*ATTENTION* That Eb1 Chest is actually a slide that stops at G1/G#1 so no record yet, tho these F#'s are crazy! Shout-out to Casper for coming in clutch for this one! (He provided with isolated vocals)
The Eb1 chest is actually a Gb1 (F#1). It sounds like an Eb1 because there is one layered in the instruments, as well as it being the root of the chord.
@@BangYongguk-sf8ly Another way of saying F#1. They’re the same note, however they’re both specific to different keys. It depends on if a key is using sharps or flats.
It is so fucking crazy, how Geoff has been developing not only his upper limits, but how he developed his voice in a couple years, when it comes to strengthen your full voice, but also the vocal techniques you have to become even more stylistic!!! This guy had a super unique vocal development, that no other bass singer did like him!!! He is such a versatille singer, and he runs all over the place with his voice, since the bass at the top of the range!!! I'm so glad he's my favorite singer since I first watched his cover of Misty Mountains 2 years ago, I was blown at how he did the arrangements very well, and the make-up, the outfit, the clones and the vocal performance!!! Wish you a very Happy and safe Halloween, my dear friend!!!🎃😈🦇🎀🎊🍭🍫🍬🌕🔥
YOOOOO im absolutely so siked for this, this song banged so hard (Also hey, could you do In the Air Tonight covered by VP? I know its like 4 months old but still that song goes so hard)
2:12 is just an F#1 (and Eb by piano). He might have a chest Eb1 when he gets much older, but I think it’s almost impossible for now. If he really has a chest Eb1, why hasn’t he done F1 and E1 in chest yet? His lowest recorded chest note (F#1) hasn’t been broken since 2016.
In the case if you don't know, he actually did a slided E1 in pure chest in one of the oldest videos with his Acapella Group in Cheerlander, and he did an F1 in chest voice, with Voiceplay in Friends on the Other side, (and it was a held note, since it occurred a bit over half of a second) in Phantom of the Opera with Rachel Potter and in Daddy Sing Bass, so his lowest recorded held chest note is technically an F1.
Maybe he is already capable of pushing down to E1-D1 in pure chest at this point, but he probably doesn't feel comfortable with how it sounds. It's just a question of time, until we get to know his absolute limit. Basically, if he would go to his absolute limit, he would have no freedom to change his tone without breaking the maintaining of the sounding in chest voice.
Damn so his low chest range hasnt increased from 2016. That is 7 years! Almost 8 now. Lol i got no hope then. I got a F2 in chest. Was hopinf to get a C2 in few years .
@@NotmiddlegI just seen a video on your channel and basing this info off of your speaking voice you aren’t reaching F#1 in chest voice on any day ever.
@@20millionpower Nah, I would say it´s one of his most effortless F#1´s in pure chest voice, that he has ever produced on a PROFESSIONAL MUSIC CONTEXT. It sounds so fluid, and not pushed at all.
All full chest down to F#1 in this song, though he has a slided F1 in this song. The only extended techniques here are a subharmonic E1, and chest-fry, to add effect to the vocal acting!!! Geoff always tends to switch from the bottom of his chest register for anything below F1/F#1, to achieve the lowest notes he can sing with quality. Beyond his subharmonics, he also does growl, though he doesn't use it much and a little sort of fry or chest-fry, to add effect for his sung phrases.
It's definitely pure chest, it sounds so gritty, you can just compare that high C to the B4, in the Oggie Boogie Song, and you can tell the C5 sounds so much more screaming and fuller, than the D5 in Little Mermaid, which sounds softly. That being said, Geoff has the ability to go up to a B4 in pure chest, being a true bass, and has proved he can get to the 5th octave notes on a good day. Something like most basses, cannot do. Incredible and amazing!!!🤯🤯🤯🤯🤯
I can guarantee you it's 100% pure chest, his singing that F#1 without compressing or pushing, which means he is singing that note leeting it flow naturally, so it's logic it has that breathy texture, because it is VERY relaxed.
Well if you listen to Geoffs Cover of "Folsom Prison Blues" you can hear that he has some nasty clean F# in Chest. But yeah, now that you mention it, it kinda sounds like a sub
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*ATTENTION*
That Eb1 Chest is actually a slide that stops at G1/G#1 so no record yet, tho these F#'s are crazy!
Shout-out to Casper for coming in clutch for this one! (He provided with isolated vocals)
even a very brief F#1
@@ntanzar911 I mean I listened to isolated version and it's just held G1/G#1 after a slide
@@rtsbass7829His voice is just crazy as hell, that he makes those notes sounding even lower.☠️☠️☠️☠️
He is an alien for real!!!👽👽👽👽
Eb1 wouldn't be his lowest. In Grow Old With You, Geoff slides down to a C#1; unless we aren't counting that.
You should pin this
1:32 My favorite Gb1 from Geoff, ever
The Eb1 chest is actually a Gb1 (F#1). It sounds like an Eb1 because there is one layered in the instruments, as well as it being the root of the chord.
I think I'm gonna make a vid confirming the note
@@rtsbass7829 Make some bitches😼
(JK)🥸
I agree Ferny, apart from the fact that it‘s a Gb1. The most prominent pitch that I hear is a Bb1.
