Hey thanks for all the kind words folks! If you want to check out the limited edition trucker hats, you can find those here: www.andrewtischler.com/merch/ 👍😉🧢
And I just got out of a surgery just recently brain surgery and you're one of my favorite artists that I would 100% love to me face to face one day. Thank you so much for showing me and everyone else how to break down different brush strokes; especially the different techniques that one person can use.
Imitation is the sincerest form of flattery. It’s also the best way to understand the skill that went into the creation of a painting. Many artists who are now considered masters painted copies in their early years. Van Gogh, for example, copied over 20 of Jean-Francois Millet’s works. I know I’ve seen plenty of copies in museums and art books. It’s a time-honored way to learn.
Andrew, the way I understand the copywrite laws pertaining to art/masters from my Uni lectures lies in the intent. If it is intended to 'fake' an original, it must firstly be claimed as an original, in ALL aspects. Whether it be size, paint, signature or subject. The 'intent' is not to deceive, but to draw inspiration from. You have used paint that was not available within the period, nor have you claimed a provenance by signature. You have claimed a desire to capture the style, colour/paint application and to a degree the brush strokes. Again there is no intent to be fraudulent only to produce a remarkable study, ( I am envious). Your painting/drawing tutorials got me through my Fine Arts Degree from well before day one. My lecturers have been thoroughly ear bashed about the Master's ability....... Your distant student shall await the next installment.😊
Provenance is not the same as copyright. A Copywriter is not the same as copyrighter. Fraud is when you represent soemthing as something it is not. The issue of copyright is more about reproduction. Trade mark is more related to fraud although one of the components of either is the completive advantage or recognising the brand, and therefore fraud could be an aspect of the case. You can make as many copies as you like, copyright only kicks in when there is distribution, and this copy within the video is already well within fair use. However this is well out of copyright.
You can paint anything, even copy modern paintings from the last years...as long as you do not sell it or promote it as your own invented art, no infringement. I can go and paint "interchange" from Willem de Kooning, basically copy it. If I ad a small difference and sign it with my own signature and clearly communicate that it is a copy, I can even sell it without a problem. What you are describing is related to copryright claim and those usually only relate to intelectual property. Same goes for photos....if I download a famous photo from someone else and sell it as my own....infringement. However if I go to the same place, the same persepective, same time of the year and hour and take an new photo, I can sell it without infringement. @@howlingwaters2741
I’ve done 7 masters copies for the same reasons. It makes you really think about how they did it - what colors and brushes they used . You really have to think . It’s great fun and they turned out very well!!
The original painting is such an exquisite rendering of a lovely mare and her precious baby. The entire scene is idealyc, calling back memories real or perhaps imagined and wished for. I understand why this is one of your wife's favourite paintings. Your copy of this masterpiece is a treasure in its own right... one I am sure she will cherish, especially because it was your creative talent and loving heart that recreated this special painting for her. A very romantic and endearing excerise.
Andrew, it is a blessing being able to watch you work from across the globe. I believe this painting was an incredible exercise for you. The fact that you're able to paint in such detail always amazes me. Now that you are learning the loose impressionistic method, this will make you unstoppable and add a whole new range of artillery when approaching a new painting of your own. I'm excited to see you apply it. I hope you are getting the recognition you deserve out in New Zealand. Although you are more of a realistic painter than the impressionistic, I hold you up there along with Sargent, Monet, and the greats. You may think that is a ridiculous comparison but I honestly feel like I'm watching one of the greats when I watch your channel. You are the next generation! I aspire to be you and if you ever open an Atelier, my wife and I may just quit our jobs and move out to New Zealand to learn from you. Keep up the inspirational work.
So pleased you did this, Andrew! It's a fantastic copy and what a brilliant exercise. I love to copy a Master for all the reasons you said and gift them to friends - with a little tweak of adding something personal that shows it definitely a copy (like who am I kidding that mine could be mistaken for the original 🤣🤣) The respect I come away with for how the master painter accomplished their work - the composition, use of colours, texture and choice of brush etc - gasts my flabber! Thank you for taking the time to edit your content into these smaller freebies for us to watch - really appreciate that as a non-income person🙏 I trust Rachel was thrilled with her birthday gift 💝
Your videos are a delight with the clear and heavenly intoned voice-over plus some great music behind. I did see that someone besides myself wishes you’d shown your missus’ reaction to the painting. You’ve inspired me to go ahead with a master copy, don’t know why I’ve always resisted. Beautiful.
