@@StCreed god, you internet know it all’s! They actually do have their products reviewed, their speakers have been reviewed as has their new top of the line record deck reviewed by Michael Fremmer very very favorably has have their speakers. Before spouting conspiracies actually do some work and research facts, I can only assume you must be a Trump supporter based on your lack of FACT!
I was fortunate enough to be able to spend the weekend at Jonathan’s a few years every spring when he hosted an annual Tube Tasting. He’s actually an incredibly kind, giving, generous person. People came from all over, and brought their homemade stuff, and got a chance to play them for everyone. One year the scientist / engineer who led the development of the modern loudspeaker driver when he was at RCA gave a lecture on the project. Fascinating. Oswalds Mill is definitely different
It’s funny how people who have never heard the gentleman’s speakers have an opinion already. The gear looks great and I am very curious how these speakers would sound.
Regardless of what his product line is capable of, It's the guy's demeanor. It's off putting, desperate and very much full of something. Just leaves a bad taste in my mouth. Like a day old bagel, lol.
@@jareknowak8712 I'm sure they sound incredible but coming from someone with my skill set I don't see the value. Minus the drivers you have something that can be made very easily and with materials that are very common place.
This really open my eyes. May be one day, I can afford to open my ears as well. Thanks Steve for taken us to this journey. I'm voting with both hands to continue the series for other components.
I'm impressed by the contrast between equipment like this, extremely large and extremely expensive versus equipment like Dayton Audio, small and inexpensive. Terrific range of equipment that Steve presents to us. I love it.
It is really enjoyable to see dedicated people like this who think so far out of the box, and are truly looking of ways to move the high end audio outside of the norm. I have been an audiophile for many decades, and I was very lucky to move from being an audiophile hobbyist, to being able to own and operate a semi high end audio store in Wisconsin in the 70's and 80's. I was able to travel to the CES shows and see many amazing products, but more important to people who are so dedicated to the determination of designing the very best products they can, even sometimes when they might no make a large sum of money. It is the science first and the cash second. I know sometimes those thoughts do not make for a successful business, but just the thoughts of someone doing things like this is truly impressive. Many years ago I met Doctor Hill at the Vegas winter CES show. Everyone was talking about his Hill's Plasmatronic speakers. Dr Hill was an atomic physicists who happened to be an audiophile. So he used his technical knowledge to build a truly amazing plasma driver in a very unique system. When questioned about the price (at that time about $25,000) he replied, that he and his son are driven by the technology to achieve his goals, not really a price point. So people out there are more interested in designing the very best, and they think very far out of the box.
Oh and yes, more of this wonderful company please including a tour of their mill in Pennsylvania please, this company needs to be seen way more than it is!
His company is one of many that are not know the general public because it is UTLRA HIGH END. His company like many others CATER to those who can afford such systems which is basically the FILTHY RICH. You are talking about spending over $100,000 just for loudspeakers alone.
I enjoy Jon's passion. I also love that his customers just want to hear music and not get into the mix and match component game. Very cool stuff for sure, marrying great design with great audio with unique esthetics...perfect for one of those cool Brooklyn Heights abodes. Just not affordable for most of us.
In the realm of what one could call "unaffordable audio", I have no more problem with this guy, what he says and what he builds than any other guy and what the other guy says and builds. This guy builds cool looking gear, says it's cool looking for a practical reason AND builds it in Brooklyn. If it sounds great, as good as other unaffordable gear, good for him and the rich guys who buy it.
Ric Byer Research Lenco L 75. It was a classic idler. Apparently idlers have less loss of speed when the stylus drag (friction) changes due to the density of the recording. Apparently this can be heard. I used to have an idler in the early 70's. In the 80's all I heard was that belt was better, less rumble so I got a belt drive. Then CDs were the way to go so I went digital. Now someone wants to tell me turntables and vinyl are better?
@@kirarittberg5088 A well implemented DD with quartz control is better than either idler or belt-driven turntables. Just look at the rumble and W&F measurements. I have the L75, and I now use it for my 78s. I used it as my main table for some time. It's great, but my JVC QL50 with an SME arm is much better. CDs are also great. In most cases, when a CD sounds bad it's because of bad mastering, not because of the medium itself.
