You really help me with your videos. I'm learning so much from them in order to prepare for my University admittance exam for the Cinematography college. Thank you!
An interesting subject you touched upon in your video essay on Janusz Kaminski's work was the transition to digital and how his work was affected. Anthony Dod Mantle is not a DP that necessarily stands out for his lighting prowess but his camera choices and willingness to push the boundaries of image capture is interesting. Dante Spinotti, another personal favorite of mine especially for his work on Michael Mann films like Heat, The Insider, Manhunter as well as L.A Confidential, made some interesting choices. His work on the digital platform doesn't hold up as well (Public Enemy) but is still interesting given the stylistic decisions and treatment of digital capture. Would love to see more videos that highlight these interesting subjects in addition to their work.
I hope you make one of these videos about me one day. Not that I'm even good enough in the slightest but it'd be soooo cool to have you're own work studied to this degree. Another brilliant video man we done!
Really enjoyed this video and the others in this series. Some reccomendstions would be Larry Smith and Vilmos (but I'm sure this one is in the works right now). Thanks again.
I love every single one of these thanks for doing them!! Anyway you could do one on writer/director/DP - Quentin Dupieux? Love his framing and camera work on RUBBER!
Great video as always, thanks! The DoP I'd like to have you analyzed would be Anthony Dod Mantle. I think he's a very interesting subject, as he does not only pushes the limits stylistically, but also technically - building custom camera setups and rigs designed for individual projects
Awesome equipment and technical breakdown! That said, I would have loved some of your thoughts on framing. Framing is a bit more subjective, so I understand steering away from it, but you have a great eye!
0:44 I love that 80's erotic thriller look. Films like Fatal Attraction, Manhunter, To Live and Die in L.A, The Hunger, are all very cool looking. I would LOVE a video focusing solely on late 80's/early 90's thriller cinematography.
I miss is when he was a DP. He was one of my all time favorites. PLEASE do a video on Sean Bobbitt, he's my favorite DP and one of the best who shoots on film (except when he shoots digitally which looks horribly). His cinematography is so beautiful I could watch it all day. If you can't I understand, I really appreciate your education from these videos. God loves you and has given you an incredible gift! :)
Hey, I was wondering if you could do a video on the cinematographer Jacques Jouffret. He's done films like Transformers and The Purge. I really love his close ups for dialogue scenes. Most of his films are done on long lenses I believe. I would really appreciate it if you could do this one. :D
Memento shot with 75mm lenses? So with a 35mm film camera crop of 1.5, that's about 112mm...pretty long lens, far longer than I expected. Memento looks like it was lensed with normal lenses like 35mm-42mm.
It's the other way around. You have to divide. Check out this article on wolfcrow: wolfcrow.com/blog/why-does-the-revenant-look-so-3d-and-life-like-what-makes-the-65mm-format-special/
Thx wolfcrow =D whe we we have the honor to watch a video going like "how to create your own cinematography style " , digging in the process of the creation of the style , ie , going from a vision to technics and finally use of equipement . pleaaaase =)
Although this answer can get tedious, many would reccomend finding what looks good to you. Starting with basics of lighting, then moving on to what you want to see in a movie. It can get tedious, as many do give this answer, but it's very true. Style always comes down to you and what you want.
+Hebdon Films yes sir and i find it being the perfect answer . style is nothing but a prefernece expressed with means. but having a kinda inventary of technics from different film makers to realise how short linded we are can be a good way to free our imagination and therefore let us dare to "want " want we want
Please this is very important and whoever ever helps me, seriously I love you! So I've wondering this for months and months and somehow I can't find the answer, The question is what focal lengths does Christopher Nolan use the most or in this case Wally pfister?
Ah, who doesn't have to work on erotic thrillers to make ends meet? Thank you for yet another engaging analysis, and this time of one of my favourite cinematographers.
