Ah. What a delicious surprise on am early March night even here in Papua. A new cantata from the Bach Foundation here on You tube. What a wonderful start to the performance: Herr Lutz upbeat so clear and precise. I have to admit I had to watch it twice to believe what I saw. The singing of the soloists and choir in the sublime G minor arioso so crisp and delightful. The oboe Obbligato enchanting, and the bass Abele in the recitative so expressive. I liked the fact that the orchestra was kept to the minimum and made the whole performance a more personal form of worship, which is what it should be. So from me an embrace to all at the JS Bach Foundation with lots of thanks for a very welcome surprise this evening.
@@VernonVince I think it does matter where J S Bach's music is heard. There are many places on this planet where music is totally banned. Bach wrote music in praise of God and the Holy Trinity. It has endured from the 18th century to the 21st Century and will do, I believe, for eternity. So if the music of Bach is heard here in Papua, or Leipzig, or Mexico City, or in Jerusalem, or Mecca, (and I pray that it is heard in Mecca), Iran, Afghanistan, China, Africa, or at the North and South Poles and beyond this planet; to me it matters. How Bach wrote his music and the influence of his writing on others such as Mozart, Haydn, Schubert, and even for this Brit, Elgar and Vaughan-Williams when they wrote music is praise of God, matters, wherever in this universe, the creation of Almighty God, Bach's music is heard. I dispute your feeling that it doesn't matter where the music is heard. The influence of Bach's compositions and writings will always matter, no matter where in the world it it heard and performed. I realise that this is not the platform for arguments but for the enjoyment of what the very excellent NSB produce for us and to view and to enjoy and to Praise God for. So I'll not comment on any comeback you and others may have on my views but I felt that I must reply to your comments. :)
@@grahamnancledra7036 Of course, it is WONDERFUL that you enjoy Bach's music in Papua on the other side of the world - compared to Europe. I only wanted to make a positive comment (not critical): you belong to one great community, made of people, who love Bach's music, even if you are so far from Europe. I do hope, like you, that everybody will enjoy Bach's divine music, but we must be conscious that everybody has his own culture and musical tradition. Islamic or Jewish music is also very beautiful and deserve to be respected just like "our" Christian music.
Que gran cantata..siempre la gloria de Dios se manifiesta en esta musica compuesta por Johan Sebastian Bach..gracias maestro rudolf lutz..cuenta con excelentes concertinos..saludos desde Lima- Peru
Bellísima cantata sobre todo las dos ultimas partes!!! Los amo Bachstiftung! Gracias por tocar a Bach, mi músico del alma sin él no sé qué hubiera sido de mí!!! Saludos desde Perú
I agree with Vincenzo's question. The answer given to him is not sufficient and disappointing.. A better response would have been : "Thank you , we forgot to list her name which is x.x. It has now been added."
Thank you for your feedback. Actually we did not forget to list her name. We usually just list the soloists here on TH-cam. And we would love to encourage all the viewers to visit Bachipedia anyways. Because we try to provide a lot of interesting information on this platform. Best regards
How can one possibly give this a thumbs down. Would truly love to know on which grounds this person made this choice. Or was it perhaps an error and he or she clicked the wrong button ?
Martin Brunnemann Guten Tag! Mehr Infos zu unseren Aufnahmen finden Sie auf Bachipedia: www.bachipedia.org/werke/bwv-22-jesus-nahm-zu-sich-die-zwoelfe/ Beste Grüsse
4 ปีที่แล้ว
Why don't you give the name of the soprano. OK she's part of the choir, but today she's with the soloists.
Benoît-Marie Berger Hi! You can always find more information on our homepage: www.bachipedia.org/en/works/bwv-22-jesus-nahm-zu-sich-die-zwoelfe/ Best regards
Très intéressant de comparer l'exécution de cette cantate dirigée par Rudolf Lutz à celle dirigée par Sigiswald Kuijken qui est différente à tous les points de vue ( Sigiswald Kuijken avec The Netherlands Bach Society th-cam.com/video/xcflikYLk1w/w-d-xo.html ).
En effet. Et merci pour cette suggestion. Ici, la mise en valeur de la dimension poétique du choral final, sert très à propos la profondeur de l'oeuvre.
