She absolutely delivered in this aria and the whole evening. I had this concert on VHS pretty much just after it came out. I think I wore it out! I’m so glad to find it here on TH-cam. It is such a wonderful concert. Everybody was on fire that night. Oh to have been there. Thanks for posting it.
OMG...Thank you so much! I have hoped someone would post this in it's entirely...and here it is. Amazing and historic. The Mad Scene from Hamlet was unbelievable...a high-light for sure.
I was on cloud nine for this concert. I guess the audience liked it too ;-) you can spot me top right during the initial bow, behind the bearded bassoonist. playing trumpet there but beside myself to be backing my tenor hero...yes, i was tenor then too. of course, Joan was fabulous and I got to play wth her many times. Just this concert and 3 La Bohemes for big Lucy. what a season!
On a sadder note, Pavarotti's encore was Una furtiva lagrima. One of my own "party pieces too, but more importantly, this recording was played at the funeral of the bassoonist who is playing the opening." John Noble was a terrible loss to us when his light plane crashed. RIP.
1:18 - I Capuleti e i Montecchi, sinfonia 7:25 - La Traviata, brindisi 11:50 - Tosca, Recondita armonia 16:45 - La Traviata, Teneste la promessa... Addio del passato 23:58 - I Lombardi, La mia Letizia infondere 28:40 - I Puritani, O rendetemi la speme... Qui la voce 33:12 - Vien diletto 40:35 - La Sonnambula, Prendi, l'anel ti dono 47:25 - Adrianna Lecouvreur, Ecco, respiro appena... Io son l'umile ancella 52:40 - Werther, Pourquoi me réveiller 57:05 - Thaïs, méditation 1:03:52 - Hamlet, À vos jeux, mes amis 1:14:58 - Pagliacci, Vesti la giubba 1:21:58 - Lucia di Lammermoor, duo, Lucia perdonna... Verrano a te Bis : 1:40:38 - L'elisir d'amore, Una furtiva lagrima 1:47:25 - Cripino e la comare, Io non sono piu l'Annetta 1:53:45 - La Traviata, Parigi o cara
he would be taller than her, but her hair is about a foot tall, but man they sounded grand together, he always gave her full credit for teaching him to breathe.
Bonynge said that claim was exaggerated. And in any case Pavarotti never made it. He said he did study how she breathed on their Australian tour in 1965. He was already singing call an emerging star, so he certainly knew how to breathe!
@@liedersanger1 I heard him say more than once, that she taught me to breath. he said he would get tired and that she could sing for much longer with no tiredness, be that as it may , I think Boynge, (Ricky) was bitter than Pavarotti became bigger than Joan.
@@liedersanger1 I have heard him recorded saying she taught me to breath, and giving her all the credit, he gave credit where credit was due. his second wife used to be angry because he never never held a grudge when someone wronged him, I try to be like that. but im not. a great man in so many ways.
Disculpen la curiosidad (y a la vez, quizá, mi ignorancia), pero ¿Joan Sutherland y Luciano Pavarotti no están usando micrófonos o es solo la acústica del local?
Las salas de ópera clásicas se construyeron para que el sonido de la voz y los instrumentos se escuchara en todas partes, porque en aquella época no existía ninguna amplificación artificial. Por este motivo, los cantantes líricos y de ópera han desarrollado técnicas vocales que optimizan la proyección del sonido utilizando únicamente la resonancia de su propio cuerpo y voz. En definitiva: lo normal en la ópera o en el canto lírico, en general, es No utilizar micrófonos, ya que la mezcla del sonido de la voz con el de la orquesta es más orgánica y la calidad del sonido es mucho mayor y más natural. Los micrófonos sólo se utilizan en conciertos donde, o bien el espacio no reúne las condiciones acústicas ideales (por ejemplo, es demasiado grande o está al aire libre), o cuando los vocalistas no tienen una técnica vocal suficientemente desarrollada para el tipo de repertorio que pretenden interpretar. Salud!
![Whit Flickinger (voice) "Something Lovely for My Friends" [11/21/24]](http://i.ytimg.com/vi/gikyrU-G6gw/mqdefault.jpg)
33:17 I was deeply moved and captivated when I first heard this concert, discovering this aria and her singing it.
She absolutely delivered in this aria and the whole evening. I had this concert on VHS pretty much just after it came out. I think I wore it out! I’m so glad to find it here on TH-cam. It is such a wonderful concert. Everybody was on fire that night. Oh to have been there. Thanks for posting it.
Vien diletto e in ciel la luna is one of my favorites of hers. Nobody could sing Elvira like her!
One of the great operatic duos, in one of the most superb video recorded operatic concerts ever!
από Όλακαλαειμαι❤
I’ve been looking for this concert for years until you finally posted it thank you so much
Thanks for the music it's fantastic ♥️❤️
OMG...Thank you so much! I have hoped someone would post this in it's entirely...and here it is. Amazing and historic. The Mad Scene from Hamlet was unbelievable...a high-light for sure.
