Learn 10 Rockabilly Guitar Chords in 10 Minutes with Free Charts!
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- เผยแพร่เมื่อ 24 พ.ค. 2023
- Wondering how to play Rockabilly Guitar Chords? This should get you started!
If you've started on the path of Rockabilly and you love Brian Setzer, Danny Gatton, Eddie Cochran, Scotty Moore, Luther Perkins, Carl Perkins, then my channel is for you!
Get a free PDF of today's Lesson here:
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Chords in this video:
A Major, A Dominant 7, A7, A9, A13, A7b9
D Major, D dominant 7, D7, D9. D13, D7b9 - เพลง
Hey TH-camrs, I really hope you enjoy this tutorial! With that in mind, consider joining the Patreon if you'd like to chip in, and you'll get tabs and a little behind the scenes stuff too!
www.patreon.com/Adrianwhyte
But if you're looking for more...
You can get access to my pdf library and courses at Adrian Whyte Online.
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I've just released my "Rockabilly Rebuild" Course, which is aimed at giving you the tools to analyse and understand the rockabilly lead guitar style. Check it out here!
*You can now purchase the course separately here*
adrianwhyteonline.com/rockabilly-rebuild-online-guitar-course-page/
You'll get lifetime access to the course, and here's a loose run down:
- 5 Modules
- Learn how to understand rockabilly licks
- Develop a vocabulary to analyse licks and solos
- Learn how to move about the fretboard with the ideas you learn
- Over 2 hours of content with PDFs and Charts
- All licks and exercises tabbed
- Don't settle for just learning licks , get an understanding of whats happening in a way you can use!
I could go on, but check it out! If you don't dig it, I'll give you a refund.
Thank you to all my subscribers, Patreons, friends and Family for the support.
The stray cats made me get into rockabilly .
Me too!! Such a great band, no doubt about it!!!
@@AdrianWhytehowdy from North Carolina I was 5 years old the first time I heard Johnny Cash Luther Perkins is what really captivated me that's when I knew I wanted play guitar I'm 21 now Luther is still my number 1 influence I customize my own set of flatwounds Thomastik 8/50 with a 18 wound third
Them and Reverend horton heat for me
So I like how you casually drop huge loads of information in a little over 9 minute video. I like your channel because I want to learn to play guitar not just learn to play songs. I like learning how everything works and why it fits. And I can go back and play the lessons until it sticks in my middle aged dad brain. I think you're doing a great job and really appreciate you taking the time to get these videos out for us.
Middle age dad brain.. I’m well on the way these days Jeremy! That’s really great to get that feedback, it’s a constant struggle to get the right balance but this video felt really damn good. Funny thing is I had no plan when I started making it.. I just hit record and thought.. ok, 10 chords let’s go! I’m really passionate about knowing how this stuff works and coming from a jazz background its not so complex in this format, so I hope it comes out nice and clear! I’ll definitely make more concept based content and don’t be afraid to ask questions!
bedankt voor het antwoord greets ed spider
Thank you for your lesson Adrian. Chords in different registers. Sound much better or more interesting than the standard chords 😎 Rockabilly Rules 😎 TCB 😎 Rockabilly Rules 😎 TCB ☕
I’ve played some of these chords much of my guitar career but never thought of it in this seamless way. Thanks Adrian!
Cheers Ian, yeah it’s amazing how listening to other perspectives sometimes helps things click in another way! Glad you enjoyed it and thanks for the feedback!
FUCKKK YEAH DUDE ! Just got a tele last week. These chords work perfectly !
So glad to hear, thank you!
Thanks for the video, and the chart too!
This is fantastic lesson! Thanks, man. Great stuff. Super helpful
Cheers Ev, ps I read your message yesterday and immediately posted another short I had lying around lol!!
Nice Duo Jet.
you should do a 'Lonely Blue Boy' by Conway Twitty lesson next 🤞
Excellent!
Thanks mate!
Long time no see 👀. Very good lesson!. Thanks, mate. Will also experiment with the inversions and arpeggios.
Glad you enjoyed it mate! Yeah TH-cam are really funny about what they show the subscribers, my advice - hit the bell next to the subscribe button and you’ll know when I release a video, I bet there’s been a few since you last were here! Have a good week mate!
Good stuff 🤠
Cheers Cc! Hope you’re well!
Thanks so much!
My pleasure!
Great video!🎉 It seems like you use a blues/rock progression and add some melancholy different chords.
Pretty much! Glad you enjoyed it man :) thanks for commenting!
Great video, Adrian! Contra your voiced concern about getting too down into the weeds, I think you do a great job of jumping right to the part we're interested in learning. This is actually a pretty rare skill (I've had a few music teachers and the sense I get, in retrospect, is that the student thinks there's going to be this across-the-board How To Play knowledge that will be imparted, while the teacher is kind of mentally thrashing around going, Okay, what is going to hold this kid's attention/how do I curate the various stuff I know into stuff that will be relevant to this particular student.) You're killin' it here!
Hey Tim, that's exactly what it's like in my head teaching students! In a few words, what would you consider the part that people are interested in? Or is it a general smattering of chord and concepts? Thanks for the wonderful feedback, it's great to read!
