F. Mendelssohn / Piano Concerto No.2 in d minor, Op.40
ฝัง
- เผยแพร่เมื่อ 16 ม.ค. 2017
- 2016 예술의전당 토요콘서트
멘델스존 / 피아노 협주곡 제2번 d단조 Op.40
지휘 및 해설 최희준
피아노 김정원
연주 KBS교향악단
2016 SAC 11am Saturday Concert
F. Mendelssohn / Piano Concerto No.2 in d minor, Op.40
Hee-chuhn Choi, Conductor
Julius Jeongwon Kim, Piano
KBS Symphony Orchestra - เพลง
I'm 18 months away from my piano diploma recital, where I'll be performing this concerto with my piano teacher, who I admire deeply. I've been her student for 11 years and this concert will be our final act on stage. This exquisite performance reminds me I still have a long way to go. Bravo!!
I wish you the best of luck, I will be playing a concerto (maybe this one) in about 12 months too, i hope everything goes well for you!
What's the result?
So, a little update, my recital went well. I performed the first movement of this concerto, amongst other pieces, and got my MMus. It is hard to believe this actually happened because when I first listened this concerto, it sounded so... unplayable. Best of luck to all young musicians out there. Don't give up, you got this!
I confess that I know nothing about classical music, but I find this performance thrilling for some reason.
I Allegro appassionato 0:53
II Adagio 10:59
III Finale (Presto scherzando) 18:31
This is a lovely performance by the Orchestra and the conducting is just superb. However I think the Pianist is incredible. Really nice style which I would call 'graceful' and so good to watch. I am full of awe seeing him play all the way through the Concerto, all from memory. ( I am aware many Pianists can do this of course and I wish I could!) Thanks for posting this great video.
Best I've ever heard...so clean and clear.
Thank you so much for sharing this! Mendelson is one of my most favorite composers of piano repertoire. This piece is sparkling and lyrical and just divine! This is a masterful performance by the soloist and orchestra!
Excellentissime ! Quand arrive le finale on se dit “c’est déjà la fin ?” Encore !
Beautiful! That Steinway sounds to be such a pleasure to play - the pianist had a wonderful and sensitive range of dynamics and articulation! The orchestra was supppper tight too 👌🏼🙏🏼
Mendelssohn wrote this for his wife Cecile. Its a piece especially, the 2nd movement, that anti semetic musicians in the 20th century like to play badly on purpose to belittle and marginalize the composer. This beautiful piece of music written out of love as a gift, degraded out of hate....both of his piano concertos were inspired by the love and beauty of the women in his life
@@paulericson6871 Mendelssohn was a Christian of Jewish ancestry. Why would antisemitism affect people's approach to his beautiful music?
Mendelssohn was born Jewish and converted to Lutheranism early in his childhood along with his entire family. to the die-hard anti-semites of the 20th century even a scrap of Jewish blood in your grandparents was enough to get you in a concentration camp. Mendelssohns Piano Trio in D was used as background music and played so poorely as to be a musical joke in Nazi propaganda films describing concentration camps for jews as decent places. This beautiful work was butchered on purpose to belittle and trivialize the composer and his heritage. The head of the Liepzieg music school 1939 was interned and subsequently died in a nazi concentration camp when he refused to tear down the bronze statue of Felix adorning the entrance. No other composer has ever been vilified as Felix. Felix helped a young Wagner make a name for himself and was intern stabbed in the back by Hitler's fav after the untimely death of Mendelssohn. Parfisal overture is basically Felix's Hebrides Played backwards. Also, Felix was responsible for making Mozarts legacy what it is today by collecting and playing his works so the world remembers Mozart. Felix found Mozarts widow and son living in forgotten squalor in Vienna paid her bank for what manuscripts she still had then paid her a small allowance for the remainder of her life.
@@paulericson6871thanks for this information. I only knew Felix generated fresh interest in the music of Bach. And about his close relationship with his extremely talented sister.
@@republiccooper He was also a decent painter and wrote volumes of beautiful letters over the corse ofhis entire life. A brilliant piano player, he also introduced a style of conducting most emulated by Toscanni, Munch and todays Barenbaum. He travelled extensively and was a bit of a rock star for his day. He liked pretty girls. Travelling was an adventure then. He made like 5 trips to London in 10 years. He founded the Liepzieg conservatory and became an advocate of pensioning professional musicians. Conservative politicaly, he did not live to see the revolution of 1848 and the subsequent rise if german nationalism and anti semitism. Felix encountered anti semitism in the streets of Berlin at the tender age of nine and by all accounts aquited himself in a manly fashion, then went home and cried. He played a mean game of chess and was a proficient mountaineer as well. He liked Chopin and Schuman (all 3 sat down to coffee in Paris in 1828) but said of Liszt privately "lots of fingers little brains" His best friend was Belioz but he disliked his music calling it in private "the aborted offsring of a hideious incest" His last words were "Im tired...:
The most beautiful part of this masterpeace is from 12:12 to 18:22. Oh, I loved it so much! What a fine control of finger movements! Thanks a lot for this wonderful musical experience.