Probably wouldn't be buying this type of gear even IF had the money to spend.... but I absolutely love to see and learn about it. I could watch hours of this!
I have sat in that room, heard the most life-like reproduction of music i could have imagined. He played Coltrane-Blue Train, amazing. He uses field-coils to drive the horns on (all, some?) of his speakers, this has a huge effect on the sound. If I had the money, and space, I would buy an OMA system and never look back. Since OMA as a company is so obsessive, the time-alignment, cross-over and interaction the amps makes for a very coherent sound. JW can be a politicizing figure, but his heart is in the right place and he is not selling BS.
I wonder if he had been expecting to hear all the stuff, rather than jsut the owner ramble on. I know if I had spent that much time there and never heard anything play, I would have been miffed.
Another great video, Mr. Guttenberg - indeed you may even say I've been waiting for this one, and its horn-likes..! Please return with a follow-up(s) from Mr. Weiss and his OMA adventure.
Yes! I love their work - i just wish i had the money to put it in my home! : ) but it's great to see someone working like this in Hi-Fi. Would LOVE to see more!
What a wonderful video! Two refined music lovers and true gentlemen having a nice, highly interesting conversation on sound and sound reproduction. Thank you for this! God bless you both!
I suspect the original video of this interview had the f word @ 7:30, which Steve has (almost) seamlessly removed. The horn speakers must have incredible sensitivity to be driven by amps with so few watts. Jonathan Weiss is an interesting guy and Oswalds Mill clearly manufactures interesting kit 👏👏
Love his philosophy. When I started building my all vintage system I went with large, high efficiency speakers paired with 100 watt amps so the amps would loaf along at normal levels. OMA has a new turntable coming, btw.
This is a fascinating company - would love to see a series on this Steve, and updates as products come out. Probably priced into the stratosphere but allegedly justified by performance, plus good old fashioned American work using American raw materials, it's part of what makes this country great.
You are absolutely right, I have done electronics engineering whole my life, I am 59 years old and learn a lot trough my life, this is just another cork sniffer
There are a few of his personal ideas in there that won't appeal to the text bookers, but the ideas are worth the exploration, I'm happy he explored without boundaries because to me all audiophile explore based on personal biases reinforced with theoretical knowledge. He may have explained some aspects from a position of lesser knowledge but the concept of the idea is still worth the appreciation.
Usually, when Steve interviews someone there is a lot of back and forth discussion and you can tell he really enjoys the interaction. This guy can't stop blowing his horn long enough to engage in any actual discussion. It's just him telling us how it is, and you can see what a gentleman Steve is by the way he responds.
@@mosespray4510 I 100% agree with you.. Steve tries to jump in a few times and eventually just gives up and lets him talk.. This guy is full of himself and believes he's a genius
I definitely want to hear about the direct drive vs idler drive! I own all three types, all over 20 years old, but all very well enjoyed. Mr. Weiss is a very interesting person, thank you for this interview.
These pieces certainly make a visual statement.Very high sensitivity (Loud)speakers there.A very retro/industrial feel .Quite different from the mainstream.
Yes, please add another video on Turntable design. OMA speakers and amps are heavy. What is the reliability factor? How do you move the audio in the listening room and if one ever needs a repair, how do you send back to the factory? Great video! Love the Design!
Of course we want to know about the difference between idler and direct drive turntables. Also this had to be perhaps the most interesting video you have done this guy is the Schiit. Oh wait.
100 years ago, Western Electric concluded that round section horns sprayed ceiling and floors with incoherent sound and so made the throats of the horn rectangular in section, Later, sectoral wave guides or vanes were introduced in horn designs, which made a great improvement in efficient dispersal and articulation of complex wave forms. Today, compound curves in the surfaces of rectangular section horns have replaced sectoral vanes. JBL and Klipsch pioneered in this approach. Computer modeling has helped, but the final arbiter is still our ears.
Thanks to Jonathan Weiss, for the open and forthcoming discussion, on that fascinating looking gear he's building. I'd like to know more about it. It would be a treat to hear it play, but as you mentioned previously, Steve, yt audio demos are a non starter. It's certainly visually unusual and attractive.
