This wonderful video shows clearly why the art of the Classical Guitar is second to none in artistic elegance. Not only are we treated to extremely fine musical composition but we're also given a compelling visual display of an example fine instrumental skill. Ears and eyes are invited to this feast. Bravo! Marcin Dylla
1820 год. Крупная зала, лёгкий треск свечей, люди притихли в ожидании начала волшебного действа - они пришли на концерт гитарной музыки. 2020 год. Сижу на стуле, запрокинув ноги на стол, в руках телефон, запущен TH-cam я как один из тех, кто пришли насладиться композициями гитарной музыки, и я в ощущении чуда, происходящего когда гитара в руках мастера, он творит произведение признанного временем автора. Гитарная музыка бессмертна! Она будет звучать всегда, как 200 лет назад, так и сегодня.
A really awesome and impressive performance! Mr.Dylla has his name written in the world classical guitar history forever. As Segovia has once said about guitar playing: it is the easiest musical instrument to be badly played , and the most difficult one to be played with perfection! Mr Dylla took the hard and difficult way and gave us a heavenly interpretation! A Great Maestro! He knows with an acute precision what he is doing! He thinks at every note, feels in his heart each one of them. He does it with a perfect sense of cooperation among the notes and the musical phrases!! A cooperation toward uniqueness ! Wonderful! A quite rare event! . Every little detail is intentionaly conceived and played . God bless you Mr Dylla! Hope you come to Brazil so we can see you and enjoy your talent. Thanks for sharing these unique gifts!
Amazingly beautifull sounding guitar, rest to Say about the inmens Maestro Marcyn, impressive balanced, proyection, i imaginé is a dream being there live
This was a special donor concert, so tickets were very, very expensive. They do a lot of other concerts with normal ticket prices, and those typically have great attendance.
@@sutherndudetx you obviously know very little if anything at all about what's going on in the Classical guitar world here in Texas. Austin Tx.Especially Austin Classical Guitar which is a huge light in the Classical guitar world. Yes; we love our Willie and miss Stevie and appreciate Eric and on and on...we have some of the world's best Classical guitar programs at UT (Adam Holzman, Matt Hinsley) and of course for 30 years now ACG. Some of the best performers, teachers and professor's in Classical guitar live, teach and perform here. Duo's , quartets and soloist. Very famous Classical guitarist from around the world come to Austin TX to perform and give master classes. Ana Vidovic, Pepe Romero, David Russell, Elliott Fisk, Gohar Vadanya, Sharon Isbin to name a few. Our student programs in junior high and high are second to none. All this is just the tip of iceberg so to speak. I'm very happy to educate your obvious presumptive assumptions about the Classical guitar community in TX especially ATX. This recital by Maestro Marcin was in the middle of the day after a master class. I've seen less audience in Boston during certain circumstances. Crowd size really doesn't matter; anyway. Well, at least you know more about our wonderful programs here in Texas! I'll tell you more sometime; though I have to go feed the horses and burn one with Willie. Take care and good luck to you. Hookem 😊
Love this man's approach to music. His touch is self assured, his tone full, rounded and his execution direct. He clearly displays an innate sense of style and embodies the elegance required for classical music. Thanks for pointing us in this direction Mr C, it's a great rendition and I can't wait to listen to the rest of it! :~)
Estupenda e inexpugnável apresentação. Melhor que isso é meramente impossível de se fazer. Um grande intérprete e logicamente famoso violonista que muito trará para a música erudita, enfim, um polonês que se destaca magnificamente em sua arte violonística! Parem de julgar poloneses, vulgarmente chamados de polacos, como meros plantadores de batatas!
Splendide interprétation, dans le style romantique exalté, technique adaptée, un régal ... dommage que sur youtube la qualité du son soit moyenne. Bravo!
It's very hard to make this sound charming on a Modern Spanish Classical Guitar, because the sound of the instrument is so overly warm - muddy and tubby, the very opposite of the instrumental sound which Guiliani would have had in his ear, if not in his hand, as he composed it.