I love the way you play it jeongwon Kim.i think your interpretation is the most unforgettable one and the most beautiful.thank you for making this piece back alive
Merci beaucoup
Sound engineer is a GOD well done my friend very very clear sound 👌
Whoever recorded this, knew what he/*/she was doing with the sound. Everything is very clear. Highly enjoyable listen :) Also magnificent job by the orchestra of course!
Beautiful sound!!!
Beautiful ! Thank you very much.
Superb fluid performance particularly in the last movement
Beautiful Playing!
awesome orchestra great conductor and soloist superb
brilliant and great touch
A rarely heard concerto,my absolute favourite.
Orchestra has full volume spectacular sound , pianist looks young , I think he delivered this concert very well , constantly changing melodies and technically up and down way tempo , he managed to play entire whole piece beautifully and enjoyable .
Thats my answer too...
Agreed!
Excellent, sparkling performance by the soloist and orchestra. A very fine interpretation.
Very ❤️ beautiful.
one beautifull romantic concerto
This pianist is very blessed with his piano playing. Very nice.
Mee eens, prachtig
he is not blessed, he has practiced A LOT
Absolutely fabulous! God's gifts to humankind! Gratefulness at all kinds of levels!
Beautiful
I too enjoy this beautiful interpretation and playing. I kind of wish that I had you tube people like him as neighbors to personalize my enjoyment. You know?
Glorious!
Очень достойное исполнение, культурно, без излишеств на публику!
Отдельное браво оркестру!
5:08-5:30
So beautiful ❤️🎵
Belo concerto! Encantador...
Perfection!
Потрясающее безупречное исполнение. Сердечно благодарю автора концерта (у Бога мертвых нет), солиста, дирижёра, и оркестр❤.
0:55 is a good place to start.
Gran dirección y pianista.
That flute at 12:38! One of my 4 favorite concertos. Fabulous presentation! Thank you for sharing.
what are your other 3?
@@Max-qd3rb My 4 faves were Mendelssohn's pc 1 and 2 and Chopin's 1 and 2. I've now added Rachmaninoff's #2. Lang lang's performance of that last one in Milan is my favorite version. Though Yuja's Munich performance is how I first discovered it's magnificent grandiosity. Funny how it's always been a popular piece but I only added it to my short list in my senior years. Maybe those Chinese artists took it up a notch.
@tommy miller what do you think of bach's keyboard concertos ?
@@generalgonzales8139 I listened to 1 to 9 a few days ago. When I did, I wondered whether Bach had copied Vivaldi or vice versa. And it also occurred to me that Bach wrote for the harpsichord. After a conversation with a friend, I decided to see what Google would have to say about all that. Well, not surprisingly, I was right on both hunches. Admittedly, they were easy ones.
My friend like to meditate a lot. And he like Vivaldi. And I noticed when I was listening to them that it was easier to stay focused in my meditation with the keyboard concertos. I put 2 and 2 together and discovered that Bach plagiarized Vivaldi. I personally don't like Bach because, well I have known this about my music taste since 1988, he is too much like Vivaldi. Lol. So it took me 34 years before I said, "Hey, wait a minute!" It is music with a positive mood, so that is a good point. It doesn't let you stop and sulk. It keeps going like a train so you can't focus on bad vibes because it will take you by the ear to the next bar. And that steady skippity hop is also what keeps it dispassionate. That unflappable, unperturbed and nonchalant rhythm also starves it for a deeper arousal of feelings. It's music that is indifferent. And because it is so, it fails to move me. So their, I've judged it as a failure. Yet only in the context of wanting passion. For the trek into meditation focusing on intellect, Bach's keyboard concertos would be on my list of recommendations. I remember liking the first one more than the others.
As for writing for a harpsichord, that fits right in with Bach's music being very self similar and cool. On the contrary, my favorite PCs all have a huge breadth of scope. They use the whole gamut, fill up the dynamic range. Which is why I remain captivated and moved. And the pianist sometimes makes the piano sound like a xylophone, sometimes like a harp, and sometimes like a piano played by Bach.
And that is what I think of Bach's keyboard concertos. They have as much of a purpose as passionate concertos, I won't deny that. And I'll keep the title in mind in case I want to call them up on my laptop.
손이 너무 이쁩니다
😭 이날 하셨던 앵콜도 잊을 수가 없어요ㅠ
Bravissimi
Movements:
I - Allegro Apassionato= 0:55;
II - Adagio. Molto Sostenuto=
III - Finale. Presto Scherzando=
A sublime piece and interpretation! Although I prefer a long orchestral opening before the solo instrument enters...
The Romantic Period composers relished in the new freedom to transcend tradition. It is indeed a gorgeous piece, beautifully performed!
@@julieontology7214 that piece is indeed wonderful. I study both the Cello and the Piano. I want to conduct this piece one day. From the Piano.
I would never say that Master Felix wrote a bad piece, and my favourite period is indeed the Romantic Era. I love the way the romantic masters are so over dramatic and emotional. And d minor is my favourite key.
It's only a question of personal taste. Like Dvorák's Cello Concerto. I love that 2 theme exposition before the instrument enters.
손이진짜크당..역시 좋아요 good good!
