After hearing numerous versions of this aria, I've come to realize that it has gotten a lot faster by the years, the older ones usually have a softer, slower tempo, and you can really feel the longing, which has a more romantic effect But still, she has an amazing voice
@@davidemedici9902they have been doing this with EVERYTHING. I call it the Bartoli effect. They think anything baroque or stile galant has to be super fast. Fast fast fast fast
Marianne Crebassa, la meilleure mezzo à mes yeux. Je l'ai repérée dans une ancienne video des "nuits de la voix" où elle chantait "When I Am Laid in Earth". Quelle puissance et quelle maturité déjà (dommage que la vidéo soit désormais introuvable). Et depuis, sa voix ne cesse de progresser en maîtrise. La chaleur d'une châtaigne grillée et la douceur du velours, et un coffre incroyable. J'ai tellement hâte de la voir chanter Carmen, les récentes Séguedilles en donnent un avant-goût délectable. Bravo, longue et belle carrière à elle !!
She's great. Just discovered her. Heard her last night at the Royal Festival Hall in London, singing Berio's Folk Songs and Ravel's Scheherazade. Absolutely fantastic! Such a thrilling voice.
I did this exact same ornament at the end....in 2000/2001 on an audition tape. Came up with it myself. I was told it was too Rossini-esque. Here it is years later in an actual production.
Beautiful performance!! She surely has a great career ahead of her. But I feel the need to compare her to a performance by von Stade in the same role. It's hard to pin down the differences between the two. In my clumsy way I will only say that I found von Stade's singing to be more nuanced. Marianne is nipping at her heels and I think she will surely equal Flicka soon!
É como assistir um musical ao vivo. Eu só acho às vozes estranhas. São belas, mas muito dramáticas, além de altas demais. Essa montagem moderniza algumas coisas. Os caras tem que cantar, interpretar, manter o tom, cê é louco. Muita coisa, muito talento. Gratidão por esse momento.
I still think that variations should be used very sparingly in the "da capos" of Mozart's Da Ponte trilogy. What is usually agreeable in a virtuoso opera seria aria sounds forced and counterfeit in these three oh so very human(e) comedies.
Я не согласен с режиссером. Так нельзя)) Это преступление против Композитора, против Сопрано, против Слушателя)) Эти жесты... я понимаю их смысловое значение, но их... специфичность не может не отразиться на голосе. В силу физиологических особенностей строения человека. Можно даже не смотреть этот номер, а всё равно услышишь некую корявость. Пожалуйста, будьте любезны - каким бы робким, зажатым, закомплексованным юношей не был наш Керубино, в момент исполнения этой божественной арии фрустрация должна отступить, а перед нами явиться крылатый херувим, амур, бог любви.
We all incarnate a little of each character in every opera. No matter what we wear, we all feel as Cherubino. I think Mozart himself would've loved it.
G'day, Ruben angeles vargas! So would I. It's so strange seeing a male role being sung by a female. Was that the trend at the time "Le Nozze di Figaro" was written? Why?
I'm not sure. Crebassa has a beautiful voice but displays little color variation here (though I like her improvised ornaments - very musical) so there is little sense of vocal acting. On the other hand, I think she over-acts with the body language and makes the character more comic than is appropriate in this scene IMHO. Interesting, but not convincing. She will improve, I hope, with experience - she has the tools.
Beautiful performance but why the stupid out of place modern dress ? I get so tired of the "artsy-fartsy" types who screw-up operas like this because they know so much more than the composer did !
The microphone in the hat is too visible and repulsive. It’s also the reason for the unnatural voice acoustic. The record companies should return to recording through open space.
Terrible! Mozart was spinning in his grave! These modern productions annoy me! Keep your hands off our good old operas! I have no problem with modern productions, but write your own works and do what you like!🤮🤮🤮
After hearing numerous versions of this aria, I've come to realize that it has gotten a lot faster by the years, the older ones usually have a softer, slower tempo, and you can really feel the longing, which has a more romantic effect
But still, she has an amazing voice
Look for the legato when called for
Great 👍.
there is just more sex and less romantic this days :)
I was straight away like: "How f*****g fast is this, and why?"
@@davidemedici9902they have been doing this with EVERYTHING. I call it the Bartoli effect. They think anything baroque or stile galant has to be super fast. Fast fast fast fast
Bravo🎉
прекрасное исполнение! голос льется как ручей, без усилий и надрыва, полное ощущение весны,свежести, юности!
