You can use a single EQ8 instead of 2 instances of the plugin, then map both a high pass and low pass filter to macro controls, this would reduce the load on the CPU which is quite important for a live performance.
Do you put uncompressed tracks and you put a limiter on the master of your set, or do you put individual compressed tracks? How is the process to sound with a good volume?
that's the classic struggle of a stems set, I will either boost the volume or do a mastering run on each of the stems individually, there is no quick easy way to get stems to sound like mastered productions
this is great! But i was just wondering, i noticed towards the end of your tutorial, you created these customized effects using your map key in the master section. But like, for the audio effects you put in there, they had the 3 little circles off the left side to access the macro controls. And for some reason, I don't see that option when I add an audio effect into masters
great tut guys! but I have a quick question... It's a bad idea not turning your scenes into audio and keep them as a midi instruments? witch way is safer in order to avoid crashes during the set? thanks! =)
I asked my father this same question not too long ago. He's been in production for 30 years or so. He advised that after I am done programming the midi, to save an audio version of the file beside it. Effectively you can do this in two was: 1) double the tracks (one with audio sequences, and the second with the audio) 2) save two versions of each project (one with all midi sequences the other with the exported audio files). He prefers adding effects to audio, because in his opinion, the resulting sound is more clear and rich. Don't know if that answers your question. In terms of crashing, DAW's mostly crash, in my experience, when you add too many plugins to individual tracks. Using sends like in the video reduces the strain on your machine and should make your DAW less prone to crashing.
Thanks for your answer man, your father is completely right! play live sets with all the instruments in midi is very risky and the fx matter is true now I got other question, what sample rate and bit depth do you think is ideal for this case?
Awesome tips! Simple and great!
Glad u found this helpful!
Great live performance tips!
Make sure to check out the other videos in this series!
You can use a single EQ8 instead of 2 instances of the plugin, then map both a high pass and low pass filter to macro controls, this would reduce the load on the CPU which is quite important for a live performance.
BUT HOW TO UPLOAD MORE SONGS ????
Do you put uncompressed tracks and you put a limiter on the master of your set, or do you put individual compressed tracks? How is the process to sound with a good volume?
that's the classic struggle of a stems set, I will either boost the volume or do a mastering run on each of the stems individually, there is no quick easy way to get stems to sound like mastered productions
this is great! But i was just wondering, i noticed towards the end of your tutorial, you created these customized effects using your map key in the master section. But like, for the audio effects you put in there, they had the 3 little circles off the left side to access the macro controls. And for some reason, I don't see that option when I add an audio effect into masters
are the master effect racks for download somewhere? ;)
hello , cant find the live pack, anyone can help?
thanks in advance!
So you don't apply effects to your tracks in the production stage leaving that for the performance right? cheers
You can still apply fx during production. Just think about which ones you might want to manipulate in a live setting. ex. a delay.
great tut guys! but I have a quick question... It's a bad idea not turning your scenes into audio and keep them as a midi instruments? witch way is safer in order to avoid crashes during the set?
thanks! =)
I asked my father this same question not too long ago. He's been in production for 30 years or so. He advised that after I am done programming the midi, to save an audio version of the file beside it. Effectively you can do this in two was: 1) double the tracks (one with audio sequences, and the second with the audio) 2) save two versions of each project (one with all midi sequences the other with the exported audio files). He prefers adding effects to audio, because in his opinion, the resulting sound is more clear and rich. Don't know if that answers your question. In terms of crashing, DAW's mostly crash, in my experience, when you add too many plugins to individual tracks. Using sends like in the video reduces the strain on your machine and should make your DAW less prone to crashing.
Thanks for your answer man, your father is completely right! play live sets with all the instruments in midi is very risky and the fx matter is true
now I got other question, what sample rate and bit depth do you think is ideal for this case?
Roberto Chriqui I believe bit depth really only matters for cutting to a cd. 16 is ideal in that case. I'm not too sure otherwise.
thanks for your help man, I really appreciate it
Roberto Chriqui absolutely man, cheers :)