He did an awesome job, as usual. The idea has been around for awhile (15 years at least). I've had to do it in 3D, which is much easier (because you can just animate the texture map under the layer of water drops). I've rendered so many cans and bottles that just I pull up a file and drop in whatever I want playing on the can. This is my first time seeing it done analogue. I didn't even know anyone was shooting stuff like this practical anymore, but he did it so fast and accurately. I said the same thing about the video where he drops the shoe in the milk. We usually do that stuff in 3D. In this case you'd put the foreground leaf in as well for interaction with the can and the droplets.
"Never stop adventuring" "Embrace your inner child" "Stay fearless & stay curious" "Stay positive. Stay wild" “I don’t ask u anything, just if u want, give my GoProvids a chance and you’ll see...”
Daniel I don't know if you realized that you're inspiring the whole world to the next level of video making 🎬 You're giving birth to new monsters of food commercials and I'm glad I can take inspiration too! 💪
"Never stop adventuring" "Embrace your inner child" "Stay fearless & stay curious" "Stay positive. Stay wild" “I don’t ask u anything, just if u want, give my GoProvids a chance and you’ll see...”
I wouldn't call this a commercial, as a viewer I see no need to buy this. There is no pitch, no creation of want for the consumer. That's why most commercials have a story line and not just some flashy can spinning. Humans see more of a reason when there is an emotional attachment to something.
@@TheMrckraus this. I don't understand what's special about this other than show how tech has come far for the consumers to pull something off that professional filmmakers would only be able to do usually. It's great and all, but all of what he's shown in this and the previous video is what I'd say most of the passionate filmmakers should already be able to pull off with little to no difficulty. I honestly liked the previous video better. This one just feels Blender Guru 0.5 to me and I just couldn't bother watching anymore. There's lots of tutorials for those that are actually passionate and want to learn, but this isn't one of them.
Awesome tutorial, so please don't take this as shade, but: Either FCPX is way more limited than I possibly imagined, or you're making extra work for yourself here. Luma transitions should be a native thing supported here, as should alpha channels. So half the work keying out the transition seems unnecessary, and with alpha inherited across layers, you shouldn't need to add a blue screen and key it back out - that's just asking for additional keying artifacts where just the natural alpha transparency should work fine. I've never heard of a NLE that doesn't maintain alpha down through layers - but I also haven't used FCPX.
Man this is amazing. Everything you do to make this look good in post is so easy and doable but the fact that you have the mind to come up with the process is legendary.
Since the can was already nested at the end, you didn’t need to place another blue screen behind it and key that. It would have gone over the leaf background without it
This is awesome! You add tons of value with every post. Thank you for sharing your talents with us. I’m just starting out, but absolutely love your style and obsession to detail.
yesss, back at it again with the old tutorials and even better than ever. thank you for this daniel, and most of all thank you for taking into consideration our comments. your videos are better than film school haha
ye the title is extremely misleading, he probably thought it was something new because of how many extra steps you need to take in FCPX compared to something like after effects, where it would be super easy
@@Crucial54321 He probably did it to clickbait and to get more views. I may be wrong but I seriously doubt that as a person in this industry he thought that this transition is new
I mean the main point of the transition is using motion control to make a seamless transition between different colors/versions of the same product.. Once you have that part, you can use any B&W overlay or make your own to add uniqueness to the transition itself. He is walking through the whole process not just relying 100% on the storyblocks asset. Its just a tool in the toolbox and there's nothing wrong with using it.
Great tutorial, one thing that might sell it more is to mask out the two leaves on the left so the dust does not go in front of them. As it is now, looks a bit strange, but overall an excellent job.
So you're telling me that you invented matte transitions? Wow... Amazing! You didn't create it. You did it. I've been using transitions like that for a loooooong long time, as many people.
Why are people acting like this has never been done before? It's really cool but he's basically just doing the equivalent of an After Effects track matte that has been around for years.
Okay so honestly I think maybe the software Daniel uses is a bit weird in its features because this should be even easier in Resolve. Right after keying both cans, you should be able to go into the Color Page for the green can and add your transition matte *into* the same node space as the green can. Right-click to add an Alpha Output and if memory is right, just connect the transition matte's green input line into the blue-coloured Alpha Output :) Edit: I think with keying it's definitely a little more complicated than how my tiny brain remembers it. But what Daniel is doing is basically using a luma matte to drive the transparency of a video clip, a very standard thing that doesn't use his Blending Modes way in any other editing software
My God, this was incredible. This is one very few tutorials that was genuinely super fun to watch and kept me engaged throughout. Great video man. Well definitely try recreating this sometime.
