Thank you Peter for you time you spent to inform us of your finding. I must say in the beginning I started looking for every single negative I could come up with against what you were teaching us. But by the end of the session oh, I'm thinking a whole lot differently than earlier. So once again thank you much I do appreciate it Terry Farrell Lake of the Ozarks Missouri
@@westerlundsviolinverkstada9892 but does it show up in Amati or Bergonzi as well for instance? Is this just an inescapable result of cutting the F-hole regardless of model?
I think you're mistaking swedish thoughtfulness for being frustration. It looks like negativity. It isn't. It's just a flowstate best maintained with sighs.
Thank you Peter for you time you spent to inform us of your finding. I must say in the beginning I started looking for every single negative I could come up with against what you were teaching us. But by the end of the session oh, I'm thinking a whole lot differently than earlier. So once again thank you much I do appreciate it Terry Farrell Lake of the Ozarks Missouri
Thanks!
You are correct here. Very rewarding to see it being shown in this way . So obvious really .
Does this Strad point show up in violins of other notable makers?
Yes. For example Stradivariuses.
@@westerlundsviolinverkstada9892 but does it show up in Amati or Bergonzi as well for instance? Is this just an inescapable result of cutting the F-hole regardless of model?
@@Nomadboatbuilding Guess so.
Oh do cheer up!
I think you're mistaking swedish thoughtfulness for being frustration. It looks like negativity. It isn't. It's just a flowstate best maintained with sighs.