Lo straordinario Genio musicale del sommo Cimarosa si diverte e ci fa divertire! Uno dei massimi rappresentanti dell'inarrivabile e incommensurabile scuola musicale Partenopea. Aversa ha dato i natali a 2 eccezionali musicisti (tra i più grandi di tutti i tempi): Jommelli e Cimarosa!
Great little work! Cimarosa certainly had a talent for opera buffa! I remember reading the passage in Goethe's Italian Journey where he records the composer being carried through the streets on the shoulders of the population of Rome after a successful performance in the 1780s!
Sono d’accordo, ottima interpretazione; mi è piaciuto molto. Per fare riferimento un gruppo di persone composto da maschi e femmine, si usa la forma maschile - in questo caso ‘Bravi! (o ‘Bravissimi’) dovrebbe essere utilizzato.
L' une des meilleures interprétation faites à ce jour. Le jeu de R.Novaro est sublime aussi bien d'un point de vue théâtrale que musicale ! Et Il Giardino Armonico est comme d’habitude parfait !
What a stunning interpretation by Novaro, Antonini and the sublime Il Giardino Armonico. I've listened to Il Maestro di Cappella on the Haydn 2032 CD for several years now and this is the first time I've seen a video of a live performance. It adds SO much to the performance seeing Novaro's interaction with the orchestra. Bravo! Bene! A wonderful revelation!
0:10 Sinfonía 2:38 Se mi dánno il permesso 5:10 Quest' é il paso dei violini (lai,lai,lai,la) 12:22 Son contento dell' assieme 14:18 Ci sposeremo fra suoni 19:40 Vi ringrazio, miei signori
GUAU qué maravilla! Hacía tiempo que no me divertía tanto en el ciberespacio! Con esto queda demostrado que el sentido del humor trasciende el tiempo y el espacio: es un territorio común a todos los seres humanos. BRAVO!!!
It is absolutely wrong that we hear so little of Cimarosa - and Paisiello, Soler and one or two others - when we get endless performances of Figaro for example to the point of saturation. There is surely room for Il matrimonio segreto, or Nina, or Una cosa rara, which apart from anything else, would increase listeners’ appreciation of Mozart by creating a historical context, rather than the vacuum in which most people listen to his operas. A thoroughly enjoyable performance of an interesting work, by a highly skilled writer of vocal music, and well worth a place in this series of recordings.
@@sg_dan It is a magnificent opera. The Met has toyed around with doing it. Several years ago they did that with Handel`s Semele. After doing the work it became an overnight success. So will Haydn`s amazing opera.
I bought some of Cimarosa and I cited it was like the glorious operas of Mozart but like better. Really just to provoke thought that there were other musicians writing music.
2:35, inizio voce 5:11, questo è il passo dei violini 10:10, aggiunte, dopo la cifra 21, 8 battuta della cifra 21 11:06, aggiunte, p. 37, da battuta 8 della cifra 23 12:23, sono contento dell'assiem 14:18, Ci sposeremo 19:40, Vi ringrazio,
Not sure there’s really any link with Mozart at all in the way you suggest as Il maestro di cappella was possibly written after Mozart’s death (first known performance 1793, though probably written a little earlier).
I love that moment around 7:31, where Novaro (portraying the composer-conductor) seems at odds with Antonini (the actual conductor). Just one small example of this performer's comic brilliance.
The concert took place 18th march 2016 in the Theodorskirche in Basel. It was the project No. 4 "Il Distratto" of Haydn2032 and is available as CD Vol. 4 "Il Distratto".
@@Haydn2032 Many thanks for this information. Your performances of the F. J. Haydn symphonies are superb. When you have finished the Haydn2032 project you can start on the compositions of his neglected brother Michael!!
The CD and luxury vinyl edition will be released on March 11, 2017. We do not produce and release DVDs, however, if you follow this channel, you will see more and more videos from our concerts.
caricateli tutti dai :( o ci sono problemi di copyright anche coi video? Avevo questo pezzo in ripetizione continua dal CD ma vederlo in video è così tanto meglio.
Thanks for reading my comment, but beware - there are two Spanish Solers. *Antonio Soler (1729-1783).* Mainly known for his keyboard sonatas - and a Fandango - written in a similar style to Scarlatti. *Vincent Martin y Soler (1754-1806).* Mainly known for his Italian operas which were performed in Vienna, Naples, London, St Petersburg, and elsewhere. Whilst in Vienna from 1785, VM y Soler became very popular, and had a number of smash hits; Mozart quoted one of his popular tunes from his fine opera Una cosa rara in the banquet scene of Don Giovanni. Both Solers are less well-known composers worth investigating.