That flourish at 1:56! And then the rest! I've been a fan since I watched her incredible Lakmé duet with Devieilhe.
That one is such a joy.
Me too
Immediate reaction: best Cherubino interpretation ever! Very wow.
Her voice is perfect. Beautiful!
Beautiful ... wow Marianne Crebassa's voice is perfection.
her duets w/ Sabine Devieilhe are great!
Marianne Crebassa, la meilleure mezzo à mes yeux. Je l'ai repérée dans une ancienne video des "nuits de la voix" où elle chantait "When I Am Laid in Earth". Quelle puissance et quelle maturité déjà (dommage que la vidéo soit désormais introuvable). Et depuis, sa voix ne cesse de progresser en maîtrise. La chaleur d'une châtaigne grillée et la douceur du velours, et un coffre incroyable. J'ai tellement hâte de la voir chanter Carmen, les récentes Séguedilles en donnent un avant-goût délectable. Bravo, longue et belle carrière à elle !!
Marianne is incredible... her tembre and the richness of her voice... i'm infatuated with her vocals ❤❤❤❤
She's great. Just discovered her. Heard her last night at the Royal Festival Hall in London, singing Berio's Folk Songs and Ravel's Scheherazade. Absolutely fantastic! Such a thrilling voice.
Beautifully done by a beautiful young lady.
Very impressive. Sung and played in a way that captivates and holds interest. Not many achieve that.
très belle interprétation. Une voix magnifique, perfecte pour l'opéra et un costume très beau, très original
Cette fois-ci je dis BRAVO
De la hauteur de voix que l'on ne retrouve pas partout
PARFAIT , BRAVO BRAVO
Là, l'art est à son apogée
Hands-down my favorite Mezzo
Brings a tear to my eye beautifully sung
Sublime, merci
Lovely song 💞
Beautiful voice.
She does the young boy so well!
Gah! Phrasing!
no, she is faking it.
Beautiful! Heartfelt Mozart piece!
She looks like Eminem , esp. the knit hat and the pair of blue shorts which obviously is for hip hop singers....
HAHAHAHAHHAHAHAHHAHAHAHAHAHHA
its the eyes isnt it?
Eminem??🤣🤣🤣🤣
Mademoiselle Marianne it's amazing, I love her tone of voice ❤️💐🍷
This is one of the most beautiful things i've ever seen.
I like the outfit! Cherubino is just a kid in this one. Interesting direction overall.
I shiver with delight.
my thighs are quivering
Excellent 👏👏👏👏👏👏👏👏😘😘😘😘😘
Brava!
Such an amazing version!
Can you imagine a world without Mozart?
I can, but not a world without real boys.
Definitely not! Impossible to imagine a world without him!!
Não há como !!!!!
NO NO NO NO NO
Brilliant, bright and effortless!!! LOVE
Music to my soul
I did this exact same ornament at the end....in 2000/2001 on an audition tape. Came up with it myself. I was told it was too Rossini-esque. Here it is years later in an actual production.
Beautiful Vocals. !!! The Like Button 🔘 has been Illuminated 😁👍👍😎🎄⛄❄️🎁
Wonderful!
Absolutely great! Marianne is spot on!
Maravilhosa voz, um visual diferente!
Super, Bravo 👌
Notevole
Lovely
Me sorprendio su voz.Bravo
Fantasztikus !
Me encanta lo pastosa de su voz
Drab production, good singing
Beautiful performance!! She surely has a great career ahead of her. But I feel the need to compare her to a performance by von Stade in the same role. It's hard to pin down the differences between the two. In my clumsy way I will only say that I found von Stade's singing to be more nuanced.
Marianne is nipping at her heels and I think she will surely equal Flicka soon!
1:00 Love Mozart
A bit too fast, but Crebassa is beyond fantastic, as always
Браво.
Stunning
Marianne e perfeita!
Wonderful singing and Nice outfit! ☺️ 🎈
Terrific voice and acting.
Genial
Gawky, insecure, shy...the typical teenage lad....but sung brilliantly (and decorated) by a girl! Wolfgang would have liked the embellishments! Bravo!
que belleza
Очень красивый голос!
Marriage of figaro
É como assistir um musical ao vivo. Eu só acho às vozes estranhas. São belas, mas muito dramáticas, além de altas demais. Essa montagem moderniza algumas coisas. Os caras tem que cantar, interpretar, manter o tom, cê é louco. Muita coisa, muito talento. Gratidão por esse momento.
Do I see a mic there? Anyone knows what is it for?