Joan Sutherland and Pavarotti excellent ❤❤
I was on cloud nine for this concert. I guess the audience liked it too ;-) you can spot me top right during the initial bow, behind the bearded bassoonist. playing trumpet there but beside myself to be backing my tenor hero...yes, i was tenor then too. of course, Joan was fabulous and I got to play wth her many times. Just this concert and 3 La Bohemes for big Lucy. what a season!
On a sadder note, Pavarotti's encore was Una furtiva lagrima. One of my own "party pieces too, but more importantly, this recording was played at the funeral of the bassoonist who is playing the opening." John Noble was a terrible loss to us when his light plane crashed. RIP.
Lucky you! I got to see them both in "Luisa Miller" at the San Francisco Opera some 50 years ago. God and Goddess to me.
1:18 - I Capuleti e i Montecchi, sinfonia
7:25 - La Traviata, brindisi
11:50 - Tosca, Recondita armonia
16:45 - La Traviata, Teneste la promessa... Addio del passato
23:58 - I Lombardi, La mia Letizia infondere
28:40 - I Puritani, O rendetemi la speme... Qui la voce 33:12 - Vien diletto
40:35 - La Sonnambula, Prendi, l'anel ti dono
47:25 - Adrianna Lecouvreur, Ecco, respiro appena... Io son l'umile ancella
52:40 - Werther, Pourquoi me réveiller
57:05 - Thaïs, méditation
1:03:52 - Hamlet, À vos jeux, mes amis
1:14:58 - Pagliacci, Vesti la giubba
1:21:58 - Lucia di Lammermoor, duo, Lucia perdonna... Verrano a te
Bis :
1:40:38 - L'elisir d'amore, Una furtiva lagrima
1:47:25 - Cripino e la comare, Io non sono piu l'Annetta
1:53:45 - La Traviata, Parigi o cara
Maravillosos El Primwe Tenor del Mundo y la Más Granse Soprano de todo el Universo!!!! Gracias por compartur!!!!❤❤❤
Te quiero Luciano, amor santo ❤❤❤❤❤❤❤
Congratulations ❤❤
God bless you posting this. I thought I had heard everything they did together. Not this one!
La Traviata de Verdi very very beautiful ❤
Yi
STRAORDINARI!
Magnificent!❤
Bellini is very , very , good ❤
Mítico, irrepetible ❤❤
Non posso credere che lei indossasse davvero un vestito come quello...
Fabulous! ❤
La Traviata de Verdi ❤❤
m,agrada molt Tosca de Puccini ❤
L, elixir de amore Donizetti ❤
I saw both stars onstage together in Il Trovatore.
yes.
@@dodotassime too. And this concert. Getting old. 👍👋
ke coppia meravigliosa❤❤❤❤❤❤❤❤
is my love ❤❤
he would be taller than her, but her hair is about a foot tall, but man they sounded grand together, he always gave her full credit for teaching him to breathe.
Bonynge said that claim was exaggerated. And in any case Pavarotti never made it. He said he did study how she breathed on their Australian tour in 1965. He was already singing call an emerging star, so he certainly knew how to breathe!
@@liedersanger1 I heard him say more than once, that she taught me to breath. he said he would get tired and that she could sing for much longer with no tiredness, be that as it may , I think Boynge, (Ricky) was bitter than Pavarotti became bigger than Joan.
@@liedersanger1 I have heard him recorded saying she taught me to breath, and giving her all the credit, he gave credit where credit was due. his second wife used to be angry because he never never held a grudge when someone wronged him, I try to be like that. but im not. a great man in so many ways.
Mitici❤
1:03:56 min - "A vos jeux, mes amis" - Hamlet (Ophelia's Mad Scene) - Ambroise Thomas.
33:24 Vien Diletto e in Ciel la Luna
A M A Z I N G
NOT ANY EQUIVALENT TODAY
What aria is Pavorotti singing at 24.00 and forward?
VERDI: I LOMBARDI la mia letesia infondere, as written on the screen before aria
Disculpen la curiosidad (y a la vez, quizá, mi ignorancia), pero ¿Joan Sutherland y Luciano Pavarotti no están usando micrófonos o es solo la acústica del local?
Las salas de ópera clásicas se construyeron para que el sonido de la voz y los instrumentos se escuchara en todas partes, porque en aquella época no existía ninguna amplificación artificial.
Por este motivo, los cantantes líricos y de ópera han desarrollado técnicas vocales que optimizan la proyección del sonido utilizando únicamente la resonancia de su propio cuerpo y voz.
En definitiva: lo normal en la ópera o en el canto lírico, en general, es No utilizar micrófonos, ya que la mezcla del sonido de la voz con el de la orquesta es más orgánica y la calidad del sonido es mucho mayor y más natural.
Los micrófonos sólo se utilizan en conciertos donde, o bien el espacio no reúne las condiciones acústicas ideales (por ejemplo, es demasiado grande o está al aire libre), o cuando los vocalistas no tienen una técnica vocal suficientemente desarrollada para el tipo de repertorio que pretenden interpretar.
Salud!
@@soundslikeblue Muchas gracias. Me ha ilustrado en gran manera. Saludos también.
1:04:30 Hamlet Mad Scene
1:47:27 Io non sono piu l'annetta