Why can’t I follow along with my 1986 version Milan Rejchrt? Are there multiple arrangements… just the last movement Mr. Dylnn I seems to ad a repeat of some of the material compared to my arrangement. Oh well.
I wonder if there was anyone in the audience thinking, "yeah, great, but why's he rolling those SCHWARTZendos??? And why did he play the horn section so PEEANEACEMO!?!"...
This piece was written around 1808, I think, as Giuliani arrived in Vienna. Beethoven was 38 years old. I this how people play Beethoven nowadays? Just a question.
Si hay partitura, pero se debe aprender de memoria para interpretar en vivo, el truco está en practicarla mil veces hasta que te sale bien y eso demuestra profesionalismo !
Así es el mundo de la guitarra clásica, se memoriza. A mí me resulta más fácil memorizar que estar pendiente de una partitura, a medida que uno aprende la obra y la va practicando y preparando para tocar en vivo, uno ya la va memorizando por tanta repetición. Estas cosas se tocan durante meses o incluso años, durante todos los días. Cómo para que no te quede 😂
I noticed at least the 3 rd movement. It’s fine and masterful but an extra 5 minutes at least of bits and lives throughout the piece to my ear. Incorporated into the 3 rd movement. Elliott Fisk used to as to Bach so not unusual. Just wonder if anyone else has a different arrangement?
come stravolgere un brano e farne occasione per dimostrare arbitrio esecutivo accettabile solo per la chitarra, il secondo tempo poi è veramente assurdo. Sul terzo tempo ci sarebbe da dire sull'errore di fraseggio, ma a questo punto ormai....
Excellent, but the quality of recording isn't up to the artists ability. The good sound studio recording would reflect this great performance. The camera angle showing the end of grand piano all the time, creates a clastrophobic effect. It should be further back showing entire artist against the paintings on the wall, or the wall itself. No planing involved.
Are you kidding me? Someone bought a baby to this performance? Faux pas! I'm not looking for an excuse to say negative things about young children or their parents, but there is no definitive scientific proof that exposing your baby/toddler to classical music will have any cognitive benefits. Bring the kids when they're old enough to appreciate that they're hearing music, like age 4 or above, because if they're there any younger than that, it is to no one's benefit. Show some respect for the audience and performer.
Actually, it does have an effect (just check this out! th-cam.com/video/H-xO-QMPOXg/w-d-xo.html ), although I must agree that bringing a baby to a performance is weird to say the least
Maybe they couldn't arrange childcare and thought that everybody in the room could endure a few baby noises without whining out like sanctimonious cunts? Maybe.
Actually I don’t care for this performance, particularly the sloppy timing. Trying to do too much, when playing (mostly) in strict time is more elegant for this period. Plus in every version he has online, he adds an extra beat of G7 4 measures before the return to the theme in the development section of the first movement. Very odd. It’s like he doesn’t know where he is in the measure. And he does NOT follow the dynamic markings in the score. Listen to David Russell’s version for what I mean.
Una esecuzione pessima, a partire dalla primissima nota, a seguire con tanto altro e al secondo tempo con una lettura incapace di seguire il testo creando ridicole imprecisioni ritmiche per tacere del terzo tempo, assolutamente sconosciuto nella struttura dal pur bravo, ma solo tecnicamente Dylla.
![Marcin Dylla - Five Preludes by Heitor Villa Lobos [ACG Benefit Concert]](http://i.ytimg.com/vi/2x0cxSoTYBU/mqdefault.jpg)
![Marcin Dylla - Five Preludes by Heitor Villa Lobos [ACG Benefit Concert]](/img/tr.png)
For those that are interested in the guitar, it is a "Torres" by Gabriele Lodi. Spruce top with maple back and sides I believe.
That looks like a fine piece of wood.
This wonderful video shows clearly why the art of the Classical Guitar is second to none in artistic elegance. Not only are we treated to extremely fine musical composition but we're also given a compelling visual display of an example fine instrumental skill. Ears and eyes are invited to this feast. Bravo! Marcin Dylla
1820 год. Крупная зала, лёгкий треск свечей, люди притихли в ожидании начала волшебного действа - они пришли на концерт гитарной музыки.