Hi end audio is exactly that because of places and companies like this ...people that dare to think differently an not follow convention.....I applaud their effort to challenge convention ....love to see more please ....
I would love to listen to my favorite LPs on one of his systems. There's no way to tell about the audio quality without listening. A lot of people are grousing about the cost. Quality, if indeed they sound better, cost money. If I had the shekels, money would be no object in my pursuit of the Absolute Sound. The aesthetics of his equipment is another matter, however. I'm not all that impressed. I see quirkiness, but not great design.
get this guy back on the show Steve, he's an incredible marketer I'd like to hear more about his view on gear but from his marketing-ish perspective ;)
KLH was a Boston group. Altec Lansing is a fun speaker to play with. I completely agree with OMA loudspeakers, and I admire the dedication the the science. 100 HZ for a horn is doing pretty nice , then the 21 inch sub is over the top for most systems. The amp he uses is the key as well. With an old ALTEC 500 and and 18 inch sub with ELECTROVOICE high end and a 1200 watt POWER amp 2 channel, I do just fine in my neighborhood. You are a true AUDIOPHILE, sir. Thank you for your presentation.
Always great to see originality and a person with passion for what he does. I would love to hear some of his gear. Not very mover friendly items. 200 lbs amps and 500 lb speakers. That's some heavy stuff.
I just finished a pair of prototype conical horns that are 14.5 inches across at the large end and 33 inches deep. I used a pair of vintage Polydax 4/5 inch 4 ohm woofers for drivers. If anyone thinks its easy to build a 12 segment cone on your table saw think again. I cant speak to how the OMA speakers perform only to what I built. The good (very good) is that ON AXIS they have a rich mellow tone that express vocals and woodwinds (go figure) like I have never experienced before. Kenny G might as well be in the same room! Stringed instruments like a cello or acoustic guitar are also faithfully reproduced. My observation is that it is due to the resonance of the wooden cone. Place a hand on the outside and you can feel the music. Interesting in that this is NOT something that you would want in a "normal" speaker enclosure. Now for the bad...Off axis sound. If ever there were speakers that need a LARGE room its these. If ever there were speakers that define and demonstrate a "sweet spot" its these. Summary. worlds biggest open air headphones. Impractical for mortal humans. Again I am critiquing my home build conical horns not the OMA. Steve, did you get to listen? whats the off axis like?
I understand what they're doing at OMA. Instead of making the amplifier do all the work, they're designing the loudspeakers to naturally amplify and reproduce the sound. So you're going to hear a lot more of the subtleties of the music without the need to turn the volume up very much. That's why the speakers look like they do and are made with those materials. It's actually all natural so to speak. It looks like that because it has to. That's why he hates the word "art".
the man might come off a bit jerky but wow I can see the passion and drive he has and that's far more striking to me. you can tell the process he has to make audio equipment is from the ground-up and wow I feel like he's discovered a lot of mistakes
Steve: Please say you are going to follow up with a review!
Nope - OMA has a no-review policy. For good reason, I assume :)
@@StCreed god, you internet know it all’s! They actually do have their products reviewed, their speakers have been reviewed as has their new top of the line record deck reviewed by Michael Fremmer very very favorably has have their speakers. Before spouting conspiracies actually do some work and research facts, I can only assume you must be a Trump supporter based on your lack of FACT!
I was fortunate enough to be able to spend the weekend at Jonathan’s a few years every spring when he hosted an annual Tube Tasting. He’s actually an incredibly kind, giving, generous person. People came from all over, and brought their homemade stuff, and got a chance to play them for everyone. One year the scientist / engineer who led the development of the modern loudspeaker driver when he was at RCA gave a lecture on the project. Fascinating. Oswalds Mill is definitely different
I wonder if he would do more public events once covid finally dies
Looks like we're in the props department for the Wizard of Oz
or dr suess !!!
Makes some sense since the technology is the same and or inspired by what would have been behind the screen at the premiere of Wizard of Oz.
It’s funny how people who have never heard the gentleman’s speakers have an opinion already. The gear looks great and I am very curious how these speakers would sound.
Regardless of what his product line is capable of, It's the guy's demeanor. It's off putting, desperate and very much full of something. Just leaves a bad taste in my mouth. Like a day old bagel, lol.