Questa cantata dimostra che anche il grande musicista barocco, talvolta componeva per ottemperare alle sue "incombenze contrattuali". L'opera è noiosa dall'inizio alla fine e non offre alcuna sezione che si presti ad un'ascolto più attento. Il lunghissimo applauso finale, dimostra che i fruitori delle opere d'arte si prestano ad un ascolto di circostanza, in nome di un presenzialismo che giudicano doveroso connotare con ampia attestazione di stima, per il solo fatto che essendo l'autore un genio indiscusso della musica, tutto ciò che da egli trae la sua scaturigine sia di per se stesso, qualcosa di artisticamente significativo. I figli di Bach, che alla morte del padre, ricevendo in dono le cantate, finirono per giudicarle obsolete per il gusto moderno, dovettero imbattersi in questo lavoro e similari per esprimere il giudizio estetico che li spinse alla fine a "liberarsene". Riconosco che ci sono tra le cantate pagine di grande bellezza. Ora che avete ascoltato la composizione, ritenete che si possa dare loro torto ?
One of the greatest job applications ever written!
Bach at 15:41: the perpetual motion of delight! I could listen to it for hours, it's so heavenly...
So could I ! I´m hooked with that piece
My favourite moment: the verse and the view at 17:16
End chorus, the best thing I know.
Bach‘s Musik gibt so viel Kraft und Zuversicht. Danke, Bachstiftung, für Eure unermüdliche Arbeit!
Une cantate etonnante a la beaute troublante, bravo aux interpretres...
Thank you so very much for the English translation!
Another beautiful cantata. Markus has a beautiful voice.
Herzlichen Dank
So great and beautiful. Thank you for performing this.
This final choral is OFF this world!
Thanks a lot Bach Stiftung for this new cantata release!
Amazing!
Ah. What a delicious surprise on am early March night even here in Papua. A new cantata from the Bach Foundation here on You tube.
What a wonderful start to the performance: Herr Lutz upbeat so clear and precise. I have to admit I had to watch it twice to believe what I saw. The singing of the soloists and choir in the sublime G minor arioso so crisp and delightful.
The oboe Obbligato enchanting, and the bass Abele in the recitative so expressive.
I liked the fact that the orchestra was kept to the minimum and made the whole performance a more personal form of worship, which is what it should be.
So from me an embrace to all at the JS Bach Foundation with lots of thanks for a very welcome surprise this evening.
If you are in Papua or in Leipzig or Mexico City, it doesn't matter. You belong to the one great community that loves Bach and his divine music.
@@VernonVince I think it does matter where J S Bach's music is heard. There are many places on this planet where music is totally banned. Bach wrote music in praise of God and the Holy Trinity. It has endured from the 18th century to the 21st Century and will do, I believe, for eternity. So if the music of Bach is heard here in Papua, or Leipzig, or Mexico City, or in Jerusalem, or Mecca, (and I pray that it is heard in Mecca), Iran, Afghanistan, China, Africa, or at the North and South Poles and beyond this planet; to me it matters. How Bach wrote his music and the influence of his writing on others such as Mozart, Haydn, Schubert, and even for this Brit, Elgar and Vaughan-Williams when they wrote music is praise of God, matters, wherever in this universe, the creation of Almighty God, Bach's music is heard.
I dispute your feeling that it doesn't matter where the music is heard. The influence of Bach's compositions and writings will always matter, no matter where in the world it it heard and performed.
I realise that this is not the platform for arguments but for the enjoyment of what the very excellent NSB produce for us and to view and to enjoy and to Praise God for. So I'll not comment on any comeback you and others may have on my views but I felt that I must reply to your comments. :)
@@grahamnancledra7036 Of course, it is WONDERFUL that you enjoy Bach's music in Papua on the other side of the world - compared to Europe. I only wanted to make a positive comment (not critical): you belong to one great community, made of people, who love Bach's music, even if you are so far from Europe. I do hope, like you, that everybody will enjoy Bach's divine music, but we must be conscious that everybody has his own culture and musical tradition. Islamic or Jewish music is also very beautiful and deserve to be respected just like "our" Christian music.
Sooo schön, danke und Gottes Segen auf Euch im neuen Jahr
What a wonderful cantata and what a brilliant performance,
Thank you again Bachstiftung !
Thank you very much for this little peace of heaven
Que gran cantata..siempre la gloria de Dios se manifiesta en esta musica compuesta por Johan Sebastian Bach..gracias maestro rudolf lutz..cuenta con excelentes concertinos..saludos desde Lima- Peru
This cantata has such a beautiful structure with the middle recitative acting as a turning point for the whole mood.
Sehr gut, dankeschön!
So comforting in the time of Covid19. There are a few choir members missing, but so comforting.