2020 год. Сижу на стуле, запрокинув ноги на стол, в руках телефон, запущен TH-cam я как один из тех, кто пришли насладиться композициями гитарной музыки, и я в ощущении чуда, происходящего когда гитара в руках мастера, он творит произведение признанного временем автора.
Гитарная музыка бессмертна! Она будет звучать всегда, как 200 лет назад, так и сегодня.
A really awesome and impressive performance!
Mr.Dylla has his name written in the world classical guitar history forever. As Segovia has once said about guitar playing: it is the easiest musical instrument to be badly played , and the most difficult one to be played with perfection! Mr Dylla took the hard and difficult way and gave us a heavenly interpretation! A Great Maestro! He knows with an acute precision what he is doing! He thinks at every note, feels in his heart each one of them. He does it with a perfect sense of cooperation among the notes and the musical phrases!! A cooperation toward uniqueness ! Wonderful! A quite rare event! . Every little detail is intentionaly conceived and played .
God bless you Mr Dylla! Hope you come to Brazil so we can see you and enjoy your talent.
Thanks for sharing these unique gifts!
Amazing experience watching and listening to this Amazing musician.
We are so lucky to live in these times...
Grande gênio Mauro Giuliani.. Grande prazer estudar suas peças
Best version ever...
Carlos Alberto Castro fuck u
@@bobrobert9045 no fuk u :/
Wow didnt see that coming
@Bob Robert ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ
Love Guiliana.The Mozart of the Guitar.This piece is great fun to play.
singable phrases, true tempo, fantastic dynamic contrast. outstanding!!!!
Just started learning this piece. This is a big help.
I suggest starting with something simpler like Mary Had a Little Lamb before you tackle this piece.
Possivelmente a melhor interpretação dessa obra.
Bravíssimo.
The Best! Amazing Dylla. 😍
Giuliani would have a huge smile on his face upon seeing/hearing this performance.
Beautiful playing and beautiful guitar (by G.Lodi)!
Maravilhoso intérprete esse moço.
Técnico, de uma sonoridade muito limpa, impecável.
👏👏👏👏👏👏🥰🥰🥰🥰🥰🥰
Espléndida versión de esta sonata; el timbre de la guitarra es maravilloso. Marcin Dylla un gran maestro. ¡Gracias por permitir escucharla!!
De acuerdo
Maestro! Qué GRAN interpretación!
Удовольствие в чистом виде.
Потрясно!!!
Браво мастер!!!!
Awesome performance, awesome piece. Long live Giuliani !
Love the sound and look of that guitar. Amazing sound!
La migliore esecuzione che io abbia mai sentito dell’op.15. Bravissimo!!! 👏👏
very beautiful...as always...thank you..!
Esta es una gran versión de Marcin Dylla para esta obra de Giuliani. Congratulaciones.
Beethoven admiraba a Giuliani, e incluso toco el violoncello en el estreno de su séptima sinfonía.
Thank you.
Amazingly beautifull sounding guitar, rest to Say about the inmens Maestro Marcyn, impressive balanced, proyection, i imaginé is a dream being there live
Wow! Beautiful.
JasonJason210 ii
I can't believe there are empty seats.
Six string orchestra. Magnificant!
MAESTRO...
Bravo !!
excellent! !!
Technically and musically perfect, thnx for posting!
Hermoso que Gran Maestro
Alba Schoijet bp
Sensacional 💥💥👏👏👏
Second time on this... It's captivating! Passionato, baby!!!
tremendo maestro, bravo!
He is among the best players in the world. Why are there so many empty seats?
He was playing in Texas. Their idea of great guitar music is Willie Nelson and Brooks and Dunn.
It's a classical guitar recital.
This was a special donor concert, so tickets were very, very expensive. They do a lot of other concerts with normal ticket prices, and those typically have great attendance.
Younger people tend to use smartphone and listen to EDM or today's pop instead of going to a concert hall to listen to classical music
@@sutherndudetx you obviously know very little if anything at all about what's going on in the Classical guitar world here in Texas. Austin Tx.Especially Austin Classical Guitar which is a huge light in the Classical guitar world.
