, a legacy of their days at "The Orchestra of the Fascist Movement". Celibidache and the Munich Phil deserved each other.
@@davebarclay4429 You are entitled to your opinion of course but i try and keep politics out of music no matter how ' evil ' a conductor or composer may be. Wagner and Liszt were obnoxious creatures but they composed great music.
Furtwangler was an out and out Nazi ( so was Karajan ) but it does not deter people enjoying their performances.
@@BritinIsrael Seriously? Do you think it was acceptable for a major German orchestra to be playing from swastika-embossed scores in the 1980s?
@@davebarclay4429 I'd be happy to know how you have seen such ' engraved' scores in the 80s. I would be very interested in seeing one out of sheer curiosity.
Surely they must be of value from an historic perspective......like the early paintings of one Herr Hitler.
If you do as I said above and google the name Abbie Conant the information is all there. She was the main victim of Celibidache's misogyny which eventually led to litigation. Her husband, William Osborne, wrote a blog about the case in which he makes reference to the swastikas still being on the scores as late as 1991. He corresponded with a Munich councilwoman called Monika Renner who shared his concern and contacted the culture ministry who in turn requested the orchestra to remove the swastikas. I repeat that this was happening in 1991. I have family in Munich and I am fond of the city but recordings of Celibidache and the Munich Phil playing Bruckner or Richard Strauss in the 1980s make my skin crawl.
The greatest symphony
A quite brilliant interpretation by Celibidache. A heartfelt tour de force.
Celibidache never does "interpretation"! He plays music the onky way possible with the available musicians at the venue given. (I myself play oboe in this video, the right seated one)
It’s amazing. That climax in the 3rd movement!
@@dirigent63 Congratulations on being a part of what I consider to be a historic moving performance of Bruckner Symphony No. 4!
@@dirigent63 shame he was such a dreadful misogynist and treated his players appallingly!
@@TheKahunaDaddies ...thus the dearth of female talent here.
200 hundred years, already? This music seems so youthful...
Outstanding rendition
Wow, this is quite a complicated symphony for the listener, what a challenge 🥵
Sinfonia fantástica do mestre Anton Bruckner.
I heard the Boston Symphony play this at Tanglewood in 1983. I listened, half asleep on a blanket on the lawn. The theme repeated at 43:54 stuck in my mind. When I hear it, it takes me back to that moment on a warm summer night long ago.
That would have been Klaus Tennstedt conducting, another eminent Brucknerian.
@@FrankB1001 I attended as a guest of Malcolm Frager, a concert pianist, who lived a 15 minute walk away. His barn/studio's top floor was home to a collection of grand pianos and a modest guest apartment, where I stayed.
Utterly brilliant interpretation by Celibidache. I love this!
1:02:45
I wasn't ready for that! The first thing that went though my mind was "Godzilla?",
then "WOW! the fullness of that chord!!!
This is really such a fine playing and interpretation. Clarity, warmth, beauty and power. The orchestration just feels so pure and natural, like breathing. Thanks for posting this. It is sublime.
참 좋은 영상입니다. 브루크너(Bruckner)와 첼리비다케(Celibidache)를 무척이나 좋아하는 사람으로서 한없이 감사합니다. 언제까지나 한없는 미래의 어느날까지 이 아름다운 영상이 영속되길 기원합니다~()
Grossartig, Danke
Say what you want about the slow tempos and eccentricities, the cool thing about this performance is that there is no autopilot. Every measure, and there are lot of them, is meticulously considered and enjoyed, and the result really does have a mystical quality worthy of the legend. The tempos actually are not that slow--what actually happens is that every so often Celibidache slows things down, sometimes drastically, to widen the musical scope of the work, but the main tempo always resumes eventually. Ultimately it's a very vivid and deep understanding of the work.
39:21 Mahler has joined the chat!
Apenas uma palavra exprime o meu apreço por esta interpretação:excelência!
Celibidache is genius of orchestra conducting. He's interpretations got high quality and magicness.
Who?
@@alexanderkohary1690 hahaha
@@seanangelobenavente8877 No reason for "hahaha". Te conductor´s name is Celibidache, the text under the video says it. If your name is Bonavente, it is not Bonafunte or Bonadante. A person´s name is very dear to them, please respect it.
@@alexanderkohary1690 just a typo🙄
Thank you Mr. Popescu!
1:01:15 to 1:05:10 is a perfectly balance of themes, contrasts, rythmes, colours, dynamics. What a wonderful passage, one of my favourites of all symphonies!
It's lovely! That bass theme is very close to the bass theme in the opening of St John's Passion.
Not to mention the camera work at 1:02:00...with the swell of the music into that tragic G# over F#minor resolving to C#minor, brightening into the luminous A major, we are presented with Celibidache's commanding and stately side profile. What a moment!
I wonder how large the intersection between Bruckner fans and hockey fans is; my guess, not that large.
OK
Gonna need some more attention? 1:05:10
insuperable. S. Celebidache hace sentir el espiritu de Bruckner.