They probably sound as good as nothing. But they smell very well.
@@jareknowak8712 I'm sure they sound incredible but coming from someone with my skill set I don't see the value. Minus the drivers you have something that can be made very easily and with materials that are very common place.
Don't have to hear them. Horns ALWAYS color the sound, never in a good way!
@@usandthemx Says the man who is proud of his Confederate flag.No! You wont rise again. You will be deported again.
I like this guy, very smart and easy to follow his logic.
He's like me, just keeps explaining his passion and why it works .
I still want to HEAR the STUFF..
12:42 “there’s a lot of schmucks in this world”, I simply love this guy's direct and lucid honesty!
I would like to hear the sound of the various speakers they manufacture.
Make it a series, please. Strong design philosophies and passions are always interesting to hear.
This really open my eyes. May be one day, I can afford to open my ears as well. Thanks Steve for taken us to this journey. I'm voting with both hands to continue the series for other components.
Of course, this stuff is outrageously expensive, and the marketing babble is almost laughably twee, but I’D LOVE TO HEAR IT! Thanks, Steve! 🔥
Love this guy. A champion of good sound. Also love that he doesn't bother with ironing his shirt.
I'm impressed by the contrast between equipment like this, extremely large and extremely expensive versus equipment like Dayton Audio, small and inexpensive. Terrific range of equipment that Steve presents to us. I love it.
Agreed I like to see all sides of audio.
It is really enjoyable to see dedicated people like this who think so far out of the box, and are truly looking of ways to move the high end audio outside of the norm. I have been an audiophile for many decades, and I was very lucky to move from being an audiophile hobbyist, to being able to own and operate a semi high end audio store in Wisconsin in the 70's and 80's. I was able to travel to the CES shows and see many amazing products, but more important to people who are so dedicated to the determination of designing the very best products they can, even sometimes when they might no make a large sum of money. It is the science first and the cash second. I know sometimes those thoughts do not make for a successful business, but just the thoughts of someone doing things like this is truly impressive. Many years ago I met Doctor Hill at the Vegas winter CES show. Everyone was talking about his Hill's Plasmatronic speakers. Dr Hill was an atomic physicists who happened to be an audiophile. So he used his technical knowledge to build a truly amazing plasma driver in a very unique system. When questioned about the price (at that time about $25,000) he replied, that he and his son are driven by the technology to achieve his goals, not really a price point. So people out there are more interested in designing the very best, and they think very far out of the box.
I heard a few at OMA Brooklyn, and the Imperias changed my life.
Oh and yes, more of this wonderful company please including a tour of their mill in Pennsylvania please, this company needs to be seen way more than it is!
His company is one of many that are not know the general public because it is UTLRA HIGH END. His company like many others CATER to those who can afford such systems which is basically the FILTHY RICH. You are talking about spending over $100,000 just for loudspeakers alone.
I enjoy Jon's passion. I also love that his customers just want to hear music and not get into the mix and match component game. Very cool stuff for sure, marrying great design with great audio with unique esthetics...perfect for one of those cool Brooklyn Heights abodes. Just not affordable for most of us.
That's great, Steve. Take him up on his offer: I'd watch any hi-fi topic the two of you'd expound on--his turntable idea is especially good. Thanks!
In the realm of what one could call "unaffordable audio", I have no more problem with this guy, what he says and what he builds than any other guy and what the other guy says and builds. This guy builds cool looking gear, says it's cool looking for a practical reason AND builds it in Brooklyn. If it sounds great, as good as other unaffordable gear, good for him and the rich guys who buy it.
Bring on more, why not? It's at least free for us to watch. Like reading car magazines about crazy expensive cars while we drive Hondas and Toyotas.
Two requirements to have that gear in your home. A huge room and a forklift. Very enjoyable interview.
Verne Mattson And a huge bank account.
LOL
Along with reinforced floors and hopefully no neighbors.
I don't have the money or the room for those components and speakers but I'm glad that a company like Owens Mills Audio exists and is doing well.
He has to be the most interesting man in high end audio
Next time I’m in Delaware, I’ll plan a trip to his shop
Enjoyed this. I'd like to know more about the direct drive vs idler :)
Me, too!