Sshooter444 Interesting idea, I think he probably would approve; even though Mozart had a very earthy, Austrian sense of humour - and this is a quintessential piece of Italian humour - I think he would ‘get’ it. Mozart’s closest attempt to this is probably Der Schauspieldirektor (K485), presented at the Schonbrunn palace in Vienna 7 February 1786 as the German singspiel competition to Salieri’s Prima la musica, poi le parole representing Italian opera. The two pieces were performed one after the other at either end of the orangery on the same evening. Hardly surprisingly, this interesting encounter does not appear in Amadeus because the general consensus was that Salieri won and that obviously didn’t fit Peter Schaffer’s script. Eine Musikalischer Spass (K522), normally translated as A Musical Joke, but perhaps better as Some Musical Fun, Mozart’s satire and parody of an incompetent composer, written in 1787 is another rather more gauche attempt at humour. Both these works are a long way from the much more sophisticated Italian humour found in his great operas in that language. Overall, I think you’re probably right, and notwithstanding the various calumnies spread by Amadeus, I think he would have approved of this Italian piece. I think Mozart - and Haydn too where it is usually overstated - enjoyed humour, both bawdy and sophisticated, both Austrian and Italian. Mozart would have recognised everything in this piece, and enjoyed it, and laughed along like everyone else.
Ecco la cosa buffa, nelle famose registrazioni delle prove di Toscanini con la NBC il grande maestro se la prende coi contrabbassi, proprio come Cimarosa! Certe cose non cambiano mai :D "contrabbassi sembrate dei carri" (Toscanini) - "Maledetto contrabbasso & Il contrabbasso non dia quelle strappate che fan cattivo effetto nell'armonia ." (Cimarosa). Maestro Antonini cosa ne dice? La cosa vale ancora?
"or le trombe e percussioni ??" non c'è mica sta roba in partitura.. :), e mi sentirei quasi anche di dire che il termine "percussioni" non venisse usato nel '700.
Lo straordinario Genio musicale del sommo Cimarosa si diverte e ci fa divertire! Uno dei massimi rappresentanti dell'inarrivabile e incommensurabile scuola musicale Partenopea.
Aversa ha dato i natali a 2 eccezionali musicisti (tra i più grandi di tutti i tempi): Jommelli e Cimarosa!
Great little work! Cimarosa certainly had a talent for opera buffa! I remember reading the passage in Goethe's Italian Journey where he records the composer being carried through the streets on the shoulders of the population of Rome after a successful performance in the 1780s!
M.Novaro est un chanteur exceptionnel et son jeu d'acteur nous a impressionné.
Bravo également au chef d'orchestre ainsi que tous les musiciens !
Straordinario questo brano di Cimarosa ed eseguito in modo magistrale. Bravissimi.
Condivido confermo anch'io
Molto divertente. Brave e bravi! Vi applaudo e ringrazio dalla Repubblica ceca.
Sono d’accordo, ottima interpretazione; mi è piaciuto molto.
Per fare riferimento un gruppo di persone composto da maschi e femmine, si usa la forma maschile - in questo caso ‘Bravi! (o ‘Bravissimi’) dovrebbe essere utilizzato.
Anche le usanze si cambiano. @@elaineblackhurst1509
This overwhelming powerful performance promotes spiritual uplift and awakening, melts activates the human soul
With a worldclass orchestra, what masterpiece!!! Bravo Riccardo, great performance!!!
Bravo splendida orchesrta e singer.Grazis
L'ho suonata tantissime volte, divertendomi come un matto! :-)
Genio, invenzione, interpretazione ai massimi livelli
Complimenti, esecuzione originale e divertente.
Love it. I can’t help not hearing the Overture to The Marriage of Figaro
L' une des meilleures interprétation faites à ce jour. Le jeu de R.Novaro est sublime aussi bien d'un point de vue théâtrale que musicale ! Et Il Giardino Armonico est comme d’habitude parfait !
I could almost call it A young people's guide to the 18th century orchestra with comedic effect
I thought about that too!! ❤
That's is incredible! I've heard and seen anything like this before! I kept smiling all the time! Thanks for happiness ❤
Marvelous performance!!!!!
OMG -- this is the most amazing thing I've seen in a long time! And Maestro Antonini's recordings of Haydn Symphonies are the best I've ever heard.
Eccezionale!!!!
Grande!
What an original work Chimaroza wrote in 1786, bravo! Great performance ....
