📍REVISION: If you're wondering where it's gone, I've decided to remove the brief section featuring "Blinding Lights" by The Weeknd. Some commenters pointed out that the song actually fits better into C aeolian, rather than F dorian and, on reflection, I agree with them! Sorry for any confusion caused and thanks for your support! 😊
I must be the only one who saw DORIAN in the title and immediately thought of the Smashing Pumpkins song named Dorian. It's definitely not their best song..... but it was okay.
Greatl. Because of this observation I worked my animated analysis with C aeolian: th-cam.com/video/ulJKdrBVEDk/w-d-xo.html There's a lot of sites out there pointing it's Eb (even some says it's C#), but I disagree. Regards and good work!
New to your channel, and I must say, I'm really impressed that you would admit to being wrong and try to learn from the experience rather than dig in for the sake of your ego. I subscribed.
All I’m saying is that this dude deserves way more credit than he currently gets. The production quality and content depth on these videos is amazing and I love watching them!
@@DavidBennettPiano dude I could have never gone to music college or studied music full time these videos give me information that I literally couldn't learn anywhere else.
Mine too, but only diatonic modes are included. If all modes (Modes of major, minor, double harmonic and pentatonic scales) are included, my favourite is major pentatonic scale; because it has no notes that clashes.
@@ferudunatakan anyway, the Dorian mode is defined by the brighter 6th note of the scale, if instead, we played the darker 6th note, then we would be using Aeolian instead.
@@ferudunatakan for me, dorian is also my favorite diatonic scale mode but if were going beyond the major scale stuff then for me, its phrygian dominant overall (absolute goat)
Dorian is also found in medieval music like gregorian chants, or sea shanties. I also love it when the dorian mode is played slow with some stringed arpeggios. It's sooo medieval sounding.
It's used for traditional English songs alot. Tune DADDAD and drone the low D open with your thumb and mess around with open, 2nd fret, 3 fret on the high D, and the 3rd fret on the high A. sort of like a regular tuned D chord shape but play with the notes individually, this will give you a "Celtic" sound. PS: "Celtic music" isn't really a thing per se since Celtic is a language group that spread from Anatolia, through the Swiss Alps and North Italy, to Spain and France, to the British Isles and Ireland and the majority of the celts had no writing system let alone musical notation. What is called "Celtic" in modern times are various traditional music's from Irish, Scottish, English and Brittany in France.
@@juliepigois3330not strictly Celtic. Dorian was very common in the middle ages all over Europe. The Cantigas de Santa Maria and Llibre Vermell de Monserrat from Iberia, Trecento music from 14th/15th century Italy, Chansonnier du Roi from France, Walther von Der Vogelweide from Germany, and a lot of folk English tunes like Scarborough Fair.
My name is Doriane (E Dorian- *rimshot*) and I'm a singer/songwriter/composer and this video describes my personality and my music style which is so freaking weird! What about you? Do we share the same personality?
I love Dorian, its always felt like a true neutral scale between major and minor happy hanging with both. It can have that sad feel while still being hopeful. Can give a lovely folky sound.
You can make a minor song sound happy and a Major song sound sad. Just all depends on 1. Tempo 2. Dynamics. 3. Articulations, 4. How you play it. 5. Chord choices in the progressions. It's just to me saying "oh major happy and minor sad" is too simplistic to say. As for Dorian, look up Drunken Sailor. The song is does not sound sad at all when it's sped up like it. It sounds happy and jolly.
My favorite part was hearing a bit of what you wrote yourself. Beautiful stuff man you're very talented as a performer, instructor, as well as an entertainer. Thanks man I learned a lot and enjoyed
@@S-Dual Thanks a lot. What a wonderful piece of music. I didn't know it although I love Bach. Just listened to the interpretation of Karl Richter. Wonderful.
Timestamps: 0:46 Riders on the Storm - The Doors 1:32 Mad World - Tears for Fears 4:25 Scarborough Fair - Trad. 5:00 Woodstock - Joni Mitchell 5:41 Blue Jeans - Lana Del Ray 6:24 Drive - R.E.M. 7:47 Give It To Me Baby - Rick James 7:53 Stevie Wonder - I Wish 7:59 Flashlight- Parliament 8:04 Good Times - Chic 8:10 Pick Up The Pieces - Average White Band 8:18 Uptown Funk - Mark Ronson ft. Bruno Mars 8:25 Use Me - Bill Withers 8:34 Chameleon - Herbie Hancock 8:47 Lucky - Radiohead 8:54 Apache - The Shadows 9:01 No Quarter - Led Zeppelin 9:07 Reptilia - The Strokes 9:15 Evil Ways - Santana 9:21 Oye Como Va - Santana 9:27 Laser Gun - M83 ft. Mai Lan 10:00 500 - Arctic Monkeys 10:08 Moondance - Van Morrison 10:15 Light My Fire - The Doors 10:20 God’s Plan - Drake 10:36 Eleanor Rigby - The Beatles 11:08 Thriller - Michael Jackson 11:55 Breathe - Pink Floyd 12:01 The Great Gig In The Sky - Pink Floyd 12:08 Any Colour You Like - Pink Floyd 12:15 Another Brick In The Wall Pt. 2 - Pink Floyd 12:22 Wish You Were Here - Pink Floyd 12:33 So What - Miles Davis Examples that weren’t in the video: Karma Police - Radiohead 15 Step - Radiohead Billie Jean - Michael Jackson I Me Mine - The Beatles Money - Pink Floyd Don’t Bother Me - The Beatles
The Rohan theme in "The Lord of the Rings", by Howard Shore! It's my favourite example: an overall "minor" feeling with a boost of hope whenever the fourth chord appears. It's the perfect leitmotif for Rohan, a culture in decadence, but still proud.
@@muenchhausenmusic Thats' because all modes on any key are Ionian in another. It's hard to tell with Get Lucky because the whole song is more of an extended vamp. By the way the last note they sing is actually an A so... make what you will of it
@@chrismartin3197 Almost. Getting close. There were snippets of musical brilliance even on much earlier songs but they tended to get lost among the 3 and 4 chords tricks that they and just about everyone else was using at the time.