Me too!
Ric Byer Research Lenco L 75. It was a classic idler. Apparently idlers have less loss of speed when the stylus drag (friction) changes due to the density of the recording. Apparently this can be heard. I used to have an idler in the early 70's. In the 80's all I heard was that belt was better, less rumble so I got a belt drive. Then CDs were the way to go so I went digital. Now someone wants to tell me turntables and vinyl are better?
me, three
@@kirarittberg5088 A well implemented DD with quartz control is better than either idler or belt-driven turntables. Just look at the rumble and W&F measurements. I have the L75, and I now use it for my 78s. I used it as my main table for some time. It's great, but my JVC QL50 with an SME arm is much better. CDs are also great. In most cases, when a CD sounds bad it's because of bad mastering, not because of the medium itself.
Yes, I want to see more videos of this guy explaining his no-A (rt) beautiful audio stuff! Awesome equipment he's got there.
Count my yes for a follow up video on their turntables.. great interview.
Probably wouldn't be buying this type of gear even IF had the money to spend.... but I absolutely love to see and learn about it. I could watch hours of this!
Yes, yes, you are very used to the expensive ugly box. It's too late for ya.
Yeah, with that level of funding I could buy some drones and start a war somewhere.
I have sat in that room, heard the most life-like reproduction of music i could have imagined. He played Coltrane-Blue Train, amazing.
He uses field-coils to drive the horns on (all, some?) of his speakers, this has a huge effect on the sound.
If I had the money, and space, I would buy an OMA system and never look back.
Since OMA as a company is so obsessive, the time-alignment, cross-over and interaction the amps makes for a very coherent sound.
JW can be a politicizing figure, but his heart is in the right place and he is not selling BS.
Would you be so kind as to give a larger description of your experience. Thanks in advance.
C R Thanks!
Is it me or was Steve like:, "I'm done with this stuff" at the end?
Maybe his battery was flashing or data was filled up. Seemed rushed. But as someone who does videos, having a battery warning flash can cause stress.
Xander Guldie, Hahahaha!
I think it was more like "Well, that explained it better than anything else could! There's nothing more to add"
I think Steve was polite and a good listener, but he'd definitely had enough. The Weiss guy was incredibly boorish.
I wonder if he had been expecting to hear all the stuff, rather than jsut the owner ramble on. I know if I had spent that much time there and never heard anything play, I would have been miffed.
Another great video, Mr. Guttenberg - indeed you may even say I've been waiting for this one, and its horn-likes..! Please return with a follow-up(s) from Mr. Weiss and his OMA adventure.
Yes, a second one with this gentleman.
What I have learnt by building my own hornspeakers is that really good engineering is always simple, thus beautiful.
Totally bonkers, totally fascinating
Do viewers want to know? We certainly do! More from this guy please.
Pre 1930 audio was big and efficient due to need but we forgot how good it was
Yes! I love their work - i just wish i had the money to put it in my home! : )
but it's great to see someone working like this in Hi-Fi. Would LOVE to see more!
I would absolutely love to hear his full audio solution.
What a wonderful video! Two refined music lovers and true gentlemen having a nice, highly interesting conversation on sound and sound reproduction. Thank you for this! God bless you both!
He bragged about his product. No conversation.
ok thats was different steve thank you for this video
I love this, bring more Jonathan
Yes I would like to hear the information about the turntables please. Very interesting to hear about innovation in implementing acoustical design.
I suspect the original video of this interview had the f word @ 7:30, which Steve has (almost) seamlessly removed. The horn speakers must have incredible sensitivity to be driven by amps with so few watts. Jonathan Weiss is an interesting guy and Oswalds Mill clearly manufactures interesting kit 👏👏
That turntable looks downright delicious.
Wow...so cool ! Really creative and hardworking entrepreneurial people.
I want to see his turntables. Thanks
Very cool products. I am glad there are people making it, and there are people that can afford it.
Makes me drool dreaming of having a room large enough for the big horns and enough disposable income to purchase all his gear. Fantastic interview!
Love his philosophy. When I started building my all vintage system I went with large, high efficiency speakers paired with 100 watt amps so the amps would loaf along at normal levels. OMA has a new turntable coming, btw.