Do michael bay...i think people forget how crazy his shots are...with the last transformers he may finally be evolving his bad boys style to something cleaner
Taking the footage from TH-cam or something isn't any good. Not only there's a lot of lossy compression artifacts after so many and heavy recompressions... It kills the detail and colors as well. In fact, most of the shots have lifted blacks, I think because depending on how the material is processed some software or devices unintentionally lift the blacks for some reason (aside from the destructive recompression). Not a reliable material to look at for reference purposes... It's not illegal at all to rip some shots of your Blu-ray or something as long as you use them for educational purposes. See *Fair Use.* I like, though, that you know (assuming you got it from a reliable source) some curiosities like he likes to grade using plasma, I'm guessing because it's much better than LCD for precise blacks and better contrast overall. That shows once again how important is to grade in a properly-calibrated and high-quality screen.
![Wally Pfister & Chris Nolan - Shooting Dark Knight, Inception, and More [Cinematography Techniques]](/img/n.gif)
Please never stop making these, they are so good.
Thanks, glad you're enjoying them!
It's amazing how fast you put these videos out but they still contain so much quality. Keep it up, man!
Thanks!
Your videos are as addictive as any Netflix series... don't stop!
Thanks!
Wow, what a treat. You've done a terrific job. This was the one I have been waiting for the most!
Thanks!
Favourite cinematographer!
im not usually into this sort of stuff in terms of cinematography and film making etc but you have done a very very good job at making me interested
You really help me with your videos. I'm learning so much from them in order to prepare for my University admittance exam for the Cinematography college. Thank you!
You're welcome!
wolfcrow Keep doing these clips. I really miss "Cinematography Database" commentaries, so I've just discovered your channel.
You are an Angel to Cinematography students❤️
Your videos are becoming addictive...keep it up !!
Thanks!
He did shoot some shots with a high speed digital camera for Inception, as you mentioned, but he said that they weren't used in the final film.
one of my favorite DPs. good stuff!
Thanks!
An interesting subject you touched upon in your video essay on Janusz Kaminski's work was the transition to digital and how his work was affected. Anthony Dod Mantle is not a DP that necessarily stands out for his lighting prowess but his camera choices and willingness to push the boundaries of image capture is interesting. Dante Spinotti, another personal favorite of mine especially for his work on Michael Mann films like Heat, The Insider, Manhunter as well as L.A Confidential, made some interesting choices. His work on the digital platform doesn't hold up as well (Public Enemy) but is still interesting given the stylistic decisions and treatment of digital capture. Would love to see more videos that highlight these interesting subjects in addition to their work.
I hope you make one of these videos about me one day. Not that I'm even good enough in the slightest but it'd be soooo cool to have you're own work studied to this degree. Another brilliant video man we done!
Who knows? You better thank me in your acceptance speech.
I will do! This info is invaluable!
Hi.
Nice review. A peculiar style of cinematography. Warmer key lights are very good for both daytime and night time shots. Good review. Keep it up.
Great job mate!!! Love your channel!
Thank you!
Really enjoyed this video and the others in this series. Some reccomendstions would be Larry Smith and Vilmos (but I'm sure this one is in the works right now).
Thanks again.
You're welcome. They're on the list!
love these videos! thanks so much for making them
You're welcome!
thank you for making these videos. u r doing an amazing job.
You're welcome!
I love every single one of these thanks for doing them!! Anyway you could do one on writer/director/DP - Quentin Dupieux? Love his framing and camera work on RUBBER!
Thanks, sure!
After Emmanuel Lubezki and Roger Deakins, I wanted to see one on Wally Pfister. Thanks alot ! Great Video ! Cheers !
Thanks!
Lovely information wolfcrow, would very much appreciate a video on Douglas Slocombe
Thank you!
Great video as always, thanks! The DoP I'd like to have you analyzed would be Anthony Dod Mantle. I think he's a very interesting subject, as he does not only pushes the limits stylistically, but also technically - building custom camera setups and rigs designed for individual projects
You're welcome! He's on the list!