@@worldsheaviestjamband93 the Dorian key sounds better than the Natural minor key with the minor 6th, in the Dorian key, the Major 6th is played, and so the Dorian key is winsical.
I wrote a song in Dorian scale when I was 14, without realizing what I was doing. Now, I'm working on it even more and I'm SO HAPPY that I finally have the tools to analyze my own work and understand it.
Wicked Game by Chris Isaak. Awesome example of dorian in B minor. There are only three chords in this song: Bm, A, E. E is dorian subdominant cause it has G sharp in it. Love this song and love dorian mode❤
I'm really happy you include examples of how things sound different in your videos, it really gets the point across easily! I'm learning so much from your videos and get inspiration to write more different stuff
David, thank you so much for these videos! I've been a singer-songwriter and guitarist for many years now, and as I'm self-taught for the most part have never known that much about music theory. I have learnt so much from your channel! Your videos are so informative and easy to watch. I love how you link actual song examples to bring the theory to life. Thank you again and keep up the fantastic work!
Dorian Mode is one of my favourites - and Mixolydian also in the same fashion because of the chord progressions and distinctive cadences. Drunken Sailor! Celtic Music! LOVE your explanations and totally wish you were teaching harmony when I was at music school in the 70's and 80's!
Same! Mixolydian and Dorian feel like cousins. They're both laid back versions of Ionian and Aeolian, respectively. Mixolydian just feels like the embodiment of the word halcyon.
When I started learning about modes in piano class it honestly blew my mind because you start to realize how everything is connected. Gives a whole new perspective on music theory. Excellent videos, keep it up!
'Man in the Box' by Alice in Chains is in Eb minor, but uses the raised sixth note (C) in the verse melody. Also, 'Radioactive' by Imagine Dragons is in B dorian and uses both the major IV chord (E major) and the raised sixth note (G#) throughout; the moment I find it the most noticable is during the chorus.
Thank you, David. I really enjoyed your latest video on the Dorian mode. It's great to see the four inventive key changes still growing. Like millions of viewers, I l00k forward, so much, to your videos. Please keep them coming. Regards, Peter.
Brother your videos are spot-on on every level. Everything is presented with absolute clarity, from your commentary to the beautiful graphics and videos. It’s a pleasure to follow along. You’re a born teacher.
My favourite modulation. And one of the factor why Dark Side of The Moon is one of my fav album of all the time. They used the Dorian Vamp in most of the song.
One brilliant example I've always loved is Skyfall by Adele. Because it's a spy song, it naturally features the very iconic Bond voicing of i - i aug - i 6 - i aug, but with a twist. The song, being in Cm, goes: Cm (i) - Ab (VI) - F (IV) - Fm/Eb (iv), effectively emphasizing both 6ths, and moving us briefly to a C dorian, that gives it a very mysterious touch every time. Not only that but, at the end of every repetition, it graces us with a very fun 2-5-1 variaton, with a Csus2/Eb funcitoning as our 2, into a G major that sends us into incredible tension with its B natural, so we briefly stand on that harmonic minor before finally resolving back to our C natural minor. It's a fantastic use of modes for narrative purposes.
That Riders on the Storm piano run is a fantastic one, gotta remember that one. It sounds so exciting, so dreamy. Like looking at the cloudy night sky with some stars and bright full moon, thinking about a fantasy story. Perhaps travelling and feeling like something not normal is in play. The best I can describe the feel of that dorian mode key note is that it sounds hopeful. Funnily enough they used the note exactly on the word "funny". Great and thoughtful composing and arrangement. Hearing the Scarborough Fair made me think that Dorian sounds a lot like what we would use for medieval themes. What a lovely mode for magical sadness.
It's always really heartening to see a love of music flow, weave and change through the generations. Each making it their own. Art is the medium of decorating space but music is the medium of decorating time.
"Song of storms" is also an example of a minor melody without a sixth. Some more examples you might like: The Shovel Knight theme mixes Dorian, Aeolian, and Phrygian. "Beware the Forest's Mushrooms" from Super Mario RPG. A lot of songs from the Mega Man series. Like Snake Man from Mega Man 3, and Napalm Man, Stone Man, and Wood Man from Mega Man 5.
I've been waiting for pink Floyd lol and told myself he can't miss this.. lol.. And I love the way David let for them a special room in this video.. You make such great videos David.. Very instructive and methodologically well worked
So crazy - I was watching your videos this morning and was also trying to research Dorian mode for a composition piece and now you’ve a video on Dorian just a few hours later 🤯
Modes have never made much sense to me, but you my friend have finally helped me learn. Keep these videos coming! It really helps to see the use of the modes in popular music
Excellent and clearly demonstrated explanation. Thanks a lot. I'm not a pianist but a fiddle player by the way, but this (to me) is complicated stuff that is invaluable to learn.
Queen's Tie Your Mother Down is a great example of a song that switches between Dorian and Mixolydian, with the riff and verses being in Dorian, the pre-chorus and chorus being in Mixolydian, and the solo being in both simultaneously.
I would say it's simply in the "blues tonality" which has a variable 3rd. Wouldn't describe it exactly as Dorian or Mixolydian. It's kind of a mixture of both, but also kind of not. It's a separate thing with its own musical vocabulary. The song also uses the major V chord. It actually uses all of the chords with their roots on the notes of A minor pentatonic. A, C, D, E and G chords. And I would say all of those chords are major.
@@MaggaraMarine Good point. However, with the exception of that section during the solo where Brian uses the E major pentatonic scale, the E comes off more as an E5 than an E major chord since the guitar's not playing the G# whatsoever and the vocals treat it like a bent G so it's really only John Deacon's bass that's playing it and even then, it's only during the 2nd pre-chorus and the aforementioned part of the solo.
@@leftyguitarist8989 Well, the fact that G# is not necessarily included in that chord all the time doesn't really matter - it's still functioning as an E major chord. This is implied by the E5 E6 E5 E6 rock and roll cliche riff. It is true that it's the bassline in the 2nd verse that uses G#, but even if no one ever used that note, functionally it would still be E major. Power chords (when used "as chords" rather than "melodically", as in some rock/metal riffs) do have a quality in context. The third is simply omitted, but the context will determine whether the chord is actually functioning as a major or a minor chord. And in this case, I would say it's quite clearly a major chord, even if there is no third.
