Oppelt Spiccato Masterclass

แชร์
ฝัง
  • เผยแพร่เมื่อ 4 ก.ค. 2024
  • This virtual masterclass is about spiccato on the double bass as pertains mostly to the orchestral repertoire. It was submitted by Robert J. Oppelt to the International Online Bass Summit (June, 2020) which was sponsored by the International Society of Bassists. The Summit occurred well into the Covid-19 pandemic.

ความคิดเห็น • 36

  • @user-ke2fz7xn9v
    @user-ke2fz7xn9v 2 หลายเดือนก่อน

    most excellent , much appreciated

  • @fowlerbass
    @fowlerbass 9 หลายเดือนก่อน +1

    I continue to use this as the de facto demonstration of spiccato on German bow, both for my students and myself! Thanks a ton for the years of support and tutelage, Bob!

    • @robertoppelt4678
      @robertoppelt4678  9 หลายเดือนก่อน +1

      Awe thanks, Patrick. Not much production value but I guess a few people have benefited. And by the way, your bowing technique was/is superb. Tubin!

  • @spoonyeti
    @spoonyeti ปีที่แล้ว +1

    true knowledge high level skills and sound are rare when it comes to doublebass teaching on youtube.
    Bob..., ISB.... thaaannk you !

  • @rayleb7676
    @rayleb7676 7 หลายเดือนก่อน +1

    Mr. Oppelt. Love the video. It’s very informative even for professionals. I’m very curious what bow you’re playing with here? It sounds really great. Cheers Rayle

    • @robertoppelt4678
      @robertoppelt4678  7 หลายเดือนก่อน

      Rayle, thanks for the positive words. The bow is attributed to Nurnberger but there is no stamp on it. Weight in the mid-140s. Works great for any orchestra tuning but not solo tuning. I used it as well last year for Per Questa Bella Mano in orchestra tuning.

  • @hildegerdhaugen7864
    @hildegerdhaugen7864 10 หลายเดือนก่อน

    Thank you Maestro Oppelt!!

  • @moresalesoryourmoneyback
    @moresalesoryourmoneyback 2 หลายเดือนก่อน

    Thank you Mt Oppelt

  • @rekkaeerikki5410
    @rekkaeerikki5410 ปีที่แล้ว +1

    Your sound blows me away! This is what I call bass

  • @eliseoborrerobass
    @eliseoborrerobass 8 หลายเดือนก่อน +1

    Deeply grateful to you for sharing all this info. Great sound and clarity in your playing. Thanks!!!

  • @karlmalm8495
    @karlmalm8495 3 ปีที่แล้ว +1

    I enjoyed this video, thank you for posting!

  • @hanssvoboda
    @hanssvoboda ปีที่แล้ว +1

    Super tone, wow!

  • @Musicman914
    @Musicman914 10 หลายเดือนก่อน +1

    Fantastic tutorial thank you.

  • @glenng725
    @glenng725 3 ปีที่แล้ว +4

    Good to see a bassist who sounds like a bass! Great job

    • @robertoppelt4678
      @robertoppelt4678  ปีที่แล้ว

      Thanks! Maybe I'll do more some day. I'm not very savvy with recording.

  • @JenJenLiu
    @JenJenLiu 2 ปีที่แล้ว +2

    Thank you so much for this VDO, really helpful and I love your playing and sound🤩❣️

  • @DimmuBorgir123456789
    @DimmuBorgir123456789 11 หลายเดือนก่อน +1

    Great Sound.

  • @TimWolfebass
    @TimWolfebass 3 ปีที่แล้ว +2

    Hi Mr. Oppelt, thanks for posting this video!

  • @rudiratlos5088
    @rudiratlos5088 ปีที่แล้ว

    Thank you. Pleased make more videos of this kind.

    • @robertoppelt4678
      @robertoppelt4678  ปีที่แล้ว

      Thanks! Maybe some day. Need to upgrade production techniques.

  • @mark-stefaniw
    @mark-stefaniw 3 ปีที่แล้ว +3

    Thank you so much for this master class Robert. You are a spicatto master. What kind of rosin do you use, and what strings are you using on this bass (I cannot see the tail silks)?

    • @robertoppelt4678
      @robertoppelt4678  3 ปีที่แล้ว +3

      I use Pops but order only from The Bass Rosin Store for freshness. For orchestra strings I like Flexocor (burgundy).

  • @ositoCastro
    @ositoCastro 3 ปีที่แล้ว +2

    Excellent

  • @user-sy3ln6ph7t
    @user-sy3ln6ph7t วันที่ผ่านมา

    клас

  • @cookscatapults
    @cookscatapults 3 ปีที่แล้ว +1

    hahahahaha Awesomenesssssss

  • @ositoCastro
    @ositoCastro 2 ปีที่แล้ว +2

    Panormo bass?

    • @robertoppelt4678
      @robertoppelt4678  2 ปีที่แล้ว +4

      Since I've owned it (1995), the maker has not been established. The rumor is that it was imported from Italy in the 1950s. There is a Testore label inside but that is not to be trusted. It looks a lot like Ray Brown's "Amati." When I next have the top off, I plan to have some tree ring analysis performed. Thanks for your interest!

    • @ositoCastro
      @ositoCastro 2 ปีที่แล้ว

      @@robertoppelt4678 oh yes more brescian than milanese school

  • @Atomic_pavarotti
    @Atomic_pavarotti 10 หลายเดือนก่อน +1

    I find it difficult to land the bow from the air sometimes, especially when going from spiccato to something more elongated (non-spiccato). Ideally I could plop the bow down and have it land without it bouncing everywhere, whether it’s frog of the middle or the tip

    • @robertoppelt4678
      @robertoppelt4678  9 หลายเดือนก่อน +3

      It's easiest to land the bow in the lower half, as you probably know. The closer to frog, the easier. You can sometimes cheat with two up bows before the land to get you closer to the frog. A little hand action to add horizontal motion may help, along with an application of pressure to help hold the bow into the string. In essence, braking (breaking?) the fall. You can tilt the hairs a little too, taking pressure off.