Wes Montgomery - Satin Doll - Virtual Guitar Transcription by Gilles Rea

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Wes Montgomery
« Satin Doll » (take 7)
Album: « The Wes Montgomery Trio »
Melvin Rhyne (org) Wes Montgomery (g) Paul Parker (d)
New York, October 5, 1959
- On my Soundslice channel:
www.soundslice.com/slices/fd8Vc
- Others PDF transcriptions at:
www.gillesrea.com/boutique/
Virtual Guitar Transcription by Gilles Rea © 2020
www.gillesrea.com

[@KellindoParker]

Wow!! This must be one of the most accurate and detailed transcription ever!

[@BaronCzerny]

Wow! It will take me a lot of time to play half well these chord changes! Thanks for the great transcription!

[@sitarnut]

Yes, years...trying to play those Wes chords at speed is daunting to say the least, but worth it...

[@mqtias7670]

??? what a descomunal performance of wes, amazing job with the transcription!! i will look forward to learn it

[@ChazUnderriner]

The last chorus of all chord improvisation is completely astounding from a technical standpoint. How did he improvise so fluidly while doing that insane stuff with his left hand starting at 3:22?!?!!?

[@BernardGlorian]

Fantastique travail de transcription, Gilles !! waoohh !!!

[@Elemy69]

Thanks for your amazing work. I'm learning it right now. It's a great solo for beginners since it can be played in the first positions and it's easy to understand what's happening in the solo.

[@JazzGitarDersiSamiGundogdu]

Thanks for this wonderful work. You definitely deserve more attention than you have

[@jean-lucbersou758]

voilà une pépite qui nous est brillamment offerte . Un grand merci pour cette immersion au coeur du génie de WES montgomery . Ce partage de
science et de passion est inestimable ( quand on imagine jadis les vains efforts pour " repiquer " approximativement ) .

[@jean-lucbersou758]

J' ajoute que les doigtés proposés me semblent bien correspondre au déplacement privilégié par WES ( le long de la touche ) quand bien
même les notes entreraient dans des configurations plus horizontales . On découvre là une logique du phrasé de WES me semble t-il même
si elle force à changer certaines habitudes . Dans l'enchainement on voit que WES pense avec beaucoup d'avance .

[@Elemy69]

3:14 onwards is pure madness!

[@ChazUnderriner]

RIght!?!?!?!?

[@johnpritchard9753]

Love this - brilliant. Thank you

[@nopipac]

Ha, t'es un bon toi , ou plutôt très-très bon, Gilles , encore un beau travail tu as realisé et que de patience il t'as fallu, bravo l'artiste .

[@marchandisealain7544]

Fabuleux !!,
Merci pour ce travail incroyable !!

[@adolfoselles6982]

Goob job!! thank you!!

[@nate-orito7990]

2:05 for those looking to learn the solo

[@KS-pj8rk]

Hi Gill, I just found your Channel, fantastic. I love the Wes transcriptions especially. Which notation software are you using in the videos? Thank you for posting, and I will check out your channel further.

[@GillJazzTranscriptions]

Thank You! In this vidéo I use Soundslice for score and Guitar Pro for guitar neck.

[@KS-pj8rk]

​@@GillJazzTranscriptions Thank you. I realised it was Guitar Pro soon after posting to you. The software I don't know is the Wes Beaux Arts transcription, I like the fretboard layout and playback? here's the link: th-cam.com/video/gc7BQARgSeg/w-d-xo.html&feature=emb_logo

[@GillJazzTranscriptions]

@@KS-pj8rk In this Wes transcription, I used only Logic Pro (midi scores, audio, fretboard).

[@KS-pj8rk]

@@GillJazzTranscriptions Thanks again Gill.