I've said it before and I'll say it again. The tutorials you put out are stellar. 👌 Your ways of deconstructing and offering alternatives in sound design have helped me develop my own sound quite a lot.! 🙌🔗
For Serum users, you can replicate this by drawing partials but, if you got a crazy table, you can use the spectral subtraction options in the wavetable editor to achieve similar results.
Very cool! I cheat and parallel route a given channel through three other inserts on my mixer and then EQ only the Low/Mid/High on each track respectively. Route them all through another channel and compress 🙌🎶 The finite control is very enticing in your method though. 😮 Thanks for sharing!
Thank goodness for FL Studio and Harmor, the best additive synth ever. I’ve been using techniques like this for years, but I’ve always fallen short with post processing, and mastering in general.
This is called additive synthesis, especially if you take what you're doing further towards its logical conclusion. That is, controlling each partial with an amp envelope. Or you can have not so many "partials", but also give each one a pitch envelope. It can make any sound that can undergo a Fourier transform. It's easiest to set up if your goal is a strong clean sound, i.e. fewer and simpler individual partial envelopes. On the surface, your technique might seem more like multiband processing, but it's actually much more akin to additive synthesis, or possibly additive resynthesis, depending on how that wavetable in Vital was made. It's not a very publicized form of synthesis right now, so good on you for showing a way people can experiment with it using a free software instrument. BTW I have no problem with the video title. I think if you put "additive synthesis", then some people might think it's too esoteric, just because of the name, even though they'd have no problem actually doing what you show. So yeah, I'm not trying to get you to change the title, or anything like that. Just giving an area for people to explore further, if they like the technique in this video. I don't make videos on the topic, so I'm not self-promoting either. People can search the topic on their own.
Crazy amount of work for a pretty simple sound but i guess this does give you a lot more control. Youve done quite the deep dive into vital. Ive been making a lot of bassses recently but still have only scratched the surface .
1:47 @dashglitch (or anybody else for that matter) can you direct me to a site or maybe video explaining this part of vital a bit more in detail ? This part is not so clear to me what it's function is and how to use and implement it in my sounddesigning.
I live your videos. Please would you consider doing a new comprehensive Bass video using Vital. Would be awesome to also include progressive bass as well. Thanks for all you do.
Love how intricately theoretical sounddesign can get in Psy Trance. Thanks for these tuts!
Thanks brother.
I've said it before and I'll say it again.
The tutorials you put out are stellar. 👌
Your ways of deconstructing and offering alternatives in sound design have helped me develop my own sound quite a lot.! 🙌🔗
WOW! You, Sir, have done it again. This just blew my mind. Thank you and have a free comment for the algorithm on me. 😘
Incredible stuff!! Subscribed!
For Serum users, you can replicate this by drawing partials but, if you got a crazy table, you can use the spectral subtraction options in the wavetable editor to achieve similar results.
Very good buddy Thankyou so much🙏
this blew my mind, insanely powerful. excellent
Wow! Brilliant tutorial. Thanks so much.
Very cool! I cheat and parallel route a given channel through three other inserts on my mixer and then EQ only the Low/Mid/High on each track respectively. Route them all through another channel and compress 🙌🎶
The finite control is very enticing in your method though. 😮 Thanks for sharing!
dope technique! sooo customisable
This technique absolutely blew my mind. Thank you
This is how I made my first trans bass in Surge. Very cool. Thanks for sharing your ideas.
Thank goodness for FL Studio and Harmor, the best additive synth ever. I’ve been using techniques like this for years, but I’ve always fallen short with post processing, and mastering in general.
and is very light hehe
Since you switched to the lewitt mic i find that your speak is slightly distorted ? Maybe it's a tad to close to you and the membrane is distorted 🤔
Agreed, his voice sounds like it's running a bit hot
you can turn off wavetable normalization (as well as dc offset filtering) in vital nowadays
brilliant!
sick
Yo Dude! I love your videos! you are certainly the mad professor of sound design, thanks for being you and your amazing tutorials! Have a great day! 🙏
Very powerful bass. Many thanks Bro! I need to try it immediately
You are really a genius congrats 🍾
really awesome !!
Nice video!
Nice!
Thank you !! ^^
YEsis this is so proper bru!
This is called additive synthesis, especially if you take what you're doing further towards its logical conclusion. That is, controlling each partial with an amp envelope. Or you can have not so many "partials", but also give each one a pitch envelope. It can make any sound that can undergo a Fourier transform. It's easiest to set up if your goal is a strong clean sound, i.e. fewer and simpler individual partial envelopes.
On the surface, your technique might seem more like multiband processing, but it's actually much more akin to additive synthesis, or possibly additive resynthesis, depending on how that wavetable in Vital was made.
It's not a very publicized form of synthesis right now, so good on you for showing a way people can experiment with it using a free software instrument.
BTW I have no problem with the video title. I think if you put "additive synthesis", then some people might think it's too esoteric, just because of the name, even though they'd have no problem actually doing what you show. So yeah, I'm not trying to get you to change the title, or anything like that. Just giving an area for people to explore further, if they like the technique in this video. I don't make videos on the topic, so I'm not self-promoting either. People can search the topic on their own.
Who is out here thinkin additive is esoteric? It's one of the big synthesis types.
Damn the Vital interface is so busy, can you get a "click" target notifier on your screen capture software? Insanely great video btw!
Crazy amount of work for a pretty simple sound but i guess this does give you a lot more control. Youve done quite the deep dive into vital. Ive been making a lot of bassses recently but still have only scratched the surface .
Sh1t, gonna try dis on serum :o
thx
1:47 @dashglitch (or anybody else for that matter) can you direct me to a site or maybe video explaining this part of vital a bit more in detail ? This part is not so clear to me what it's function is and how to use and implement it in my sounddesigning.
mad ting bruv
I live your videos. Please would you consider doing a new comprehensive Bass video using Vital. Would be awesome to also include progressive bass as well. Thanks for all you do.
Lovely! Thank you!
What's with the odd crunch on the audio coming from your mic? This just me? (;
New mic, gained a bit too high, still used to the old one which needed max gain and for me to basically swallow it and shout haha
ah it wasn't just me, i guess he gained it a bit too high this video :-p
vital is your favorite synth at the moment ?
Phase plant, Vital is the people’s favorite at the moment
How far do you go with these techniques in your productions?
I use a split bass often, mostly just to isolate the sub
✌🙏
Yum 😋
i guess you realized, that your voice sounded distorted, i think that happened in a previous video too. maybe you check your setup.
Yes