GREAT VIDEOS!!! keep doing them so well!!!
Thank you!
Awesome equipment and technical breakdown! That said, I would have loved some of your thoughts on framing. Framing is a bit more subjective, so I understand steering away from it, but you have a great eye!
Thank you for this!! Your channel is becoming one of my favourites in all the TH-cam-verse!!
Will you ever do Trent Opaloch?
You're welcome! Sure, I'll add him to the list.
Cinematographers need more recognition than directors
Hell yes! This was so good mate. Thank you =)
You're welcome!
I would love to see a video on Vadim Yusov, Keep up the great work
Thanks!
Hey! thank you for your videos! I love them. One of my favorite cinematographers is Reed Morano. I hope you could analyze her work.
You're welcome, sure!
Great work! I'd like to see videos about: Benoit Debie, Luca Bigazzi, Darius Khondji, Anthony Dod Mantle, Georgi Rerberg, Vadim Yosov...
Thanks!
0:44 I love that 80's erotic thriller look. Films like Fatal Attraction, Manhunter, To Live and Die in L.A, The Hunger, are all very cool looking. I would LOVE a video focusing solely on late 80's/early 90's thriller cinematography.
My question: who does more of the camera work in movies? The director or the cinematographer?
I miss is when he was a DP. He was one of my all time favorites.
PLEASE do a video on Sean Bobbitt, he's my favorite DP and one of the best who shoots on film (except when he shoots digitally which looks horribly). His cinematography is so beautiful I could watch it all day.
If you can't I understand, I really appreciate your education from these videos. God loves you and has given you an incredible gift! :)
Thank you! Sean Bobbit is on the list!
Dope. When is his episode coming do you think?
Could you please do Alwin H. Küchler?
These videos are fantastic. I'd love to see Darius Khondji and Jan De Bont.
Thanks!
Awesome video! Could you in your next video talk a little bit more about camera movement? Cheers
Thanks! Camera movement is the director's responsibility (if he/she wants it). I've spoken a bit about camera operation in the Sven Nykvist video.
+wolfcrow well true but I do beleve that a DP like Pfister also has their fair share of contributions to camera movements.
Always great! Please analyze the cinematography of Benoît Debie and of Matthew Libatique!
Thanks, sure!
your videos are so cool, keep doing this videos
Thanks, sure!
Please increase duration and add more more content
Great series! May I suggest Kim Hyeong-gu- he works with Bong Joon Ho- Memories of Murder, The Host, etc.... and Darius Khondji
Thanks, both are on the list!
YES YES YES
Could you do Matthew Libatique?
thank you! make more videos
You're welcome!
Hey, I was wondering if you could do a video on the cinematographer Jacques Jouffret. He's done films like Transformers and The Purge. I really love his close ups for dialogue scenes. Most of his films are done on long lenses I believe. I would really appreciate it if you could do this one. :D
Sure!
+wolfcrow Yes! Looking forward to it.
Hi, first of all thank you for all your videos about cinematography.
Could you do one about Carlo Di Palma?
You're welcome, he's on the list.
Looking forward to see it =)
One more question, are you gonna do an episode about the different cinema lens ?
What specifically do you want covered?
Do you have videos about Robert Richardson?
Hey, man - I'd love it if you could analyze the work of Nicola Pecorini!
Please make a video about Dante Spinotti..He has to be in the series :)
Please make a video on P.C.Sreeram, the guru of many modern day cinematographers in India.
Memento shot with 75mm lenses? So with a 35mm film camera crop of 1.5, that's about 112mm...pretty long lens, far longer than I expected. Memento looks like it was lensed with normal lenses like 35mm-42mm.
It's the other way around. You have to divide. Check out this article on wolfcrow: wolfcrow.com/blog/why-does-the-revenant-look-so-3d-and-life-like-what-makes-the-65mm-format-special/
Ahh I see, so technically 'Memento' was shot with focal lengths equivalent to 50mm??