It would be really cool if you did a few "interactive" videos. Put in the description the files you want us to download, and let us work on it in real-time with a video.
That TTS has been completely ruined by TikTok that my ears physically hurt hearing it and I had to skip that part of the video ;-; Amazing content as always tho I love seeing you make stoof
Daniel now you pretty much convinced me to try storyblocks. For some reason I though pro videographers do everything from scratch but I guess its extremely time consuming. Thank you for sharing!
Super smart way to do it! I love how at first glance it's a super simple transition but there's more to it than just 'yada yada overlay' great job you're an inspiration (as always)
Man you really started a whole trend 💪🏼
He did
Always innovating. 👏🏻
@Learn. Watch. Ask. I do that
Yep
He did an awesome job, as usual. The idea has been around for awhile (15 years at least). I've had to do it in 3D, which is much easier (because you can just animate the texture map under the layer of water drops). I've rendered so many cans and bottles that just I pull up a file and drop in whatever I want playing on the can. This is my first time seeing it done analogue. I didn't even know anyone was shooting stuff like this practical anymore, but he did it so fast and accurately. I said the same thing about the video where he drops the shoe in the milk. We usually do that stuff in 3D. In this case you'd put the foreground leaf in as well for interaction with the can and the droplets.
This is INSANE! I’ve no idea how you came up with this 🙌🏼
He is Epic
It's not a new idea, but he did a great job.
Hey saurav 👍🏻
Those pink spray really killin it 💪🏻
"Never stop adventuring"
"Embrace your inner child"
"Stay fearless & stay curious"
"Stay positive. Stay wild"
“I don’t ask u anything, just if u want, give my GoProvids a chance and you’ll see...”
@@nelmassachs imma stay negative
His girlfriend built his whole career
@@keef_khan How?
That leaf in the foreground totally made the whole scene come alive!
Daniel I don't know if you realized that you're inspiring the whole world to the next level of video making 🎬 You're giving birth to new monsters of food commercials and I'm glad I can take inspiration too! 💪
I’m starting to wonder if Daniel owns Storyblocks….😂
Yes lol😂😂 story block’s son
Lmao
"Never stop adventuring"
"Embrace your inner child"
"Stay fearless & stay curious"
"Stay positive. Stay wild"
“I don’t ask u anything, just if u want, give my GoProvids a chance and you’ll see...”
stick around, he will show you how
Daniel is the father and cinecom is the mother of story blocks
This is better than most of commercials I see on TV lol
It has to be, or you don't get to do it again.
I wouldn't call this a commercial, as a viewer I see no need to buy this. There is no pitch, no creation of want for the consumer. That's why most commercials have a story line and not just some flashy can spinning. Humans see more of a reason when there is an emotional attachment to something.
@@TheMrckraus As A viewer i find This commercial refreshing and appetizing. I find u annoying
@@theycallmedonjuan5430 You didn't find it appetizing though.
@@TheMrckraus this. I don't understand what's special about this other than show how tech has come far for the consumers to pull something off that professional filmmakers would only be able to do usually. It's great and all, but all of what he's shown in this and the previous video is what I'd say most of the passionate filmmakers should already be able to pull off with little to no difficulty.
I honestly liked the previous video better. This one just feels Blender Guru 0.5 to me and I just couldn't bother watching anymore. There's lots of tutorials for those that are actually passionate and want to learn, but this isn't one of them.
Awesome tutorial, so please don't take this as shade, but: Either FCPX is way more limited than I possibly imagined, or you're making extra work for yourself here. Luma transitions should be a native thing supported here, as should alpha channels. So half the work keying out the transition seems unnecessary, and with alpha inherited across layers, you shouldn't need to add a blue screen and key it back out - that's just asking for additional keying artifacts where just the natural alpha transparency should work fine. I've never heard of a NLE that doesn't maintain alpha down through layers - but I also haven't used FCPX.
What editing software do you recommend then?
I believe adding the blue screen background is unnecessary in FCP
It’s so that the cans are lined up and also for the additional copy layer.
Also, there is a built in transition if FCP called “Gradient Image” which does exactly this.
@@Kitakueigo I don’t know what this guy uses but I’d recommend premiere pro for more control & freedom while editing. Just my opinion though
Man this is amazing. Everything you do to make this look good in post is so easy and doable but the fact that you have the mind to come up with the process is legendary.
I always say, "I'M GOING TO TRY THAT." and never do, I do love watching you create though.
You never fail to make any video look so creative and entertaining regardless of how short/long it is. Great job as always! 👏🏼👏🏼
Thank you so much!!