Man, you have such a broad knowledge of popular music. Hat's off to you for that. And I love when you demonstrate what a song would sound like if there was just one thing (say, a note) changed. It really gets the point across.
Brilliant video. You connect so many songs and styles, even when the mode appears or disappears momentarily. Riveting and much desired education, thank you.
"Parabol / Parabola" by Tool is another example of contrasting Aeolian vs Dorian, but here it's mostly alternating between the vocal melody and the guitars: The flat 6th scale degree first appears in the melody towards the end of "Parabol" ("We barely remember"), but the bass line already plays the Dorian raised 6th a few seconds later. Then the verses of "Parabola" continue with the Aeolian b6 in the melody ("Who or what came before..."), whereas the raised 6th appears in the chorus ("...this holy reality...") in the guitar and bass part, giving the chorus a Dorian feel. Only in the middle bridge of "Parabola" does the vocal line reach the raised 6th on "Alive and breathing", creating a satisfying moment of catharsis, but again using the b6 for the final flourish.
I just love this Dorian mode and having examples of songs that use that mode is very informative! 👍 Putting words and theory to songs we already know helps for understanding and creating music as well. Thank you so much for the video! 😊
Mann i really appreciate the amount of work you put in analyzing every song you put and even polishing it down for the notes to be clear. I cant imagine how many funky songs you had to listen to to create that stream of examples. Also i love how you always sneak a lil radiohead i there it always makes me smile :)
What about the "Boulevard of Broken Dreams"? The chords in the verses are in Dorian before the chorus brings in the natural minor. That progression has become really common in recent years, actually.
The verse goes Em / G / D / A... I guess the C# in the A chord is what makes it E Dorian. Is it normal to see Dorian tunes written in the key of the Aeolian with the same root (here Em = G), just with an accidental on the sixth, instead of actually using the key signature for the Dorian itself (E Dorian = Bm = D)?
@@markjreed tmk like he said in the video, a dorian scale (i’ll use d dorian for example since it’s simple) isn’t a version of its major counterpart since that major scale has a different root note. for this example, while c major has the same notes as d dorian, its a fully different scale because it revolves around c while d dorian is about d. writing a d dorian scale as d minor with an accidental makes it easier to get a feel for the scale :)
All right, I'm stoked that you're going to do videos on all the modes! I really enjoy how you compare songs in different genres and show what they have in common, as well as how the composers could have written them differently. I know it's a pain to include so many songs that are under copyright, but it makes it so much easier for me to understand than videos where they just demonstrate the scales/chords without playing actual songs I'm familiar with.
Every time I watch a video from you I cannot not imagine my compositions and songs being analyzed. Hahah. Am I the only musician to feel that way ? Thanks for your great content, you are truly a gem on TH-cam.
Owl City (as well as his other musical projects) uses a lot of the Dorian and Mixolydian(??) modes. That’s part of how his music sounds so whimsical/uplifting/nostalgic/dreamy!
@@wyattstevens8574 Dorian and Mixolydian are basically defined by the 3rd note, as Dorian uses the darker 3rd note, whereas Mixolydian uses the brighter 3rd note.
David, I have been searching for a Dorian / modal summary like this my whole life! Your examples truly help simplify Dorian scales found in so many popular songs. BTW, I think your original song at the end is awesome, I want to hear more of your compositions. I will replay this video with my vibes mallets in hand! B la B
Earth song by Michael Jackson is heavily in Dorian, I believe parts of the main title from 'A Night at the Museum' is partly in Dorian as well. A good example of Phrygian Dominant (although I know it's not a mode of the major scale) is Stockholm Syndrome by Muse.
Gotta say that I really appreciate your work. These video's are incredibly well put together, include very apt and succinct examples that explain your point perfectly. Not to mention the sound quality, scale portrayal and comparison. All in all, great job on this and other videos and thank you for teaching! Lots of love from a happy subscriber from the Netherlands!
Hi David, I'm finding your videos on song construction inspiring. I used to write lots of songs but haven't done any for a few years. Now I'm beginning to get the bug again and I'm also enjoying dragging my old songs out again and going: Ah, yes, I kicked that off with a Dorian vamp etc (not that I was aware of it at the time). Thank you for your superb videos. I'm looking forward to all the other modes you'll be examining. It was amazing to see how that great intro to Riders is simply based on that descending Dorian scale. You could say the scales are falling from my eyes (ouch!) or maybe ears...Keep up the good work. PS Really like your own piece at the end of the vid. :-)
The Dark Side of the Moon, being basically a concept album, uses in most of the songs (I suppose intentionally) the same chord progression but transposed in different keys
Your videos have been so helpful to my music theory. Thanks so much! Also, swallowtail jig is a pretty well known fiddle tune in E Dorian. One of the only fiddle tunes I can actually play!
When I think of the dorian mode I think of songs like "Wanted Dead Or Alive" by Bon Jovi, "Fade In-Out" by Oasis and "Drift And Die" by Puddle of Mud. There're all in D dorian. There's a specific sound created when you use D dorian on the guitar, especially in drop D, which I don't know what to call but sounds great.
"Burn It Down" by Linkin Park is also in D dorian. A lot of guitar songs use the scale of the mode with all naturals - SO many use the chords G, D, C, and Em.
@@dreamynachos3439 "Wonderwall" is in F# Minor with heavy use of extensions and suspensions in its chords as well as a slight hint of Locrian in its vocal melody.
Pytagoras was asked to help calm youngters at a party. He danced, told jokes, spoke witty words (young in spirit) and then, asked them to tune their instruments into a certain scale. From the first notes all calmed down and one by one went to sleep. No need for a raid.
Great video, awesome production value. Wicked Game by Chris Isaak immediatly springs to mind as another song in Dorian (that I’ve been playing for years without knowing)!
you are very erudite, hip and thoughtful. I love everything you post and find that I come away with a new sense of sound, music and theory that I never would have appreciated otherwise.
It’s so crazy to me how everyone has an innate sense of music understanding, but most have no idea what makes them feel the music or how to make it themselves.