Thank you so much
You're welcome!
John Toll please:)
Great job as always. Have you ever considered making a video on John Alcott?
Thanks, yes!
why dont u try on pc sreeram work in ok kanmani mainly in songs
Dariusz Wolski
Please
are you taking on John Mathieson anytime soon?
When do we get Owen Roizman? If he was available, I'd hire him over anyone else.
Thx wolfcrow =D
whe we we have the honor to watch a video going like "how to create your own cinematography style " ,
digging in the process of the creation of the style , ie , going from a vision to technics and finally use of equipement .
pleaaaase =)
Although this answer can get tedious, many would reccomend finding what looks good to you. Starting with basics of lighting, then moving on to what you want to see in a movie. It can get tedious, as many do give this answer, but it's very true. Style always comes down to you and what you want.
+Hebdon Films yes sir and i find it being the perfect answer . style is nothing but a prefernece expressed with means.
but having a kinda inventary of technics from different film makers to realise how short linded we are can be a good way to free our imagination and therefore let us dare to "want " want we want
+karim mili short linded = short minded ^^
Shadows in Moneyball are amazing.
soo awesome
how about Steve Lawes how worked on 5 episodes of Sherlock
I'll add him to the list
add Bill Pope, Harris Savides, Georgi Rerberg and Vadim Yusov
Woah waiting for this one :D
Great video, but why didn't you guys add background music to any of your videos
Thanks, Light is enough!
great videos!!!!
Thanks!
Love from India keep up
Thanks!
Love it!!
Thanks!
please analyze indian cinematographer santhosh sivan
Thanks!
You're welcome!
You such a savior... Now waiting for Anthony Dod Mantle.. :D
Thanks!
do rebert rodriguez
Please do Robby Muller next！
Please this is very important and whoever ever helps me, seriously I love you!
So I've wondering this for months and months and somehow I can't find the answer,
The question is what focal lengths does Christopher Nolan use the most or in this case Wally pfister?
Ah, who doesn't have to work on erotic thrillers to make ends meet?
Thank you for yet another engaging analysis, and this time of one of my favourite cinematographers.
Making ends meet is what it's all about!
You should do Bill Pope next
you the man!!!
Thanks!
Do one for Benoit Debie please!
Do michael bay...i think people forget how crazy his shots are...with the last transformers he may finally be evolving his bad boys style to something cleaner
Fucking fantastic cinematographer. Is Robert Yeoman anytime soon?
Soon!
Cool!
wolfcrow Thanks my man
Freddie Young!
Taking the footage from TH-cam or something isn't any good. Not only there's a lot of lossy compression artifacts after so many and heavy recompressions... It kills the detail and colors as well. In fact, most of the shots have lifted blacks, I think because depending on how the material is processed some software or devices unintentionally lift the blacks for some reason (aside from the destructive recompression). Not a reliable material to look at for reference purposes...
It's not illegal at all to rip some shots of your Blu-ray or something as long as you use them for educational purposes. See *Fair Use.*
I like, though, that you know (assuming you got it from a reliable source) some curiosities like he likes to grade using plasma, I'm guessing because it's much better than LCD for precise blacks and better contrast overall. That shows once again how important is to grade in a properly-calibrated and high-quality screen.
You are a fucking gentleman and a scholar. We thank you.
Also for a videk, I'd love to see your take on Steven Soderberg, preferably the beautifully underrated Solaris.
Do a Guy Ritchie pls!
Good shit
yes Brilliant
Thanks!
wolfcrow both commention and Wally's work
Slawomir idziak please!!!!
Conrad L. Hall
Vilmos Zsigmond
hahah nuclear rim light, brilliant sir!!
Thanks!
john toll
john seamus
Maryse Alberti
Ellen Kuras
ERIC GAUTIER
vilmos zsigmond
You can tell he isn't particularly a fan of Wally here...
Awesome cinematographer, awful director. Great video!