The best intro of all the competitors. Excellent interpretive playing and all beautifully connected! And where does this young girl get all her fire from? The cadence run and the final notes seemed perfect! Bravo!
A truly GREAT performance! Only Horowitz and Pletnev have ever offered more insight, color, drama and subtlety in tonal shadings in this particular piece.. The PACING here is SUPERB. Her C#-Minor Scherzo is equally glorious. How I wuld have HTED to be a judge at this competition. I've hard many of the contestants, and not ONE of them was less than remarkably gifted and wonderfully well-schooled..
@@connno that's not the same person and its racist as hell that you didn't notice that. Holy shit imagine thinking every Japanese girl is the same person, and then sharing that for all to see. Yikes.
Nearly everyone plays the opening octave wrong IMO. Chopin did not mean for it to sound like a giant gong. Instead, I hear it almost like a "pre-existing" sound essence which instantly both envelops the listener yet seems to come from nowhere and YET has always existed! This requires the performer to play the opening octave as "large" in sound as possible but with absolutely no hammer impact sound. Who does this??
良いですね🎵
色々な演奏をこの曲は聴きましたけど、いじりすぎないシンプルさが私には心から響きました(^-^)v⤴️
素晴らしいですね‼️👍
I think it's one of the best performances of this I've ever heard, and I've heard quite a few
The best intro of all the competitors. Excellent interpretive playing and all beautifully connected! And where does this young girl get all her fire from? The cadence run and the final notes seemed perfect! Bravo!
Beautiful. Period.
This is one of my favorite versions of that barcarolle. She plays it so graceful and with a nice pace. Her name has the letter "A" seven times. Aha!!
Expansive in both the concept and its execution of this Barcarolle. Great playing of the first order!
Lovely!
those double trills are purrrfect
I like her style. so elegant!
Piękno muzyki Fryderyka Chopina to fenomen graniczący z cudem.
A truly GREAT performance! Only Horowitz and Pletnev have ever offered more insight, color, drama and subtlety in tonal shadings in this particular piece.. The PACING here is SUPERB. Her C#-Minor Scherzo is equally glorious. How I wuld have HTED to be a judge at this competition. I've hard many of the contestants, and not ONE of them was less than remarkably gifted and wonderfully well-schooled..
I could not find her Scherzo !
@@connno that's not the same person and its racist as hell that you didn't notice that.
Holy shit imagine thinking every Japanese girl is the same person, and then sharing that for all to see. Yikes.
@@ChrisRMaldonado I’m very confused. What did I say that was offensive? I don’t recall commenting on this video
Wonderful!
Ms. Nakagawa should visit the Mississippi.
この曲は難しい。読譜も難しい。曲の感じが掴めたら弾けるかも知れない。
Nearly everyone plays the opening octave wrong IMO. Chopin did not mean for it to sound like a giant gong. Instead, I hear it almost like a "pre-existing" sound essence which instantly both envelops the listener yet seems to come from nowhere and YET has always existed! This requires the performer to play the opening octave as "large" in sound as possible but with absolutely no hammer impact sound. Who does this??
She played this piece in first round?
未だにプロピアニストがコンサートでよく弾く曲だそうです。
Seong Jin Cho may not be better than this wonderful Japanese girl.