It’s actually Greek! “Dorian” and “Aeolian” are both Greek terms. The Ancient Greeks named several modes. en.wikipedia.org/wiki/Mode_(music) That said, as a non-musician I still don’t understand much of the video, although, like you, I find it fascinating.
📍REVISION: If you're wondering where it's gone, I've decided to remove the brief section featuring "Blinding Lights" by The Weeknd. Some commenters pointed out that the song actually fits better into C aeolian, rather than F dorian and, on reflection, I agree with them! Sorry for any confusion caused and thanks for your support! 😊
I must be the only one who saw DORIAN in the title and immediately thought of the Smashing Pumpkins song named Dorian. It's definitely not their best song..... but it was okay.
Greatl. Because of this observation I worked my animated analysis with C aeolian: th-cam.com/video/ulJKdrBVEDk/w-d-xo.html
There's a lot of sites out there pointing it's Eb (even some says it's C#), but I disagree. Regards and good work!
How much you analyze any of the following songs?
Wave, Terrence Shider
Big Man on Mulberry Street, Billy Joel. (I believe that it's in Dorian)
l
New to your channel, and I must say, I'm really impressed that you would admit to being wrong and try to learn from the experience rather than dig in for the sake of your ego. I subscribed.
All I’m saying is that this dude deserves way more credit than he currently gets. The production quality and content depth on these videos is amazing and I love watching them!
Wow, thanks! That really means a lot. These videos are an utter mission but it’s worth it when I get comments like this 😃
@@DavidBennettPiano dude I could have never gone to music college or studied music full time these videos give me information that I literally couldn't learn anywhere else.
Massimo Vareschi thank you! 😃
@@DavidBennettPiano Mac is bang on with what her says. Your videos are fantastic.
Yep this is absolutely top quality stuff in every way. Big budget productions cannot outdo this channel.
Dorian might be my favorite mode, it’s just so smooth and melancholy while still having an air of hope and peace
Mine too, but only diatonic modes are included. If all modes (Modes of major, minor, double harmonic and pentatonic scales) are included, my favourite is major pentatonic scale; because it has no notes that clashes.
@@ferudunatakan anyway, the Dorian mode is defined by the brighter 6th note of the scale, if instead, we played the darker 6th note, then we would be using Aeolian instead.
@@ferudunatakan for me, dorian is also my favorite diatonic scale mode
but if were going beyond the major scale stuff then for me, its phrygian dominant overall (absolute goat)
melancholic*
@@bertberw8653 okay
What are you reading?
An old novel: "The Picture of i-IV- Gray"
you cheeky bastard
Well done 👍
This is one of the worst puns I’ve ever heard. I applaud you sir
Ouch! ;)
I'll pretend I haven't read that and that the temperature in the room actually dropped or... I'll just have a laugh ;)
I love how David uses so many genres of music to show examples. It makes it even more interesting.
David truly is a God when it comes to music
Dorian is also found in medieval music like gregorian chants, or sea shanties. I also love it when the dorian mode is played slow with some stringed arpeggios. It's sooo medieval sounding.
It's the Celtic scale. All over Irish music. D Dorian. Play guitar with the E strings dropped down to Ds.
It's used for traditional English songs alot.
Tune DADDAD and drone the low D open with your thumb and mess around with open, 2nd fret, 3 fret on the high D, and the 3rd fret on the high A. sort of like a regular tuned D chord shape but play with the notes individually, this will give you a "Celtic" sound.
PS: "Celtic music" isn't really a thing per se since Celtic is a language group that spread from Anatolia, through the Swiss Alps and North Italy, to Spain and France, to the British Isles and Ireland and the majority of the celts had no writing system let alone musical notation. What is called "Celtic" in modern times are various traditional music's from Irish, Scottish, English and Brittany in France.
That’s where it comes from!
@@juliepigois3330not strictly Celtic. Dorian was very common in the middle ages all over Europe. The Cantigas de Santa Maria and Llibre Vermell de Monserrat from Iberia, Trecento music from 14th/15th century Italy, Chansonnier du Roi from France, Walther von Der Vogelweide from Germany, and a lot of folk English tunes like Scarborough Fair.
Which is why Dorian is used in Fantasy scores
I love that riders of the storm intro.
Me too! Definitely in my top 25 songs ever!
nfs underground 2 vibes hahaha
that electric piano, those rain sounds, that exquisite bass line, Snoop Dogg rapping... wait what?
My top song of Door. It sounds even good in Eolian though. 👍
My favorite Doors song.
Most of all I love how David shows how it WOULD sound if it was written in a more trivial traditional mode. So cool!
Thank you! 😃😃
I must agree. It keeps fascinating me to hear how changing one note can have such an effect on the melody as a whole.
No mode is trivial, FFS!
nothing trivial about minor!
@@unacuentadeyoutube13 ok, more traditional.
My name is Dorian and I love everything about this.
lol
Me Too!
Thanks for making me connect the dots why people make i-IV-Gray jokes here! I hadn't thought about the given name!
My name is Doriane (E Dorian- *rimshot*) and I'm a singer/songwriter/composer and this video describes my personality and my music style which is so freaking weird! What about you? Do we share the same personality?
My name is Dorian too haha I’m so surprised didn’t know there was a scale named Dorian
I love Dorian, its always felt like a true neutral scale between major and minor happy hanging with both. It can have that sad feel while still being hopeful. Can give a lovely folky sound.
You can make a minor song sound happy and a Major song sound sad. Just all depends on 1. Tempo 2. Dynamics. 3. Articulations, 4. How you play it. 5. Chord choices in the progressions.
It's just to me saying "oh major happy and minor sad" is too simplistic to say.
As for Dorian, look up Drunken Sailor. The song is does not sound sad at all when it's sped up like it. It sounds happy and jolly.
It literally is.
My favorite part was hearing a bit of what you wrote yourself. Beautiful stuff man you're very talented as a performer, instructor, as well as an entertainer. Thanks man I learned a lot and enjoyed
Thank you Andy!
His song is really special it's true!
doiran is actually kind of funny and kind of sad
The dreams of which are Dorian are the best I've ever had
I find it hard to tell you, i find it hard to take
sounds like life
Ah, like when a clown dies.