@@AdrianWhyte Well, when we're talking specifically about rockabilly chords... a lot of us (well, I am, been playing three years now) are kind of coming into this like "Okay, I can tell the song I'm trying to play is a 1-4-5 in A and I know those three major (or minor) chords but it just doesn't sound right the way I'm doing it, and I know it's probably because it's not supposed to be straight major/minor chords." Some of us might even go down the whole wrong rabbit hole, thinking that what's missing is the right pedal or we've got the semi-hollow Gretsch instead of the hollow. But most of us (probably?) know on some level that it's probably some kind of arcane extended or jazz chord (for us less-advanced players, that whole realm gets all murked together) and we don't know where to start looking to figure out what it is. The thing we're trying to avoid is sounding like (with apologies to any local amateur bar bands) the local amateur bar band that plays some old standard with regular cowboy chords and it sounds okay but.... just don't sound right! So, specifically in this instance, what your video filled in was this info gap between "Yeah, we know what a 1-4-5 progression is and we know the basic chords that go in there" and the "Oh, it's that ninth or that thirteenth that makes it sound like Cliff Gallup!" or whatever. Had we tried to figure it out on our own, we would have had to dive into a book full of half-diminished and augmented eleventieth with flat sixths (I made that last one up) and it would be really hard because they're all so physically challenging to do, we wouldn't easily be able to just try each one and go, "Hmm, nope, that's not it." And the way you're teaching it, it takes ten minutes to explain what we otherwise would go down a lot of blind alleys trying to find. I dunno, does that make sense?
But more generally to your question, what brings us to your channel specifically is that you really fill in well that gap between "across-the-board, all-genres guitar playing" rules that we can and do pick up all over the place, and the stuff that specifically makes it sound rockabilly. Chords, yes, but also things like Travis picking, how Scotty Moore does this, how Carl Perkins did that, what gear matters/doesn't matter, etc. And also, because of your jazz chops, the jazz-dipped stuff that we Setzer freaks want to be able to do.
Hi, Adrian. Thanks so much for this superb lesson, and for being so generous with the free charts-- enormously helpful! May I ask a question?-- I have yet to play a decent 9th chord-- the D9, for example. I fret the A string at the 5th fret with my middle finger to get the D note, but I can't do it without that same finger muting the 4th string (= the D string). As a workaround, I only play the middle 4 strings and try not to hit the open high E string. Thoughts? Suggestions?-- thanks!
Hi Mark, firstly - it’s ok to play the chord that way, but if you do want the first string involved try different combinations of your third finger and pinky across the G B and E strings. Also experiment with your second finger grabbing closer to the sixth string, even placing the tip between the 6th and 5th and levering the finger downwards onto the 5th string. Another option is bending the upper knuckle on your second finger a little more by rolling your wrist around slightly more pulling your thumb towards the ground slightly more, and finally experiment with how you place your first finger as this can dictate your hand position. You can use slightly more padding of your finger because it’s behind all the other notes anyway. Hopefully something in there helps!
@@AdrianWhyte Best and most comprehensive answer to a guitar question I've ever received-- thank you!! I shall experiment with all your suggestions. Thanks again for a great lesson, and for being so generous. I appreciate your help, good cheer, and enthusiasm!! 👍🙏😊
Great lesson. Is that guitar a Gretsch 6129t 57 as it looks like it’s got De Armond style pickups. Being a big Billy Zoom fan I’ve always wanted a Silver Sparkle with those early single coils I believe Gretsch use Seymour Duncan Dynasonics.
The nearest I’ve got so far was a De Armond M75t in champagne sparkle it’s got genuine De Armond pickups although they are re issues but they have so much clarity. Cheers
Hey man! Thank you so much! Yeah this is a 6128 - 57, they are standard Gretsch dynasonics, Seymour Duncan’s are reserved for the custom shop models I believe. Yeah those dearmonds are cool too man!
Nice one Adrian 👍 👌can I add the good old 6/9 chord
Oh yeah! Definitely mix in some sugar!!! Anything you can think of!
I'm just starting to grapple with the idea that you can have chords that don't include a root note...in fact, it still freaks me out a bit! For example, I would have called those flat 9 chords diminished chords (as you sort of implied at one point)...I suppose it's all about context, though.
Flat 9/diminished is totally plausible and correct, although a 7b9 can include the root note where as a diminished chord wouldn’t include the root note of the 7b9 chord, does that make any sense? Thanks for your contribution man, feel free to ask if you have any other thoughts or questions!
Yes first hey Adrian 😎 TCB 😎 i hope all is fine 😊 i Take a closer look 😎 TCB 😎 Rockabilly Rules 😎 TCB 😎
Can you play something the older listener might enjoy, like the coppa cabana by Barry Manalow, jus sayin
I totally get your point, although I’m confused entirely! 😂
Now all I need is a Gretsch.
Any guitar will work really, a tele would be a perfect axe as well!
in welke tunning speel je dit is it standart or other
Standard tuning my friend!
We all have a guitar that we were sorry we sold (or two or three). Mine is my Gretsch Duo Jet. So sorry I sold it. :(
Lots of stuff going on in 10 minutes!!!
Cheers man, it’s one of those videos that I didn’t really plan, I just said to myself .. surely I can easily knock out 10 rockabilly worthy chords! Glad you enjoyed it!
Or you can play it the way I first showed it " what's the matter are you that freaking lazy you can't show it again
I know it’s terrible isn’t it!