I had a teacher who taught old masters style. we did copies of ol'masters to help to practice color mixing etc. I did a copy of Wyaths' "Old Pew' The old blind man from Treasure Island. Also a small copy of a Stubbs horse painting. There is a lot to learn from copying. As long as you make sure you sign it and right on back that its AFTER the master who painted italong with title of painting. The masters had many apprentices who would make copies or fininish the masters paintings. Hundred or so years down the track the fact many paintings are unsigned, there has been confusion as the authenticity of the artist. This alone makes it important make it clear who painted it. Love your tutorials Andrew.. I have learnt much ,and am inspired immensely by you. Thankyou
I remember when you did that beautiful painting of your wife. It came on my feed out of the blue. After that I started watching more and more TH-cam videos of different kinds of art, that I decided recently to start learning how to draw. I guess you were the inspiration. It isn't easy at my age but I'm giving it a go. Thanks for sharing your talent with us.😊
Dear Andrew, It's now a year since I got into professional painting. You should be a proud dad of raising mini-painters all over the world. You should have a reason to thank you for building competence and creativity endeavor in others. I hope to inspire people as you did Cheers mate
I was so delighted to see you do a copy of a Lucy Kemp Welch painting. I have been a fan of hers for years and have done a couple of copy exercises myself. We seem to forget that all the great masters of the past learnt by copying those who went before them. We lose the knowledge of the past if we assume we have nothing to learn from it. I have books on Lucy and I noticed in some of the unfinished paintings that she actually seemed to work on the main subject first and slowly build in around it. Thanks for this post.
You're spot on Jane, loads of masters learnt from other masters by copying. Not sure why I haven't tried doing this previously to learn more techniques!!! That approach does make sense. I may try another with that sequence in mind.
I think plagiarism gets a bad wrap for good reasons. I like what you said at the beginning: "This isn't art, this is an exercise." I think we could all learn more from copying than we realize. The problem is if you only copy, you're not creative but if you never copy, you grow much slower. Copying is like a master lesson from whoever you choose to imitate.
You know what I love about your videos? That you show exactly how some specific brushstrokes you make!!! I have your portraits videos and i learned a lot from them, and I keep going back at them time by time. Thank you Andrew!
When I was first learning to paint with oils I also used old masters as a training device. I learned so much from copying them. Whatever works and is readily available when there is no living master around, or is unwilling to train you.. Drive on!
After watching this wonderful video, I looked up Lucy Kemp Welch, and then found others painters of horses like Sir Alfred Munnings. I like the loose look. I try to get that loose look in my acrylic paintings. But, it's easy to get back into doing more tight work as I go along.
So beautiful! Amazing all those colours yet the horse still looks white to our mind. Great work! I’ve a few favourite old masters I wish I could get this level of a master copy
What a fantastic video. I've just started painting again after a break of about 15 years and I refused to use a projector to help me, but after watching this I will certainly give it a go just as you did. Thanks Andrew, you have inspired me. cheers
Hi Andrew ..great to see you back again 😊 I see nothing wrong with copying ..it's more an act of reverence and praise in my mind. I have a pencil drawing in progress of Ansell Adam's photo 'Yellowstone Falls' on the easel. What a wonderful tribute to the artist it is in my view. As you were painting and grapling with looser brush techniques I immediately thought of Royo's bold brushwork and how he might inspire your own progress. Anyhow I loved the painting, and that you brought a new artist to my attention 🙏
Once I paint a " Girl with a golden earing " , a inspiration from " Girl with pearl earing " from Vermeer. I admire that Old Master from Dutch Painters. I learn a lot too, was a good experience.
I am a beginner at oil painting. All those brush marks, until I saw the finished horse painting, wow, the way the light hits the horse! I only took one oil painting class so I have a lot to learn. Oil painting is in my bucket list. My favorite to paint is gardening painting. I told my friend that my paintings are always at noon with no shadows.
Hi Andrew, I’ve just started to be a regular to your channel. Coincidentally, I am working on two copies (detail area) of Rosa Bonheur’s paintings, Horse Fair and Highland Raid. It’s astounding how much I’ve learned! I did my own drawings and this video came in very handy!!! Thank you for all that you do!