This wonderful and comfortable feelings is universe, and outclassing
What a stunning interpretation by Novaro, Antonini and the sublime Il Giardino Armonico. I've listened to Il Maestro di Cappella on the Haydn 2032 CD for several years now and this is the first time I've seen a video of a live performance. It adds SO much to the performance seeing Novaro's interaction with the orchestra. Bravo! Bene! A wonderful revelation!
Extraordinario ! Soberbia versión . Novaro y Antonini , que dupla mamma mia. Bravissimo !!💖
Fantastico!
Bellissimo.
0:10 Sinfonía
2:38 Se mi dánno il permesso
5:10 Quest' é il paso dei violini (lai,lai,lai,la)
12:22 Son contento dell' assieme
14:18 Ci sposeremo fra suoni
19:40 Vi ringrazio, miei signori
Superbe interpretation. Excellent orchestre, excellent chef et excellent baryton. Bravissimo
Thanks a lot for sharing
BRAAAVI MAESTRI!🎶👌👏👏👏
MAESTRO ANTONINI, EST USITÉS UN GÉNIE !!!
Spettacolare!!!!!!!👍👍👍👍👍👍👍👍
GUAU qué maravilla! Hacía tiempo que no me divertía tanto en el ciberespacio! Con esto queda demostrado que el sentido del humor trasciende el tiempo y el espacio: es un territorio común a todos los seres humanos. BRAVO!!!
Ja, aber....wenn die Menschen es hören und verstehen wollen. Warum hat Herr Antonini nicht mehr als 6 tausend Abonnenten und Oliver Pocher mehr????
Riccardo, Riccardo...! Bella voce, bel'uomo... 💖
bravissimi!! divertentissimo!
It is absolutely wrong that we hear so little of Cimarosa - and Paisiello, Soler and one or two others - when we get endless performances of Figaro for example to the point of saturation.
There is surely room for Il matrimonio segreto, or Nina, or Una cosa rara, which apart from anything else, would increase listeners’ appreciation of Mozart by creating a historical context, rather than the vacuum in which most people listen to his operas.
A thoroughly enjoyable performance of an interesting work, by a highly skilled writer of vocal music, and well worth a place in this series of recordings.
How about the opera masterpieces of Haydn, or still unknown wonders of Handel.
How about the masterpieces of Haydn and the almost unbelievable wonders of Handel. For me, Mozart is far over played.
@@shnimmuc Haydn's Il Mondo Della Luna is an absolute delight and masterfully written. It's truly shameful it isn't performed more often.
@@sg_dan It is a magnificent opera. The Met has toyed around with doing it. Several years ago they did that with Handel`s Semele. After doing the work it became an overnight success. So will Haydn`s amazing opera.
I bought some of Cimarosa and I cited it was like the glorious operas of Mozart but like better. Really just to provoke thought that there were other musicians writing music.
Forse una delle prime guide d'orquestra, prima di Britten o Prokofiev. Bravi tutti.Grande Cimarosa!
La escuché la primera vez de muy chico, y después de 60 años me sigue divirtiendo, es una obra maestra y perfecta para entrar en el camino de la ópera
Muy buena interpretación, me encantó. Bravo orquesta, bravo el maestro y Bravo el cantante 💪🙌👏👏👏👏👏👏
Bloody fantastic
Bravissimi
Favoloso!
Excellent!
Strepitosi e che suono!!
leonardo antonio di chiara moo
BRAVO! BRAVÍSSIMO!
Grandioso, ¡qué maravilla!
thank you Elaine! you ara really ..."una maestra"!
La ringrazio tantissimo, è molto gentile da parte vostra.
Gran spettacolo a tutto tondo .
Bravo Gigi!!!
2:35, inizio voce
5:11, questo è il passo dei violini
10:10, aggiunte, dopo la cifra 21, 8 battuta della cifra 21
11:06, aggiunte, p. 37, da battuta 8 della cifra 23
12:23, sono contento dell'assiem
14:18, Ci sposeremo
19:40, Vi ringrazio,
Genial !
Una gran lección del arte lírico "buffo" que también desarrollaron más tarde Mozart y Rossini. Bravo maestro!!
Not sure there’s really any link with Mozart at all in the way you suggest as Il maestro di cappella was possibly written after Mozart’s death (first known performance 1793, though probably written a little earlier).
Bravo!!!
¡Sublime!
Love the thumbnail, btw.
Chapeau
Formidable
I love that moment around 7:31, where Novaro (portraying the composer-conductor) seems at odds with Antonini (the actual conductor). Just one small example of this performer's comic brilliance.
bellissimo
Wow!
