Saint Francis - Copying a Caravaggio in Oil

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  • เผยแพร่เมื่อ 2 ต.ค. 2024
  • Check also my other shorts and videos and visit me on Patreon for more videos and tutorials:
    / oldmasterpaintings
    I will give a Caravaggio painting course with historical pigments and linen on Nov. 24. - 29. 2024 in La Palma, Spain. If you are interested, visit my website for further informations:
    www.thorstenbechtluft.art
    Supports:
    Paypal: paypal.me/OldM...
    TH-cam: / @oldmasterpaintings
    Insta: / old.master.paintings
    I started with white on a reddish brown canvas. Mostly two and sometimes three layers are applied. The colours are done in thin glazes, again two or more layers.
    The palette for this is simple:
    Lead White
    Yellow Ochre
    Red Earth
    Burnt Siena
    Umber Nature and Burnt
    Van Dyckbrown
    Roman Black Earth
    Natural Iron Earth
    This painting I started on a pre-glued canvas and applied one thick coat of a selfmade oilground. My painting medium is fast drying oil. I take selfmade blackoil or linseed oil varnish. Both let the colours dry within 1-2 days.
    The canvas is in originalsize 130 x 90 cm (51 x 35 in).

ความคิดเห็น • 38

  • @neilthomas8258
    @neilthomas8258 3 ปีที่แล้ว +2

    I am going to try this, with an original. Great job brother 👌🏾

  • @hindwadood5992
    @hindwadood5992 4 ปีที่แล้ว +1

    Incredible artists
    You have magic hand

  • @user-zp3be1vm2lhit
    @user-zp3be1vm2lhit ปีที่แล้ว

    21世紀のCaravaggioが何人かおられるのですね?!

  • @jozimarm9336
    @jozimarm9336 4 ปีที่แล้ว +8

    Keep it going you're a genius and I think am learning more from you than what I learn at school. Great work #onelove ✊

  • @little_latinboy1345
    @little_latinboy1345 2 ปีที่แล้ว

    Can y’all seriously shut up about it not being Caravaggio’s actual technical style of painting the title clearly says he’s copying a piece created by Caravaggio not painting in his style. Stop being so quick to put your noses in the air when takes insurmountable amounts of patience and skill level to even attempt to do something like this. Be glad we are able to see this artists work and his dedication to creation. I’m sick of it. Thank you for uploading this video I learned A LOT myself from watching it 🤩

  • @lindaseguin8271
    @lindaseguin8271 3 ปีที่แล้ว +2

    You are definitely an Artist with incredible patience too. I have a question, After painting the light areas
    with white, do you wait for it to dry , before painting the actual colours.

  • @juanlambda27
    @juanlambda27 3 ปีที่แล้ว +1

    This is not Caravaggio's technique at all. He started with a dark underpainting - possibly raw umber or something similar - over a reddish ground.

  • @lorenzodemedicirecensionep1918
    @lorenzodemedicirecensionep1918 4 ปีที่แล้ว +3

    You r a monster ...this is art❤️ .. now people confuse shit with art ... I ll try this with acrylic but I'm sure it won't be on your level 🤷‍♂️

    • @violet-eg4jr
      @violet-eg4jr 4 ปีที่แล้ว

      believe in yourself :)❤️

  • @jamesyu9926
    @jamesyu9926 2 ปีที่แล้ว +2

    Caravaggio painted very fast. Doubt if he would over worked the area with so much brush strokes as shown here. He is said to have finished 3 figures less than a day. He finished a painting before the sunset so he can go out to eat, drink and be rowdy and even fight.

    • @patriziopaladini
      @patriziopaladini ปีที่แล้ว

      It depends on what you mean by fast. If you look at Caravaggio's paintings they are full of glazing so he certainly didn't finish a figure in a day and then he didn't come back on it with a second level.

  • @hattivatti3000
    @hattivatti3000 3 ปีที่แล้ว +1

    These kinds of portaits could work great just on orange and white

  • @BigBoss-ti2xm
    @BigBoss-ti2xm 3 ปีที่แล้ว

    Is it varnished before we make another layer?

  • @bqgin
    @bqgin 4 ปีที่แล้ว +1

    I love chiaroscuro.