Thank you for that experiment. That is really a surprising use of a brush for details... it was definetely inspiring to try something similar myself, although I'm actually (because of one of your more recent videos) more into painting beautiful autumn veggies right now :) I have the same illness of overperfectionate (is that a word?) details and planing ahead, and I really do admire people who can draw and paint without any planing whatsoever, but this exercise could, maybe, heal me a little. I'm sure your wife will be super happy with this gift. There are really awesome paintings out there, and who would not want to have his/her favourite for oneself!
Nothing wrong with hacks to get you to the painting as long as you have the essence of your subject to do it justice as you grow skills in drawing and painting.. Thanks Andrew. See you in Patreon again in November. Yea!!!
You have the best artist channel , appreciate your work and knowledge. I was a child prodigy but never continued drawing and painting going into graphic arts and printing . Now I'm 58 and I'm going to start again . God bless 🙏🏼
Dear Andrew Tischler! You are such an amazing artist and the teacher..! I learned sooo much from you. I truly can’t thank you enough…! My father tells me to get a mentor, and i tell him I already got one here (point at my TH-cam)..! although i sometimes day dream about going to New Zealand and paint with your painting buddies..!😊 hehe. Thank you very much. Because of you, i didn’t give up on my artist pursuit. I hope you are well and keep bringing the beauty into this world 🎉
Because of the tight deadlines of delivering covers for Saturday Evening Post Norman Rockwell used a projector. You do what you have to to get the result you want.
Love this copy Andrew. I did one of Sargent couple of weeks ago and loved the exercise. I’ve heard it’s 70 years after death for public domain works. Candi K
Cool, duly noted. Yeah, I've heard 50, 70 or 100... but again that's related to selling the work and making it a commercial endeavour... But I need to do some more digging. I appreciate the input!
Hello. You (and your wife) can be very happy with this copy, bravo. I sometimes try to copy and I feel like it's often more difficult than painting your own art.
Love watching your work Andrew. There is something about your work and your videos which gets me inspired with my own artworks and your podcast is awesome :)
What fun! Thank you for introducing us to Lucy Kemp Welch! Her mastery of horse anatomy and expressions is amazing. I am a horse lover a d have been drawing them since l was young (71 now and still do horses) you did a great job capturing the vibrancy of her brushwork. And those delicious whites..... loved this so much now looking at buying the book about her art. Again. Thanks!!!!
I do lots of master copies. When I do one, I use the layers and transparency features in photoshop to draw all the objects in the painting as three dimensional objects like spheres, cylinders, cubes, etc. Then shade them to give them volume. I also draw the horizon and perspective lines to further put the objects on the picture plane in three dimensional space. Then I project this drawing onto the canvas. I find this helps the painting have a more three dimensional look. When I first started I just traced the contours and I felt it made my master copy look flat. Another thing I focus on when doing master copies is pay attention to the edge work the artist did. Like soft or hard edges, do they use light or dark halos, etc. I found this really helps develop my own painting skills. As far as master copies being cheating or forgery, most musicians only play someone else's work like Mozart or Beethoven but for some reason painters are only expected to make original works. It doesn't make sense. Every artist should do master copies to develop their skills. It's how the master apprentice system worked for the past 500 years.
Really enjoyed this shortened version of this master copy painting exercise (I watched the full version on Patreon as a member) but there's always room in my brain for more lol! Those caps look really cool. It would be great to be wearing one and bump into a fellow Tischee (is that even a word?) Only we know what it means to keep it real with cobalt teal!! I'm now thinking about what painting I could copy. perhaps I will put it on the Tisch Zone when I do.... Thanks again Andrew!
I did a Master Copy of Thomas Coles painting for my studio painting assignment and have to do a Manner of Study from it into a large canvas. Before you ask, the Manner of Study assignment is not another copy to Thomas’s painting, I did a landscape of a interesting landmark near the town of Alpine, Texas. The master work is just an exercise as my professor said so it’s not intended copy for personal gain except for practicing and improving my skill
Hey thanks for all the kind words folks! If you want to check out the limited edition trucker hats, you can find those here: www.andrewtischler.com/merch/ 👍😉🧢
To paint well, you must know how to copy well
You may be copying a master painting Andrew but you are a master yourself. Your paintings are simply beautiful!
Thank you so much 😀
You are the one artist that has inspired me to push my painting skills and abilities to the limit. Love your work
And I just got out of a surgery just recently brain surgery and you're one of my favorite artists that I would 100% love to me face to face one day. Thank you so much for showing me and everyone else how to break down different brush strokes; especially the different techniques that one person can use.
