Great lesson! I'm headed to my studio to try this with pastels. Had not realized that pushing colors into each other like you do with your brush would give me a better look than pulling the colors down in each color/value change.
Another very important aspect of landscape paintings!... Just adjusting value of colors & saturation, hues which determine distance, depth of subjects and then of course brush strokes which also greatly determines depth & distance of that particular object! Beautifully explained as always Dianne! Thank you! Take care 💐
@@IntheStudioArtInstruction Thank you, Dianne, found it, followed your suggestion - and just painted a beautiful foreground field of grasses!!!!!! Thank you for all your excellent guidance and instruction.
Hi Dianne. I recently bought one of the courses you offer. I immediately started it. I did the first three lessons but I have not been able to continue. I can't find the way to jump to lesson four. I have pressed all the buttons but with no success. Thanks for your help. God Bless You.
Yadira, you must click on the Mark Complete or Next... buttons to move on to the next lesson. If the third lesson required you to Upload an assignment, you must do so and have it approved before you can move on to the next lesson. Ed can help you work thought that if you email him and describe, with screen shots if possible, what is happening. Dianne
Thank you for this tip. I am stuck on painting the forest floor and plan to try this method. I am an acrylic painter and would first get the colors down and then add texture. Does that sound feasible?
@@IntheStudioArtInstruction That would work well in oils but I layer acrylics so I use darks first and then layer in lighter tones. I should probably open the windows and use oils and paint only on cooler days. Thank you for all of your helpful suggestions.
Jumana, I used Daniel Smith Sap Green for years, but discovered that Rembrandt Viridian mixed with Rembrandt Transparent Oxide Red give me the same color, and that if I vary the proportions in the mixes, I can get variations on sap green.
Thanks Dianne, very helpful. But if you want to make an abstract landscape, do the same rules apply or do you have more freedom to just put down your colors at will?
First, let's don't call them rules. Sound abstract painting calls for the same composing principles as sound realistic painting calls for. The sequence of applying paint, though, might differ.
This is the best painting channel I have ever seen. I am so thankful I found you
Thank you so much
You explain everything so well. I have learned so much from you. You truly know “how” to paint and get the message to artists. Thank you so very much!
You are so welcome, Patti. Thanks for watching.
ms. Diane, you're just the best!!!
Thanks, Jimmie.
Finally a method I can use to paint grass, thank you
Have fun with it.
I see Andrew Wyeth! A true master. A nearby art museum has a significant collection of Wyeth's paintings and I love to see them in person.
See the works in person is always the best way to really appreciate them. You are fortunate to have Wyeth's work nearby.
Absolutely great points to remember about looking for value and how to reach the color needed.
Have fun with it, Bernadette.
Very clearly explained ! Thank you Dianne !
You are so welcome!
Great lesson! I'm headed to my studio to try this with pastels. Had not realized that pushing colors into each other like you do with your brush would give me a better look than pulling the colors down in each color/value change.
Have fun!
Another very important aspect of landscape paintings!... Just adjusting value of colors & saturation, hues which determine distance, depth of subjects and then of course brush strokes which also greatly determines depth & distance of that particular object! Beautifully explained as always Dianne! Thank you! Take care 💐
Thanks, Alicia. Give it a go!
Another get nuggets of wisdom- thank you so much Dianne 💕
You are so welcome!
Thank You,,,,makes sense !!
Give it a try.
I really appreciate your teaching methods, I ALWAYS learn something new!!
Glad to hear that! Hope you are giving this Tips a try.
These tips are always helpful and informative.
Glad it was helpful!
Thank you for this helpful demonstration. 👍
You are welcome!
Great quick tip. thank you for asking the question. and the informative answer.
Have fun with it.
Wow, thank you for sharing. Simply awesome info that u didn't known. God bless
Give it a try! And enjoy!
thank you , Dianne, have you another Quick Tip showing ;how you would address the longer grasses at the front - I always overwork them. Thank you.
Check out Quick Tip 22 that we did nine years ago.
@@IntheStudioArtInstruction Thank you, Dianne, found it, followed your suggestion - and just painted a beautiful foreground field of grasses!!!!!! Thank you for all your excellent guidance and instruction.
What a great teacher! 💕
Thank you! 😃
Thank you for sharing your great knowledge - it helps me to grow 🙏
You are so welcome!
👍 Thank you
My pleasure.
This is excellent. Thank you.
Glad you enjoyed it!
Hi Dianne. I recently bought one of the courses you offer. I immediately started it. I did the first three lessons but I have not been able to continue. I can't find the way to jump to lesson four. I have pressed all the buttons but with no success. Thanks for your help. God Bless You.
Yadira, you must click on the Mark Complete or Next... buttons to move on to the next lesson. If the third lesson required you to Upload an assignment, you must do so and have it approved before you can move on to the next lesson. Ed can help you work thought that if you email him and describe, with screen shots if possible, what is happening. Dianne
Excellent and so helpful!!
So glad! Thanks, Joani.
Thats so helpful - thanks so much!
You're so welcome!
Good lesson!
Thanks! 😃
Thank you for this tip. I am stuck on painting the forest floor and plan to try this method. I am an acrylic painter and would first get the colors down and then add texture. Does that sound feasible?
That sequence works well, but be sure you get the values adjusted with that initial block in.
@@IntheStudioArtInstruction That would work well in oils but I layer acrylics so I use darks first and then layer in lighter tones. I should probably open the windows and use oils and paint only on cooler days. Thank you for all of your helpful suggestions.
Very helpful lesson , can you please tell me how to find colours in shadows ,also what is the role of cool and warm colours in shadows.
See Quick Tip 151
Thank you i am just painting as a hobbies … why you did not use sap green or viridian green ? 😊
Jumana, I used Daniel Smith Sap Green for years, but discovered that Rembrandt Viridian mixed with Rembrandt Transparent Oxide Red give me the same color, and that if I vary the proportions in the mixes, I can get variations on sap green.
thanks
You're welcome!
Thx
A pleasure.
Thanks Dianne, very helpful. But if you want to make an abstract landscape, do the same rules apply or do you have more freedom to just put down your colors at will?
First, let's don't call them rules. Sound abstract painting calls for the same composing principles as sound realistic painting calls for. The sequence of applying paint, though, might differ.
Great advice to not call it grass or call it anything. We do get in trouble by not just painting what we see
Oddly, Marie, that one thing seems to be the culprit of most emerging painters.