@@frigginjerk it's the lyrics of mad world.
Wow, that aeolian version of Mad World sounds so different! And actually a lot less interesting, it's amazing how one note can make such difference
Agreed! 😃😃
Actually I quite like the Aeolian version too. Even tho I love the original too
There is no arrangement of any of the notes within the human audible spectrum that would've saved this song from being a dirge.
Agreed. When he played the variant, I literally thought “yeah, but that’s boring”
Oddly enough, Mad World the major key sounds the most depressing, even more than Dorian or the Minor key
Damn I'm such a sucker for the Dorian scale. So beautiful, intriguing, and mystical. Cannot believe it isn't used more often.
Me too. I feel like it was used a lot in 60s psychedelic rock. I'm thinking Cream.
It's really common in funk music
I really love it, too. Can't get enough of it. Maybe in the depths of TH-cam there is a playlist with songs in the dorian scale.
Bwv 538
@@S-Dual Thanks a lot. What a wonderful piece of music. I didn't know it although I love Bach. Just listened to the interpretation of Karl Richter. Wonderful.
Timestamps:
0:46 Riders on the Storm - The Doors
1:32 Mad World - Tears for Fears
4:25 Scarborough Fair - Trad.
5:00 Woodstock - Joni Mitchell
5:41 Blue Jeans - Lana Del Ray
6:24 Drive - R.E.M.
7:47 Give It To Me Baby - Rick James
7:53 Stevie Wonder - I Wish
7:59 Flashlight- Parliament
8:04 Good Times - Chic
8:10 Pick Up The Pieces - Average White Band
8:18 Uptown Funk - Mark Ronson ft. Bruno Mars
8:25 Use Me - Bill Withers
8:34 Chameleon - Herbie Hancock
8:47 Lucky - Radiohead
8:54 Apache - The Shadows
9:01 No Quarter - Led Zeppelin
9:07 Reptilia - The Strokes
9:15 Evil Ways - Santana
9:21 Oye Como Va - Santana
9:27 Laser Gun - M83 ft. Mai Lan
10:00 500 - Arctic Monkeys
10:08 Moondance - Van Morrison
10:15 Light My Fire - The Doors
10:20 God’s Plan - Drake
10:36 Eleanor Rigby - The Beatles
11:08 Thriller - Michael Jackson
11:55 Breathe - Pink Floyd
12:01 The Great Gig In The Sky - Pink Floyd
12:08 Any Colour You Like - Pink Floyd
12:15 Another Brick In The Wall Pt. 2 - Pink Floyd
12:22 Wish You Were Here - Pink Floyd
12:33 So What - Miles Davis
Examples that weren’t in the video:
Karma Police - Radiohead
15 Step - Radiohead
Billie Jean - Michael Jackson
I Me Mine - The Beatles
Money - Pink Floyd
Don’t Bother Me - The Beatles
Lana Del Rey*
Venus - Shocking Blue
Breathe in the air- pink floyd. Time- pink floyd. Down by the river- neil young. Always that Em to A maj sound is the tell.
@@johnroemer4450 so Dorian is just a 2-5-1 that never truly resolves (where 2 becomes the root)
The Halo theme.
The Rohan theme in "The Lord of the Rings", by Howard Shore! It's my favourite example: an overall "minor" feeling with a boost of hope whenever the fourth chord appears. It's the perfect leitmotif for Rohan, a culture in decadence, but still proud.
Mind blown!
Get Lucky in minor sounds like a Coldplay song.
true hahaha
You mean Adventure of A Lifetime?
I'd argue that Get lucky is actually in F# minor and the chord progression just starts on the subdominant
@@muenchhausenmusic Thats' because all modes on any key are Ionian in another. It's hard to tell with Get Lucky because the whole song is more of an extended vamp.
By the way the last note they sing is actually an A so... make what you will of it
What is it that makes "Sparks" so special?
Oh thats what they did with eleanor rigby. Always woundert what made that song sound so special.
Eleanor Rigby was the first Beatles song that gained musical genius status.
Beatles used dorian mode in quite a lot of songs
@@Mark95876 norwegian wood?
@@chrismartin3197 that would be Mixolydiam
@@chrismartin3197 Almost. Getting close. There were snippets of musical brilliance even on much earlier songs but they tended to get lost among the 3 and 4 chords tricks that they and just about everyone else was using at the time.
Ethereal and whimsical, maybe, but “Drunken Sailor” is always my go-to example for a song in Dorian.
I think having it in Dorian makes it more fun drunk…instead of Aeolian sad drunk.
@@worldsheaviestjamband93 the Dorian key sounds better than the Natural minor key with the minor 6th, in the Dorian key, the Major 6th is played, and so the Dorian key is winsical.
I wrote a song in Dorian scale when I was 14, without realizing what I was doing. Now, I'm working on it even more and I'm SO HAPPY that I finally have the tools to analyze my own work and understand it.
I did the same but when I was 13, then I understood it by the time I was 14
This is the most easily understood explanation of the modes I've ever heard. It's tied all of the loose ends I had. Thanks. 🙏
Thank you! 😃
Therapist: even more depressing Mad World isn’t real, it can’t hurt you
Even more depressing Mad World:
Well, of course, living in the past by Jethro Tull
Ikr
New Dawn Fades?
Honestly
2:30
As a big Doors fan, holy shit, that contrasting of Rider's of the Storm with the two natural and minor and dorian really made it clear!
Wicked Game by Chris Isaak. Awesome example of dorian in B minor. There are only three chords in this song: Bm, A, E. E is dorian subdominant cause it has G sharp in it. Love this song and love dorian mode❤
Classic Isaak! Been a fan since 1986!
There's a Dire Straits song with a guitar solo that switches from Am Dorian to Am Aeolian scale. It changes the guitar solo from swagger to bitter.
It uses the raised sixth so clever, in the part that says "I've never dream that I meet somebody LIKE you". In that like, is the dorian Sixth
@@alex.ann_der That's a C#, part of the VII chord. The progression is Bm-A-E
I always thought this song and Mad World sounded similar. Now I know why
I'm really happy you include examples of how things sound different in your videos, it really gets the point across easily! I'm learning so much from your videos and get inspiration to write more different stuff
David, thank you so much for these videos! I've been a singer-songwriter and guitarist for many years now, and as I'm self-taught for the most part have never known that much about music theory. I have learnt so much from your channel! Your videos are so informative and easy to watch. I love how you link actual song examples to bring the theory to life. Thank you again and keep up the fantastic work!