Imitation is the sincerest form of flattery. It’s also the best way to understand the skill that went into the creation of a painting.
Many artists who are now considered masters painted copies in their early years. Van Gogh, for example, copied over 20 of Jean-Francois Millet’s works. I know I’ve seen plenty of copies in museums and art books. It’s a time-honored way to learn.
Andrew, the way I understand the copywrite laws pertaining to art/masters from my Uni lectures lies in the intent. If it is intended to 'fake' an original, it must firstly be claimed as an original, in ALL aspects. Whether it be size, paint, signature or subject. The 'intent' is not to deceive, but to draw inspiration from. You have used paint that was not available within the period, nor have you claimed a provenance by signature. You have claimed a desire to capture the style, colour/paint application and to a degree the brush strokes. Again there is no intent to be fraudulent only to produce a remarkable study, ( I am envious). Your painting/drawing tutorials got me through my Fine Arts Degree from well before day one. My lecturers have been thoroughly ear bashed about the Master's ability....... Your distant student shall await the next installment.😊
Thanks so much Mark!
>100 years deceased = Public Domain
@@AndrewTischlerArt I don't know if you know any good oil paintings like you class in chicago by chance or anyone who would?
Provenance is not the same as copyright. A Copywriter is not the same as copyrighter.
Fraud is when you represent soemthing as something it is not. The issue of copyright is more about reproduction. Trade mark is more related to fraud although one of the components of either is the completive advantage or recognising the brand, and therefore fraud could be an aspect of the case.
You can make as many copies as you like, copyright only kicks in when there is distribution, and this copy within the video is already well within fair use.
However this is well out of copyright.
You can paint anything, even copy modern paintings from the last years...as long as you do not sell it or promote it as your own invented art, no infringement. I can go and paint "interchange" from Willem de Kooning, basically copy it. If I ad a small difference and sign it with my own signature and clearly communicate that it is a copy, I can even sell it without a problem. What you are describing is related to copryright claim and those usually only relate to intelectual property. Same goes for photos....if I download a famous photo from someone else and sell it as my own....infringement. However if I go to the same place, the same persepective, same time of the year and hour and take an new photo, I can sell it without infringement. @@howlingwaters2741
The chip brush taped to the long handle brush is both genius and hysterical. Well done on this one! turned out beautiful.
I bought the "Do you even Tisch bro" hat before the video even ended
You're an inspiring guy and a terrific painter. Thanks for sharing your experiences.
Thanks so much for that!
I’ve done 7 masters copies for the same reasons. It makes you really think about how they did it - what colors and brushes they used . You really have to think . It’s great fun and they turned out very well!!
The original painting is such an exquisite rendering of a lovely mare and her precious baby. The entire scene is idealyc, calling back memories real or perhaps imagined and wished for. I understand why this is one of your wife's favourite paintings. Your copy of this masterpiece is a treasure in its own right... one I am sure she will cherish, especially because it was your creative talent and loving heart that recreated this special painting for her. A very romantic and endearing excerise.
You are a modern master painter to me. Love your work. Thanks for sharing.
Andrew, it is a blessing being able to watch you work from across the globe. I believe this painting was an incredible exercise for you. The fact that you're able to paint in such detail always amazes me. Now that you are learning the loose impressionistic method, this will make you unstoppable and add a whole new range of artillery when approaching a new painting of your own. I'm excited to see you apply it. I hope you are getting the recognition you deserve out in New Zealand. Although you are more of a realistic painter than the impressionistic, I hold you up there along with Sargent, Monet, and the greats. You may think that is a ridiculous comparison but I honestly feel like I'm watching one of the greats when I watch your channel. You are the next generation! I aspire to be you and if you ever open an Atelier, my wife and I may just quit our jobs and move out to New Zealand to learn from you. Keep up the inspirational work.
So pleased you did this, Andrew! It's a fantastic copy and what a brilliant exercise. I love to copy a Master for all the reasons you said and gift them to friends - with a little tweak of adding something personal that shows it definitely a copy (like who am I kidding that mine could be mistaken for the original 🤣🤣) The respect I come away with for how the master painter accomplished their work - the composition, use of colours, texture and choice of brush etc - gasts my flabber! Thank you for taking the time to edit your content into these smaller freebies for us to watch - really appreciate that as a non-income person🙏 I trust Rachel was thrilled with her birthday gift 💝
Your videos are a delight with the clear and heavenly intoned voice-over plus some great music behind. I did see that someone besides myself wishes you’d shown your missus’ reaction to the painting. You’ve inspired me to go ahead with a master copy, don’t know why I’ve always resisted. Beautiful.
