Raag Sundar Kalyan | Sitar Maestro Ustad Rais Khan | Tabla Maestro Pandit Anindo Chaterjee
ฝัง
- เผยแพร่เมื่อ 11 ก.ย. 2024
- A performance from a Kolkata concert from Doordarshan featuring the legendary sitarist Ustad Rais Khan supported by his Farhan Rais Khan. The great tabla maestro Pandit Anindo Chaterjee accompanies with support from his son Anubrata Chaterjee. The raag being performed is referred as Sundar Kalyan by Rais Khansaheb.
53:50 the entire section is just sooo unimaginable... Extremely difficult and yet he played it with so much ease...
It feels like the universe is emptying it's garlands of the love through the sitar of ustad raees khaan. Is this music or divinity of god comming out of that sitar😭 😭 😭❤️❤️❤️. I can't express what it feels.
Music is not a compitition, no use comparing one artist to another, one should appreciate as it is. They all are unique in their own way
Anindo chaterjee is fablous
Mahanguru, ji ko shat shat parnaam.
Raees khan shb has made a sound tgat has the most elite and top tier feeling
Most iconic instrumentalist raees khan look at his delicate hands❤
I watched this concert in television....😀😀 what an amazing performance..it was...👌👌 great great..🙏🙏
Thanks a lot for sharing 😀😀👍👍
Speechless. Gratitude to all the Maestro for their extraordinary performance.
I was very unlucky because I didn't get to hear these great artists in front.❤🙏
Unbelievably beautiful 🙏🙏🙏
হৃদয়স্পর্শী ❤
John Mayer ne inhi ko dekhkar muh banane ki kala seekhi ❤
Nand ki chhaya bandish me dikhti hai.
Sahi pehchana. Nand ka ang hai. But not exactly Nand Kalyan. Khansaab was a genius with his creativity. You should also listen to his 'Ek prakaar ki kauns'. A beautiful blend of Malkauns, Chandrakauns and Jog. (Yes. Jog.)
The way it started, so sweet! But the acrobatics with the sitar killed the mood. And he was utterly disrespectful to Sri Anindya Chatterjee. Shame.
Opurbo
🎉
Raees khan ji ka jhala bhi piche chod diya tha rangnath mishra ji ne
Rais Khan constantly spoiled this performance with frequent interruptions during the show. Firstly, his instrument was not tuned properly, and to my ears at least, his chikaris were a minuscule bit higher than the overall pitch. Sometimes his baaj string and sometimes his Jor were out of sync. He stopped several times to adjust the strings. His drut tankari was as usual inimitable in its own way, but the tanas were executed with a lot of accompanying noise from the rest of the strings. And then he stopped Pandit Anindo Chatterjee several times to listen to Anubrata's Tabla instead, which was quite unnecessary and which again stopped the flow of the performance. I am a fan of Rais Khan, and in his heyday, he was incomparable as a Sitarist, but in his declining years he began to lose his mental faculties as can be seen partially in his stage presence here. As a speaker on stage, he always assumed an exaggerated artificial tone; honestly, I never enjoyed listening to him speak. It is a shame about his decline in the last years of his life. A sad end to a great artist. He should never have left India in any case. His art as a Sitarist declined gradually after he had moved to Pakistan. His bidar ang tunes and phrases became the hallmark of his many performances there. Pakistani listeners take great pride in doing their wahwahs when a musical phrase includes notes which are not part of the normal scale of the raga. Bidar notes can embellish the aesthetics of a taan or phrase when used sparingly, and only sometimes. An example of this is in Bhairvin when the two gandhars are used together in Avroh or descent. But this has become a curse in Pakistani music, especially in ghazal singing. Bidar ang notes in fast tankari is allowed in mishr ragas such as in Mishr Pilu or in Mishr Pahari; and in the hands of great Sitarists like Shahid Parvez this becomes pure magic. Rais Khan did this too in his heyday, but as I said, this aspect of performance should only be used very sparingly to highlight aesthetics of a performance. Having said all this, let me end on a note of praise for this great artist. Rais Khan maintained his individuality till the very end. He will be remembered for his great performances during his youth and also with Zakir Hussain later on when he was still in the full control of his baaj. Luckily we have his greatness archived in his live as well as studio recordings from all those years ago. May his soul rest in peace.