  • @roadshowautosports
    @roadshowautosports 4 ปีที่แล้ว +1

    Unbelievable work you do! I’m an airbrush artist and your videos as well others TH-cam providers’ made me a better painter. I really appreciate you sharing your time and knowledge/experience with us mortals!
    I had no proper training but love and passion so bare with me.
    I have a couple questions:
    1- why every oil painter start with an ocre/sepia background?
    2- then, some, will sketch in gray?
    3- then cover in white but practically obliterate the white with black before coloring?
    I apologize if I’m biased but, judging by your proficiency and some ink you wear, i have a feeling that you come from some custom painting background or have a deep understanding about it. I see that you guys use a wash/glaze as I use the candies on my paintings, forgive me if I’m wrong, and noticed that you paint very light brown hair but turns it into dark based on your subject, any specific reason for that instead of going to the real color straight? To make the nuances to show through?
    I try to paint with the real bottom colors like underlaying skin color with flesh color or putting metallic silver if I’m painting something that is metal painted over, to come through and achieve a more realistic result and just can’t wrap my mind around the way you guys do.
    Again, I hope everyone here is as thankful as I’m for your kindness!
    Thank you!

    • @oldmasterpaintings
      @oldmasterpaintings  4 ปีที่แล้ว +3

      1- The colour of the ground will shine through and give the person or scenery a warm colour
      2- With grey it will become more naturrealistic. Grey dampens the colours.
      3- Not sure what exactly you mean.
      In this old fashioned style of painting you work a lot with the groundcolour. You let it come through and mix it with the paint. It makes the typical glow as the old masters had.

  • @christinedennison7770
    @christinedennison7770 2 ปีที่แล้ว

    Can you please say what the ground colour is and may I ask is the medium just linseed oil

  • @jeanmarie8525
    @jeanmarie8525 3 ปีที่แล้ว

    I like until white touch, a bit of earth line and stesure... then with the color is getting bad, not expressive anymore.

  • @misaesanchez4845
    @misaesanchez4845 3 ปีที่แล้ว

    Artista te Deseo Éxitos En Todas Sus Obras De Arte Gracias por enseñar Esas técnicas de las Bellas Artes un Abrazo Desde Bucaramanga Santander Colombia

  • @healingsongsduo7375
    @healingsongsduo7375 4 ปีที่แล้ว

    You are really fantastic!!!... And so generous to share your knowledge with all of us. You are a really great Artist and a very kind person. Thank you very much!

  • @周惠佳
    @周惠佳 3 ปีที่แล้ว

    Very good thankyou very mach

  • @kimberlyb5081
    @kimberlyb5081 3 ปีที่แล้ว

    Hey can I ask what colors you used for the shading? I am so afraid to use black because all my teachers have advised against it so far, is it a warm black (like mars) or a mixture?

    • @oldmasterpaintings
      @oldmasterpaintings  3 ปีที่แล้ว

      For warm shadings I take genuine van Dyck brown. For darker shadows I take a darker version of it (roman black earth) and for a background black or really deep shadows bone black or ironoxideblack.

  • @danfreisting2874
    @danfreisting2874 3 ปีที่แล้ว

    Wonderful video!

  • @felipevervideos
    @felipevervideos 3 ปีที่แล้ว

    Hi, congratulations. Thanks for show us your procces. What kind of brushes did you use? Thanks 👨‍🎨

    • @oldmasterpaintings
      @oldmasterpaintings  3 ปีที่แล้ว

      It's natural black sable hair from the company Da Vinci, Series 1845. I take this brushes during about 80-90% of time.

    • @felipevervideos
      @felipevervideos 3 ปีที่แล้ว

      @@oldmasterpaintings thank you very much master =)

  • @توومهان
    @توومهان 3 ปีที่แล้ว

    Verey good

  • @artea2fusion
    @artea2fusion 4 ปีที่แล้ว

    ta curtido

  • @MegaHalo777
    @MegaHalo777 3 ปีที่แล้ว

    Eccellente

  • @osvaldodelrio3798
    @osvaldodelrio3798 4 ปีที่แล้ว

    Fantastico!

  • @semihcanakca1762
    @semihcanakca1762 4 ปีที่แล้ว

    Nice work!

  • @davidhuddleston5866
    @davidhuddleston5866 4 ปีที่แล้ว

    Can I ask, when you lay the first white on ground, do you thin the paint and if you do, do you use thinners or dilute the paint with Linseed Oil ?

    • @oldmasterpaintings
      @oldmasterpaintings  4 ปีที่แล้ว

      The first white I paint often very dry, similar like the dry brush technique. But it also depends on the ground. On an oilground I prefer to paint dry and on a chalkground I dilute the paint with linseed oil. But I never use thinners like turpentine in my paintings.

    • @davidhuddleston5866
      @davidhuddleston5866 4 ปีที่แล้ว

      Old Master Paintings Thank you for your reply, it’s so interesting learning from someone so talented..

  • @ramonlopeznote
    @ramonlopeznote 3 ปีที่แล้ว

    you should not be announcing this video as compliant with Caravaggio's technique. You are miles away from his real way of painting.

    • @tovarichy
      @tovarichy 3 ปีที่แล้ว +2

      Para hablar mal mejor no hables

  • @nordfaen
    @nordfaen 2 ปีที่แล้ว

    Danke schön 😁