I had a teacher who taught old masters style. we did copies of ol'masters to help to practice color mixing etc. I did a copy of Wyaths' "Old Pew' The old blind man from Treasure Island. Also a small copy of a Stubbs horse painting. There is a lot to learn from copying. As long as you make sure you sign it and right on back that its AFTER the master who painted italong with title of painting. The masters had many apprentices who would make copies or fininish the masters paintings. Hundred or so years down the track the fact many paintings are unsigned, there has been confusion as the authenticity of the artist. This alone makes it important make it clear who painted it. Love your tutorials Andrew.. I have learnt much ,and am inspired immensely by you. Thankyou
I remember when you did that beautiful painting of your wife. It came on my feed out of the blue. After that I started watching more and more TH-cam videos of different kinds of art, that I decided recently to start learning how to draw. I guess you were the inspiration. It isn't easy at my age but I'm giving it a go. Thanks for sharing your talent with us.😊
Dear Andrew,
It's now a year since I got into professional painting.
You should be a proud dad of raising mini-painters all over the world.
You should have a reason to thank you for building competence and creativity endeavor in others.
I hope to inspire people as you did
Cheers mate
Always an enjoyable watch, thanks for sharing 🥰
I love this subject.. and I am so happy you decided to replicate it.
Wow! Andrew makes painting look so simple. Wonderful painter. Kudos.
I was so delighted to see you do a copy of a Lucy Kemp Welch painting. I have been a fan of hers for years and have done a couple of copy exercises myself. We seem to forget that all the great masters of the past learnt by copying those who went before them. We lose the knowledge of the past if we assume we have nothing to learn from it. I have books on Lucy and I noticed in some of the unfinished paintings that she actually seemed to work on the main subject first and slowly build in around it. Thanks for this post.
You're spot on Jane, loads of masters learnt from other masters by copying. Not sure why I haven't tried doing this previously to learn more techniques!!! That approach does make sense. I may try another with that sequence in mind.
This is pure gold! Thank you so much for sharing this, Andrew.
I think plagiarism gets a bad wrap for good reasons. I like what you said at the beginning: "This isn't art, this is an exercise." I think we could all learn more from copying than we realize. The problem is if you only copy, you're not creative but if you never copy, you grow much slower. Copying is like a master lesson from whoever you choose to imitate.
Copy is 100% ok as long as you do not pretend it is an original work of yours.
Inspiring Andrew. It is great to see how you play with colours and brushes. Thanks for sharing.
I appreciate the lessons learned in this video. The use of light is awesome. - Rob
i truly enjoyed this, instead of gridding...project. saves time for the rest. i learned a lot watching tyty
It's perfect.Thank you so much for this tutorial.
Transcription for learning is amazing. Love that you are still growing. Thanks for sharing this experience with us.
Hey.. I miss you so much Master Tisch.. Thanks for sharing another knowledge..
You know what I love about your videos? That you show exactly how some specific brushstrokes you make!!! I have your portraits videos and i learned a lot from them, and I keep going back at them time by time. Thank you Andrew!
When I was first learning to paint with oils I also used old masters as a training device. I learned so much from copying them. Whatever works and is readily available when there is no living master around, or is unwilling to train you.. Drive on!
Love your painting! I particularly liked that in this video the brush strokes were not sped up like in most others and so were easier to follow.
Looks amazing.you’re so talented
Great class! I'm experiencing so much through your videos! Thank you so much!!!
Thank you for all of your free videos. I have learned so much and become a fan, thank you for everything you do.
Absolutely gorgeous!! I could watch you paint all day! I have such. A love for horses!
I enjoyed the whole video. I do learn things I may use. Thank you for taking the time to narrate as you go. It is most helpful.
After watching this wonderful video, I looked up Lucy Kemp Welch, and then found others painters of horses like Sir Alfred Munnings. I like the loose look. I try to get that loose look in my acrylic paintings. But, it's easy to get back into doing more tight work as I go along.
I love projectors! Great to see I am not the only one. This helps in showing my wife on why I never throw brushes out. I may need it.
Really enjoyed that. Very illuminating!