So smooth 🔥🔥🔥
100% yes. If you want you want to take your composites to the next level, remember, always use a light wrap when necessary!
Hey Daniel, Love your vids, have a good day!
Since the can was already nested at the end, you didn’t need to place another blue screen behind it and key that. It would have gone over the leaf background without it
same tho..
I think he did it for the light wrap, but yeah..
You're literally the best at giving tutorials
Wow, D. Schiff! The way you tied everything together was clean (as always). Thank you for sharing your process with us.
You just taught me how to pull off a great transition so seamlessly. M gonna try it in my next vlog..
Thank you🙌
Yeah Daniel ! Good to see your work again :)
I can’t believe I get angry at the ads that pop up on YT videos and here I am watching how to make one
When your content is so good that you make money out of your actual work... and out of the BTS how-to as well. This is beautiful.
the transition was so good I didn't notice the brand of the can!
My mouth hangs open in amazement every time I watch one of your edit explanation. It's incredible!!
Nice one Daniel! Relatively simple, looks great, super creative! Maybe I'll have to give this a shot 🤔
This is making the drink look really bloody refreshing.
it's alcoholic tho so it actually makes you more dehydrated
"Background is important" it's a key 🗝
love it: punch with the rolls! :)
This is awesome! You add tons of value with every post. Thank you for sharing your talents with us. I’m just starting out, but absolutely love your style and obsession to detail.
Brooo, you’re just giving away pure gems!!! Thanks again for another DOPE video!
Nicely done. Wanna do it myself. Everything looks so easy when you do it...
yesss, back at it again with the old tutorials and even better than ever. thank you for this daniel, and most of all thank you for taking into consideration our comments. your videos are better than film school haha
*makes a crazy new transition
company: Can you make a different one? We need it in 2 days. Thank you :)
@AndrewWithEase11 11 you are neither being smart nor cool by saying that
Love the concept, and the music is incredible
That was simultaneously genius and understandable for a beginner like me 👌🏻
Once again, a master at his craft! Your always an inspiration. Thanks👍👍😎
THAT IS FIRE 🔥 I AM DEFINITELY GOING TO TRY THAT
This is F..... Killer man!!! Thank a lot for share. ❤️🤓👍🏻
I've known how to do this transition for ages but the commercial is absolutely 🔥🔥
yea he didnt invent this in anyway - just ad looks nice
😎
ye the title is extremely misleading, he probably thought it was something new because of how many extra steps you need to take in FCPX compared to something like after effects, where it would be super easy
@@Crucial54321 He probably did it to clickbait and to get more views. I may be wrong but
I seriously doubt that as a person in this industry he thought that this transition is new
@@Crucial54321 Can you tell me how to do this in after effects, link a tutorial, or tell me what to search for please ?
I admire your channel every time I watch it. It's always a good reference for our company! Thanks!
“Punch with the rolls” agreed
the result was so perfect that made me smile
"I created a new transition, here's how to do it..." yeets the alpha from storyblocks***
I mean the main point of the transition is using motion control to make a seamless transition between different colors/versions of the same product.. Once you have that part, you can use any B&W overlay or make your own to add uniqueness to the transition itself. He is walking through the whole process not just relying 100% on the storyblocks asset. Its just a tool in the toolbox and there's nothing wrong with using it.
This guy is the god of commercial videograpgy ...big big fan bro
Great tutorial, one thing that might sell it more is to mask out the two leaves on the left so the dust does not go in front of them. As it is now, looks a bit strange, but overall an excellent job.
This is brilliant! Thanks for tutorial Daniel! Love the subtle overlays and the leaf masked on top. It makes all the difference.
I’ve been waiting for this after seeing your insta story 😅
Mee to 🔥
i probably wont use storyblocs as much as Daniel does but still appreciate them for sponsoring him so I can learn this.
Why add that blue solid tho? 🤔
Unreal. You are a video wizard. Amazing work!
Powersh 🔥🔥🔥
Ivdeyum😅😅🔥🔥
Ha evidem undo
Malayaliesss
Malayali 😂🔥
enge paathalum nee😂😂😂
Wow! This is incredible.
This is great! It would have been more simpler in AE I feel
I am Graphics Designer, always learn something new from you. Thank you so much and your hard work always payoff👍
Daniel is coming for Peter’s title at this point 😭😭
who’s peter?
@@ayomideolobaniyi7379 Peter McKinnon
Genius level of creativity!!!!
So you're telling me that you invented matte transitions? Wow... Amazing!