Thanks Tom!
Me 2!!!
Long before I knew what dorian, modes or even scales were, most of the songs I loved were, I later found out, in dorian.
yep same
Haha, I thought the same! The brightness in sadness is kind of touching!
same!
Dorian Mode is one of my favourites - and Mixolydian also in the same fashion because of the chord progressions and distinctive cadences. Drunken Sailor! Celtic Music!
LOVE your explanations and totally wish you were teaching harmony when I was at music school in the 70's and 80's!
Same! Mixolydian and Dorian feel like cousins. They're both laid back versions of Ionian and Aeolian, respectively. Mixolydian just feels like the embodiment of the word halcyon.
Yeah actually including the Sea Shanties in this vid would've made it extra on trend!!
Dorian is b3 and b7 and is minor; Mixolydian is just b7 and is major.
Dropkick Murphys!!
When I started learning about modes in piano class it honestly blew my mind because you start to realize how everything is connected. Gives a whole new perspective on music theory.
Excellent videos, keep it up!
'Man in the Box' by Alice in Chains is in Eb minor, but uses the raised sixth note (C) in the verse melody. Also, 'Radioactive' by Imagine Dragons is in B dorian and uses both the major IV chord (E major) and the raised sixth note (G#) throughout; the moment I find it the most noticable is during the chorus.
You’re always giving me great song writing inspiration!
Great!! 😁😁
Me too! I love using new things I learn from these videos in my songs!
Same here.
I watch these at work and write down progressions and stuff and go home and mess with them.
rip daft punk
May their legacy live on
F in the chat
Thank you, David. I really enjoyed your latest video on the Dorian mode. It's great to see the four inventive key changes still growing. Like millions of viewers, I l00k forward, so much, to your videos. Please keep them coming. Regards, Peter.
Hey, Peter. I think you commented in the wrong spot.
@@composer7325 I don't think you're in the right spot pal. Try again!
Brother your videos are spot-on on every level. Everything is presented with absolute clarity, from your commentary to the beautiful graphics and videos. It’s a pleasure to follow along. You’re a born teacher.
My favourite modulation. And one of the factor why Dark Side of The Moon is one of my fav album of all the time. They used the Dorian Vamp in most of the song.
Dorian is the jam mode. Hands down my favorite mode, so moody and always sounds good
One brilliant example I've always loved is Skyfall by Adele. Because it's a spy song, it naturally features the very iconic Bond voicing of i - i aug - i 6 - i aug, but with a twist. The song, being in Cm, goes: Cm (i) - Ab (VI) - F (IV) - Fm/Eb (iv), effectively emphasizing both 6ths, and moving us briefly to a C dorian, that gives it a very mysterious touch every time. Not only that but, at the end of every repetition, it graces us with a very fun 2-5-1 variaton, with a Csus2/Eb funcitoning as our 2, into a G major that sends us into incredible tension with its B natural, so we briefly stand on that harmonic minor before finally resolving back to our C natural minor. It's a fantastic use of modes for narrative purposes.
I really appreciate how you put the effort into showing how a song would sound in a different mode instead of just explaining it.
That Riders on the Storm piano run is a fantastic one, gotta remember that one. It sounds so exciting, so dreamy. Like looking at the cloudy night sky with some stars and bright full moon, thinking about a fantasy story. Perhaps travelling and feeling like something not normal is in play. The best I can describe the feel of that dorian mode key note is that it sounds hopeful. Funnily enough they used the note exactly on the word "funny". Great and thoughtful composing and arrangement. Hearing the Scarborough Fair made me think that Dorian sounds a lot like what we would use for medieval themes. What a lovely mode for magical sadness.
It's always really heartening to see a love of music flow, weave and change through the generations. Each making it their own.
Art is the medium of decorating space but music is the medium of decorating time.
This is so fire....I love how you explain the mode with chords. Few people teach modes like that
Thank you 😃😃
"song of storms" from ocarina of time is a big one that comes to mind for me
another example from a video game: the character select screen music from the original super smash bros
and, of course, for an example of switching between dorian and aeolian, who could forget megalovania?
"Song of storms" is also an example of a minor melody without a sixth.
Some more examples you might like:
The Shovel Knight theme mixes Dorian, Aeolian, and Phrygian.
"Beware the Forest's Mushrooms" from Super Mario RPG.
A lot of songs from the Mega Man series. Like Snake Man from Mega Man 3, and Napalm Man, Stone Man, and Wood Man from Mega Man 5.
god damnit its a homestuck
Also pretty much all of halo 2
I love this series, David. Thank you!
Thank you!
I love the sound of Dorian scale and I haven’t been aware of it till this video. Thanks!
I've been waiting for pink Floyd lol and told myself he can't miss this.. lol.. And I love the way David let for them a special room in this video.. You make such great videos David.. Very instructive and methodologically well worked
It wouldn't be a David Bennett video without a mention of The Beatles & Radiohead. 🤠 I love your channel, sir.
So crazy - I was watching your videos this morning and was also trying to research Dorian mode for a composition piece and now you’ve a video on Dorian just a few hours later 🤯
Modes have never made much sense to me, but you my friend have finally helped me learn. Keep these videos coming! It really helps to see the use of the modes in popular music
Excellent and clearly demonstrated explanation. Thanks a lot. I'm not a pianist but a fiddle player by the way, but this (to me) is complicated stuff that is invaluable to learn.
Thanks!
The effort and clarity in these videos is unbelievable. Thank you so much for sharing these!
Queen's Tie Your Mother Down is a great example of a song that switches between Dorian and Mixolydian, with the riff and verses being in Dorian, the pre-chorus and chorus being in Mixolydian, and the solo being in both simultaneously.
Yes indeed.
I do love that song
I would say it's simply in the "blues tonality" which has a variable 3rd. Wouldn't describe it exactly as Dorian or Mixolydian. It's kind of a mixture of both, but also kind of not. It's a separate thing with its own musical vocabulary.
