002 Premiere Pro Turnover Workflows

This video covers the flip side of Dailies - turning over sequences to a colorist or sound engineer. I walk through some of the clean-up recommended before creating your turnover files, and I showcase some tools in Premiere to simplify down a complex sequence.

[@antonytalia]

Karl, your videos are so good and clear. I would devour as many as you can provide on all things AE centric! Brilliant work! 🙏🏼

[@csudh-abarton]

Saved and sent to my team! Thank you for this, Karl! Good to see ya, my friend! 👋🏽

[@CreativeVideoTips]

so much great information here - Thanks Karl!

[@KarlSoule]

Glad it was helpful!

[@abrahamchen8627]

Hi! Is there a video guide here checklist for the prores EDL output for a color turnover?
Basically offlining all the original proxies and the process for safely relinking back to the high quality OCF?

[@Markharrison-pp6zc]

Great one

[@davidarshadi2552]

Great vid - thank you

[@MrCrazyBats]

Love your videos! You're a mensch

[@KarlSoule]

Glad you like them!

[@avidrhl]

I’ve worked in post-production for a long time and I’ve never heard this referred to as “turnover”. Is this a new terminology? Who uses this term?

[@pipers3366]

I'm so confused thought this video was also for turning over sequences to a colourist