You didn't create it. You did it. I've been using transitions like that for a loooooong long time, as many people.
if there is no video of you explainng it with over 50k views it doesn't exist and you're irrelevant
@@CristianRodriguezz its just a video layer with chroma key, whats so special about it
It's INSANE!! Pretty cool transition
you gotta roll with the punches, pun- punches with the rolls..
so much value you bring to us here Daniel, much appreciated 😇🙏
This is extremely cool, I wanna do this ✨
WONDERFUL!! Can't wait to see more...
0:02 probably the most important thing
Daniel, I have a challenge for you! No gear, no fancy gadgets, nothing but your phone and editing software. Try to make a commercial/b roll with that!
Why are people acting like this has never been done before? It's really cool but he's basically just doing the equivalent of an After Effects track matte that has been around for years.
I’m confused too but I don’t wanna sound like an asshole and say it’s not all that. I mean it’s literally just a track matte right?
@@chrisrodriguez6899 yeah like it's a cool effect, not dissing that at all, but people in the comments are really overblowing it, it's not new
Ikrrr
as a beginner, i already notice that it's not new at all.
But i don't really care whether it's new or not, i just came here to learn
@@danielarmstrong2144 what
nice Daniel, 2M subscribers!
Does anyone can tell me how to make this transition in Resolve ?
Almost done it but there is no stencil alpha into the blend modes...
Okay so honestly I think maybe the software Daniel uses is a bit weird in its features because this should be even easier in Resolve.
Right after keying both cans, you should be able to go into the Color Page for the green can and add your transition matte *into* the same node space as the green can. Right-click to add an Alpha Output and if memory is right, just connect the transition matte's green input line into the blue-coloured Alpha Output :)
Edit: I think with keying it's definitely a little more complicated than how my tiny brain remembers it. But what Daniel is doing is basically using a luma matte to drive the transparency of a video clip, a very standard thing that doesn't use his Blending Modes way in any other editing software
My God, this was incredible. This is one very few tutorials that was genuinely super fun to watch and kept me engaged throughout. Great video man. Well definitely try recreating this sometime.
I’m waiting for the day I’m cluelessly skipping a TH-cam algorithm add made by Daniel Schiffer, just to watch how Daniel Schiffer makes TH-cam Adds 😅
😂
You make the best videos I see on YT, keep going !!!! 🔥
It would be really cool if you did a few "interactive" videos. Put in the description the files you want us to download, and let us work on it in real-time with a video.
Man!! U nailed it.. I'm so speechless can't wait to learn this technic when i get home
That TTS has been completely ruined by TikTok that my ears physically hurt hearing it and I had to skip that part of the video ;-;
Amazing content as always tho I love seeing you make stoof
Trying to remember videography before Daniel Schiffer … looking back it was pretty dull. Awesome work! Keep sharing your wisdom!
As a german i have to say something…
Radler ist kein alkohol
Daniel now you pretty much convinced me to try storyblocks.
For some reason I though pro videographers do everything from scratch but I guess its extremely time consuming.
Thank you for sharing!
Seriously man... you're a GD genius. I hope you're getting crazy paid man. You deserve the BIG BUCKS. (I know you're making these for free). You rock!
Haven't even touched a video editing software in my life but this video was entertaining and I actually watched it all. Very nice
Holy crap. That was amazing
Wow ! Amazing idea and image quality is outstanding!
Thanks so much for this tutorial Daniel. I started as a filmmaker thanks to you and im in love with it. Greetings from Mexico bro
Thanks Daniel for the tips 👍
It's very inspiring every time you upload a new video!
Quality on the edit, tutorial, and the overall experience with the vid. Thank you!
wowww!!! u are so talented! thanks for the knowledge! it will be rlly helpful for me as a design product student.
Seen a similar transition for the old pipi drink commercial; top down water splash effect on the drink, revealing the new bottle style.
Looking sooooo beautiful
Hey. Thanks for tutorial. Gave me an idea to recreate it in Virtual Production.
Fantastic work!
Best in the game Daniel!!! Love it!!!
Super smart way to do it!
I love how at first glance it's a super simple transition but there's more to it than just 'yada yada overlay'
great job you're an inspiration (as always)
This guy is a straight up genius!!!!!!!
Excellent, so satisfying to watch! 😎
You are the best Daniel....Respect from Boston
Wow! That’s amazing! Thank you for taking the time to show us the whole process.
Insane talent... You're amazing, dude!
I have basically no experience with video editing and this is just wizardry to me. I like it.
Two such simple shots turned into something amazing!
imagen coming up whit this and being this creative!!!!
big fann
Japan needs more creators like you!
I saw this transition on your Instagram and here you are 💯
Im so proud that I subscribed before 2M (I was at 1.99M lol) I love your content btw it’s awesome