What Mozart opera DOESN'T include those very licks? Haydn... what a GREAT source of ideas for WAM. And for us today as well.
Amazing ! Name of trumpets and timpani missing ?
18:36... LOL just grand.
Lyrics: Lai lai lai, lalalalalala blahblahblah
Delightful! Where did this performance take place, please?
The concert took place 18th march 2016 in the Theodorskirche in Basel. It was the project No. 4 "Il Distratto" of Haydn2032 and is available as CD Vol. 4 "Il Distratto".
@@Haydn2032 Many thanks for this information. Your performances of the F. J. Haydn symphonies are superb. When you have finished the Haydn2032 project you can start on the compositions of his neglected brother Michael!!
Will you release a DVD for Haydn 2032 - IV?
in spring
The CD and luxury vinyl edition will be released on March 11, 2017. We do not produce and release DVDs, however, if you follow this channel, you will see more and more videos from our concerts.
caricateli tutti dai :( o ci sono problemi di copyright anche coi video? Avevo questo pezzo in ripetizione continua dal CD ma vederlo in video è così tanto meglio.
as a matter of fact, as Elaine said, Soler is great! try to listen, or play Fandango, for example...Cimarosa and Il Giardino Armonico are..splendidi!
Thanks for reading my comment, but beware - there are two Spanish Solers.
*Antonio Soler (1729-1783).*
Mainly known for his keyboard sonatas - and a Fandango - written in a similar style to Scarlatti.
*Vincent Martin y Soler (1754-1806).*
Mainly known for his Italian operas which were performed in Vienna, Naples, London, St Petersburg, and elsewhere.
Whilst in Vienna from 1785, VM y Soler became very popular, and had a number of smash hits; Mozart quoted one of his popular tunes from his fine opera Una cosa rara in the banquet scene of Don Giovanni.
Both Solers are less well-known composers worth investigating.
W Cimarosa
here
מגניב לאללה....אחלה ביצוע. מתקרב לרמת הביצוע של המאסטרו עומר אדם
Mozart would approve!
And probably copy it too ahah xD
Sshooter444
Interesting idea, I think he probably would approve; even though Mozart had a very earthy, Austrian sense of humour - and this is a quintessential piece of Italian humour - I think he would ‘get’ it.
Mozart’s closest attempt to this is probably Der Schauspieldirektor (K485), presented at the Schonbrunn palace in Vienna 7 February 1786 as the German singspiel competition to Salieri’s Prima la musica, poi le parole representing Italian opera.
The two pieces were performed one after the other at either end of the orangery on the same evening.
Hardly surprisingly, this interesting encounter does not appear in Amadeus because the general consensus was that Salieri won and that obviously didn’t fit Peter Schaffer’s script.
Eine Musikalischer Spass (K522), normally translated as A Musical Joke, but perhaps better as Some Musical Fun, Mozart’s satire and parody of an incompetent composer, written in 1787 is another rather more gauche attempt at humour.
Both these works are a long way from the much more sophisticated Italian humour found in his great operas in that language.
Overall, I think you’re probably right, and notwithstanding the various calumnies spread by Amadeus, I think he would have approved of this Italian piece.
I think Mozart - and Haydn too where it is usually overstated - enjoyed humour, both bawdy and sophisticated, both Austrian and Italian.
Mozart would have recognised everything in this piece, and enjoyed it, and laughed along like everyone else.
the sinfonia sounds like the marriage of Figaro by mozart
5:41 😂
Ecco la cosa buffa, nelle famose registrazioni delle prove di Toscanini con la NBC il grande maestro se la prende coi contrabbassi, proprio come Cimarosa! Certe cose non cambiano mai :D
"contrabbassi sembrate dei carri" (Toscanini) - "Maledetto contrabbasso & Il contrabbasso non dia quelle strappate che fan cattivo effetto nell'armonia ." (Cimarosa).
Maestro Antonini cosa ne dice? La cosa vale ancora?
Siiiiiiiii! Conosco quella prova....
manca il cembalista!!!!
22
"or le trombe e percussioni ??" non c'è mica sta roba in partitura.. :), e mi sentirei quasi anche di dire che il termine "percussioni" non venisse usato nel '700.
ma dai! per favore.. anche tu ai concerti con la partitura in nano. Ma tu ascolti o pensi?...
Pessima esecuzione!
Orecchie di porco!
@Seb G Luc7, dai fai il bravo...ai bicchieri possono essere mezzi pieni mezzi vuoti... sei vedi vuoti beh, allora fai il "critico musicale"