The song also uses the major V chord. It actually uses all of the chords with their roots on the notes of A minor pentatonic. A, C, D, E and G chords. And I would say all of those chords are major.
@@MaggaraMarine Good point. However, with the exception of that section during the solo where Brian uses the E major pentatonic scale, the E comes off more as an E5 than an E major chord since the guitar's not playing the G# whatsoever and the vocals treat it like a bent G so it's really only John Deacon's bass that's playing it and even then, it's only during the 2nd pre-chorus and the aforementioned part of the solo.
@@leftyguitarist8989 Well, the fact that G# is not necessarily included in that chord all the time doesn't really matter - it's still functioning as an E major chord. This is implied by the E5 E6 E5 E6 rock and roll cliche riff. It is true that it's the bassline in the 2nd verse that uses G#, but even if no one ever used that note, functionally it would still be E major.
Power chords (when used "as chords" rather than "melodically", as in some rock/metal riffs) do have a quality in context. The third is simply omitted, but the context will determine whether the chord is actually functioning as a major or a minor chord. And in this case, I would say it's quite clearly a major chord, even if there is no third.
The Carlos Santana Secret Chord Progression
Arf!!!
Moo-ah!
Zappazone
I've been trying for decades to crack the code behind that chord progresion.
You do realize "this can't go on", don't you?
love that you covered the hit song by Tears for Fears called “med weld”
Teas for Fees*
That Miles Davis bit did turn up surely in "Everybody Wants to Rule the World"
Wow, I've learnt that a huge chunk of the music I love is in the Dorian scale. Great video once again, thank you!
so helpful! thanks David!
Thanks!
Dorian has been my go-to for improvising guitar solos for many years. The extra stability makes it nice and versatile
Plus, if you stay on the "i" chord, you can pretty much play any note of the scale and it sounds nice, so it feels a lot freer to play
@@jacobmillen751 or the 4 chord, or the 2 chord, or the 5 chord... so long as you come back to 1... or you have a drone
"He's So Lord" / "My Sweet Fine"
My sweet fine, oh my fine
"Wish I was George...The one with stolen chords"
Hallelujah... he’s so fine... hari Krishna... he’s so fine.
Man, you have such a broad knowledge of popular music. Hat's off to you for that. And I love when you demonstrate what a song would sound like if there was just one thing (say, a note) changed. It really gets the point across.
Brilliant video. You connect so many songs and styles, even when the mode appears or disappears momentarily. Riveting and much desired education, thank you.
Thank you! 😃😃😃
This entire series is so helpful to fully understanding and using these modes. Thanks David. Keep it up!
Thanks Sam! 😃
"Parabol / Parabola" by Tool is another example of contrasting Aeolian vs Dorian, but here it's mostly alternating between the vocal melody and the guitars:
The flat 6th scale degree first appears in the melody towards the end of "Parabol" ("We barely remember"), but the bass line already plays the Dorian raised 6th a few seconds later.
Then the verses of "Parabola" continue with the Aeolian b6 in the melody ("Who or what came before..."), whereas the raised 6th appears in the chorus ("...this holy reality...") in the guitar and bass part, giving the chorus a Dorian feel.
Only in the middle bridge of "Parabola" does the vocal line reach the raised 6th on "Alive and breathing", creating a satisfying moment of catharsis, but again using the b6 for the final flourish.
thanks for this contribuition regarding one of my favourite songs!
Yes, definitely appreciate any insight into Tool or APC songs!
Dorian is awesome to solo to.
Lots of Zappa songs/improv in that mode.
Dorian, Aeolian, Phyrgian all have a minor pentatonic. Black napkins is phrygian.
I just love this Dorian mode and having examples of songs that use that mode is very informative! 👍 Putting words and theory to songs we already know helps for understanding and creating music as well. Thank you so much for the video! 😊
Mann i really appreciate the amount of work you put in analyzing every song you put and even polishing it down for the notes to be clear. I cant imagine how many funky songs you had to listen to to create that stream of examples. Also i love how you always sneak a lil radiohead i there it always makes me smile :)
Wow.. the part with 2 versions of Mad World made the difference incredible clear. Amazing work! subscribed
What about the "Boulevard of Broken Dreams"? The chords in the verses are in Dorian before the chorus brings in the natural minor. That progression has become really common in recent years, actually.
@Anne Day probably just adding an example
@@bynosaurus4024 thank you. I thought that was obvious. He asked for examples.
But what makes that chord progression Dorian and not just Aeolian?
The verse goes Em / G / D / A... I guess the C# in the A chord is what makes it E Dorian. Is it normal to see Dorian tunes written in the key of the Aeolian with the same root (here Em = G), just with an accidental on the sixth, instead of actually using the key signature for the Dorian itself (E Dorian = Bm = D)?
@@markjreed tmk like he said in the video, a dorian scale (i’ll use d dorian for example since it’s simple) isn’t a version of its major counterpart since that major scale has a different root note. for this example, while c major has the same notes as d dorian, its a fully different scale because it revolves around c while d dorian is about d. writing a d dorian scale as d minor with an accidental makes it easier to get a feel for the scale :)
All right, I'm stoked that you're going to do videos on all the modes! I really enjoy how you compare songs in different genres and show what they have in common, as well as how the composers could have written them differently. I know it's a pain to include so many songs that are under copyright, but it makes it so much easier for me to understand than videos where they just demonstrate the scales/chords without playing actual songs I'm familiar with.
love your composition at the end!
Thanks! 😃
Very bouncy
@@DavidBennettPiano Any streaming platform where i can listen to it?
Every time I watch a video from you I cannot not imagine my compositions and songs being analyzed. Hahah. Am I the only musician to feel that way ? Thanks for your great content, you are truly a gem on TH-cam.
Owl City (as well as his other musical projects) uses a lot of the Dorian and Mixolydian(??) modes. That’s part of how his music sounds so whimsical/uplifting/nostalgic/dreamy!
Is Fireflies in mixolydian?
@@wyattstevens8574 Dorian and Mixolydian are basically defined by the 3rd note, as Dorian uses the darker 3rd note, whereas Mixolydian uses the brighter 3rd note.