Leggo sul libro di Giacomo Manzoni "Guida all'ascolto della musica sinfonica" che "il Secondo Concerto è stato oggi quasi dimenticato" con una spiegazione sinceramente solo tecnica (virtuosismo privo di mordente).
Io mi permetto di dissentire: secondo me è molto intenso ed emozionante.
Però io sono soltanto una semplice amante della musica, non una studiosa.
Gradirei sentire altri pareri.
Un abbraccio a tutti
Mendelsshon ha estado siempre entre mis compositores favoritos, pero apenas hace 10 años me he enterado de que tenía entre sus composiciones estas dos joyas: sus dos conciertos para piano. Y, para mí, ya pueden decir lo que les plazca las guías de escucha de la música!
👋
Gracias por el contenido 😃 Tel CEL. Además me lo copian que bien.
Very fluid!!. Tempo was slow for me but very superb performance!!!
Mendelssohn have the unction!
Real orquesta Filarmónica de Londres.
0:58 3:00 4:19 4:50 6:30 7:35 8:30 8:57 9:02
I Allegro appassionato 0:53
II Adagio 10:59
Finale: 18:30
❤
Klavier Konzert D-moll気品ある美しさ♪♪♪
Longest piano I've ever seen
Un nouveau Serkin est né sous nos yeux avec ce 2eme concerto de piano de Mendelssohn en l’occurrence ce jeune virtuose coréen. Inspirée, appliquée, musicale quelle interprétation ! Manque peut être de panache !
ESTE CONCERTO No. 2 DE MENDELSSOHN, PROVA AOS OUVINTES ESCLARECIDOS DA GRANDE MÚSICA, QUE OS CRÍTICOS E MUSICÓLOGOS FRUSTRADOS, ESTÃO "QUADRADAMENTE" ERRADOS QUANDO DIZEM QUE ESTA OBRA APENAS TEM BRILHO SUPERFICIAL. FIQUEM SABENDO CRÍTICOS E MUSICÓLOGOS FRACASSADOS, QUE ESTE CONCERTO TEM MUITO MAIS EM BELEZA CLÁSSICA E ROMÂNTICA E INOVAÇÕES NOTÁVEIS COMO: A AUSÊNCIA DE DUPLA REESPOSIÇÃO E CADENZA E TEM OS TRÊS MOVIMENTOS INTERLIGADOS.
7:35
0:55 1:56 2:02 3:26 10:59 18:31
0:57 - 1 часть
11:01- 2 часть
18:32 - 3 часть
18:26
0:57
والله اعلق واصفق
3:00 8:57
No, too slow. Fire, fire fire with awesome phrases is the first movement.
If you notice, I think the conductor kinda set it off slow too. Just sayin :/
Not a Steinway fan Give me Bosendorfer or Beckstein anytime
Unique, the way the piano jumps right into the orchestral introduction.
Mendelssohn was a master composer whose piano virtuosity gave him comfortable control of the way the piano can be in the background but always leads the orchestra.
This is much quieter than the 1st Piano Concerto but thematic development is a step beyond: Mendelssohn in a very meditative mood.
Methinks that this pianist is too non-virtuosic in his performance. Where is the push that Yuja Wang gives in her performance?
You can't take the "Scherzo" out of Mendelssohn's composing style and this performance lacks "push."
The pianist is good, but just a bit too bland!
a bit late, but personally, i think this concerto is also very expressive, so it can easily come off as bland, but i don't see it that way. It's just expressive
10:11
Director Sir Malcolm Sargent.
Moura Ly mpany.
Awful.. especially the coda
You must have been listening to something else entirely. This was a marvelous performance in every possible way. And the audio fidelity is superb. I hope you will listen again because this is a performance rich in nuance and precision and played with great sensitivity.
@@paulpage1265 first of all, I know this concerto very well, secondly, music is a matter of appreciation and you certainly can't judge what I perceive and thirdly, this performance is flat, not very expressive and rather boring.
David, I was not judging what YOU perceive. Yet the “Perception” of everyone else who has commented on this performance and recording appears to concur with my own perception. And, by the way, I, too, know this concerto very well, yet I don’t have any interest in extolling my own interpretation or perceptions as the best one, but rather prefer to celebrate the gifts other talented artists bring to their performances. THIS performance was really quite wonderful. To label is “awful”? Apparently no one else thinks so. Maybe you’ll have a better experience if you listen again. I hope you do.
ALBERTO AGUIAR DA CRUZ: ESTE CONCERTO No. 2 DE MENDELSSOHN, PERTENCE ÀQUELAS AUTÊNTICAS OBRAS PRIMAS DA HISTÓRIA DA MÚSICA, QUE ESTÃO UM TANTO ESQUECIDAS. INJUSTIÇADA PELAS MENTES TACANHAS DE MAESTROS E PIANISTAS ARROGANTES QUE ACHAM QUE SÃO DONOS DA VERDADE. MAS ESTE CONCERTO QUE É MELHOS QUE O PRIMEIRO, VEM CONQUISTANDO LENTAMENTE, OS APLAUSOS DO PÚBLICO SENSÍVEL.
0:55