Magnífica pieza.. Magnífica interpretación
Muito agradável o timbre de voz do tenor.
Bellísima cantata sobre todo las dos ultimas partes!!! Los amo Bachstiftung! Gracias por tocar a Bach, mi músico del alma sin él no sé qué hubiera sido de mí!!! Saludos desde Perú
Wonderful. Thank you.
Sooooo schön...
Wonderful performance.
Thank you Bachstiftung!
First preformed 300 years ago today!
Another great performance what with the little breech of timing from the flutist as she cleaned her instrument....is that something unusual or common?
Great!
Voces maravillosas ❤️
I agree with Vincenzo's question. The answer given to him is not sufficient and disappointing..
A better response would have been : "Thank you , we forgot to list her name which is x.x.
It has now been added."
Thank you for your feedback. Actually we did not forget to list her name. We usually just list the soloists here on TH-cam. And we would love to encourage all the viewers to visit Bachipedia anyways. Because we try to provide a lot of interesting information on this platform. Best regards
Thanks for uploading this wonderful piece of music
fuck
Bravissimi!
The last Choral is a bit to slow
Fantastico! Grazie mille, maestro Lutz! "Senza la domenica non possiamo vivere". Senza la cantata di Bach, non è domenica!
Seeing how much fun the alto and viola player are having just being there, makes me a bit jealous.
I can't get enough of looking at the redheaded soprano sitting behind the counter-tenor.
Pourquoi les pauses sont si grandes?
Detailed performance information at www.bachipedia.org/werke/bwv-22-jesus-nahm-zu-sich-die-zwoelfe/
How can one possibly give this a thumbs down. Would truly love to know on which grounds this person made this choice. Or was it perhaps an error and he or she clicked the wrong button ?
For what reason you did not mention the name of the soprano voice???
You will always find all the names / singers /musicians on Bachipedia: www.bachipedia.org/en/works/bwv-22-jesus-nahm-zu-sich-die-zwoelfe/ Best regards
The name is Guro Hjemli. She is Norwegian.
@@kjetilheilandsrensen2112 Thank you! :-)
Wie heißt die Frau im Solistenquartett?
Martin Brunnemann Guten Tag! Mehr Infos zu unseren Aufnahmen finden Sie auf Bachipedia: www.bachipedia.org/werke/bwv-22-jesus-nahm-zu-sich-die-zwoelfe/
Beste Grüsse
Why don't you give the name of the soprano. OK she's part of the choir, but today she's with the soloists.
Benoît-Marie Berger Hi! You can always find more information on our homepage: www.bachipedia.org/en/works/bwv-22-jesus-nahm-zu-sich-die-zwoelfe/
Best regards
Her name is Guro Hjemli, you can hear her as a soloist in BWV 166 by Bach Stiftung
Très intéressant de comparer l'exécution de cette cantate dirigée par Rudolf Lutz à celle dirigée par Sigiswald Kuijken qui est différente à tous les points de vue ( Sigiswald Kuijken avec The Netherlands Bach Society th-cam.com/video/xcflikYLk1w/w-d-xo.html ).
En effet. Et merci pour cette suggestion.
Ici, la mise en valeur de la dimension poétique du choral final, sert très à propos la profondeur de l'oeuvre.
Tout à fait d'accord ! Sigiswald Kuijken ne fait pas le guignol avec une baguette, ses musiciens n'en ont pas besoin.
Questa cantata dimostra che anche il grande musicista barocco, talvolta componeva per ottemperare alle sue "incombenze contrattuali". L'opera è noiosa dall'inizio alla fine e non offre alcuna sezione che si presti ad un'ascolto più attento. Il lunghissimo applauso finale, dimostra che i fruitori delle opere d'arte si prestano ad un ascolto di circostanza, in nome di un presenzialismo che giudicano doveroso connotare con ampia attestazione di stima, per il solo fatto che essendo l'autore un genio indiscusso della musica, tutto ciò che da egli trae la sua scaturigine sia di per se stesso, qualcosa di artisticamente significativo. I figli di Bach, che alla morte del padre, ricevendo in dono le cantate, finirono per giudicarle obsolete per il gusto moderno, dovettero imbattersi in questo lavoro e similari per esprimere il giudizio estetico che li spinse alla fine a "liberarsene". Riconosco che ci sono tra le cantate pagine di grande bellezza. Ora che avete ascoltato la composizione, ritenete che si possa dare loro torto ?
Where is that older gentleman, this piece seems to me to require a voice of aged experience and maturity. The younger voice just doesn't do it proper.