Yes; we love our Willie and miss Stevie and appreciate Eric and on and on...we have some of the world's best Classical guitar programs at UT (Adam Holzman, Matt Hinsley) and of course for 30 years now ACG. Some of the best performers, teachers and professor's in Classical guitar live, teach and perform here. Duo's , quartets and soloist. Very famous Classical guitarist from around the world come to Austin TX to perform and give master classes. Ana Vidovic, Pepe Romero, David Russell, Elliott Fisk, Gohar Vadanya, Sharon Isbin to name a few. Our student programs in junior high and high are second to none. All this is just the tip of iceberg so to speak. I'm very happy to educate your obvious presumptive assumptions about the Classical guitar community in TX especially ATX.
This recital by Maestro Marcin was in the middle of the day after a master class. I've seen less audience in Boston during certain circumstances. Crowd size really doesn't matter; anyway. Well, at least you know more about our wonderful programs here in Texas! I'll tell you more sometime; though I have to go feed the horses and burn one with Willie.
Take care and good luck to you.
Hookem 😊
Grande Marcin!
0:02 sonata
8:40 adagio
12:55 finale
00:02 Allegro spiritoso
08:40 Adagio
12:56 Finale
I am learning this
He has such a polite audience :)
Hey Cam
Love this man's approach to music. His touch is self assured, his tone full, rounded and his execution direct. He clearly displays an innate sense of style and embodies the elegance required for classical music. Thanks for pointing us in this direction Mr C, it's a great rendition and I can't wait to listen to the rest of it! :~)
Nice and smooth.
Best of luck with it Camaron❤
parabéns Dylla !!! !!!!!!!!!!!!!!!!! 💋👀👀👀👀👀👀👀👀👀👀👀
Next time me too in that living room, chilling XD
Brillante interpretación!!!
bravo.
Wow amazing
Bravo!
Quite outstanding really but not surprising as Marcin Dylla is on a level most other guitarists can only dream of.
Who in their right mind brings a baby to something like this?
In the voice of Darth Vador: Impressive... most impressive!
Very good!
Muito bom! Parabéns !!!
Estupenda e inexpugnável apresentação. Melhor que isso é meramente impossível de se fazer. Um grande intérprete e logicamente famoso violonista que muito trará para a música erudita, enfim, um polonês que se destaca magnificamente em sua arte violonística! Parem de julgar poloneses, vulgarmente chamados de polacos, como meros plantadores de batatas!
Splendide interprétation, dans le style romantique exalté, technique adaptée, un régal ... dommage que sur youtube la qualité du son soit moyenne. Bravo!
Nice
I wanted to be there sooo much just to clap😂
STUPENDO!
It's very hard to make this sound charming on a Modern Spanish Classical Guitar, because the sound of the instrument is so overly warm - muddy and tubby, the very opposite of the instrumental sound which Guiliani would have had in his ear, if not in his hand, as he composed it.
Que guitarrista maravilloso!
I wonder what make and model his guitar is -- all light-colored wood like spruce. Very wonderful performance.
Harvesting Brazilian Rosewood is illegal now, so they have to use alternatives like Balsa Wood...
INSPIRING.
How does he play SO clean for SO long...?
Nice!
Mukemmel yorum,Tesekkurler.
who goes with a baby to a concert as familiar as this one? Really I don´t understand.
Great performance. Too bad there is some nasty child spoiling the play by screaming!
Wonderful Performance!
Can anyone tell me Which Arrangement is it By??
Why can’t I follow along with my 1986 version Milan Rejchrt? Are there multiple arrangements… just the last movement Mr. Dylnn I seems to ad a repeat of some of the material compared to my arrangement. Oh well.
8:33 adagio
I wonder if there was anyone in the audience thinking, "yeah, great, but why's he rolling those SCHWARTZendos??? And why did he play the horn section so PEEANEACEMO!?!"...
quite ok
This piece was written around 1808, I think, as Giuliani arrived in Vienna. Beethoven was 38 years old. I this how people play Beethoven nowadays? Just a question.