Yes, that's correct. We used microphones to create the best audio recording for this video and a radio broadcast.
Thank you for the explanation! :)
Love Maria Ewing’s version so much more.
J'ai l'impression de voir Florence Foresti chanter :-)
maintenant que vous le dites :D
@@zwiesland alors vs n'avez JAMAIS ENTENDU FORESTI !!!!!!!
Let's speak of Cherubassa from now... 😇
A royalty gang playing basketball haha!
I still think that variations should be used very sparingly in the "da capos" of Mozart's Da Ponte trilogy. What is usually agreeable in a virtuoso opera seria aria sounds forced and counterfeit in these three oh so very human(e) comedies.
Very different from other versions seems faster but no less beautiful of this aria.
J'adore, quelqu un peut m'expliquer le texte s'il vous plaît 😍
В этот раз более яркое впечатление произвело вечернее прослушивание. Может, потому что это было третий раз.
Where can I find the complete Opera from this interpretation?
Is it just me or is this a little faster than normal?
Her voice is incredible. ❤ I absolutely don't like the clothing and this low budget stage 🙈
Too fast
Just a little bit.
Micro !!!!!!!!!!!!
...e si' , la commedia e' finita....
Susana is supposed to be playing guitar accompaniment...?
В костюме Буратино. Но голос чудный.
She nailed it so bad to be honest with ya ❤
gorgeous Crebassa but music is too fast! dang, slow it down so we can savor her rich voice
so fast???
Kinda channeling Kate McKinnon’s Justin Bieber.
Я не согласен с режиссером. Так нельзя)) Это преступление против Композитора, против Сопрано, против Слушателя)) Эти жесты... я понимаю их смысловое значение, но их... специфичность не может не отразиться на голосе. В силу физиологических особенностей строения человека. Можно даже не смотреть этот номер, а всё равно услышишь некую корявость. Пожалуйста, будьте любезны - каким бы робким, зажатым, закомплексованным юношей не был наш Керубино, в момент исполнения этой божественной арии фрустрация должна отступить, а перед нами явиться крылатый херувим, амур, бог любви.
I see your point.
Любезный, кому Вы вещаете... Это вообще не возможно не слушать ни смотреть
Иначе не пойдут, не напишут, не выложат в сториз
Это же меццо сопрано?
Режиссер из мальчика-слуги сделал какую-то, прости Господи, лесбиянку. Страшные кроссы с шортами, это вообще край. Режиссер совсем извращенец, похоже
Wonderful singing but terrible outfit!
ah come on. it's fun. ;)
We all incarnate a little of each character in every opera. No matter what we wear, we all feel as Cherubino. I think Mozart himself would've loved it.
That's modern art.
Lol he’s an awkward teenage boy going thru puberty. Fashion sense doesn’t really factor in. It works
@@adaj472 Yup, but she looks like a smurf :)
I thought that was Dominic Cummings in his Everton dress.
I would like to see this character played by a young countertenor. Perhabs in a bit lower tessitura
I believe the ROH had a countertenor in its 2019 production :)
G'day, Ruben angeles vargas! So would I. It's so strange seeing a male role being sung by a female. Was that the trend at the time "Le Nozze di Figaro" was written? Why?
@@lindacowles756 I guess they just prefered an adult woman working than a kid that at some point would "lose' the voice
Someone was in a hurry. Beautiful voice though.
Yes but that purple suit is terrible!! 😂
I'm not sure. Crebassa has a beautiful voice but displays little color variation here (though I like her improvised ornaments - very musical) so there is little sense of vocal acting. On the other hand, I think she over-acts with the body language and makes the character more comic than is appropriate in this scene IMHO. Interesting, but not convincing. She will improve, I hope, with experience - she has the tools.
too fast! the tempo is not original from the score!
Mia madre canta meglio
Why she dressed like a fornite kid tho? 😭😭😭😂
Amazing voice.both tempo and scenery are terrible
Ridiculous tempo. I guess the conductor has some side chick he's running to after the opera.
Beautiful performance but why the stupid out of place modern dress ? I get so tired of the "artsy-fartsy" types who screw-up operas like this because they know so much more than the composer did !
The microphone in the hat is too visible and repulsive. It’s also the reason for the unnatural voice acoustic. The record companies should return to recording through open space.
Terrible! Mozart was spinning in his grave! These modern productions annoy me! Keep your hands off our good old operas! I have no problem with modern productions, but write your own works and do what you like!🤮🤮🤮
bad acting. full of ideas but missing the point
Brava!