Jethro Tull Slipstream live 1980 brought me here. Nice to hear the original classical piece used as their live concert intro..
Bruckner's orchestration is so delicious that this is the right speed to enjoy the music. It just wafts over you to be transfixed by its serenity.
Nearly one-and-a-half hours of glorious listening! Thank you for your marvelous performance of this enchanting composition.
Inizio maestoso. Musica post romantica con tutti i bizantinismi del genio barocco.
Just relistened to this, in order to compare with Rattle's Prom with BRSO last night. Last night's (sudden?) ending came as something of a shock. I love the way Celibidache milks every last ounce of emotion/ power out of this work, especially the final 5 minutes.
Listening to this symphony conducted by Celibidache makes me optimistic about the human being, all is not lost
Ya this was a Romanian conductor directing a symphony by an Austrian composer Anton Bruckner [1824-1896]. This was the best Bruckner symphony.
😅
Every Bruckner's coda is a magnificent summary and representation of Catholicism.
You live, you struggle, you suffer... But there is always room for hope and it all ends in a majestic triumph.
It is basically what Mahler summarized in his Symphony No. 2: "Was du geschlagen zu Gott wird es dich tragen".
What you suffered for, it will carry you to God.
Is that what you tell those who were raped by priests?
@@johnvaughan7096 -- PLAYUH-HATUH!!!!!!!!
@@johnvaughan7096You can't judge a whole Church just because some members commit some crimes. There are plenty of evil pastors out there too, as well as people from all Religions. A Religion should be judged by its Doctrines, and not by the actions of some members. And the Catholic Church has undoubtedly the most perfect Doctrine. Just to remind you, the Catholic Church is the oldest institution on Earth at the moment, having existed for Two MIllenium, and it is responsible for the building of Western Civilisation and values.
I would have thought Catholicism was more "live your life in perpetual guilt at things you haven't even done", but there we go.
@@Cephalopoda how so?
BRAVO Andrei Popescu you bring here a Chrystal clear recording that was uploaded with lot of care.
Magia en directo que trasciende el tiempo. Don Sergio Único.
本当に素晴らしい演奏ですね!
ブルックナーの世界に飲み込まれて行くような感じです😊
感動しました❤
なお、ティンパニーはザードロですね！
凄いです😮
動画ありがとうございます😊
Exceptionnel! Merci!
Me encanta muchisimo este acutacion musical, es genial!!!
1:10 1st movement |
40:38 3rd movement |
51:38 4th movement | 52:58 transition |
Sergiu Celibidache was famous conductor and Bruckner fantastic composer .
Sublime. Bravo, Brückner; bravo, maestro Celibidache, and bravo, Münchner Philharmoniker. I had not the bliss of attending a live concert conducted by Celibidache, but I certainly can say that listening to this symphony has been one of those transcendental experiences that Celibidache wanted his listeners to have. Thank you very much, maestro, and thank you too, Andrei Popescu, for sharing this video.
Amazing
1st. horn's first four notes told me why Celibidache is different from the other ones.
kimweonill, I absolutely agree. It's the same in the first few minutes of the first movement of the 9th, Dvorak's "New World". The sound and tempo of the horns is unequalled.
It is also important to note that in both cases, Herr Wolgang Gaag, the horn player, has his merit.
Maybe a possible answer to your question: th-cam.com/video/Dh6vavo7BKA/w-d-xo.html
He gives a specific value to each interval. First notes of horn create a 5th, the fundamental interval among all the others. And he articulates it differently in the two moments: descending perfect 5th - ascending minor 6th; descending minor 6th - ascending perfect 5th.
@@gioiafrancesco Thank you very much. Very interesting !!!!!!
Gaag también tiene "la culpa" de ello...
Que poco reconocido está ese hombre en la historia de la trompa
From 11:15-13:08 the sheer joy on Celibidache’s face as this shimmering passage comes together. A combination of his love for the music and knowing that his orchestra has utterly nailed it.
He gets Bruckner. It's in another category, another level. It's useless to argue with those who criticize what they call a lack of "structure". If that is so crucial to the definition of symphohonic art, then why not demand of them the very definition of art itself?
Un géant! Qui ça? Les deux, Anton et Céli.
Perfection!
The greatest final of all time starts here 1:15:10
To have these tremoli in the violins accentuated - what an effect!
For sure. The grass chord resolutions with the high trumpet line is utterly sublime. Definitely my favorite of all symphonic finales
@@joachimsaxer4812 -- "Tremoli"? Is that what they're called? In the Finale? Yes, it makes this performance soar above all the others.....BRAVI from Acapulco!
The tension building up in the final lines is so tenacious, but the piece ends abruptly without letting it all out, I wonder why? Do you see any meaning in the piece being like that?
You will never forget Celi's unique interpretation of the coda once you listen to it!!
astral sound
Great music for the Cosmos.
Fitting for Uranus
@@thekeyoflifepiano very funny
One word about maestro Celibidach : LIBERTY ! ❤🙏
And misogynist!