Una pieza dificil y, quisiera saber porqué no hay partitura? Memorizan? No puedo creerlo!dónde está el truquito?
Si hay partitura, pero se debe aprender de memoria para interpretar en vivo, el truco está en practicarla mil veces hasta que te sale bien y eso demuestra profesionalismo !
Así es el mundo de la guitarra clásica, se memoriza. A mí me resulta más fácil memorizar que estar pendiente de una partitura, a medida que uno aprende la obra y la va practicando y preparando para tocar en vivo, uno ya la va memorizando por tanta repetición. Estas cosas se tocan durante meses o incluso años, durante todos los días. Cómo para que no te quede 😂
disfrutalo
12:52 finale
Ban Babies from Concert Rooms!Smh!
Why all the face pulling?
Guess it's more an arrangement than the original Op.15 :-)
I noticed at least the 3 rd movement. It’s fine and masterful but an extra 5 minutes at least of bits and lives throughout the piece to my ear. Incorporated into the 3 rd movement. Elliott Fisk used to as to Bach so not unusual. Just wonder if anyone else has a different arrangement?
I like the cut of his jib
He looks hungover as heck LOL
This is Marcyn Dilla's op15(not Mauro Giuliani)!
come stravolgere un brano e farne occasione per dimostrare arbitrio esecutivo accettabile solo per la chitarra, il secondo tempo poi è veramente assurdo. Sul terzo tempo ci sarebbe da dire sull'errore di fraseggio, ma a questo punto ormai....
what is the Name of his guitar? :)
Antonia Ferderer It's Guitar.
Rainer B are you sure
castor5001 Sorry, something wrong occurred in my answer, It's a Gabriele Lodi, "Torres" maple Guitar
Thank you
@@lrainerl :-)
is there a cat, miayww
MrGuitarcat
Who brings a baby to an intimate concert room.SMH!
Excellent, but the quality of recording isn't up to the artists ability.
The good sound studio recording would reflect this great performance.
The camera angle showing the end of grand piano all the time, creates a clastrophobic effect. It should be further back showing entire artist against the paintings on the wall, or the wall itself. No planing involved.
Tough crowd.
Why isn't he playing HINDEMITH by now!?! Lol (stop 🛑 being a slacker Marcin)
Are you kidding me? Someone bought a baby to this performance? Faux pas!
I'm not looking for an excuse to say negative things about young children or their parents, but there is no definitive scientific proof that exposing your baby/toddler to classical music will have any cognitive benefits. Bring the kids when they're old enough to appreciate that they're hearing music, like age 4 or above, because if they're there any younger than that, it is to no one's benefit. Show some respect for the audience and performer.
Actually, it does have an effect (just check this out! th-cam.com/video/H-xO-QMPOXg/w-d-xo.html ), although I must agree that bringing a baby to a performance is weird to say the least
Maybe they couldn't arrange childcare and thought that everybody in the room could endure a few baby noises without whining out like sanctimonious cunts? Maybe.
Actually I don’t care for this performance, particularly the sloppy timing. Trying to do too much, when playing (mostly) in strict time is more elegant for this period. Plus in every version he has online, he adds an extra beat of G7 4 measures before the return to the theme in the development section of the first movement. Very odd. It’s like he doesn’t know where he is in the measure. And he does NOT follow the dynamic markings in the score. Listen to David Russell’s version for what I mean.
like saying the Himalayas have too much rock. jeez.
Playing a clone of my Wolverton SP/MP. Nice
It s a guitar by the Italian luthier Gabriele Lodi. Inspired by A.de Torres.
The fastest and thus most boring Finale I ever heard. What a pity.
indian bushker
Una esecuzione pessima, a partire dalla primissima nota, a seguire con tanto altro e al secondo tempo con una lettura incapace di seguire il testo creando ridicole imprecisioni ritmiche per tacere del terzo tempo, assolutamente sconosciuto nella struttura dal pur bravo, ma solo tecnicamente Dylla.