David, I have been searching for a Dorian / modal summary like this my whole life!
Your examples truly help simplify Dorian scales found in so many popular songs.
BTW, I think your original song at the end is awesome, I want to hear more of your compositions.
I will replay this video with my vibes mallets in hand!
B la B
Thank you! I’m really glad you found it useful! 😃😃
Once again... I really like this new thing where you play a composition of your own at the end !
Earth song by Michael Jackson is heavily in Dorian, I believe parts of the main title from 'A Night at the Museum' is partly in Dorian as well.
A good example of Phrygian Dominant (although I know it's not a mode of the major scale) is Stockholm Syndrome by Muse.
I just realized that Weird Fishes/Arpeggi is in E dorian with a chord progression of Em7, F#m7, A (A7, A6), Gmaj7. Love these videos!
Gotta say that I really appreciate your work. These video's are incredibly well put together, include very apt and succinct examples that explain your point perfectly. Not to mention the sound quality, scale portrayal and comparison. All in all, great job on this and other videos and thank you for teaching!
Lots of love from a happy subscriber from the Netherlands!
Hi David, I'm finding your videos on song construction inspiring. I used to write lots of songs but haven't done any for a few years. Now I'm beginning to get the bug again and I'm also enjoying dragging my old songs out again and going: Ah, yes, I kicked that off with a Dorian vamp etc (not that I was aware of it at the time). Thank you for your superb videos. I'm looking forward to all the other modes you'll be examining. It was amazing to see how that great intro to Riders is simply based on that descending Dorian scale. You could say the scales are falling from my eyes (ouch!) or maybe ears...Keep up the good work. PS Really like your own piece at the end of the vid. :-)
The Dark Side of the Moon, being basically a concept album, uses in most of the songs (I suppose intentionally) the same chord progression but transposed in different keys
Wow, I hadn't noticed that😎
Fantastic video!
I'll try incorporating more Dorian in my piano improvisations.
Thank you.
I'm so baffled of the dorian effect in Mad World, it almost sounds like it's ionian for a moment. It's so powerful.
It’s lydian actually
What is? @@jameskrakenguitars2351
Your videos have been so helpful to my music theory. Thanks so much! Also, swallowtail jig is a pretty well known fiddle tune in E Dorian. One of the only fiddle tunes I can actually play!
A lot of Irish traditional music uses Dorian and Mixolydian modes, and I love that about it
When I think of the dorian mode I think of songs like "Wanted Dead Or Alive" by Bon Jovi, "Fade In-Out" by Oasis and "Drift And Die" by Puddle of Mud. There're all in D dorian. There's a specific sound created when you use D dorian on the guitar, especially in drop D, which I don't know what to call but sounds great.
Totally didn't realize Wanted Dead or Alive is Dorian but you're completely right. So THAT'S why that song sounds so frickin cool
Wanted Dead or Alive uses a major tonic chord, though. I would describe it as "blues tonality" rather than Dorian.
"Burn It Down" by Linkin Park is also in D dorian. A lot of guitar songs use the scale of the mode with all naturals - SO many use the chords G, D, C, and Em.
friends theme song is partially in a mixolydian
Yeah, you're right. That's "I'll Be There for You" by The Rembrandts.
I was wondering why Scarborough Fair has been stuck in my head since I was like eight
It's because it sounds fkn cool
Fascinating. The subject matter is intriguing while the presentation is compelling. Well done!
I'm a guitarist / singer, and am loving this insightful video. Thank you for taking the time to share your knowledge with us.
Boulevard Of Broken Dreams's verses are in F dorian.
So is its father Wonderwall.
@@danielsolano330 Wonderwall is in F# dorian. But yeah, they're more or less the same progression.
@@dreamynachos3439 "Wonderwall" is in F# Minor with heavy use of extensions and suspensions in its chords as well as a slight hint of Locrian in its vocal melody.
12tone did a video about the progression that Broken Dreams and Wonderwall use: th-cam.com/video/LS5AQiheoLs/w-d-xo.html
@@danielsolano330 "Wonderwall" doesn't contain the major sixth of its key, so it can't be in Dorian.
Pytagoras was asked to help calm youngters at a party. He danced, told jokes, spoke witty words (young in spirit) and then, asked them to tune their instruments into a certain scale. From the first notes all calmed down and one by one went to sleep. No need for a raid.
Great video, awesome production value. Wicked Game by Chris Isaak immediatly springs to mind as another song in Dorian (that I’ve been playing for years without knowing)!
💡 💡 💡 3:45 was the most helpful explanation of how this links together I’ve ever heard. THANK YOU!!!!!!!
you are very erudite, hip and thoughtful. I love everything you post and find that I come away with a new sense of sound, music and theory that I never would have appreciated otherwise.
Let's not forget 'have you seen my laptop' by Brian David Gilbert
A cultural touchstone
No, let's.
An excellent observation.
You’re gonna have to remind me what a laptop is
"Down by the River" by Neil Young is another great example for the vamp!
Tom Petty's "Mary Jane's Last Dance" equally so
It’s so crazy to me how everyone has an innate sense of music understanding, but most have no idea what makes them feel the music or how to make it themselves.
You just made me understand what is a mode, after DECADES of playing piano. Mind blown. Thanks!
Great explanation of the dorian mode. Thank you for sharing your in-depth knowledge of music with us!
this bloke might as well be speaking german to me yet i cant stop watching these videos
It’s actually Greek! “Dorian” and “Aeolian” are both Greek terms. The Ancient Greeks named several modes.
en.wikipedia.org/wiki/Mode_(music)
That said, as a non-musician I still don’t understand much of the video, although, like you, I find it fascinating.
Ha. This explains why Pink Floyd music is so emotional.
Absolutely heavenly dorian vamp at the end of Cascade by Plini
Love your explanations David. They are the most enlightening on the entire internet!
Thanks for a highly educational video, the tour through Dorian land is fascinating
!
Cheers! You’re welcome 😃
Disagree with Get Lucky by Daft Punk on 3:09. To me it feels more to be in the key of F#m and it's a 4-6-1-7 progression.
I hear that way too. But I guess people hear tonal centers differently