This is quite simply outstanding
Art most certainly has a function.
Agreed wholeheartedly, and thank you.
This man has clear vision and knows his stuff..
The term art is an insult to him and I can see why.
This is a fascinating company - would love to see a series on this Steve, and updates as products come out. Probably priced into the stratosphere but allegedly justified by performance, plus good old fashioned American work using American raw materials, it's part of what makes this country great.
Brilliant. Like an endless supply of your finest wine or whiskey. You place the stylus on the vinyl, and off you go.
This goes several levels above my hi end experience - will my ears hear the difference? Probably ! Great video ! Keep it going !
Wow. What a character! Really enjoyed watching it. You should do the follow up video
I vote for a series!
I love this guy's passion and his, "the ultimate or bust" mentality. An AMAZING Interview.
I enjoyed the interview. It's cool to see what the 1% can afford, beautiful designs.
Interesting approach to home audio, yes more of it will be appreciated.
I loved this guy. Awesome stuff!
THIS IS EXACTLY WHY I WATCH! WHERE ELSE, THANKS!
Sounds like a bunch of wing-ding to me.
You are absolutely right, I have done electronics engineering whole my life, I am 59 years old and learn a lot trough my life, this is just another cork sniffer
One day this guy will learn what a quadratic diffusor is......
There are a few of his personal ideas in there that won't appeal to the text bookers, but the ideas are worth the exploration, I'm happy he explored without boundaries because to me all audiophile explore based on personal biases reinforced with theoretical knowledge. He may have explained some aspects from a position of lesser knowledge but the concept of the idea is still worth the appreciation.
Usually, when Steve interviews someone there is a lot of back and forth discussion and you can tell he really enjoys the interaction. This guy can't stop blowing his horn long enough to engage in any actual discussion. It's just him telling us how it is, and you can see what a gentleman Steve is by the way he responds.
@@mosespray4510 I 100% agree with you.. Steve tries to jump in a few times and eventually just gives up and lets him talk.. This guy is full of himself and believes he's a genius
I definitely wanna hear about his designs with turntables. This stuff is dope
Good luck to him, he obviously has customers. I doubt I will ever afford to own anything they make, but I enjoy that it exists
love this guy's passion. I'd work for him anyday
I definitely want to hear about the direct drive vs idler drive! I own all three types, all over 20 years old, but all very well enjoyed. Mr. Weiss is a very interesting person, thank you for this interview.
These pieces certainly make a visual statement.Very high sensitivity (Loud)speakers there.A very retro/industrial feel .Quite different from the mainstream.
Yes, please add another video on Turntable design. OMA speakers and amps are heavy. What is the reliability factor? How do you move the audio in the listening room and if one ever needs a repair, how do you send back to the factory? Great video! Love the Design!
Wow such a great way to do it, wish he did indeed do another one.after a lot of study one ends up here
Intresting ideal.
Speakers that sound good and look good.
Amazing stuff and beautiful too, very much my kind of thing. I would love to hear some playing, I don't think I have ever heard a horn speaker.
Of course we want to know about the difference between idler and direct drive turntables. Also this had to be perhaps the most interesting video you have done this guy is the Schiit. Oh wait.
actually , with SCHIIT YOU ACTUALLY DO get what u pay for !!!!
Being an idler fan, I'd like to hear his turntable thoughts.
Loved this. No compromise HiFi. "My way or the highway" attitude.
100 years ago, Western Electric concluded that round section horns sprayed ceiling and floors with incoherent sound and so made the throats of the horn rectangular in section, Later, sectoral wave guides or vanes were introduced in horn designs, which made a great improvement in efficient dispersal and articulation of complex wave forms. Today, compound curves in the surfaces of rectangular section horns have replaced sectoral vanes. JBL and Klipsch pioneered in this approach. Computer modeling has helped, but the final arbiter is still our ears.
Fascinating. I'm very much looking forward to a follow up Steve and soon please.
"There is a lot of schmucks in this world" - oh boy, absolutely agree with you......
Thanks to Jonathan Weiss, for the open and forthcoming discussion, on that fascinating looking gear he's building. I'd like to know more about it. It would be a treat to hear it play, but as you mentioned previously, Steve, yt audio demos are a non starter. It's certainly visually unusual and attractive.