@@TheKahunaDaddies no one asked get a life
... emerging from DISCIPLINE OF THE HIGHEST MUSICAL ORDER!
Parfait ❤❤❤❤❤ cette nuit aussi 8 Août 2023
12:27 such a good theme. it even appears in his 7th symphony, 2nd movement!
You have absolutely made my day. I was looking for the theme of 7/2 for 5 years. I heard it in a concert and forgot what was the piece of music, just remembered this beautiful melody. Now following your recommendation I finally found it. Thank you very-very much!
The problem in bruckners synphonies is to find the right tempi.Especially Celi was an advocate of the slow tempo, especially with bruckner.He contended that Bruckners melodic build up, given the monstrosity of individual contrapuntal sections, must not be too rapid, as it limits the emotional impact on the listener.
I agree with this argument.
This recording is a milestone in form of excellent interpretation in every part.Getting involved with Bruckner is extremely difficult.Celi was one of the best Bruckner conductors.And he found the solution.
And Celi was so right...
at last a great comment
Chaque nuit Celi....je dors en t’écoutent !!!
The conductor is God-like. His interpretation lifting up each audience member. Great orchestra.
What an amazing perfomrance!!! Celibidache grasps Bruckner like no one else. Perhaps only Herbert Blomstedt comes close. He does it somewhat differently, but I engjoy them both.
the opening was the first part of my schools marching show this year.
its so wierd hearing it this way than as a fast and loud marching band piece
Non so come ha fatto a conservare il respiro narrativo, ispirato e originale, dal primo all'ultimo istante. Credo che sia un miracolo, venerabile Maestro....
Incredible
Pure Romance!
Ich kann als Bruckner-Forscher und Celibidache-Verehrer (ich habe ihn sehr oft in den 1990er Jahren in München, auch bei Bruckner, erleben dürfen) nur eines sagen: FABELHAFT, UNERREICHBAR!!
Ja genau! ich habe ihn auch erleben dürfen. Es gibt keinen Besseren!
Ich durfte Celi ein einziges Mal 1994 in Wien mit der 8. erleben. Es war die Offenbarung für mich, denn die 8. und 6. haben mir zwar gefallen, habe sie aber nicht "verstanden". Erst an diesem Abend öffnete sich meine Seele dieser wunderbaren Symphonie - dank Celis Interpretation und seinem dem Herzschlag und der Atmung angepassten Tompo. Noch heute bekomme ich feuchte Augen, wenn ich an diesen Abend denke...
I see Abbie Conant still not in the principle trombone chair despite being the clear choice in a blind audition. On finding out she was a woman, Celibidache had her demoted to 2nd trombone. Conant took the orchestra to court an was later reinstated and given back pay as she discovered she was being paid less than the men. This resonates with a recent news story about the music industry still being a “man’s world” riddled with misogyny.
41:46 "YEHHH!"
Hahahaha
🤣
......still leaves me Breathless.....month after month.....BRAVI from Acapulco!
Personnalité hors du commun ce Monsieur Celibidache
Great Great !
この演奏を聴くことができる幸福は、言葉にできない。
Quand ont pensent que l'ont a enfermé cet homme en
Sphyquiatrie
Avrei voluto essere li quella sera
Immenso.
GREAT
Wonderful
Estoy segura que estas melodías las he escuchado en algunas películas
❤❤
Third movement makes me think of a knight in shining armor storming a castle and rescuing a damsel in distress.
The timpanist is the young Peter Sadlo.
Toda la sinfonía es uno de los más grandes logros de la humanidad. La dirección es indescriptible, pero los los 2 últimos minutos donde se aprecian la exigencia del maestro que los músicos arranquen las notas de sus instrumentos con más energía es abrumador, emocionante, épico. el tempo es uno de los más grandes logros del maestro
1:11:10 The resolution and transition into the next section is orgasmic 🤷♂️🕺🏻😬🔥
Simplesmente emocionante!
1:16:21 to 1:16:40 "a small measure of peace" Hans Zimmer - The last Samurai Soundtrack.
I always heard that as the Dark Knight soundtrack, particularly 1:17:03
@@isaaclinton1469 yes :)
Only this version justifies the title 'Romantic' while also redefining it:
the triple tremolos of the finale coda harness the oblique pastoral quality of the symphony into wings beating, as majestic as an eagle's, (listen to the 2012 Sony late recording which makes the comparison obvious, although there it sounds more like a roc) descending (or soaring) and amalgamating with Bruckner and us listeners, accounting for a terrible poignancy.
Yay! I've discovered Bruckner! This is lovely!
Also, the conductor looks like Stephen Frye and Jimmy Page had a baby.
YOU impertinent cad - I love it!
What a thing !!!
Po takých rukách túži každý orcherstralny hráč!
Magnificent performance by the Munich Philharmonic under Celibidache. BUT an absolute
misogynist disgrace how Celibidache treated trombonist Annie Conant. Thankfully she
finished up getting her revenge and due rights.
26:00 viola excerpt