Looks like a labour of love Andrew. A great result. Thanks for sharing
What a beautiful copy! I will be watching this multiple times to learn from you. 🙏☮️❤️🖖
Thankyou so much for the video.
Definitely out of your comfort zone.
Well done.👏👏👏👏👏👏👏👏👏
Loved that painting you are my favourite artist just get so emerged in your brilliance
LOVE the calm, quiet narration and batchelor pad music! This whole video (content included) was an EXPERIENCE!
Thank you! Glad you enjoyed it!
I am in my studio trying to work, but... I am mezmerized by video. Thank you. The video brought much joy to my morning. I want the "Go with Teal hat!'
You are awesome 🎉🎉🎉thanks for all help
This is beautiful! I prefer the painterly style myself when I paint. Your art is outstanding and so precise and realistic. I really appreciate it. ♥️
Excellent
I love drawing from old master books as well. Excellent way to learn
So beautiful! Amazing all those colours yet the horse still looks white to our mind. Great work! I’ve a few favourite old masters I wish I could get this level of a master copy
That's a realistic painting that doesn't look like a photo, next level
Absolutely stunning work...I'm very impressed it only took you 5 days, I think it would have taken me far longer!
Andrew you inspire me to continue growing in this thing we call art you are an amazing cat
Great talent, love how you put details on that painting
You’re such a sweetheart, love this whole project, I have replicated a few paintings from the masters, like the Impressionism of Monet.
Norman Rockwell was a hack of his own shutter bugging... pretty good company you keep, Andrew!
What can I say, your just incredible 😊I love your work
What a fantastic video. I've just started painting again after a break of about 15 years and I refused to use a projector to help me, but after watching this I will certainly give it a go just as you did.
Thanks Andrew, you have inspired me. cheers
Hi Andrew ..great to see you back again 😊
I see nothing wrong with copying ..it's more an act of reverence and praise in my mind.
I have a pencil drawing in progress of Ansell Adam's photo 'Yellowstone Falls' on the easel. What a wonderful tribute to the artist it is in my view.
As you were painting and grapling with looser brush techniques I immediately thought of Royo's bold brushwork and how he might inspire your own progress.
Anyhow I loved the painting, and that you brought a new artist to my attention 🙏
You are very inspired me to paint.thank you so much!
I wanna live in your studio for a week. Feels so peaceful.
Once I paint a " Girl with a golden earing " , a inspiration from " Girl with pearl earing " from Vermeer. I admire that Old Master from Dutch Painters. I learn a lot too, was a good experience.
Absolutely beautiful! As usual! You do inspire us all Andrew.
I am a beginner at oil painting. All those brush marks, until I saw the finished horse painting, wow, the way the light hits the horse! I only took one oil painting class so I have a lot to learn. Oil painting is in my bucket list. My favorite to paint is gardening painting. I told my friend that my paintings are always at noon with no shadows.
My very first painting was a copy of a Spartaco Lombardo it turned out surprisingly well and I learned so much.
You are fantastic!! I wish I can learn to paint like you.. thank you for your teaching..
Hi Andrew, I’ve just started to be a regular to your channel. Coincidentally, I am working on two copies (detail area) of Rosa Bonheur’s paintings, Horse Fair and Highland Raid. It’s astounding how much I’ve learned! I did my own drawings and this video came in very handy!!! Thank you for all that you do!
During my trips to Louvre, I saw many painters copying masterpieces in the museum. That's the way we learn. Thanks for sharing.
Thank you for that experiment. That is really a surprising use of a brush for details... it was definetely inspiring to try something similar myself, although I'm actually (because of one of your more recent videos) more into painting beautiful autumn veggies right now :)
I have the same illness of overperfectionate (is that a word?) details and planing ahead, and I really do admire people who can draw and paint without any planing whatsoever, but this exercise could, maybe, heal me a little.
I'm sure your wife will be super happy with this gift. There are really awesome paintings out there, and who would not want to have his/her favourite for oneself!
Nothing wrong with hacks to get you to the painting as long as you have the essence of your subject to do it justice as you grow skills in drawing and painting.. Thanks Andrew. See you in Patreon again in November. Yea!!!
It’s beautiful as always, Andrew. you are the one of the best artists of our time. ❤
You have the best artist channel , appreciate your work and knowledge. I was a child prodigy but never continued drawing and painting going into graphic arts and printing . Now I'm 58 and I'm going to start again . God bless 🙏🏼
Love your finished painting! Great copy of her painting. It looks like you had a lot of fun!