What is gb1, first time i heard it. Is it G#1
@@BangYongguk-sf8ly Another way of saying F#1. They’re the same note, however they’re both specific to different keys. It depends on if a key is using sharps or flats.
It is so fucking crazy, how Geoff has been developing not only his upper limits, but how he developed his voice in a couple years, when it comes to strengthen your full voice, but also the vocal techniques you have to become even more stylistic!!! This guy had a super unique vocal development, that no other bass singer did like him!!! He is such a versatille singer, and he runs all over the place with his voice, since the bass at the top of the range!!! I'm so glad he's my favorite singer since I first watched his cover of Misty Mountains 2 years ago, I was blown at how he did the arrangements very well, and the make-up, the outfit, the clones and the vocal performance!!!
Wish you a very Happy and safe Halloween, my dear friend!!!🎃😈🦇🎀🎊🍭🍫🍬🌕🔥
YOOOOO im absolutely so siked for this, this song banged so hard
(Also hey, could you do In the Air Tonight covered by VP? I know its like 4 months old but still that song goes so hard)
2:12 is just an F#1 (and Eb by piano). He might have a chest Eb1 when he gets much older, but I think it’s almost impossible for now. If he really has a chest Eb1, why hasn’t he done F1 and E1 in chest yet? His lowest recorded chest note (F#1) hasn’t been broken since 2016.
In the case if you don't know, he actually did a slided E1 in pure chest in one of the oldest videos with his Acapella Group in Cheerlander, and he did an F1 in chest voice, with Voiceplay in Friends on the Other side, (and it was a held note, since it occurred a bit over half of a second) in Phantom of the Opera with Rachel Potter and in Daddy Sing Bass, so his lowest recorded held chest note is technically an F1.
Maybe he is already capable of pushing down to E1-D1 in pure chest at this point, but he probably doesn't feel comfortable with how it sounds. It's just a question of time, until we get to know his absolute limit. Basically, if he would go to his absolute limit, he would have no freedom to change his tone without breaking the maintaining of the sounding in chest voice.
He hit a debatable F1 chest in In the Air Tonight
@@stevegoldson67 I think that was just a thick subharmonic.
Damn so his low chest range hasnt increased from 2016. That is 7 years! Almost 8 now.
Lol i got no hope then. I got a F2 in chest. Was hopinf to get a C2 in few years .
What makes me surprised is his subharmonics stability …even in live performances.
That low F# at 1:33 is probably his thickest yet 🤯
I myself can get a F#1 on very rare occasions
@@NotmiddlegI just seen a video on your channel and basing this info off of your speaking voice you aren’t reaching F#1 in chest voice on any day ever.
1:20 is very much thicker. It's just a bit overpowered by the piano chord
i wouldnt say thicker, id say its one of his most clearest F#1s
@@20millionpower Nah, I would say it´s one of his most effortless F#1´s in pure chest voice, that he has ever produced on a PROFESSIONAL MUSIC CONTEXT. It sounds so fluid, and not pushed at all.
Are those really chest notes? or are they a subharmonic, or vocal fry or fry mix?
All full chest down to F#1 in this song, though he has a slided F1 in this song.
The only extended techniques here are a subharmonic E1, and chest-fry, to add effect to the vocal acting!!!
Geoff always tends to switch from the bottom of his chest register for anything below F1/F#1, to achieve the lowest notes he can sing with quality.
Beyond his subharmonics, he also does growl, though he doesn't use it much and a little sort of fry or chest-fry, to add effect for his sung phrases.
That C5 is 100% chest. The "like I can" right after is definitely chest, and his cadence doesn't change from "scream" to "like I can"
Mixed voice, essentially a very strengthened head voice.
I'm not sure about that, the more I listen to it, the more it sounds like mixed voice, that A4 was very chest-like tho, mb it is chest
It's definitely pure chest, it sounds so gritty, you can just compare that high C to the B4, in the Oggie Boogie Song, and you can tell the C5 sounds so much more screaming and fuller, than the D5 in Little Mermaid, which sounds softly.
That being said, Geoff has the ability to go up to a B4 in pure chest, being a true bass, and has proved he can get to the 5th octave notes on a good day.
Something like most basses, cannot do.
Incredible and amazing!!!🤯🤯🤯🤯🤯
@@rtsbass7829 so are you saying the C5 or the A4 is chest?
@@stevegoldson67 The A4, that C5 need more confirmation
1:45 its sub
yeah
Nope it's breathy chest
100% chest
I can guarantee you it's 100% pure chest, his singing that F#1 without compressing or pushing, which means he is singing that note leeting it flow naturally, so it's logic it has that breathy texture, because it is VERY relaxed.
So that means F#1 is getting easy for him
boss at 1:45 that f#1 chest is actually a sub
there's absolutely no way he got that so clear in chest
It definitely sounds like a sub
Well if you listen to Geoffs Cover of "Folsom Prison Blues" you can hear that he has some nasty clean F# in Chest.
But yeah, now that you mention it, it kinda sounds like a sub
It kinda does but it's still chest
@rtsbass7829 if he makes subharmonic quality chest notes, his F#1 has to be solid
100% a chest note my guy.