Without guys like this, the world would be a sad place to live in!
Pushing the boundary = Evolution!
That’s real craftsmanship.
It's such a tease that we can't hear this stuff, even if it's compressed through YT.
gorgeous looking gear
would love to hear🌸
Lets hear the turntable pitch and whatever else Mr. Weiss wants to riff on.
Hi end audio is exactly that because of places and companies like this ...people that dare to think differently an not follow convention.....I applaud their effort to challenge convention ....love to see more please ....
I would love to listen to my favorite LPs on one of his systems. There's no way to tell about the audio quality without listening. A lot of people are grousing about the cost. Quality, if indeed they sound better, cost money. If I had the shekels, money would be no object in my pursuit of the Absolute Sound. The aesthetics of his equipment is another matter, however. I'm not all that impressed. I see quirkiness, but not great design.
get this guy back on the show Steve, he's an incredible marketer I'd like to hear more about his view on gear but from his marketing-ish perspective ;)
I would like to see more from this guy as well.
He put all the dummies hauling monoblocks around in their place in under 10 seconds. This guy is good.
I'm guessing you like all the used car salesmen you meet.
Wow, these products are inspiring! I love the pervasive use of real wood - i'm tired of the ever present brushed aluminium fronts on amps.
part 2 please, thanks steve!
KLH was a Boston group. Altec Lansing is a fun speaker to play with. I completely agree with OMA loudspeakers, and I admire the dedication the the science. 100 HZ for a horn is doing pretty nice , then the 21 inch sub is over the top for most systems. The amp he uses is the key as well. With an old ALTEC 500 and and 18 inch sub with ELECTROVOICE high end and a 1200 watt POWER amp 2 channel, I do just fine in my neighborhood. You are a true AUDIOPHILE, sir. Thank you for your presentation.
Always great to see originality and a person with passion for what he does. I would love to hear some of his gear. Not very mover friendly items. 200 lbs amps and 500 lb speakers. That's some heavy stuff.
I just finished a pair of prototype conical horns that are 14.5 inches across at the large end and 33 inches deep.
I used a pair of vintage Polydax 4/5 inch 4 ohm woofers for drivers. If anyone thinks its easy to build a 12 segment cone on your table saw think again. I cant speak to how the OMA speakers perform only to what I built. The good (very good) is that ON AXIS they have a rich mellow tone that express vocals and woodwinds (go figure) like I have never experienced before. Kenny G might as well be in the same room! Stringed instruments like a cello or acoustic guitar are also faithfully reproduced. My observation is that it is due to the resonance of the wooden cone. Place a hand on the outside and you can feel the music. Interesting in that this is NOT something that you would want in a "normal" speaker enclosure.
Now for the bad...Off axis sound. If ever there were speakers that need a LARGE room its these. If ever there were speakers that define and demonstrate a "sweet spot" its these.
Summary. worlds biggest open air headphones. Impractical for mortal humans.
Again I am critiquing my home build conical horns not the OMA.
Steve, did you get to listen? whats the off axis like?
More please, perfect for youtube.
Love to see a video of his comparison between the turntables. Also, a break down of his amps and the tubes he uses.
I understand what they're doing at OMA. Instead of making the amplifier do all the work, they're designing the loudspeakers to naturally amplify and reproduce the sound. So you're going to hear a lot more of the subtleties of the music without the need to turn the volume up very much. That's why the speakers look like they do and are made with those materials. It's actually all natural so to speak. It looks like that because it has to. That's why he hates the word "art".
"Our customers are not audiophiles" says it all really.
Thoroughly enjoyed this Steve other worldly please do more and if possible a review of how you found the sound personally.
Art of Sound - rolling of the eyes. But Best Art&Sound ever. IRONIC, I wanna see the review.
Art also has a function, opens new frontiers and feeds the soul.
High efficiency always rules. Great interview.
Yes! I want to hear more!!
What a great video. More of these amazing designs please.
the man might come off a bit jerky but wow I can see the passion and drive he has and that's far more striking to me. you can tell the process he has to make audio equipment is from the ground-up and wow I feel like he's discovered a lot of mistakes