Ur studio looks so chill i wanna go paint in there while its raining
Great choice of master copy and great execution!
Dear Andrew Tischler! You are such an amazing artist and the teacher..! I learned sooo much from you. I truly can’t thank you enough…! My father tells me to get a mentor, and i tell him I already got one here (point at my TH-cam)..! although i sometimes day dream about going to New Zealand and paint with your painting buddies..!😊 hehe. Thank you very much. Because of you, i didn’t give up on my artist pursuit. I hope you are well and keep bringing the beauty into this world 🎉
Because of the tight deadlines of delivering covers for Saturday Evening Post Norman Rockwell used a projector. You do what you have to to get the result you want.
How great to watch you paint again, Andrew. Many thanks .
Awesome stuff! Thanks for sharing. 🙂
Love this copy Andrew. I did one of Sargent couple of weeks ago and loved the exercise. I’ve heard it’s 70 years after death for public domain works. Candi K
Cool, duly noted. Yeah, I've heard 50, 70 or 100... but again that's related to selling the work and making it a commercial endeavour... But I need to do some more digging. I appreciate the input!
I dont know anything about paintings , but watching ur videos feel im very good artist already !!!
Hello. You (and your wife) can be very happy with this copy, bravo. I sometimes try to copy and I feel like it's often more difficult than painting your own art.
Totally! There's a different thought process going on!
That is beautiful painting
Thank you for sharing
🎨🖌👋😍
This is a fantastic exercise... Bravo
Fantastic mate! Thanks for uploading tutorials of this quality.
Excellent exercise! Thank you!
Good work.....agree repaint is a learning experience
So wonderful painting . I love the frame so amazing
Your talent always has me in awe....so amazing. This painting is beautiful! I am inspired to try and do a study of a master artist. Thanks.
Love watching your work Andrew. There is something about your work and your videos which gets me inspired with my own artworks and your podcast is awesome :)
To me you are one of the modern day Masters. Thank you for all the incredible teachings and inspiration you so generously share with us! 🙏👌👌👌✨
Really enjoy watching you I need inspiration I need to start painting again I can send you pictures of my paintings
I think this was an interesting exercise and a great way to bond with an artist who’s work you appreciate.
What fun! Thank you for introducing us to Lucy Kemp Welch! Her mastery of horse anatomy and expressions is amazing. I am a horse lover a d have been drawing them since l was young (71 now and still do horses) you did a great job capturing the vibrancy of her brushwork. And those delicious whites..... loved this so much now looking at buying the book about her art. Again. Thanks!!!!
Thank you Tiffany! I am drawn to horses as well, their anatomy is a challenge to say the least!
I do lots of master copies. When I do one, I use the layers and transparency features in photoshop to draw all the objects in the painting as three dimensional objects like spheres, cylinders, cubes, etc. Then shade them to give them volume. I also draw the horizon and perspective lines to further put the objects on the picture plane in three dimensional space. Then I project this drawing onto the canvas. I find this helps the painting have a more three dimensional look. When I first started I just traced the contours and I felt it made my master copy look flat.
Another thing I focus on when doing master copies is pay attention to the edge work the artist did. Like soft or hard edges, do they use light or dark halos, etc. I found this really helps develop my own painting skills.
As far as master copies being cheating or forgery, most musicians only play someone else's work like Mozart or Beethoven but for some reason painters are only expected to make original works. It doesn't make sense. Every artist should do master copies to develop their skills. It's how the master apprentice system worked for the past 500 years.
Really enjoyed this shortened version of this master copy painting exercise (I watched the full version on Patreon as a member) but there's always room in my brain for more lol! Those caps look really cool. It would be great to be wearing one and bump into a fellow Tischee (is that even a word?) Only we know what it means to keep it real with cobalt teal!! I'm now thinking about what painting I could copy. perhaps I will put it on the Tisch Zone when I do.... Thanks again Andrew!
I did a Master Copy of Thomas Coles painting for my studio painting assignment and have to do a Manner of Study from it into a large canvas. Before you ask, the Manner of Study assignment is not another copy to Thomas’s painting, I did a landscape of a interesting landmark near the town of Alpine, Texas. The master work is just an exercise as my professor said so it’s not intended copy for personal gain except for practicing and improving my skill
Really love your paintings.
Always awesome to watch and see what you are up to Andrew! This is one more masterpiece 😊